WATCH: Ben Harper, “Black Beauty”

Artist: Ben Harper
Hometown: Claremont, California
Song: “Black Beauty” (from the 2020 film, Black Boys)
Release Date: January 12, 2021
Label: ANTI- Records

In Their Words: “It was an honor to have been asked to write a song for this culturally vital documentary,” Harper said. “After watching Black Boys and discussing it in depth with [director] Sonia Lowman, I went immediately to work on composing ‘Black Beauty.’ I am old-school and still love getting players in a room together, so a production of this scale during a pandemic was challenging, with quarantine. I was fortunate that the incredible musicians in my circle have taken it upon themselves to become circumstantial recording engineers, and thanks to modern recording technology and some FaceTime sessions, I was able to work by sending tracks back and forth over the internet.” — Ben Harper


Photo credit: Jacob Boll

WATCH: Molly Tuttle Reinterprets Rancid’s “Olympia, WA”

One of Molly Tuttle’s strongest suits is her fluency in an array of instruments and styles. Using her experience as an excellent clawhammer banjo player and a masterful guitarist, she has forged a unique style of clawhammer guitar-playing. Similarly, Tuttle is at home in old-time music, traditional bluegrass, and more modern roots styles. Already an artist who seemingly can do it all, the California native’s newest endeavor is showcasing an even broader range of musicianship.

Her 2020 album, titled …but i’d rather be with you, is made completely of cover songs by artists from many different genres, including the National, the Rolling Stones, and Grateful Dead. In her interpretation of Rancid’s “Olympia, WA,” Tuttle’s ability to match her voice to the energy of the song speaks volumes of the caliber of musician that she is. In her trademark effortless way, she brings an acoustic guitar to a punk rock song and somehow still delivers an inspiring performance. Watch the video here.


Photo credit: Zach Pigg

BGS 5+5: L.A. Edwards

Artist: L.A. Edwards
Hometown: Julian, California
Latest album: Blessings From Home: Volume 1
Personal nicknames (or rejected band names): Lord Edward, Lorcey, Lorkis, Dad, El Drunko Supreme after some gin

What’s your favorite memory from being on stage?

We were playing a holiday show at this real dive a few years back and they had jerry-rigged a stage out of a pool table, milk crates, empty kegs, and plywood. The six of us were shoulder to shoulder and just cracking up at the whole thing and on the last song I tripped and fell off the stage. I was unconscious for a minute and I woke up with huge gash in my back on the barroom floor. Maybe not my favorite memory but thinking of that stage dive makes me laugh whenever we’re playing nicer rooms. I still have an impressive scar to show for it.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I’d really like to have a bitchin’ painting collection one day. My grandma was an avid art collector and even owned a Monet at one point. I inherited a few of my favorites from her house. I love reading, especially when I’m in a lyrical rut.

Which elements of nature do you spend the most time with and how do those impact your work?

I spend a lot of time in the water. Surfing, fishing, and boats have always been part of my life. It clears my head to watch the horizon for waves or my line for a bite. Lots of good ideas come when I have a clear mind and I’m not trying to force it.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Van Morrison and Italian or Springsteen and a hot dog.

What rituals do you have, either in the studio or before a show?

I don’t eat before shows. I like to go onstage hungry like the wolf, like Duran Duran.


Photo credit: Miller Hawkins

LISTEN: Dave Alvin, “Man Walks Among Us”

Artist: Dave Alvin
Hometown: Downey, California
Song: “Man Walks Among Us”
Album: From an Old Guitar: Rare and Unreleased Recordings
Release Date: November 20, 2020
Label: Yep Roc Records

In Their Words: “Marty Robbins, despite his 40-year, highly successful musical career, remains an underrated songwriter (he wrote “El Paso,” one of the greatest songs in American roots music history, and was a huge influence on me and many other aspiring songwriters). “Man Walks Among Us” is a good example of his serious lyrical and melodic talents. Born and raised in Arizona, he celebrates the desert environment he obviously loved and treasured. Being a desert lover myself, when I first heard this song, I was thrilled that Marty Robbins shared my appreciation for the wildlands and had put my feelings into a song. Even though I don’t possess Mr. Robbins’ incredible vocal skills, I always wanted to record this bittersweet rumination on the love for and the potential loss of our beautiful, tough yet fragile Western deserts.” — Dave Alvin


Photo credit: Chip Duden

BGS 5+5: Madison Cunningham

Artist: Madison Cunningham
Hometown: Orange County, Califoria
Album: Wednesday EP

“I challenged myself at the beginning of last year to learn and post a cover song every week as a way to stay inspired both in writing and performing. What started as a fun prompt cracked something open in me and stayed for good, freeing me up in the areas I tend to be too cautious in. After weeks and weeks of this, I decided to release four of these songs as an EP of interpretations, in hopes that they would bring comfort to people in the same way they for did me during this painful year.” — Madison Cunningham

Which artist has influenced you the most … and how?

It’s hard to give credit to only one as so many artists helped me along in different phases of my life. But if there’s one artist that encompasses all forms of my deepest interests, which is singing, playing, and writing, it has to be Joni Mitchell. She taught me how to sing and how to be a free thinker. Her music cracked me open as a young shy writer.

What’s your favorite memory from being on stage?

I was in Aspen, Colorado, last year opening for Amos Lee. I’m not quite sure if it was the elevation or the drunk audience, but it holds the record for being one of the most comfortable and freeing shows that I’ve played to date. For me, if there’s one small accident or interruption during the tuning portion of a performance, it makes me feel right at home. The conversation is the fun of it and makes the music feel invincible. Without it, I feel like I opened the door to the wrong apartment.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I think the only answer to this question is to eat some sort of red pasta with red wine, while sitting across from Joni Mitchell underneath a New York veranda. Ideally at sunset. But the truth is, I’d jump at any chance, at any hour, to have such a meal.

What’s the toughest time you ever had writing a song?

Probably when writing “Something to Believe In.” It’s quite possibly my favorite song that I’ve written, but cost me most of my hair. I sat on the chorus, and verses one and two, for about six months. And on the day I decided to finish it, I was pounding my fist against the floor and standing on my head trying to come up with verse three. Even after I finished it, I wasn’t convinced this song was for me to sing. So I gave it to a friend and then ended up recording it myself later.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I think every character is some three-dimensional form of myself. The only way you can write sincerely about someone is by relating to them, and you really only have your own experience to go by. Writing from a character’s perspective also gives you a kind of bravery to write about yourself, freeing you up to say things you’d normally feel was too forward. It’s an “I’m only the messenger” sort of a thing.


Photo credit: Claire Vogel

LISTEN: Justin Farren, “Fixer Upper”

Artist: Justin Farren
Hometown: Sacramento, California
Song: “Fixer Upper”
Album: Pretty Free
Release Date: October 23, 2020

In Their Words: “A reflection on the experience of building the home I currently live in with my wife and daughter. With no previous experience, we broke ground in 2004 and finished construction in late 2007. As the financial market collapsed, our janky new home was initially appraised at a value less than the cost of the materials it took to build it, let alone the three years of exhaustive labor. I felt dumb. 🙂 On the whole album, I used the only acoustic guitar I’ve ever owned. It’s a cheap Simon & Patrick I bought when I was a teenager. The electric guitar is a Les Paul Standard that a friend left at my house 12 years ago. I’m not much of a guitar nerd. I feel like they’re all pretty similar. I took an acoustic approach on this song because it’s about building a home. So a natural ‘wooden’ sound seemed right.” — Justin Farren


Photo credit: Wes Davis

WATCH: Justin Wade Tam, “Paradise”

Artist: Justin Wade Tam
Hometown: Nashville, Tennessee, via San Diego, California
Song: “Paradise”
Release Date: July 24, 2020
Label: Soundly Music

In Their Words: “I wrote this song with my friend Daniel Ellsworth about the subjectivity of paradise. We often get caught up in staring at idealized photographs on social media and forget that there can be beauty in the everyday, no matter where we are. Maybe paradise is more a state of mind than an actual physical location. So when Luke Harvey (Moss Flower Pictures) and I set out to make the music video, we wanted to convey that people all over the world have their own versions of paradise, and that is lovely: so many people and so many paradises. To help with the concept, friends from Chile, France, Iran, and Russia translated the lyrics into their respective languages. I’ve met each of these friends through music and touring over the years, and it’s wonderful to have their friendship reflected in this project. Luke set the translated subtitles and music to old film vignettes, capturing and challenging our perceptions of paradise.” — Justin Wade Tam


Photo credit: Annelise Loughead

LISTEN: Josiah Johnson, “Woman in a Man’s Life”

Artist: Josiah Johnson
Hometown: San Francisco, California
Song: “Woman in a Man’s Life”
Album: Every Feeling on a Loop
Release Date: September 4, 2020
Label: ANTI- Records

In Their Words: “We are beginning as a culture to reckon with gender roles and expectations, different standards and power dynamics. As someone who can fall back on presenting pretty straight, but has known I’m queer for a long time, I have been in process shedding my internalized homophobia and claiming my sensitivity, nurturing nature, my yin qualities as strengths. So when I sing ‘I’m a woman in a man’s life,’ it holds empowerment for me.

“I’ve learned to love my process. I’ve learned to love when I’ve taken the long way and where I get to admit mistakes. Humility and uncertainty are welcome. Being seen for who I am and where I’m at is my priority. And I am exactly where I am supposed to be. The result of that new courage bears out in how I’m able to be a better friend to the people I love. That’s the gift.” — Josiah Johnson


Photo credit: Sela Shiloni

LISTEN: Juni Ata, “Philadelphia”

Artist: Juni Ata
Hometown: Nashville now; born in Cuyamaca, California
Song: “Philadelphia”
Album: Saudade
Release Date: August 21, 2020
Label: Flying On Fire Records

In Their Words: “’Philadelphia’ is a personal story that tells of when I lost the love of my life as a younger man. We grew up in a tiny town of about 60 people, living across a meadow from one another. When we left school, she moved to Philadelphia for a job and I was supposed to follow immediately. I never got that Subaru Forester into Drive, for a multitude of reasons — some legitimate, some not. Ultimately, ‘Philadelphia’ is a song that uses the City of Brotherly Love as a symbol for all the places to which we have not yet traveled, but would still like to get to. If only in the reckoning and redemption of our past missteps. Whether or not we ever get there is intentionally left open-ended. Simply arriving upon a moment of truth whereby we are even able to identify the place where our heart — and destiny — lies, well… sometimes we never even get that far in our journey. Ultimately we are in command of our own victory, and regret.” — Juni Ata


Photo credit: Joshua Black Wilkins

LISTEN: Heidi Newfield, “When Heaven Falls”

Artist: Heidi Newfield
Hometown: Healdsburg, California
Song: “When Heaven Falls”
Album: The Barfly Sessions, Vol. 1
Release Date: August 28. 2020
Label: Notfamousenough, Inc.

In Their Words: “I wrote this song with Chris Stapleton and Trent Willmon. It was the second of two songs we wrote that day. The first was very cool and a great start… but we had a lot of day left so I told the guys I had this title called ‘When Heaven Falls,’ which originated with the loss of my mother Mary Ann back in 2004. I’d been carrying around all this grief, but hadn’t properly mourned her. I worked through the pain. I stayed on the road and in the studio. That kind of pain always manifests and finds its way out eventually — and for me, a lot of it was through this song.

“Chris laid his head back after thinking on it for a bit and began singing that opening phrase… ‘It’s the burning of an angel damned, that lingers in the souls of man…’ Trent and I just looked at each other and said a resounding ‘YES!!’ We jumped in there and out of our efforts that day came this beautiful and haunting song. It is the pure embodiment of loss, hurt, struggle, helplessness, and a broken heart… how it feels, looks, sounds, and hurts when Heaven falls…” [Read more below.]

“The track was the very last song we recorded that week. My voice was a little tired and worn, but my co-producer Jim ‘Moose’ Brown and I felt it would be a beautifully emotional way to close out the 17 songs we’d recorded late that night. We gathered around with Bobby Terry and David Grissom grabbing guitars. Bobby began playing that stunning acoustic opening lick. We wanted to keep it sparse and open…leaving lots of room and space for the listener’s thoughts.

“Michael Rhodes hopped in there with an old funky bass that sounded like a fretless, but wasn’t. Fred Eltringham kept it so vibey on drums playing just enough to hold us together and add those dynamics. He’s so great! That solo was everyone playing a full piece of an arrangement that was a bit fragile. It could’ve fallen apart at any second, but everyone played those notes stunningly, as a team, as a band. We decided to use my tracking vocal and not mess with it. It’s a little tattered and it’s not busy or fancy, but there was a timing and a transparency that was captured in that moment we wanted to keep. I laid down a harmony part or two and Moose laid one down, too, later in the song, but we kept it simple and honest. You can’t listen to this track without feeling a bit empty. That’s the point of it all.” — Heidi Newfield


Photo credit: Jeremy Fraser