Tag: singer/songwriter

LISTEN: India Ramey, “Montgomery Behind Me”

Posted on by Editor

Artist: India Ramey
Hometown: Nashville, Tennessee
Song: “Montgomery Behind Me”
Album: Shallow Graves
Release Date: September 4, 2020

In Their Words: “‘Montgomery Behind Me’ is somewhat autobiographical. I got married young, the first time. My first husband (who is a nice man) was from a ‘good family’ in Montgomery. I was not, so I was a square peg in a round hole. I just never fit, not with him, not with anyone there. I felt guilty for not being happy and not making everyone else happy. Eventually I had to accept that my time there was an exercise in futility. I also had to muster the courage to accept who I am and be not just OK with it, but be happy about it. When I would think about leaving, I had this vision of me heading down that long, flat highway with the small Montgomery skyline behind me and never looking back. Above and beyond the personal stuff, this song is a refusal to people-please and an acceptance and liberation of one’s true self.” — India Ramey

India Ramey · Montgomery Behind Me

Photo credit: Stacie Huckeba

The Show On The Road – Dan Reeder

Posted on by Chris Jacobs

This week on The Show On The Road, a conversation with renegade roots songwriter, painter and NSFW self-taught poet Dan Reeder.

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Reeder is rarely interviewed, but has collected a legion of devoted fans after putting out a series of beloved albums on John Prine’s Oh Boy Records – including the much-anticipated new LP, Every Which Way.

For the uninitiated, diving into Reeder’s uniquely absurdist, harmony-drenched body of work can feel like reading a rich short story collection in one sitting. His normal routine is to layer lush close-mic’d vocals on top of one another using himself as a conspiratorial choir. He sketches tiny but poignant moments from his life and imagination, often repeating a simple phrase again and again like one of his most-listened to tunes, “Work Song,” which tells us bluntly through gospel claps: “I’ve got all the fucking work I need.” 

The new album may seem intimidating at first. It features a whopping 20 songs (or cinematic vignettes of a sort), but a closer look shows it clocking in at a succinct 39 minutes. Controversial-while-gentle acoustic offerings like “Porn Song” come in at just under minute long. New favorites like the wide-eyed (and foul-mouthed) piano ballad “Born a Worm” ask the deepest of questions of an indifferent, endlessly beautiful universe in only the way Reeder could — by plainly inquiring about a caterpillar’s mysterious transformation into a butterfly: “what the fuck is that about?”

Much more than a one man band, Reeder often builds every instrument he plays in his recordings, from steel string guitars, to banjos, drums, basses, cellos, violins, clarinets, and even the computer he records on. This episode was recorded in his garage studio in Nuremberg, Germany, where he’s lived with his wife for 30 years. 

Host Z. Lupetin spoke to Reeder right after John Prine passed away from complications of COVID-19, and they spoke about his tours together with Prine and how much his music inspired him through the years. 

WATCH: Molly Tuttle, Old Crow Cover Neil Young’s “Helpless” for WhyHunger

Posted on by Justin Hiltner

Molly Tuttle and Old Crow Medicine Show have combined their voices to bring attention to a terrible byproduct of the COVID-19 pandemic. Together the BGS favorites cover Neil Young’s “Helpless,” spreading awareness and raising funds for WhyHunger, which works to eradicate hunger through community solutions rooted in social, environmental, racial and economic justice.

The accompanying music video for “Helpless” shares eye-opening statistics detailing what the coronavirus has meant to families and individuals facing food insecurity in the U.S. and around the world. WhyHunger aims to establish an understanding of food as a basic human right and to address structural inequities that cause varying degrees of access to food. Tuttle and Old Crow are further supporting WhyHunger by donating all proceeds collected from this track to the organization. 

Watch “Helpless” right here, and consider giving to WhyHunger to support this critical work.

LISTEN: Kris Delmhorst, “The Horses”

Posted on by Editor

Artist: Kris Delmhorst
Hometown: Buckland, Massachusetts
Song: “The Horses”
Album: Long Day in the Milky Way
Release Date: August 14, 2020
Label: CEN/The Orchard

In Their Words: “For me, Rickie Lee Jones represents artistic fearlessness and uncompromising freedom. Her work always offers the inspiration to take risks and reach farther. She’s a deep musician and a serious student of song — I love her covers records so much — but she’s also a free-range seeker, unhindered by the boundaries of genre. There’s such curiosity, joy, humor, and deep compassion running through all of her music.

“I don’t generally include covers on my albums, but while we were in the studio for this one we caught a version of ‘The Horses,’ and it ended up feeling like it belonged. I love how it resonates with the record’s themes, persistence and struggle and hope. And I love the idea of RLJ’s presence gracing the proceedings like an honored guest, a patron saint.” — Kris Delmhorst

Photo credit: Brittany Powers

LISTEN: William Matheny, “Mind for Leaving”

Posted on by Editor

Artist: William Matheny
Hometown: Morgantown, West Virginia
Song: “Mind for Leaving”
Album: Split 7″ single with Frontier Folk Nebraska
Release Date: July 11, 2020
Label: Soul Step

In Their Words: “‘Mind for Leaving’ was written and recorded in January, which feels like approximately 800 years ago at this point. In between tour dates, we holed up in a cabin outside of Point Pleasant, West Virginia (home of the Mothman, Shawnee leader Hokoleskwa and Mister Bee Potato Chips). No one was socially distancing yet, but given the set and setting, it felt like we got an early jump on it. Like most Januarys, I remember the days being brief, gray and severe. I finished the song while the mics were getting placed and we arranged and tracked it that same afternoon. It was just the way my band and I like to work: quickly, without distractions and, hopefully, no cell phone service.” — William Matheny

Photo credit: Max Nolte

WATCH: Chance Emerson, “Annabelle”

Posted on by Editor

Artist: Chance Emerson
Hometown: Hong Kong, China / Providence, Rhode Island
Song: “Annabelle”
Album: The Raspberry Men

In Their Words: “My songs tend to take on the energy of the place they were written. I wrote this up in rural Maine so it was particularly fitting that the video ended up being shot there. This song has grown closer to me, especially recently with the shuttering of schools in this period of social distancing. I wrote ‘Annabelle’ as a goodbye to my friends in high school but it’s become significant to me yet again in these times. I’m certainly a bit of a worrier about this entire situation and when I’m firing off probabilities and news headlines at breakfast, my mother likes to quote this song: ‘Everything will be alright in time.’ A lot of friendships won’t last through your life. A lot of friendships fizzle out. Many good things must come to an end — hence the last line. There’s a little bit of the whole idea that ‘you don’t know how good you have it until it’s gone,’ too. Maybe you can’t truly treasure a relationship until it’s over.” — Chance Emerson

“We had been working on a cut of a short when a friend showed us Chance’s music. Immediately ‘Annabelle’ spoke to us and we couldn’t help but feel that the pieces shared common themes. Both are concerned with youthful relationships, anxiety surrounding their future, and the hopeful acts undertaken to preserve that future. Right away we began recutting the short to fit the song and luckily Chance felt the same way we did.” — Rob H. Campbell and Davíd Antonio Martín of Vacationland Collective (Directors)

Photo credit: Chance Emerson as photographed in Hong Kong by Manisha Shah

WATCH: Market Junction, “Nebraska”

Posted on by Editor

Artist: Market Junction
Hometown: Houston, Texas
Song: “Nebraska”
Album: Burning Bridges
Release Date: Aug. 7, 2020

In Their Words: “What we are most afraid of is that this dream of making a living in music and simultaneously being the fathers and husbands we know we need to be is impossible. This song is a foreshadowing of that fear. Sometimes you have to speak your fears out loud to relieve the tension in your own chest. ‘Nebraska,’ at least in this song, is less about a geographical location but more of a metaphor for whatever place you find yourself lost in.” — Matt Parrish, Market Junction

Photo credit: Jason Allison

LISTEN: Michaela Anne, “Good Times”

Posted on by Editor

Artist: Michaela Anne
Hometown: Nashville, Tennessee
Single: “Good Times”
Label: Yep Roc Records

In Their Words: “Hope and optimism are two things I have to work hard to keep. I often write songs as reminders or affirmations for myself and for the people I love. ‘Good Times’ is a prime example of that. Trying to remember the blue sky is always there behind the clouds.” — Michaela Anne

Photo credit: Matt Wignall

BGS Long Reads of the Week // June 26

Posted on by Justin Hiltner

The BGS archives are simply a wealth of rootsy reading material. Each week we share our favorite longer, more in-depth articles, stories, and features to help you pass the time — summertime, COVID-19 time, or any ol’ free time you might have! We post our #longreadoftheday picks across our social media channels [on Facebook, Twitter, and Instagram]. But of course, if you get ’em all right here in our weekly collection, that’s fine too!

This week’s long reads are about revitalization, reverence, rainbows, and real wisdom.

John Moreland Figures Out How to Love Music Again

We love a long read, yes, but we definitely love a birthday more! On Monday, we combined the two (as we do), celebrating Oklahoma singer/songwriter John Moreland’s day-of-birth with a revisit to our February interview about his latest album, LP5. While some listeners may have found the record to be something of a departure for Moreland, for his part, the “out there” elements of the music are what helped him learn to love creating again. [Read more]

Ricky Skaggs – Toy Heart: A Podcast About Bluegrass

Yes, this is a podcast, so technically this is a long listen rather than a long read, but we have good reason. Four years ago this week, Dr. Ralph Stanley passed away. As more and more of our bluegrass forebears leave us, their memories are even more important. On a recent episode of Toy Heart, hosted by Tom Power, Ricky Skaggs shared stories of his time with Ralph, the Clinch Mountain Boys, and Keith Whitley. It’s worth a listen to honor one of the most pivotal popularizers of this music. [Listen to the episode]

Way Above the Chimney Tops: A Pride Celebration of “Over the Rainbow”

Pride month is always full of rainbows, but never enough roots music! A couple of years ago we collected a handful of our favorite folky, country, bluegrassy, rootsy, ukulele-strumming renditions of “Over the Rainbow” to celebrate Pride month and each year since it’s been well worth a revisit. What cover of “Over the Rainbow” is your favorite? Did it make the list? [Read & listen here]

Counsel of Elders: Blind Boys of Alabama’s Jimmy Carter on Singing From Your Spirit

One quote from our 2017 interview with Blind Boys of Alabama founding member Jimmy Carter is enough to confirm this edition of Counsel of Elders’ excellence: “People ask me, ‘You’ve been doing this for almost seven decades, what keeps you going?’ I tell them, ‘When you love what you do — and we love what we’re doing — that keeps you motivated.'” 

You’re going to want to read the rest! [Read the full interview]

Photo of John Moreland: Crackerfarm
Photo of Blind Boys of Alabama: Jim Herrington

LISTEN: Matt Lovell, “The Way That It Was”

Posted on by Editor

Artist: Matt Lovell
Hometown: Nashville, Tennessee
Song: “The Way That It Was”
Album: Nobody Cries Today
Release Date: June 19, 2020

In Their Words: “‘The Way That It Was’ is probably the most personal song on the album. I wrote it with my friend Mike Applegate during a tumultuous time that happened to fall right before the recording of Nobody Cries Today. I think everyone probably has experienced some version of the story told in this song — some ‘way that it was’ that they have left behind. Anyone who knows me personally will know exactly what I’m referencing in this song, and will likely hear the tired pain in my voice as I sing about my ‘way that it was.’ As a gay man of Southern origin, my road to self-acceptance was a long one, with many stops along the way. Nearly losing my life in a shooting somehow created just the sort of disruption needed to help me find that acceptance — both for myself and for the world I’m living in.” — Matt Lovell

Photo credit: Jason Lee Denton