WATCH: Evangeline Gentle, “Ordinary People” (Live)

Artist: Evangeline Gentle
Hometown: Born in Peterhead, Scotland; moved to Peterborough, Ontario, at age 11; now living in Hamilton, Ontario
Song: “Ordinary People” (Live)
Album: Evangeline Gentle
Release Date: August 21, 2020
Record Label: Sonic Unyon

In Their Words: “I wrote ‘Ordinary People’ for my loved ones, who soften the world for me when I’m feeling hardened by it. The video was filmed spontaneously on the set of a full production video for my song ‘Sundays.’ It was shot in Peterborough, Ontario, at the Sisters of St. Joseph convent — also known as ‘The Mount’ — outside what used to be their old laundry building. The director Rob Viscardis and I decided that it was such a beautiful location and would be the perfect setting for a live video of this song.” — Evangeline Gentle


Photo courtesy of Sonic Unyon

WATCH: Jeremy Squires, “Cast Spells”

Artist: Jeremy Squires
Hometown: New Bern, North Carolina
Song: “Cast Spells”
Album: Many Moons
Release Date: August 28, 2020
Label: Blackbird Record Label

In Their Words: “When I wrote ‘Cast Spells,’ I had originally intended for it to be an acoustic song and a duet. Over time I felt the song could be opened up more and I started playing around with different soundscapes and textures. Ultimately the song evolved into what it is now. ‘Cast Spells’ is one of my favorite songs on the record and tells a poetic truth from a haunting perspective.” — Jeremy Squires


Photo credit: Shelley Squires

The String – Chatham County Line

With an old-school look and feel, Raleigh, North Carolina’s Chatham County Line started at the dawn of the new millennium in a surge of passion for bluegrass music. Now at 20 years old, they’ve made only one very recent personnel change and refreshed their concept as a post-modern string band with drums.


LISTEN: APPLE PODCASTS

Their new album, Strange Fascination, displays far-reaching vision and a warm, cohesive sound, riding on the unique songwriting voice of Dave Wilson. Wilson and co-founding multi-instrumentalist John Teer join host Craig Havighurst for a retrospective conversation, featuring music from their past and present.

BGS 5+5: Will Hoge

Artist: Will Hoge
Hometown: Nashville, Tennessee
Latest Album: Tiny Little Movies (June 26, 2020)

Which artist has influenced you the most … and how?

My dad. He was a musician before I was born and that carried over into an incredible album collection. Every great album from 1964-1978 was at my disposal.

What’s your favorite memory from being on stage?

Shit, at this point, I’ll repeat a worst memory just to be back on stage. Also any time I get to play at the Ryman.

What was the first moment that you knew you wanted to be a musician?

My dad and my uncle snuck me into a bar to see Bo Diddley when I was about 13. My mind was totally blown. Hard to focus on much else after that.

What’s the toughest time you ever had writing a song?

“Jesus Came to Tennessee.” It had about 15 more verses. Editing that one was a journey.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Ice cream and Brandi Carlile


Photo credit: Katie Krauss

LISTEN: Libby Rodenbough, “How Come You Call Me”

Artist: Libby Rodenbough
Hometown: Chapel Hill, North Carolina
Song: “How Come You Call Me”
Album: Spectacle of Love
Release Date: May 29, 2020
Label: Sleepy Cat Records

In Their Words: “I’ve always been able to navigate living pretty easily, both because I ride in the lane reserved for white well-off people, but also because I can handle little boxes better than some. I’m talkative and good at standardized tests and if I go through dark times, I can keep it tamped down. This is a good disposition for survival, but it’s something I’ve always felt self-conscious about, like being good at tolerating the intolerable is the sign of an empty soul, and maybe that’s why I’m drawn to people who don’t fit into this world so well. Everybody I’ve ever dated has been a good guy. This song isn’t about shitty boyfriends; it’s about the way you fall into particular slots in a relationship and rarely come out of them again, so if you happen to be the better navigator, you end up usually leading the way.” — Libby Rodenbough


Photo credit: Courtesy of L. Rodenbough

LISTEN: Ben de la Cour, “Shadow Land”

Artist: Ben de la Cour
Hometown: Nashville, Tennessee
Song: “Shadow Land”
Album: Shadow Land
Release Date: May 15, 2020
Label: Flour Sack Cape Records

In Their Words:

“Everyone carries a shadow, and the less it is embodied in the individual’s conscious life, the blacker and denser it is.”
— Carl Jung

“All the things we have rejected and pushed deep down into our collective unconscious have risen like leviathans from the deep to destroy us. What we once thought was reality has been transformed into an unrecognizable inversion of what once was. But it was always this way. We couldn’t see it before, but now that we can, we’re all just strangers in this Shadow Land.” — Ben de la Cour


Photo credit: Neilson Hubbard

LISTEN: Sarah Jarosz, “Orange and Blue”

Artist: Sarah Jarosz
Hometown: Wimberley, Texas (now living in New York City)
Single: “Orange and Blue”
Album: World on the Ground
Release Date: June 5, 2020
Label: Rounder Records

In Their Words: “I wrote this song with John Leventhal. He had most of the piano melody written and recorded, and within moments of him playing it for me I had this very clear vision of the cypress trees in my hometown of Wimberley, Texas. I rode the subway home from John’s studio that evening with the melody in my inbox and the lyrics just poured out of me. We tweaked the form and a couple of lines the next day. This is one of those songs that feels like it was always a part of me but was waiting for the right time to emerge.” — Sarah Jarosz


Photo credit: Josh Wool

LISTEN: Chelsea Williams, “Cornerstone”

Artist: Chelsea Williams
Hometown: Los Angeles, California
Song: “Cornerstone”
Album: Beautiful & Strange
Release Date: May 8, 2020
Label: Blue Élan Records

In Their Words: “Not all of my songs are heartache and drinking songs… just most of them. ‘Cornerstone’ is a real shift from this, it’s more of a ‘heartache gone wrong’ song. It tells the story of a girl who is used to being dealt all the wrong cards. When her luck changes she must learn to trust the universe and trust the new happiness she’s found.” — Chelsea Williams


Photo credit: Piper Ferguson

BGS Long Reads of the Week // May 1

It’s gonna be… May! Welcome to a new month of long reads, where each week we look back into the BGS archives for some of our favorite content from across the years. If you haven’t yet, follow our #longreadoftheday series on social media [on FacebookTwitter, and Instagram] and as always, we’ll put all of our picks together right here at the end of each week.

Our long reads this week are southern rock and blues, bluegrass and rock and roll, Americana and country, and a dash of… hard-to-put-a-finger-on-it, too. Read on:

Marcus King: A “Young Man’s Dream” Come to Life

A cover story from earlier this year, our conversation with 23-year-old singer/songwriter/guitarist Marcus King digs deep into the creative processes that shaped his debut album, El Dorado — his first project outside of his critically acclaimed group, The Marcus King Band. With Dan Auerbach producing and an absolutely stacked roster of studio musicians, the project came together “on the fly,” yes, but that turned out to be a pretty natural pace. [Read the entire interview]


Canon Fodder: The Flying Burrito Brothers, The Gilded Palace of Sin

Given the canonization of Gram Parsons over the last few decades, as well as the gradual breakdown of genres and styles over time, it’s easy to forget just how contrarian it would have been for a West Coast rock band to embrace country and bluegrass. But that’s exactly what the Flying Burrito Brothers did. This edition of Canon Fodder explores their first album, The Gilded Palace of Sin, which despite its near-flop at the time of its release is perhaps their most important work. [Read more]


Linda Ronstadt Talks Bluegrass

One of the most important vocalists/artists in rock and roll and popular music over the last century, Linda Ronstadt also knows a thing or two about bluegrass — as evidenced in this 1996 interview from Bluegrass Unlimited magazine. We pulled this fascinating article out of the BU archives to commemorate the release of the documentary film, Linda Ronstadt: The Sound of My Voice last year. It’s a two-parter, so we spread it out over a couple of days this week!
[Read part one] [Read part two]


John Moreland Figures out How to Love Music Again

Turns out there are drawbacks to any career – even when it’s your dream job – and you can confirm that with dark-folk and Americana favorite, John Moreland. The Oklahoman singer/songwriter released his latest album, LP5, earlier this year. The project surprised some listeners by exploring new sonic territory for Moreland — new territory that revived the spark that got Moreland into writing to begin with. [Read our conversation]


 

WATCH: The Harmed Brothers, “All the Same”

Artist: The Harmed Brothers
Hometown: Ludlow, Kentucky via Portland, Oregon
Song: “All the Same”
Album: Across the Waves
Release Date: June 5, 2020
Label: Fluff and Gravy Records

In Their Words: : “‘All the Same’ is a traveling song. It’s about life from inside the tour van. It’s about chasing a dream, even when you lose sight of it from being strung out on the road and missing home. It’s about our daily lives as an American touring band. Something I’m sure a lot of musicians can relate to.” — Ray Vietti, The Harmed Brothers

“The Ludlow-Bromley Swim Club in Ludlow, Kentucky is a cherished and beloved summer hangout spot, a classic American neighborhood pool — and our good friend and neighbor Matt ‘Catfish’ Williams presented us with the idea of shooting a video there. With his help, along with the pool owner and our fantastic community, we got to do something really fun and special. When initially presented with this opportunity, we felt ‘All the Same’ has this undeniably beachy, summertime vibe that perfectly fit that idea.” — Alex Salcido, The Harmed Brothers


Photo credit: Michael Wilson