BGS Wraps: Brenda Lee, Andy Thorn, Joy Clark, and More

Hanukkah has begun, advent calendars have barely three weeks left, and days will start getting longer when we reach winter solstice in merely 13 days – but who’s counting? As we lean further and further into the coziest, roots music-iest time of year, we’re rounding up our favorite seasonal and holiday albums, tracks, and shows each week on BGS Wraps. Scroll to find this list in playlist form, plus don’t miss our Classic Holiday Album Recommendation of the week.

We’ll be back next Friday with more BGS Wraps! Until then enjoy some hot cider or some eggnog and some delightfully festive bluegrass, country, and roots music.

Hayes Carll and Melissa Carper, “Christmas in Prison”

A perennial favorite penned by none other than John Prine, “Christmas in Prison” is a rare country Christmas song that can be sung year-round. Like your favorite holiday movie that’s actually not specifically a holiday movie – Die Hard? Little Women? – this is a song so classic, so iconic, that it demands recognition across the calendar and not merely in December. Hayes Carll and Melissa Carper join together on this brand new rendition and they do the song justice, for sure.


Joy Clark, “Gumbo Christmas” 

As most holidays are, Christmas is its own familial and cultural melting pot, and guitarist and singer-songwriter Joy Clark highlights her own New Orleans traditions with “Gumbo Christmas.” It’s a song with a recipe both literal and figurative, a combination all of the best holiday dishes know intimately. That Big Easy horn section is fit to carry us into 2024.


CMA Country Christmas (December 14, ABC; December 15, Hulu and Disney+)

The queen of Christmas in Nashville, Amy Grant, is co-hosting this year’s CMA Country Christmas TV special on ABC with none other than Trisha Yearwood. With performances by The War & Treaty, Ashley McBryde, Jon Pardi, reigning CMA Entertainer of the Year Lainey Wilson, and more. Tune in on Thursday, December 14 for the live program, or watch the following day – and throughout the season – on Hulu and Disney+. For those of us who won’t make Vince Gill and Grant’s annual holiday residency at the Ryman in Nashville, this show will be an excellent consolation prize.


Rose Cousins, “I’ve Got My Love to Keep Me Warm”

There’s almost no better artist to turn to for delicious melancholia than Rose Cousins. Her new holiday single, “I’ve Got My Love to Keep Me Warm,” demonstrates this fact and then some. Winter songs without a specific religious or traditional bent are too rare, so we especially love this track for its “agnosticism” and relatability. Why care how much it may storm, if you’ve got your love to keep you warm? We hope you are surrounded by love this holiday season, and however lonesome or joyous you’re feeling this year, Cousins’ voice will envelope you like a toasty hug.


Bridget Kearney, “Don’t Think About the Polar Bear”

A vibey and meditative new track from Lake Street Dive bassist Bridget Kearney is another holiday track of the Die Hard sort – not demonstrably seasonal, but it works so we’re accepting it with open arms into our wintry celebration. The accompanying animated music video is whimsical enough to be a fitting addition to any lineup with The Grinch, Rudolph, and all of your other favorite Christmas animated TV specials. If your intention is to not think about someone this holiday season, you might just find them wandering across your mind – so don’t think about the polar bear, instead.


The Kody Norris Show, “Mountain City Christmas”

The territory surrounding Mountain City, Tennessee, in the Blue Ridge Mountains of East Tennessee, Western North Carolina, and Southwest Virginia is home to most of the farms that grow most of the Christmas trees for the eastern seaboard of the United States. It’s more than fitting, then, to take this nostalgic and magical Kody Norris Show-led journey through the picturesque counties they call home. What’s more bluegrass than singing about snow, home, family, faith, and rhyming “there” with “Christmas carol”?


Larry & Joe, “Mi Burrito Sabanero”

Bluegrass banjo player and fiddler Joe Troop and harpist, multi-instrumentalist Larry Bellorín are Larry & Joe. Their new holiday single, “Mi Burrito Sabanero,” is a funny, raucous, and enjoyable version of a quintessential Latin American holiday tune written by Venezuelan harpist and composer Hugo Blanco. Much of Troop’s work connects the dots between Latin folk music and American roots music, crafting idiosyncratic amalgamations often expected to be more disparate and dissonant than they really are. For this track, Bellorín set aside the harp and picked up the cuatro, with Troop adding twin fiddles and banjo in another instance of remarkable latingrass fusion.


Maddie & Tae, We Need Christmas

Maddie & Tae, of “Girl in a Country Song” fame, recently released an extended cut of their 2020 holiday EP, We Need Christmas, adding three new tracks – each classic Christmas carols – to the fan favorite collection. Both women are now married and starting families and there’s a confidence and ease they’ve grown into at this phase of their careers. Easily some of the most interesting pop country being made, and certainly an excellent holiday manifestation of the form.


Brenda Lee, “Rockin’ Around the Christmas Tree”

For the first time in her 60+ year career Brenda Lee has scored a Number 1 hit on Billboard’s Hot 100 chart with her truly unforgettable holiday single, “Rockin’ Around the Christmas Tree.” How she supplanted Mariah Carey’s “All I Want for Christmas,” we’ll never know, but we are so glad for Lee that she’s notched this incredible milestone even at this late stage in her lifelong music-making. She first recorded the iconic track as a thirteen-year-old and in an emotional video posted by Billboard and to her social media, you can tell she never imagined this song would be the gem it is in the crown of her music career. Congratulations, Brenda Lee!


Kaitlyn Raitz, “River”

Cellist, composer, and arranger Kaitlyn Raitz released a stunning, instrumental string-centered cover of Joni Mitchell’s “River” a handful of weeks ago, a timely tune drop for those of us struggling to navigate the holidays without Mitchell’s catalog available on a certain streaming service. Lush and romantic, Raitz’s cut of the track is high concept while down to earth, like a perfect Christmas Eve program at a local church, stained glass bookended by poinsettias and candles. A must-add for your instrumental holiday playlists or perfect to soundtrack your cookie icing party or frenzied gift swaps.


Matt Rogers, Have You Heard of Christmas?

BGS Wraps would be simply incomplete without a laugh-so-hard-you’re-crying option, supplied here by comedian Matt Rogers’ holiday outting, Have You Heard of Christmas? With guests such as Muna (swoon-a), Bowen Yang (Rogers’ co-host of the hit podcast, Las Culturistas, known from SNL), and Leland, Have You Heard of Christmas is pure chaos, absolutely unhinged. Melodrama meets the chronically online. Joe’s Pub, dragged through 54 Below. When you’re offered aux this year at your holiday gatherings, put this one on. We dare you.


Andy Thorn, High Country Holiday

Banjoist Andy Thorn was known as Leftover Salmon’s banjo player, before a video of him serenading a wild fox went mega viral and eclipsed all other entries on his resumé. Thorn – who is a self-professed Christmas fanatic – has recently released a brand new holiday album, High Country Holiday, drawing on inspiration from his Colorado backyard and his musical community to put together a bevy of carols and one bespoke original, “The Bells of Boulder.” Add it to your stack of bluegrass Christmas records! It’s destined to become a classic in that category.


Tim and James, A Tim and James Christmas

Los Angeles-based string duo Tim and James – Tim Reynolds and James Spaite – have followed up their popular debut, Lemon Tree, with a holiday EP, A Tim and James Christmas and it’s already a favorite of ours. These simple duets feel fully realized, even while they remain contained, and draw on folk, new acoustic, and chambergrass influences. The kernel within Tim and James’ music – that took their songs from beginning as a regular Tuesday collaboration to tens of thousands of streams – is on full display. There’s something entrancing about this bare bones, four-song collection.


Our Classic Holiday Album Recommendation of the Week:
Béla Fleck & the Flecktones, Jingle All the Way

Each year we are reminded of the sheer genius of Béla Fleck & the Flecktones’ Jingle All the Way. It’s a Christmas album we return to again and again and we know we aren’t the only ones – it was chosen by magazine (yes, Oprah’s publication) as 2008’s Best Christmas Album and it peaked at Number 1 on the contemporary jazz charts. Béla and the Flecktones’ cultural impact was certainly solidified by the time Jingle All the Way had released, but this album – perhaps more than any other music by the group in the 21st Century – cemented their broad, far-reaching influence.


Photo Credit: Joy Clark by Nkechi Chibueze; Rose Cousins by Lindsay Duncan; Andy Thorn courtesy of the artist.

BGS 5+5: Isaac Hoskins

Artist: Isaac Hoskins
Latest Album: Bender
Hometown: I spent the majority of my formative years in Wellington, Kansas. A small wheat-farming town between Wichita and the Oklahoma state line. I’ve lived in Denton, Texas, for 19 years and I definitely call it home now but Wellington still has a great deal to do with the way I see the world.

Personal nicknames: When I was a kid there was another boy who lived down the street who, for some reason, couldn’t pronounce my name instead called me Izeke (eye-zeek). My mother started calling me Zeke and it stuck. To this day, a lot of people in Kansas call me Zeke.

Which artist has influenced you the most … and how?

Oh, man! There are so many. I’d imagine that Steve Earle is probably the biggest influence that I’ve had as a songwriter and performer. Obviously, Steve’s music was and continues to be a massive influence but most any other artist that I became a fan of early on was because they were in and around his orbit. The internet was still a pretty new thing, so discovering music that wasn’t on the Top 40 chart was pretty difficult without some sort of road map. Guy Clark, Townes Van Zandt, Rodney Crowell, Jerry Jeff Walker, all of the usual suspects came to me after reading Steve’s biography (Hardcore Troubadour). Steve Earle was my gateway drug.

What’s your favorite memory from being on stage?

When I was in junior college I was in a choir that was invited to sing a piece of music entitled The Testament of Freedom at Carnegie Hall. The piece was composed by a man named Randall Thompson and inspired by writings of Thomas Jefferson. It was the spring after the 9/11 attacks and the entire experience was incredibly moving. Both the subject matter and setting were something I’ll never forget. I’m told that Kevin Bacon was there so perhaps I’m one degree closer than most.

What was the first moment that you knew you wanted to be a musician?

I knew that I wanted to be a musician from a very early age, but given my surroundings I never felt like it was something that was attainable. I attended a music festival in Helotes, Texas, called Jack Ingram’s Real American Music Festival and that was the day that I knew for sure, that was the day that I felt like it was something that I could do. I was watching all of these incredible performers that, up to that point, I had never even heard of. The Bottle Rockets, James McMurtry, Hayes Carll and so many other people were proving to me that you don’t have to be Garth Brooks to make a life in music and I was immediately obsessed.

What has been the best advice you’ve received in your career so far?

I had the opportunity to talk to Don Schlitz once. He told me, “Write the song you want to hear and you’ll be surprised who wants to hear it too.” I think of that often, so concise, so true. Thanks, Don.

Which elements of nature do you spend the most time with and how do those impact your work?

I’m a duck hunter, and more often than not, I hunt alone on public land. Hunting on public land means that you’ve got to get there earlier than anyone else if you want to be sure that you have your spot. Most days I’ll begin my walk to the lake at four o’clock which means I’ve got somewhere in the neighborhood of three hours to hike in, find my spot, put my decoys out and get a decent hide before shooting time (30 minutes before sunrise). That time before and during sunrise is my favorite. I use it to think about the people, places and things that matter to me and might also matter to someone else. Watching the day come alive is a spiritual moment for me, every time. Living in the business of making noise, it’s nice to soak up a little silence.


Photo Credit: Peter Salisbury

LISTEN: Corb Lund, “Highway 87” (Hayes Carll Cover)

Artist: Corb Lund
Hometown: Rural Southern Alberta, Canada
Song: “Highway 87” (Hayes Carll cover)
Album: Songs My Friends Wrote
Release Date: April 29, 2022
Label: New West Records

In Their Words: “I’ve known Hayes forever. We met at a card game in Dauphin, Manitoba, many moons ago and we both lost all our money to my ex, Debbie. Hayes and I have toured together, written together, drank together and he’s one of my best friends in music. This song is one of his that’s older and not as widely known, but my guys and I have been playing it for years. I love it.

Songs My Friends Wrote is an album I’ve been threatening to make for years. It’s a bunch of tracks that are my versions of a bunch of…songs my friends wrote. I’m fortunate to count a lot of world-class songwriters as good pals and I wanted to shine a little light on some of my favourite examples of their work. In most cases I’ve picked relatively obscure songs that have always spoken to me, even though many of them won’t be so familiar to people. There’s a pretty good chance of a Volume Two, Three and Four eventually, because there were a lot of friends and a lot of songs to choose from. The best part about recording all these tunes was that they reminded me of all the people who I haven’t been able to hang out with for the past two years because of the plague we’ve all been dealing with. All of these tunes bring a smile to my face and I hope they do the same for you.” — Corb Lund


Photo Credit: Noah Fallis

WATCH: Lisa Morales, “Flyin’ and Cryin'”

Artist: Lisa Morales
Honmetown: Tucson, Arizona
Song: “Flyin’ and Cryin'”
Album: Rain In the Desert
Release Date: March 11, 2022
Label: Zaino Records

In Their Words: “Making this video was just hanging with the boys, sharing stories, laughs, and music. Hayes Carll is a dear friend; we both used to live in the Houston area and I produced his first album, Flowers and Liquor. I introduced him to Texas audiences early on.” — Lisa Morales

“With her talent and her generosity Lisa Morales changed the trajectory of my life. I heard Lisa a few hours before I actually saw her. The Sisters Morales show in Galveston, Texas, was sold out so I sat on the sidewalk and listened to them perform through the windows. Afterwards — when I could finally squeeze into the club — we were introduced by the club owner. When she heard that I was a singer-songwriter, Lisa offered to let me open the next time they came through town. I happily accepted. Eventually she offered more shows across the state. These were my first opportunities to travel for music and to play in front of audiences who had bought a ticket to listen and witness a show. It was all game-changing for me. Some time later Lisa offered to produce my first record and that offer changed the trajectory of my life. I’ll always be grateful to her for her kindness, wisdom, and mentorship.” — Hayes Carll

“I’ve known Lisa for years. When she asked if I’d find a harmony part to sing on a track for a new album, I couldn’t find a suitable part. So I took the liberty of assuming she wouldn’t mind if I wrote a few lines that would make the song a duet. She didn’t bat an eye, even gave me a songwriting credit. At least I think she did. What’s not to love about Lisa Morales?” — Rodney Crowell

“I’ve been a fan of Lisa Morales for such a long time. It was such a treat to get be in this video of this very fine song that she and Rodney wrote. It was a joy to get to spend some time with her, Rodney, and Hayes, and be in their presence!” — Jim Lauderdale

BGS 5+5: Philippe Bronchtein

Artist: Philippe Bronchtein
Hometown: Nashville, Tennessee
Latest Album: Catch My Breath
Personal Nicknames: Bronch, Bronchtime, Big Rig, Le Fromage

Which artist has influenced you the most … and how?

People often equate Bruce Springsteen with loud and bombastic musical theater for the working man. But Bruce’s quieter songs have always been such a deep well of inspiration for me. Springsteen deep cuts like “Stolen Car,” “Moonlight Motel,” “Silver Palomino,” “Used Car,” and “Highway 29” have been so informative for how I craft my songs.

What’s your favorite memory from being on stage?

In 2019 I was traveling with The War and Treaty, playing B3 in the band and opening some shows. That summer we played the closing set on the Saturday night for the Montreal Jazz Festival. It was shoulder to shoulder as far as the eye could see, about 15,000 people. The sound was tremendous and the crowd was electric. I have deep roots in Montreal as well and was surrounded by family and friends. It was a pretty unforgettable night.

Which elements of nature do you spend the most time with and how do those impact your work?

I really enjoy mountains and rivers and try to get out to do some trout fishing from time to time. Some of that imagery definitely finds its way into my songs. Even some of nature’s more destructive elements can permeate my songs. I wrote “Wildfire Waiting” during a spell of California fires a few years back. The imagery was so heartbreaking and became the vessel for that song’s message.

What’s the toughest time you ever had writing a song?

The song “Thanksgiving” on this recent album was a work in progress from 2014 until the week I recorded the final vocals. It went through about half a dozen different iterations before I landed on the lyrics you hear on the record. I’m happy I stuck with it; it’s one of my favorites on the album.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I’d like to shoot some oysters with Hayes Carll. Just sounds fun.

A note about the playlist: All of these are songs that I’m credited on! They’re a good representation of the work I’ve done since arriving in Nashville.

“Wildfire Waiting” – Songwriter and Performer
“Have a Little Faith” – Pedal Steel
“Five More Minutes” – B3
“Calico Jim” – Pedal Steel
“Glad It’s You” – Producer, Instrumentalist


Photo Credit: Laura Partain

Hayes Carll’s “Help Me Remember” Is a Video You Won’t Soon Forget

Warning: This song and video are not for the faint of heart, as country singer-songwriter Hayes Carll pours a very tender and relatable experience into “Help Me Remember.” The song comes from the experiences Carll has had in his own family with Alzheimer’s and dementia, and it’s written from the point of view of a person battling with the affliction. Within the simplicity of the song, Carll captures so much that is felt by the 6 million people in America living with Alzheimer’s, in addition the millions of us who care for them.

Carll recalls, “I was 14 years old and sitting in the passenger seat of my grandfather’s truck in Waco, Texas, the town he had lived in for most of his life. He turned to me at a stoplight and asked me where we were. He looked scared. I know I was. I’ve thought a lot since then about what it must feel like to lose the thread of your own story. This song is for the people who’ve experienced what my grandfather did, those that are experiencing it currently, and for those who serve as their witnesses and caregivers.”

Carll includes a PSA at the video’s conclusion that is laden with resources for those whose lives have been impacted by Alzheimer’s and dementia. The Grammy nominee’s newest album, You Get It All, arrived on October 29 on DualTone Records, and as this beautiful song makes perfectly clear, his songwriting alone will be worth the price of admission. Watch the touching music video for “Help Me Remember” below.


Photo Credit: David McClister

The Show On The Road – Hayes Carll

This week, we get on the horn with renowned Texas-born singer and deeply observational songwriter Hayes Carll, who is celebrating the release of his seventh LP, the atmospheric country-tinted You Get It All.

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While some may just be discovering Hayes’ lived-in songs which are often spun with dark humor (he admits John Prine and Jimmy Buffett were early inspirations), next year marks the twentieth anniversary of his first album Flowers and Liquor, which he wrote while still in college in Arkansas. His acclaimed follow-up Little Rock (2005) remains one of the only self-released albums to make to #1 on the Americana chart.

Hard-charging years on the road and humble years before, getting by working long nights at Chili’s, Red Lobster and more, made Hayes truly appreciate when his star in the roots circuit began rising. His tongue-and-cheek country kiss off “She Left Me For Jesus” off his breakout major label debut Trouble In Mind (2008) might have shocked mainstream radio programmers, but it brought in a whole new wave of fans who have been diligently following him across the world ever since. KMAG YOYO & Other American Stories came in 2011 and pulled even fewer punches – showing his knack for a devastating hook. “KMAG YOYO” is army-speak for “Kiss my ass, guys, you’re on your own.”

Some artists may bring their wives into the studio as a cute cameo now and again, but Carll is lucky enough to have artist and sought-after producer Allison Moorer on the home team. Together with Kenny Greenberg, she helped bring out a softer, deeper side of Carll on the newest You Get It All – with the standout heartbreaker “Help Me Remember” centering on his experience watching his grandfather in Texas drift away with dementia.

Maybe the most fun on the new record comes from the rollicking opener “Nice Things” – which reveals why Carll may not be getting on right-leaning pop-country radio anytime soon, while still winning legions of listeners anyway: it’s a countrified conversation between God and her screwed up human subjects on earth … and God is a frustrated (and rightly so) lady.


Photo credit: David McClister

WATCH: Hayes Carll, “Nice Things”

Artist: Hayes Carll
Hometown: The Woodlands, Texas
Song: “Nice Things”
Album: You Get It All
Release Date: October 29, 2021
Label: Dualtone Records

In Their Words: “We’ve been given the gift of a beautiful planet that most of us pollute without a thought and generally don’t respect. We’ve criminalized things that grow naturally on it while pushing dangerous chemicals into our food, water, and medicine. And we’re so busy living in fear that we’ll lose even a modicum of what we perceive as ours, that we end up losing connection with ourselves and our fellow man. If there is a creator, I doubt they’d be impressed with how we’re doing down here.” – Hayes Carll


Photo Credit: David McClister

LISTEN: Hayes Carll, “Beaumont” (Acoustic)

Artist: Hayes Carll
Hometown: Woodlands, Texas; currently resides in Nashville, Tennessee
Song: “Beaumont” (Acoustic)
Album: Alone Together Sessions
Release Date: September 4, 2020
Label: Dualtone

In Their Words: “I started out singing on the southeast coast of Texas. Beaumont was just an hour up the road from where I was living. I had a few gigs there. A few friends too. The town just kept finding its way into my work. Its physical proximity to Houston, combined with the cultural differences, made it an interesting origin point for the narrator in this song. He’s in the city but the perspective comes from a simpler place. I’m thinking about all the folks down there right now dealing with yet another hurricane.” — Hayes Carll


Photo credit: David McClister

BGS 5+5: Corb Lund

Artist: Corb Lund
Hometown: Taber, Alberta, Canada
Latest Album: Agricultural Tragic (June 26, 2020)
Personal nicknames (or rejected band names): My full name is Corby. My outfit sometimes calls me ‘El Presidente’. Ian Tyson calls me ‘Corbo.’

What other art forms — literature, film, dance, painting, etc — inform your music?

I read a lot and that seeps in for sure. At a pretty granular level, but it definitely has a big impact. I’m a history nut also. When I was younger I used to draw and paint quite a lot, but there’s no time for that stuff anymore, too busy touring. I’d also like to try live theatre. Some other lifetime, probably.

What’s the toughest time you ever had writing a song?

It took me about five years to write “Bible on the Dash.” I had to recruit my old buddy Hayes [Carll] to help me finish it. I had a verse and chorus FOREVER and I was stuck. When Hayes got hold of it we wrapped up the rest in a couple hours.

What rituals do you have, either in the studio or before a show?

The few hours between soundcheck and the show are pretty important to me. The venue and the green room are empty because everyone is out eating, so that’s my only real time on the road to work on my voice or new songs or guitar playing. I jealously guard it. And I don’t really eat food anyway and dislike restaurants.

If you had to write a mission statement for your career, what would it be?

Two things. First, I’ve always been very committed to doing my own thing musically. I’ve always wanted to be able to look back at a solid body of unique work and be proud of it. It’s important to me to get my voice and perspective and culture into my music at all levels. Secondly, to just roll up my sleeves and do things myself. I have plenty of excellent help now, but in the earlier, leaner part of my career I swore that I’d never wait around on the music industry. I just made my own records and booked my own tours and printed my own T-shirts and fixed up my own van. Unless you win the record deal lottery at 22, no one’s going to do that stuff for you. There’s a grand tradition of that, from SNFU to Chris LeDoux.

Which elements of nature do you spend the most time with and how do those impact your work?

I spend as much time as I can on our family ranch in foothills of the Alberta Rockies. My great grandfather homesteaded there in 1898 and it’s a huge part of my psyche and my art. That area comes up pretty often in my songs. It’s pretty country.


Photo credit: Scott Slusher