LISTEN: Ciera Julia, “Even So”

Artist: Ciera Julia
Hometown: Avalon, New Jersey
Song: “Even So”
Album: Who We Are
Release Date: July 24, 2020
Label: Lazare Music Inc.

In Their Words: “‘Even So’ holds a special place in my heart. I co-wrote this song with my good friend, Sheila Solomon, during a time of massive change in my life. I had just moved to Nashville, gotten out of a long-term relationship, and there were a lot of things I was missing. I will always love Boston, but when I graduated college it was time to close that chapter and move onto the next. They say, ‘If you love something, let it go,’ and it’s probably one of the hardest things I’ve ever done. This song reflects my acceptance and the path to healing. Sometimes things just don’t go as planned, but I like to think it’s for a reason; in this case it was. Nashville has given me so much and I have my past to thank for leading me here.” — Ciera Julia


Photo courtesy of the artist

LISTEN: The Two Tracks, “All Women Are Healers”

Artist: The Two Tracks
Hometown: Sheridan, Wyoming
Song: “All Women Are Healers”
Album: Cheers to Solitude
Release Date: August 14, 2020

In Their Words: “‘All Women Are Healers’ was inspired by the title of a natural healing book that has been in my collection for years. The song speaks as a supportive women’s anthem highlighting the importance of women in the world. I feel incredibly lucky to have had the chance to work with Will Kimbrough producing this record and Sean Sullivan engineering at The Butcher Shoppe in Nashville, just months before the studio was forced to close their doors because the property is being redeveloped. The history in that room was thick. We recorded our past two albums there and would have recorded every future one in that studio — it was such a low-key comfortable atmosphere to create in. I also appreciate Will for connecting us with an incredible woman for the mixing phase of the album, Trina Shoemaker. She is one of the best in the Americana industry right now and it is refreshing to see women in these often male-dominated roles. It’s good to see the current progressive shifts in awareness of the social standards and prejudices women still deal with across the world.” — Julie Szewc, The Two Tracks


Photo credit: Dean Owens

MIXTAPE: Ocie Elliott’s Favourite Folk Through the Ages

Folk music, especially acoustic ballad folk, country folk, and early blues, has always held a special place in my heart and soul. From a young age, my dad would pull out his acoustic guitar when we’d go camping and around the campfire he would sing the family a folk song or two, mostly acoustic versions of Johnny Horton’s “The Battle of New Orleans” and “Sink the Bismarck.” The sound of the acoustic guitar and voice and their telling of a tale touched something deep inside me and my love for folk music was begun. Here are some of my (and our) favourite songs in this genre through the ages. — Jon Middleton, Ocie Elliott

The Carter Family – “Chewing Gum”

While not necessarily my favourite song by the Carter Family, there is something unique and uplifting about this one. I’ve always thought that Kurt Cobain would have loved it.

Lead Belly – “The Grey Goose”

Lead Belly is definitely one of the best ever, such an incredible songwriter. To me his power lies in the uniqueness of his sound; no one wrote songs like him either. The first time I heard this it filled me with so much joy: I could hear it being performed with a big group of people all singing the “lord, lord, lord” part. I’ve also always imagined Toots and the Maytals covering this song.

Blind Willie Johnson – “Trouble Will Soon Be Over”

My favourite blues artist of all time, Blind Willie Johnson’s voice and slide-guitar playing are otherworldly. This tune has such a beautiful melody and feel, it also displays the softer side of his voice and the female accompaniment adds a lovely depth to it all.

Mississippi John Hurt – “Spike Driver Blues”

The first time I heard his 1928 recordings my mind was blown. He has had the biggest influence on my fingerpicking without a doubt. The melody he picks in this song is just so beautifully circular, bouncy and perfect.

Doc Watson and Clarence Ashley – “Old Ruben”

I love the recordings these two did together — there is something very vibrant, authentic and alive in them. I think this song is my favourite of all of them, although “The Coo-Coo Bird” is a close second.

Johnny Cash – “Dark as a Dungeon” (Live at Folsom State Prison)

This whole album is amazing, but this song has always stood out, partly because it sounds like something to be sung around a campfire, but also because his voice is so rich and deep — it’s the perfect voice for this song.

Bob Dylan – “I Threw it All Away”

It’s impossible to pick a favourite from someone who has written more classics than most songwriter’s output in total. But I choose this one because oddly enough, this album (Nashville Skyline) was what led me into Dylan’s universe (I purchased it because it had Johnny Cash singing with Dylan on one song). Needless to say, I fell in deep.

John Prine – “Mexican Home”

We cover a number of John Prine’s songs, including “In Spite of Ourselves” and “Long Monday,” but one of our favourites that we don’t cover is “Mexican Home.” Both recorded versions are great in their own way, but the studio version feels truer to the content.

Guy Clark – “Anyhow, I Love You”

One of our favourite duets. A friend of ours showed us this song a few years back and we immediately started to learn it and sing it. It’s a very special and unique tune, especially in the lyrical phrasing.

The Country Gentlemen – “Fox on the Run” (Live)

I love that this was first recorded as a rock ‘n’ roll song by Manfred Mann. The Country Gentlemen’s version and harmonies literally sound like the lyrics, especially the line: “Her hair shone like gold in the hot morning sun.”

Loudon Wainwright III – “The Swimming Song”

We were also introduced to this by a friend and ever since then we’ve been in love with it. It’s uplifting, but also has this tinge of melancholy to it.

Mason Jennings – “Crown”

A favourite songwriter of ours, I’ve been in love with his music ever since I bought one of his albums on a whim in L.A. and drove with it the whole way back up the coast to San Francisco. Once there, I immediately pulled into Amoeba Records and purchased another.

Gillian Welch – “Winter’s Come and Gone”

Gillian Welch and David Rawlings are one of our biggest influences as a group. When Sierra and I first met, our first connection was made over a mutual love for Gillian Welch, and the first song we ever played together was “Look at Miss Ohio.” Something about this song though, the whole album really.

Gregory Alan Isakov – “Amsterdam”

This song has a rich, wonderful vibe to it — the recording quality, the playing, the mixing and of course, the tune itself. It feels like a warm blanket on a rainy day.


Photo credit: Dustin Rabin

WATCH: Waylon Payne, “All the Trouble”

Artist: Waylon Payne
Hometown: Austin, Texas
Song: “All the Trouble”
Album: Blue Eyes, The Harlot, The Queer, The Pusher & Me
Release Date: Sept. 11, 2020
Label: Carnival Recording Company/Empire

In Their Words: “I had just made the jump in November and moved back to Nashville [from Los Angeles] in 2015. The house I had rented was cool, but I had no sooner signed the lease before my friend Lee Ann asked me to join her on a writing weekend up in the Hamptons. I had not been there in many years, but Adam Wright and I flew to somewhere and met the bus and woke up on Long Island. There was a chill in the air and there was a good feeling going.

“Lee Ann Womack has been my friend for many years. I hold her and her family — Frank, Aubrie, and Anna — as my family and it has always been that way. She had set us up in a huge mansion with stellar views and fireplaces in each room. An added bonus came from a foul-mouthed top chef named Sylvia, who continually supplied (or plied) us with delicious five-course meals — every meal. The evenings were often wrapped with a hot toddy, full of bourbon and butter. We were there for almost a week and the songs started flowing. Adam, Lee Ann, and I wrote a song called ‘All the Trouble’ and another song called ‘Pictures.’ We also wrote some other songs with the band and Ethan Ballinger. The week felt like a success, and we all returned to Nashville just before the Thanksgiving holiday…” (Read more below.)

“…Later, Frank asked if I would like to go with them to Houston to record Lee Ann’s new album. He also asked if I would play guitar on the session. I am a lot of things, but no one has ever really referred to me as a guitar player. [My dog] Petey and I loaded up in a rental car and took off to Houston. The session was electric, and it was amazing to be there with my extended family to make music. Later, when the album came out, I had four songs on it. A few months later, I was sitting in the audience and nominated with Lee Ann and Adam for a Grammy. We didn’t win, and I didn’t mind that we lost to Brandi Carlile.

“As we were cutting this album, I had not planned on including ‘All the Trouble’ until Frank and Eric Masse suggested I give it a shot. I am proud to say it is one of my favorite tracks on the album. Thank you Lee Ann for including me on this fun journey!” — Waylon Payne


Photo credit: Bridgette Aikens

LISTEN: Michael McArthur, “Warmer Months” (Take 3, Acoustic)

Artist: Michael McArthur
Hometown: Lakeland, Florida
Song: “Warmer Months” (Take 3, Acoustic)
Album: How to Fall In Love EP
Release Date: August 14, 2020
Label: Dark River Records

In Their Words: “I started almost every show last year with this song for two reasons: One, it’s great for warming up the voice and hands. Often, I didn’t have the chance to do so before walking out to center stage. And two, people have always responded so well to it. It has that ‘draw you close’ quality, like a good hug.” — Michael McArthur


Photo credit: Michael Flores

LISTEN: Laura Rabell, “This Stone”

Artist: Laura Rabell
Hometowns: Pensacola, FL & Charlotte, NC; now in Nashville
Song: “This Stone”
Album: Immortal
Release Date: July 31, 2020

In Their Words: “‘This Stone’ turned out to be prophetic. It foreshadowed some important emotional truths I ended up having to face. And I’ll be damned if the Pfaltzgraff wedding china I inherited from my grandmother didn’t literally start cracking and falling apart! Be careful what you write, I guess… ‘This Stone’ is about really trying to make something work, but coming to the realization that it never will. That you can keep on being miserable or make a change. It’s a song about walking away. After all was said and done and the recording was finished, my husband and I had survived an incredibly stressful and tumultuous year thanks to my cancer diagnosis, which inevitably spilled over into our marriage. But this song gave me a precious gift — it was an outlet for all those feelings that were deep beneath the surface.” — Laura Rabell


Photo credit: Daniel Coston

WATCH: Sarah Jarosz, “Johnny”

Artist: Sarah Jarosz
Hometown: Wimberley, Texas; now living in New York City
Song: “Johnny”
Album: World on the Ground
Release Date: June 5, 2020
Label: Rounder Records

In Their Words: “The song ‘Johnny’ was one of the first ones I wrote for my new record, and it was the first single I released back in March. I had plans to make a video for it the week that everything went into lockdown, so obviously that didn’t happen! But I was able to head over to a filming studio here in Nashville last month and do a socially distanced shoot, and I’m so happy it’s finally coming out, albeit many months after originally planned.

“Grant Claire put the concept for the video together, which we had to tweak a little bit due to filming limitations. I wound up shooting the whole thing in front of a green screen. But I really loved his vision for it being this colorful, collage-heavy, kind of trippy video for this song. I always have a lot of commentary when working on the visuals that go with my songs, and I really enjoyed working with Grant on this.” — Sarah Jarosz


Photo credit: Josh Wool

LISTEN: Cary Morin, “Valley of the Chiefs”

Artist: Cary Morin
Hometown: Lives in Fort Collins, Colorado; from Great Falls, Montana
Song: “Valley of the Chiefs”
Album: Dockside Saints
Release Date: August 7, 2020

In Their Words: “A true story told by my great grandmother at my Crow naming ceremony when I was about four years old. It tells of when she was a teenager and was kidnapped by a neighboring tribe. When women were kidnapped back then, they were destined to a life of servitude. She and her friends escape the warriors and are able to steal their horses and ride back home. The moral of the story from my great-grandmother to me was that there is nothing in life that you cannot overcome. I believe she was giving me this story to teach me perseverance in the face of any obstacles in my life. The story is familiar to me for my whole life.

“I wrote it as a memory of my life and my culture. I’ve written songs about the Crow side of my family for years. Not many of them were ever published until recently in my career. Earlier in my life, I probably thought that sharing these stories and family history was too personal. It would be interesting to ask other Crow people what their specific naming ceremony stories are. There are many… Now, I feel it is important to share this history and continue the oral history of my people. I’ve always wanted to hear this song with a different presentation. I had previously recorded it as a solo tune. I wanted a presentation with sweeping melodic lines.” — Cary Morin


Photo credit: Reggie Ruth Barrett

LISTEN: India Ramey, “Montgomery Behind Me”

Artist: India Ramey
Hometown: Nashville, Tennessee
Song: “Montgomery Behind Me”
Album: Shallow Graves
Release Date: September 4, 2020

In Their Words: “‘Montgomery Behind Me’ is somewhat autobiographical. I got married young, the first time. My first husband (who is a nice man) was from a ‘good family’ in Montgomery. I was not, so I was a square peg in a round hole. I just never fit, not with him, not with anyone there. I felt guilty for not being happy and not making everyone else happy. Eventually I had to accept that my time there was an exercise in futility. I also had to muster the courage to accept who I am and be not just OK with it, but be happy about it. When I would think about leaving, I had this vision of me heading down that long, flat highway with the small Montgomery skyline behind me and never looking back. Above and beyond the personal stuff, this song is a refusal to people-please and an acceptance and liberation of one’s true self.” — India Ramey

India Ramey · Montgomery Behind Me

Photo credit: Stacie Huckeba

The Show On The Road – Dan Reeder

This week on The Show On The Road, a conversation with renegade roots songwriter, painter and NSFW self-taught poet Dan Reeder.

LISTEN: APPLE PODCASTSMP3

Reeder is rarely interviewed, but has collected a legion of devoted fans after putting out a series of beloved albums on John Prine’s Oh Boy Records – including the much-anticipated new LP, Every Which Way.

For the uninitiated, diving into Reeder’s uniquely absurdist, harmony-drenched body of work can feel like reading a rich short story collection in one sitting. His normal routine is to layer lush close-mic’d vocals on top of one another using himself as a conspiratorial choir. He sketches tiny but poignant moments from his life and imagination, often repeating a simple phrase again and again like one of his most-listened to tunes, “Work Song,” which tells us bluntly through gospel claps: “I’ve got all the fucking work I need.” 

The new album may seem intimidating at first. It features a whopping 20 songs (or cinematic vignettes of a sort), but a closer look shows it clocking in at a succinct 39 minutes. Controversial-while-gentle acoustic offerings like “Porn Song” come in at just under minute long. New favorites like the wide-eyed (and foul-mouthed) piano ballad “Born a Worm” ask the deepest of questions of an indifferent, endlessly beautiful universe in only the way Reeder could — by plainly inquiring about a caterpillar’s mysterious transformation into a butterfly: “what the fuck is that about?”

Much more than a one man band, Reeder often builds every instrument he plays in his recordings, from steel string guitars, to banjos, drums, basses, cellos, violins, clarinets, and even the computer he records on. This episode was recorded in his garage studio in Nuremberg, Germany, where he’s lived with his wife for 30 years. 

Host Z. Lupetin spoke to Reeder right after John Prine passed away from complications of COVID-19, and they spoke about his tours together with Prine and how much his music inspired him through the years.