Tag: The Working Songwriter

The Working Songwriter: Joe Pernice

Posted on by Justin Hiltner

Our guest on the Working Songwriter this week originally hails from Boston, Massachusetts, and now makes his home in Toronto. Joe Pernice got his musical start, though, in Northampton, Mass. At the time, it was a hot bed of indie music creativity. His band the Scud Mountain Boys built a loyal following in the 1990s with a string of critically acclaimed releases. He’s recorded for Sub Pop, One Little Indian, Team Love, and New West Records.

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Over the years Pernice has collaborated with a variety of blue-chip songwriters such as Aimee Mann, Neko Case, Norman Blake (of Teenage Fanclub), Jimmy Webb, Rodney Crowell, and Jim White. He’s also a man of many talents; his novel It Feels So Good When I Stop was published by Penguin Books in 2009. NPR calls him “a workhorse of a songwriter who delivers hard truths with the softest of whispers.” Brooklyn Vegan declared, “Few songwriters today imbue frustration and anguish into the sweetest of melodies as Joe Pernice.”

I got a chance to catch up with him a few months ago to hear about his musical journey so far.

Photo Credit: Colleen Nicholson

The 2nd Annual Working Songwriter Forum Returns to Chicago

Posted on by Justin Hiltner

The BGS Podcast Network, the Working Songwriter, and podcast host/creator Joe Pug are excited to invite you to attend the 2nd Annual Working Songwriter Forum. Set for June 5-7, 2026, at the Old Town School of Folk Music in Chicago, Illinois, the event will include concerts, workshops, podcasts, open mics, and more. Space is limited, but 3-day passes are still available. Get more information and purchase tickets here.

Each night of the Forum will feature a full concert by songwriters and musicians on the Forum lineup. David Ramirez and Rachel Baiman will take the stage on Friday, June 5, and John Moreland and TWS creator and host Joe Pug will headline Saturday, June 6.

“Last year’s event featured Craig Finn and Courtney Hartman,” Pug tells BGS via email. “It went better than I could have ever expected. And the Old Town School’s campus in Chicago is such a natural home for the event. I can’t wait to see our returning attendees again and to meet those joining us for the first time.”

The heart of the weekend is a slate of intensive workshops from both Old Town School’s master educators – like Jonas Friddle – as well as Q&As with the Forum’s guest artists. Attendees will also have the opportunity to play scheduled open mics on each day of the event. (See a full schedule below.)

Whether a veteran songwriter or a novice just starting your creative journey, there’s something for everyone on the slate for the 2nd Annual Working Songwriter Forum. We hope you’ll join us and TWS in Chicago at the Old Town School of Folk Music next month! Get more information about the Forum and purchase your tickets here.

Unable to attend the full Forum? Limited concert tickets are available for the evening performances by Ramirez and Baiman and Moreland and Pug.

The Working Songwriter Forum Schedule

Friday, June 5, 2026
4pm – Welcome to The Working Songwriter Forum
5pm – Rachel Baiman teaches Poetry versus Rhetoric in Songwriting
6pm – Dinner Break
8pm – Rachel Baiman Live in Szold Hall
9pm – David Ramirez Live in Szold Hall

Saturday, June 6, 2026
10:30am – Jonas Friddle teaches Something from Nothing
11:45am – David Ramirez presents The Misunderstanding in Wanting to be Understood
1pm – Lunch break
2pm – Open Mic
3:15pm – The Working Songwriter taping with John Moreland and Joe Pug
6pm – Dinner Break
8pm – Joe Pug Live in Maurer Hall
9pm – John Moreland Live in Maurer Hall

Sunday, June 7, 2026
11am – Open Mic: Songs Written at The Working Songwriter Forum
12pm – Lunch break
1pm – Open Mic: Songs Written at The Working Songwriter Forum and a Farewell

Explore our archive of episodes of the Working Songwriter podcast here.

The Working Songwriter: Eddie Schwartz

Posted on by Justin Hiltner

Our guest this week on the Working Songwriter hails from Canada and has spent over four decades writing hit songs. Eddie Schwartz got his start as a solo artist, but has found great success writing for and with other artists. His song “Hit Me With Your Best Shot” was recorded by Pat Benatar and became a certified platinum crossover hit. He went on to pen songs for Donna Summer, the Doobie Brothers, the Pointer Sisters, and many others.

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As a former president of the Songwriters Association of Canada and the International Council of Music Creators, Schwartz has been a tireless advocate for songwriters. He’s received multiple BMI, SOCAN, and JUNO Awards. In 2012, he was awarded the Order of Canada, one of the country’s highest civilian honors.

I got a chance to catch up with Mr. Schwartz a few months ago to hear about his musical journey so far.

Photo courtesy of the artist.

The Working Songwriter: Mary Chapin Carpenter

Posted on by Justin Hiltner

Our guest this week on the Working Songwriter hails from my neck of the woods, Washington, D.C. Mary Chapin Carpenter got her start in the proto-Americana music scene of 1970s and ’80s D.C. She broke out of that local circuit with her signing to Columbia Records; her 1992 album, Come On Come On, went quadruple platinum.

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Carpenter has toured with Emmylou Harris, Shawn Colvin, and Rosanne Cash, she’s won five GRAMMY Awards, two CMA Awards, and two Academy of Country Music Awards. Her song, “Shut Up and Kiss Me,” went to the top of the country radio charts. She has appeared on the Late Night with David Letterman and Rolling Stone calls her “one of the most grounded, sentient songwriters of her generation.” NPR has said that she’s “a singular voice in country and folk” and the New York Times praises her “intelligent, literate songwriting with emotional depth.”

Simply put, she’s an all-timer. I got a chance to catch up with her earlier this year and hear about her musical journey so far.

Photo Credit: Aaron Farrington

The Working Songwriter: Charles Kelley (Lady A)

Posted on by Justin Hiltner

Our guest on the Working Songwriter this week hails from Augusta, Georgia, but has made his professional bones in Music City USA. Charles Kelley was one of the founding members of Lady Antebellum – now known as Lady A – and is one of the group’s principal songwriters. Their crossover hit, “Need You Now,” became one of the defining songs of the 2010s.

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Lady A have sold over 18 million albums, won 7 GRAMMY awards, and their songs have been streamed over 5 billion times. Along the way Charles has also released a pair of solo albums, including last year’s Songs for a New Moon. He’s recorded for Capitol Records Nashville and Big Machine and he’s toured with Luke Bryan, Tim McGraw, Keith Urban and many others. He’s also appeared on The Tonight Show and The Late Show with David Letterman.

Rolling Stone has said that Lady A’s “vocal harmonies helped redefine country radio in the 2010s” and Billboard calls them “one of Nashville’s most successful songwriting teams.” I got a chance to catch up with Charles a few months ago to hear about his musical journey so far.

Photo courtesy of the artist.

The Working Songwriter: Ricky Montgomery

Posted on by Justin Hiltner

Our guest this week on the Working Songwriter resides in Los Angeles, but spent many of his formative years in St. Louis, Missouri. Ricky Montgomery first built an audience on Vine in his early twenties before releasing his self-titled debut album in 2016. That bedroom pop album was a cult favorite until 2020, when several of its songs exploded on TikTok, leading to a deal with Warner Records.

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Montgomery’s singles, “Line Without a Hook” and “Mr. Loverman,” are RIAA-certified platinum and, all told, his catalog has collected more than a billion streams worldwide. That grassroots support has led to headlining tours with stops at the Wiltern in Los Angeles, Irving Plaza in New York City, and the Pageant in St. Louis, to name just a few.

This interview was recorded nearly 18 months ago and has been delayed due to a snafu on my end, but I’m so glad we get to hear it now. I think you’ll very much enjoy hearing about Ricky’s musical journey through his own words.

Photo courtesy of Prelude Press.

The Working Songwriter: Fruition

Posted on by Justin Hiltner

Our guests this week got their start busking on the streets of Portland, Oregon, but it wasn’t long before their popularity pulled them onto the open road. Jay Cobb Anderson and Kellen Asebroek are pivotal and founding members of roots music band Fruition. They have toured with Greensky Bluegrass, the Infamous Stringdusters, Yonder Mountain String Band, and many others and have appeared at iconic festivals such as Telluride Bluegrass Festival, WinterWonderGrass, and the Northwest String Summit.

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Fruition’s 2018 release, Watching It All Fall Apart, debuted at #3 on the Billboard Bluegrass Albums Chart. Billboard said, “Fruition have matured into one of America’s most compelling roots acts” while Rolling Stone Country noted, “The trio’s harmonies are as tight as anything coming out of Nashville.” No Depression declared that they’re “a band whose chemistry feels lived-in and wholly authentic.”

I got a chance to catch up with them a while back to hear about their musical journey so far.

Photo Credit: Kaja Sigvalda

The Working Songwriter: Jason Boland

Posted on by Justin Hiltner

Our guest today on the Working Songwriter hails from Oklahoma and is a foundational contributor to the uniquely American genre of Red Dirt music. Jason Boland released his first album, Pearl Snaps, in 1999 and has been on the road ever since. Nightclub by nightclub, fan by fan, he’s built a devoted national audience.

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Boland has toured with Turnpike Troubadours, Cross Canadian Ragweed, Reckless Kelly, and a host of others. He’s recorded for Thirty Tigers and Top Hat Records. He’s appeared at Stagecoach, Luck Reunion, and the MusicFest at Steamboat. Texas Monthly called him “equal parts poet, rebel, and road warrior” and Rolling Stone declared his sound “unpolished, unsparing, and deeply human.”

I got a chance a while back to catch up with Jason and hear about his musical journey so far.

Photo Credit: Cameron L. Gott Photography

The Working Songwriter: Yung Lan

Posted on by Justin Hiltner

Welcome to The Working Songwriter, the show where today’s best songwriters come to talk shop. Each episode we host a distinguished guest and we ask them to go deep on their inspiration, their process, and the general ups and downs of making a life in music. Whether you’re a grizzled veteran picking out custom chrome trim for your tour bus or a scrappy upstart, trying to determine whether your Toyota Tercel can make it through a three thousand mile tour, this is your show. Because, ultimately, it is what every writer seeks most. An ironclad excuse to put off actually writing.

Our guest this week on the Working Songwriter originally hails from Virginia, but made his bones in the bustling hip-hop scene of Atlanta. Yung Lan began producing tracks on his laptop as a novice with no ties to the formal music business. Signing a modest publishing deal got him in the room with some hip-hop luminaries, and he seized the opportunity. His first success came when one of his songs made it onto Fetty Wap’s self-titled album, which went platinum. He has since gone on to work with Nicki Minaj, Lil Wayne, Kevin Gates, and many others.

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Yung Lan’s work on Morgan Wallen’s song “Cowgirls” won him a BMI Country Award. All told, his songs placed with different artists have amassed over 6 billion streams and he’s contributed to 30 albums with RIAA certifications. I got a chance to catch up with Yung Lan a few months back to hear about his musical journey so far.

Photo courtesy of the artist.

The Working Songwriter: Ray Fulcher

Posted on by Justin Hiltner

Welcome to The Working Songwriter, the show where today’s best songwriters come to talk shop. Each episode we host a distinguished guest and we ask them to go deep on their inspiration, their process, and the general ups and downs of making a life in music. Whether you’re a grizzled veteran picking out custom chrome trim for your tour bus or a scrappy upstart, trying to determine whether your Toyota Tercel can make it through a three thousand mile tour, this is your show. Because, ultimately, it is what every writer seeks most. An ironclad excuse to put off actually writing.

Our guest this week hails from Harlem, Georgia. Ray Fulcher is one of Nashville’s most sought-after modern country songwriters. He first broke through co-writing a string of chart-topping hits for Luke Combs – including the multi-platinum “When It Rains It Pours” – before stepping into the spotlight with his own recordings on his 2022 debut album, Spray Painted Line.

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Fulcher has toured extensively, sharing stages with Luke Combs, Ashley McBryde, and Matt Stell, and his songs have been streamed hundreds of millions of times across platforms. He has written for artists like Riley Green and Cody Johnson, including Johnson’s recent hit “The Fall.” Billboard highlights his “unmistakable narrative grit,” while Holler celebrates his “clean-cut melodies and lived-in honesty.” Taste of Country notes his “ability to turn small-town details into widescreen emotion.” I caught up with him recently on The Working Songwriter to hear about his musical journey so far.