Mavis Staples counts herself among the legion of Frank Ocean fans and she’s just released her rendition of “Godspeed” as a sign of her admiration. Of course Staples is an iconic voice of her generation through her groundbreaking music with the Staple Singers on “I’ll Take You There,” as well as the family group’s participation in the 1960s civil rights movement alongside Dr. Martin Luther King Jr. For this heartfelt track, Staples and producer Brad Cook bring in songwriter and Youth Poet Laureate Kara Jackson for spoken word vocals.
“Channel Orange was my first introduction to Frank Ocean and I was just amazed at the writing and soulfulness coming from his voice,” Staples said. “And I loved Blonde when that record came out. That first line in ‘Godspeed’ of ‘I will always love you’ just crushes me every time I hear it… or sing it. It’s just such a beautiful song and he sounds amazing on it so I was a little nervous if we could pull it off. I was honored to sing his words.”
This weekend in Canada, Staples will sing at jazz festivals in Ottawa, Toronto, and Montréal before crossing back over the border for shows in Knoxville, Tennessee, and Brevard, North Carolina. After a number of American concerts in July, she’ll pause just long enough to celebrate her 86th birthday. Then she’s bound for dates in Norway, the Netherlands, and Sweden in August, with even more stops scheduled throughout the U.S. through early October.
Yes, she’ll take you there… but only if you can keep up. Check out the Rock & Roll Hall of Fame member’s cover of Frank Ocean’s “Godspeed” released by ANTI- Records below.
To say good bye to the week and to August, we’ve got one more premiere round-up for the month – and, as always, You Gotta Hear This!
Among all the fine new music being released, we’re highlighting a handful of tracks newly minted or arriving very soon. First, there’s “Bring Out The Country (In Me),” the sole original number from Danielia Cotton’s new EP paying tribute to Country Music Hall of Famer Charley Pride. Then, check out singer-songwriter David Luning’s “Every Day I Am,” which explores the fear and anxiety of being a fugitive on the run.
As you continue, John Surge and the Haymakers bring us a properly Tex-Mex track, “Marisol,” from their upcoming album Maybe You Don’t Know Me. And, to bring us home, North Carolina-based bluegrass outfit Unspoken Tradition have a stellar cover of Alabama’s hit, “I’m In a Hurry (And Don’t Know Why).”
It’s all right here on BGS and You Gotta Hear This!
Danielia Cotton, “Bring Out The Country (In Me)”
Artist:Danielia Cotton Hometown: Hopewell, New Jersey Song: “Bring Out The Country (In Me)” Album:Charley’s Pride: A Tribute to Black Country Music Release Date: August 29, 2024 Label: Cottontown LLC with Symphonic Distribution
In Their Words: “Coming to New York City from a small town was a major transition for me. What surprised me was how much of my small town ways and sensibility I didn’t lose. The big city can engulf you, however that made me more myself and embrace more of my country roots. Big cities, especially New York, are full of what is seemingly countless numbers of confident people, when in fact so many are struggling with the same need to define themselves and stand out. I think I finally realized that what makes me most unique is when I am true to myself.” – Danielia Cotton
Track Credits: Danielia Cotton, Marc Copely – Songwriters Danielia Cotton – Lead vocals Marc Copely – Guitars, backing vocals, programming Andy Hess – Bass Aaron Comess – Drums, percussion Ben Stivers – Piano, organ Rocco DeLuca – Pedal Steel Produced, engineered, and mixed by Marc Copely at Casa Copely Recording, NYC. Mastered by Greg Calbi.
David Luning, “Every Day I Am”
Artist:David Luning Hometown: Los Angeles via Forestville, California (Near Petaluma) Song: “Every Day I Am” Album:Lessons Release Date: September 6, 2024
In Their Words:“Movies, songs, and stories, particularly set in the American west, have highly romanticized the life of running from the law, but in reality, in the long run, it’s gotta suck. So much fear and anxiety all the time. Always on the run. ‘Looking over your shoulder.’ Fleeing the consequences of your actions. Can’t trust anyone. At least I know in my life, running from my fears or consequences of things that I’ve done has never improved a thing. So on the surface, ‘Every Day I Am’ is about somebody running from the law, but underneath lies the story of somebody that is ‘…always hoping that one day it’ll be alright,’ without realizing that it could be, if they stop running.” – David Luning
Track Credits: Written by David Luning. David Luning – Vocals, Acoustic guitar, electric guitar, piano Linden Reed – Drums Ben Dubin – Electric bass Dave Sampson – Electric guitar Alex Leach – Electric guitar Damien Lewis – Percussion, sound design
John Surge and the Haymakers, “Marisol”
Artist:John Surge Hometown: Los Angeles, California Song: “Marisol” Album:Maybe You Don’t Know Me Release Date: September 6, 2024 (single); September 20, 2024 (album) Label: Blackbird Record Label
In Their Words: “‘Marisol’ is a historical lament about a woman who claims ‘my love is like a heart attack, the kind of love that’ll keep you coming back.’ It has a rollicking feel that comes straight from the Doug Sahm playbook. The song has a natural Tex-Mex feel. I kept asking Tommy [Detamore], ‘What would Doug do?’ Detamore shared stories of producing Sahm’s final album, The Return of Wayne Douglas. We followed that inspiration and traveled down Sahm Highway.” – John Surge
Track Credits: John Surge – Vocals, acoustic guitar Randy Volin – Electric guitar, baritone guitar, harmony vocals Brennen Leigh – Harmony vocals Michael Guerra – Accordion Brad Fordham – Bass Tom Lewis – Drums Floyd Domino – Organ Kevin Jarvis – Percussion
Unspoken Tradition, “I’m In a Hurry (And Don’t Know Why)”
Artist:Unspoken Tradition Hometown: Cherryville, North Carolina Song: “I’m In A Hurry (And Don’t Know Why)” Release Date: August 30, 2024 Label: Mountain Home Music Company
In Their Words: “I was born in ’85, so ’90s country was a part of life during that period. I still use ’90s country to get back there, nostalgically. Alabama was an awesome country band, and vocally, this song is just so fun to sing. The a capella intro always grabbed my attention back then and knowing our band has so many capable singers, I wanted to give this one a try as a fun cover. As a father with a family, a full time job, and also juggling music and other things, the message of the song is a reminder to slow down some and enjoy the little things.” – Audie McGinnis, guitar and lead vocals
Track Credits: Audie McGinnis – Guitar, lead vocals Sav Sankaran – Bass, vocals Tim Gardner – Fiddle Zane McGinnis – Banjo Ty Gilpin – Mandolin
Photo Credit: Danielia Cotton by Chía Messina; Unspoken Tradition by Sandlin Gaither.
In Their Words: “John Prine had a knack for folding mantras in to his songs. This song has a message that resonates deeply with my journey as a creative, father, and husband [and] that is so needed in this fitful world. ‘When love comes your way, you learn to say, I love you!'” – Ben Sollee
Photo Credit: Jessica Ebelhar Video Credit: Created by Josh Ford, FordFoto. Recorded at Mahonia Studios, Louisville, Kentucky.
Artist:Alice Di Micele Hometown: Ashland, Oregon since 1986; Linden, New Jersey as a child Song: “Square One” Album:Interpretations Vol 1 Release Date: January 19, 2024 Label: Alice Otter Music
In Their Words: “I’ve been enamored by Tom Petty’s songwriting for most of my life. The depth and diversity of his catalog is inspiring. Back in 2018, shortly after his passing, my co-producer Bret Levick and I formed a tribute band called Petty Thievery. It has been really fun to rock out to his songs and it gave me a new outlet for playing and singing. I absolutely love being a singer-songwriter, but it’s fun to wear a different hat now and again. I chose this mellower tune for my record, because I was driving home from tour with my drummer the first time I heard it and I had to hit replay 6 or 7 times. I went home and learned it. The theme of starting over really struck a chord in me.” – Alice Di Micele
Track Credits:
Alice Di Micele – vocals, acoustic guitars, shaker Gene Black – electric guitar Rob Kohler – bass Bret Levick – backing vocals
It’s that time, when music writers everywhere are thinking and writing about the best of the year’s music, blurbing away for year-end round ups. (Speaking of, our BGS year-end picks will be unveiled next week.) While it’s right to view ranking, commodifying, and objectifying music with a degree of skepticism, there is certainly something constructive and generative about reflecting on the songs, albums, and performances that have stuck with us throughout a year. It’s especially illuminating when certain music immediately jumps out from the rest, requiring no particular organization or intention to be a constant presence throughout a year or to be remembered among the cream of the crop.
Tray Wellington Band’s cover of Kid Cudi’s “Pursuit of Happiness” is one such song. When the group performed it earlier this year at FWAAMFest in Texas, it wasn’t the first time I had heard their rendition, but it was the first time I noticed an audience hearing it themselves for the first time. I was struck by the reactions, in a non-bluegrass audience they varied from utter shock to outright glee – even other bands and artists on the lineup were beside themselves, as Tray Wellington Band laid out their one-of-a-kind cover of such a recognizable melody. Later this year, I saw TWB perform again at Earl Scruggs Music Festival in Tryon, North Carolina, and yet again, down the road a handful of weeks later at IBMA’s Bluegrass Live! festival and conference in Raleigh. Each time, regardless of the audience’s starting point or their baseline understanding of bluegrass, of the banjo, of cover songs such as this, “Pursuit of Happiness” would generate electricity in the crowd.
There’s a reason why hearing a North Carolina-born, Raleigh-based (via east Tennessee) Scruggs-style banjo player’s take on “Pursuit of Happiness” reminds of Reno & Smiley performing Johnny Cash and Elvis hits and Flatt & Scruggs recording buckets of Bob Dylan songs. This is a tradition in bluegrass as old as the genre itself. Executed as artfully as this, it has the potential to bring countless new fans of string band music into the fold. That “Pursuit of Happiness” retains its impact, no matter the audience – thanks, in large part, to this band’s remarkable musicality as an ensemble – at bluegrass festivals, African American music festivals, or even in Earl Scruggs’ home county, speaks to that ineffable quality of this music that we all hold so dear. Sometimes, a bluegrass song just grabs you and it won’t let go. “Pursuit of Happiness” is destined to grab more than its own share of ears, and Tray Wellington and band deserve it and then some, for bringing this track to the world.
Artist:Jaime Wyatt Hometown: Nashville, Tennessee Song: “Althea” Album:Feel Good Release Date: November 3, 2023 Label: New West Records
In Their Words: “In ‘Althea,’ Robert Hunter suspects betrayal, but perhaps is untrue himself. He references Shakespeare and many suspect he was referring to Jerry [Garcia’s] addiction to heroin, but I personally think it was about his own journey in learning to love.
“Thank you to LA-based director, editor, and animator Tee Vaden for bringing such beautiful images to this song. We compiled tour videos and live performances and meaningful symbols for healing and rebirth, as well as fun Grateful Dead-esque eye candy. I chose to record the Grateful Dead’s ‘Althea,’ as the song is just as true and applicable today as it was at its release in 1980.” – Jaime Wyatt
Photo Credit: Jody Domingue Video Credit: Tee Vaden
Artist:Full Cord Hometown: Grand Haven, Michigan Song: “Reelin’ In The Years” Album:Cambium Release Date: November 10, 2023 Label: Dark Shadow Recording
In Their Words: “‘Reelin’ In The Years’ is a song that grabbed our attention from the first note. We really connected with the way the song flows and moves. Our arrangement has some cool rhythmic and chordal variations that we feel really show off the band’s musicianship. Our hope is that the fans will connect with our version of this classic Steely Dan song.” – Full Cord
Track Credits: Written by Donald Fagen and Walter Becker
Produced, recorded, and mixed by Stephen Mougin at Dark Shadow Recording, Goodlettsville, Tennessee. Mastered by David Glasser, AirShow Mastering, Boulder, Colorado.
Photo Credit: Scott Simontacchi Video Credit: Stephen Mougin
Artist:Sarah King Hometown: currently Ripton, Vermont; formerly Columbus, Georgia Song: “Hey Hey What Can I Do” (Led Zeppelin cover) Release Date: September 1, 2023 (single) Label: Ringleader Records
In Their Words: “Recording ‘Hey Hey What Can I Do’ was a bold, last-minute decision in the studio to celebrate and share some self-love: It was the first song I learned to play by ear on guitar, and I kept the original pronouns as a nod to some of the wonderful women I’ve dated in the past. I am now married to a man, but owning my queerness through music felt like the right choice.
“When it came time to craft a video, I knew Loni (of Whiskey Ginger Goods, who also designs my logo and merch) was the perfect director. She’s excellent at capturing women feeling themselves, and those beautiful in-between, emotional moments that can really tell a story. During my summer tour in Montana, we set aside some time to film both the bar and bedroom scenes. Combined, the video leads us through the seductive, and at times silly, story of a woman in love with another woman who won’t be true. As the heartbreak unfolds, the video gets more unhinged, until I just flop on the bed, tired of trying. I loved recording the song and video, and I hope everyone who watches has a blast listening, too!” – Sarah King
Track Credits:
Sarah King – vocals, guitars
David Baron – piano, organ
Johnny Stanton – bass Jeff Lipstein – drums
Produced, recorded, and mixed by David Baron at Sun Mountain Studios, Boiceville, New York Renee Hikari – assistant engineer David Baron – mastering engineer
Photo Credit: Arielle Thomas Video Credit: Filmed & directed by Whiskey Ginger Goods, Bozeman, Montana
Artist:The Cleverlys Hometown: Nashville, Tennessee Song: “Creep” Album:Solid Butter Release Date: July 28, 2023 Label: Mountain Home Music Company
In Their Words: “The audience is loving ‘Creep’ in our live show. Starting with the initial recognition of the iconic Radiohead tune and the irony of us doing it — classic. The 3/4 timing gives it a fresh sound and sets it apart from other covers of the song, but the shining moment comes when Haggis sings the bridge. There’s a point, when he hits and holds out the last note, that the audience explodes, sometimes even giving him a standing ovation in the middle of the song. It’s a chill pimple moment for sure.” – Dr. Digger Cleverly
Artist:Bibelhauser Brothers Hometown: Louisville, Kentucky Song: “Place In The Sun” Album:Close Harmony Release Date: June 15, 2023
In Their Words: “In the past few years, Louisville, Kentucky has been shaken to its core, amid a global pandemic, racial inequity, gun violence, and the fallout surrounding the death of Breonna Taylor. Our hometown, seemingly a microcosm of the country at large, has struggled with social justice and a level of political unrest not seen since the 1960s. During a time when it felt impossible to find bits of optimism on social media I stumbled upon a video from way back in 1969. It was an epic duet with Stevie Wonder and Tom Jones singing ‘Place In The Sun.’ In the video, the two superstars traded off singing powerful lead vocals, then switched back and fourth singing harmony parts. This reminded me of how Aaron and I have traded singing parts on many of our songs over the years. The lyrics gave me hope that we might soon find ourselves moving to a better place, and the image of Stevie & Tom singing together at the height of the civil rights movement was beyond inspiring. I knew right away, this was a song we should sing together, and I hope our interpretation of it moves and inspires a new generation.” – Adam Bibelhauser
Photo credit: Winston Garthwaite Video credit: Brennan Clark
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