In Their Words: “This song, co-written by myself and Rachel Baiman, is a culmination of the frustrations I felt being a musician during the pandemic. Our jobs were the first to go and the clunkiest to return to full capacity. Performance opportunities are back, but the struggle of sustaining a career continues to weigh heavy on all artists alike. Obviously Spotify is mentioned in this song, and I even call out the media machine and the ‘pay to play’ nature of PR campaigns. We both connected to this song so much that Rachel even recorded a brooding version on her newest album, Common Nation of Sorrow. Our livelier version features banjo, baritone guitar and pedal steel.” – Amy Alvey
Track Credits: Produced by Thomas Bryan Eaton and Golden Shoals
Amy Alvey – acoustic guitar, vocals, harmonies Mark Kilianski – banjo, harmony vocals Thomas Bryan Eaton – piano, pedal steel, baritone guitar Jamie Dick – drums Miss Tess – bass
Photo Credit: Kaitlyn Raitz Video Credit: Trent Freeman
Artist:Missy Raines & Allegheny Hometown: Short Gap, West Virginia Song: “Fast Moving Train” Album:Highlander Release Date: September 22, 2023 Label: Compass Records
In Their Words: “Train songs have long been a staple in bluegrass music and finding a good one – that sounds like it could have been around since Jimmie Rodgers’ day, but is actually new – is a rare gem. ‘Fast Moving Train’ is exactly that kind of song. It describes the lure of life as a traveler and the unrelenting longing to see what’s on the other side. It’s all about the journey and not so much about the destination — with the hope that you’re ‘gonna ride these blues away.’
“The song was written by the extraordinary, multi-talented Shad Cobb. I first heard it while I was playing in the Helen Highwater Stringband with Shad, David Grier and Mike Compton a few years back. I tucked it away in my mind as one of those songs I knew I wanted to sing one day and waited for the right time to bring it to life. That time is now! It came together so naturally with this band that it immediately fell into regular rotation on our setlist. We’re so excited to share it with everyone.” – Missy Raines
Artist:Wilson Banjo Co. Hometown: Westminster, South Carolina Song: “Don’t Forget About Maggie” Release Date: September 19, 2023 Label: Pinecastle Records
In Their Words: “We were pleasantly surprised by this fresh new tune that David Stewart sent us from Wyoming. We enjoy his work and have been hoping to run into a song of his that would work for us for quite some time. ‘Don’t Forget About Maggie’ offers up something light and refreshing, musically as well as lyrically, with the imagery it creates through the writing. That country cadence in Josh’s lead, backed by the velvety blend of Sarah and Glen’s harmony, really brought the story to life. It’s a lot of fun to play and we really hope everyone enjoys it!” – Steve Wilson, Wilson Banjo Co.
Track Credits: Written by: David Stewart, Brice Long, Bobby Taylor
Steve Wilson: Banjo Sarah Logan: Fiddle, harmony Josh Raines: Guitar, lead vocal Glen Crain: Resonator guitar, harmony Jamie Carter: Bass Jason Fraley: Mandolin
Artist:Kathy Kallick Band Hometown: San Francisco Bay Area, California Song: “Just Lonesome Ol’ Me & the Radio” Album:The Lonesome Chronicles Release Date: September 19, 2023 (single); October 17, 2023 (album) Label: Live Oak Records
In Their Words: “People of different ages will feel their engagement with radio in different ways. As part of a family gathered around the radio for a specific show, as a teenager listening to a transistor radio under their pillow, as a traveler on a long car trip with the radio tuned in to whatever signal it can find, or as a listener with that favorite show tuned in on a laptop from anywhere in the world, the radio means connection. In that bizarre time of lockdown, we all looked for ways to ‘be’ with other people, and a dear friend and I started having a listening date, tuning in to the same radio show from our separate places, and commenting to each other via email, text, or calling on the phone. It made us feel like we were having a little party!” – Kathy Kallick
In Their Words: “We’re very excited to release this music into the world and hope people enjoy it. Tom [Knowlton] and I wrote this song when each of us were dealing with the hardships of a long distance relationship. The dilemma between balancing love and pursuing a career in music. It was our first co-write together and an early addition to our live show. Sam [Parks] and Dan [Andree] really helped us bring the whole thing together on record.” – Taylor Shuck, bassist
Track Credits: Written by Taylor Shuck and Tom Knowlton Produced by Sally Van Meter Engineered by Eric Wiggs Recorded at Vermillion Road Studio in Longmont, Colorado Mastered by David Glasser at Airshow Mastering
Photo Credit: Elliot Siff
Track Credits: Written by Taylor Shuck and Tom Knowlton Produced by Sally Van Meter Engineered by Eric Wiggs Recorded at Vermillion Road Studio in Longmont, Colorado Mastered by David Glasser at Airshow Mastering
Artist:Melody Walker, Crys Matthews, Heather Mae Hometown: Melody – Bay Area, California; Crys – Richlands, North Carolina; Heather – Washington, D.C. Area Song: “Room” Release Date: September 15, 2023 Label: AntiFragile Music
In Their Words: “‘Room’ started as a conversation between me and my co-writer, Sarah Potenza, about the enduring underrepresentation of women and other marginalized folks on festival lineups, but it blossomed into so much more. The ways that women and woman-aligned people are expected to not take up space in the world: to not be fat, loud, queer, creative, assertive, and are definitely not to band together in solidarity to fight against our own oppression. Community and joy are the keys to liberation, and this song celebrates both. I am so glad my faves Heather and Crys were down to come bring it to life with me.” – Melody Walker
“The first time I heard the demo of ‘Room’ that Melody sent me, I had tears in my eyes by the time it got to, ‘Your win is mine, I’ll root for you.’ As a Black, Butch-of-center lesbian in the Americana and country genres, it rarely feels like there is room for women in general, and especially not for women like me. Getting to lift my voice alongside Melody to echo the powerful sentiment contained within this song was an absolute honor. I hope it empowers women and girls to advocate for one another on and off the stage.” – Crys Matthews
“This song is so much more than just an all-woman collab. ‘Room’ stands as a celebratory rallying cry against the enduring patriarchal norms that fuel female rivalry. There persists this notion that there’s only one seat at the table and, when women scan the music industry’s landscape, you can see why we’d be forced to think that. It’s 2023, and a woman has yet to secure a Grammy for Producer of the Year. Examine festival lineups and you’ll see a stark gender imbalance in the representation of male and female artists. This scarcity of ‘room’ forces us into a perceived competition, when in reality, our struggle should be directed at dismantling the system that pits us against one another.” – Heather Mae
Track Credits: Written by Melody Walker & Sarah Potenza
Vocals: Melody Walker; Heather Mae Vocals and Guitar: Crys Matthews Slide Guitar: Jacob Groopman Bass: Michael Majett Drums: Alex Bice Keys: Jen Gunderman Additional Guitars: Dan Knobler Produced by Dan Knobler
Photo and Video Credit: Kaitlyn Raitz Filmed live at Sound Emporium Studios, Nashville, TN
Artist:Kristen Grainger & True North Hometown: Portland, Oregon Song: “Across the Mountains” Album:Fear of Falling Stars Release Date: November 10, 2023
In Their Words: “‘Across the Mountains’ started as a banjo riff, a total earworm Dan [Wetzel] kept playing on this five-string, open-back banjo he built. Dan calls it a ‘mountain banjo,’ it’s got a wood ring instead of metal, sounds really organic and cool. He dubbed the tune ‘Across the Mountains,’ a haunting modal progression that just begs for a dark tale to go along with it. So I crafted a melody and lyrics to ride along the currents of the tune, unfolding a story about a woman seeking refuge in the mountains after getting revenge on her cruel and unfaithful lover.
“In true ‘hell hath no fury like a woman scorned’ style, she sets the house on fire after he leaves her, then makes a run for it. I love story songs, but traditionally, women who are the subject of a bluegrass tune have not fared well (‘Banks of the Ohio,’ ‘Pretty Polly,’ ‘Knoxville Girl,’ etc. It’s a long and tragic list). At a time when women’s autonomy, even our right to exist, is called into question, we had to ask ourselves why we’d even play those kinds of songs. And we offer ‘Across the Mountains’ – a woman’s story in a woman’s voice – as a step towards changing the traditional bluegrass narrative.” – Kristen Grainger
Artist:Ross Cooper Hometown: Nashville, Tennessee Song: “Love Like The Old Days” Album:Lightning Heart Release Date: September 29, 2023
In Their Own Words: “Aaron Raitiere and I were both on the same flight coming back to Nashville and sat together, opened up our journals, and wrote this song in a couple of hours. We’d been struggling to get a date on the books to write, so that plane ride was kind of a ‘stars-aligning moment.’ I wanted to write a song about my wife and the type of relationship that our folks have. The type of marriage worth writing about. This song fell out. I knew it was going to be a special song from the moment we finished it. And the cherry on top of all of it was I got my wife, O’Neal (who swears up and down that she ‘can’t sing’), to sing harmony on the track, and she sounds beautiful. Now it’s all full circle, and we have a song we get to share together. Some songs are easy to write… like they were waiting to get written. ‘Love Like The Old Days’ feels like that song for me.” – Ross Cooper
In Their Words: “I wrote this song in the passenger seat of a Chevy truck on a road trip from Idaho to Colorado. The world was slowly opening back up from those strange days. We found ourselves rediscovering the joys of a good, honest road trip. Rediscovering the joys of the open road. We were fixed up with the perfect ingredients: good company, a good playlist, and the here and now.
“The video was directed and edited by my friend, Jesse Borrell. He had me up at 4 a.m. a few times, headed to particular locations in order to get the right light and angles. I love what he created.” – Daniel Rodriguez
In Their Words: “The museum’s musical atlas of instruments continues with the opening of another wing, the first in a series on bowed instruments. To stretch boundaries over the earth and over time is to forsake them; whether it is a matter of Synchronizität or just the plain unconscious. In Western cultural history, the bowed instrument is a late installment, after centuries, of an almost primordial vibration that we imagine in sound; see in the old paintings; and yet can sample in the remnants of the ancient world captured on gramophone records.” – Pat Conte, curator
“The Secret Museum series is legendary. It opened up new possibilities for me when I first heard it in the 1990s. The curator is Pat Conte, he did something remarkable, even more so because it was before the internet: Starting in the 1970s he began assembling the first and arguably greatest collection of world music recorded in the 78 rpm record era of the 1920s – 1950s, give or take. He did it by casing junk stores in Queens, New York, the most diverse place in the world, and by maintaining letter correspondence with collectors and dealers across the globe. That is the music you will find on the Secret Museum of Mankind albums.
“Conte programs the records by feel, not with a predefined structure. The records are not meant to be academic, they are meant to move the listener. The movement is emotional, using music that was recorded in different places and at different times. Each listener will experience the sequence in their own way, and each track is its own world.
“The Secret Museum of Mankind: Atlas of Instruments – Fiddles, Vol. 1 continues the series and presents fiddle sounds developed and practiced across the globe. The compilation, drawn from Conte’s pioneering and remarkable personal collection of 78 rpm discs recorded in the 1920s – 1950s, offers fiddle music recorded across the world from Crete to Madagascar, Mexico, England, Sicily, Norway, India, the USA, Cape Verde, China and more.” – Eli Smith, producer
Image courtesy of Jalopy Records, Nick Loss-Eaton Media
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