WATCH: Tim Higgins, “I Blew It”

Artist: Tim Higgins
Hometown: Greensboro, Alabama
Song: “I Blew It”
Album: BLIGHT
Release Date: February 28, 2020
Label: Folk Victorian Records

In Their Words: “‘I Blew It’ is about a disenchanted person who is trying to do his best, but knows he’s not going to succeed in the end. Whether it’s maintaining a relationship, battling addiction, or leading a cause downtown at some City Hall, for some people, it’s always futile odds. What I wanted to capture was the sense of duty someone could have to do what they believe is right even though the writing is already on the wall. To capture those kind of complex feelings and layers in one song, my producer Parker McAnnally and I let the verses stand alone with just my voice and acoustic guitar while the musical breaks sonically dip underwater, and undulate between Jack Thomason’s electric guitar and Alex Caress’ piano.

“For the music video, I worked again with Reagan Wells, who directed my last video, ‘Blight,’ and we returned to the ‘ruined finery’ theme that traverses this whole contemporary Southern Gothic album — where the line between memory and reality are blurred; I think the narrator in ‘I Blew It’ is always living between those worlds as well.” — Tim Higgins


Photo credit: Aaron Sanders Head

WATCH: Tami Neilson, “Sleep”

Artist: Tami Neilson
Hometown: Auckland, New Zealand
Song: “Sleep”
Album: CHICKABOOM!
Release Date: February 14, 2020
Label: Outside Music

In Their Words: “This song was written by my dear friend and co-producer Delaney Davidson. He wrote it about keeping the Big Black Dog at bay; my two little boys think it’s a lullaby Mama sings only for them. My brother Jay and I wander into the audience at the end of the night with just a guitar and no amplification to sing this to the hush and send our audience gently home. It becomes what you want it to mean, like every song. But, it’s like a warm blanket, a soft pillow.

“This video was created by my other brother Todd Neilson of Valiant Creative Agency. You would never know the chaos behind the scenes! It is one shot and begins with Jay and I singing at the other end of the studio. As the camera pulls out, it reveals we are on the television set in the darkness of a living room where a family has gathered to watch before bed. However, the camera dolly had to roll straight through the living room and the entire thing had to be assembled within seconds in its wake.

“So, as we were peacefully singing, there was shouting and crashing and banging as the rug, plants and furniture were frantically placed by a team of six, the actors rolled the couch in (it was on skateboards!), sat down and had to look relaxed and calm as my little niece, River Neilson, fell asleep. The result is magical and I can almost feel my Dad’s arms around me, carrying me to bed when I watch it.” — Tami Neilson


Photo credit: Sabin Holloway

WATCH: My Sister, My Brother, “Forever Now”

Artist: My Sister, My Brother (Garrison Starr, Sean McConnell, and Peter Groenwald)
Hometown: Nashville, Tennessee and Los Angeles, California
Song: “Forever Now”
Album: My Sister, My Brother EP
Release Date: March 6, 2020

In Their Words: “When we wrote ‘Forever Now,’ I remember us all being excited about writing something upbeat. There’s nothing wrong with a sweet slow song, but we had already covered that ground. While having a different feel, this song comes from the same place as the others do. We were kind of trying to speak from the perspective of a 90-year-old man or woman, sitting on their front porch, wanting to share the worth of their experiences. There will be great days and terrible ones, you will love and you will lose, but none of it is forever. Don’t take the good for granted, and try not to hold on to the bad.” — Peter Groenwald


Photo credit: Joshua Black Wilkins. Director: Josh Kranich

WATCH: Samantha Crain, “Garden Dove”

Artist: Samantha Crain
Hometown: Shawnee, Oklahoma
Song: “Garden Dove”
Album: A Small Death
Release Date: July 17, 2020
Label: Ramseur Records/Thirty Tigers and Real Kind Records/Communion

In Their Words: “With the idea in mind of being better for yourself and learning to love yourself, I started thinking about how much easier it was to connect with other people when you’re actually reveling in and enjoying your own company as well. It reminded me of a cult of friendship, sort of building this great web and community around myself. So, of course, I felt like I wanted to make a spooky Oklahoma backroads cult video for the song. I was inspired by Robert Weine and Hitchcock and wanted to make it feel real and high quality but also homemade in a way. I directed the video and did the costumes, my friend Blake Studdard did the camerawork and editing, my friends Nia and Izze (who were also in my ‘An Echo’ video) and Adam acted as my growing cult family. We filmed it on an extremely cold winter night on a dead-end street in Norman, Oklahoma.” — Samantha Crain


Photo credit: Dylan Johnson

WATCH: Brew Davis, “Another Scarecrow Learning How to Fly”

Artist: Brew Davis
Hometown: Asheville, North Carolina
Song: “Another Scarecrow Learning How to Fly”
Album: Another Scarecrow Learning How to Fly
Release Date: February 28, 2020
Label: Hellbender Records

In Their Words: “This song is about transcendence and trying to get beyond the ruts we get stuck in, especially in ‘middle age,’ which is where I find myself these days. The opening line came to me in church, actually, and the verses just flowed out from there. I wrote the chorus later but it was clear to me what I wanted to say about life — how we get tempted by the stuff the world tells us is important when really the most important things are the people and things (i.e., music) that we love and that make us happy. One fun tidbit is that the shirt I’m wearing was my granddad’s. He died several years ago at 93 and is one of the ones I talk about in the chorus who’s ‘calling to me from the other side.'” — Brew Davis


Photo credit: Andrew Kornylak, FourMile Media

WATCH: Wood Belly, “Can’t Get Behind”

Artist: Wood Belly
Hometown: Denver, Colorado
Song: “Can’t Get Behind”
Album: Man on the Radio
Release Date: January 31, 2020
Label: Belly Up Records

In Their Words: “This is a tune about the basic need for acceptance. We’ve all had a moment questioning ourselves, ‘Is it me? Or is it you?’ I relate with these struggles, which can be taxing on a person’s mind. It’s sometimes challenging to arrive at acceptance before we process with our own coping mechanism. No matter how we get there, we usually come to realize we always had the answer within — but not before a little self-torment.” — Craig Patterson, Wood Belly

“James Armington really made this vision come to life. We all knew and loved James from the bluegrass community and he was a fellow Telluride band competition winner. When it came time to cast our hero, I remembered standing on the main stage at Telluride watching the tarp-run next to James decked out in suit, cape and mustache. We had no idea just how perfect he would be for the role. James had the cast and crew in stitches scene after scene and we can’t thank him enough for the wonderful performance and memories.” — Chris Weist, Wood Belly


Photo credit: Emily Sierra Photography

WATCH: Kristina Murray, “Tell Me”

Artist: Kristina Murray
Hometown: Nashville, Tennessee
Song: “Tell Me”
Album: Southern Ambrosia (2018)
Label: Loud Magnolia Records

In Their Words: “Soon after I moved to Nashville, I met musician and writer Logan Ledger and we became fast friends over of our love of traditional country music; soon we discovered that our voices complemented each other well, too, so we played out a bit as a duo and wrote a few songs together. One afternoon I said straight up, ‘I want to write a classic country duet.’ We then proceeded to get stoned and listen to hours of vinyl records by the Louvin Brothers, The Beach Boys, George Jones & Gene Pitney, and on and on… we almost didn’t even start writing! But Logan pulled out the melody and first line, and the rest of the verses spilled out from there.

“A month or so later, on a sunny May afternoon, I wrote the chorus. Frank Carter Rische’s vocal part next to mine on the recording is what really makes the song for me; he is so emotive and follows my voice effortlessly. Though the inspiration for the song came originally from a traditional era, I’m proud of the timeless and vibe-y feel of ‘Tell Me.’ Truly, the video is up for individual interpretation, but after I watched it a few times, I think it’s about a woman who initially feels defeated by an impending breakup but then turns it on its head, burns it down, and perhaps realizes she’s better off.” — Kristina Murray


Photo credit: James Paul Mitchell

WATCH: Darling West, “Make It Last”

Artist: Darling West
Hometown: Oslo, Norway
Song: “Make It Last”
Album: We’ll Never Know Unless We Try
Release Date: February 7, 2020
Label: Jansen Records

In Their Words: “Spending time in California seems to have an impact on every songwriter. There’s definitely a West Coast vibe shining through on this song. We all wish for the long summer nights to last forever, although deep inside we know we have things to deal with in the light of day. And some of us are better at putting that off than others.

“This video was taped in the Norwegian woods at a place called Eina, near a friend’s cabin. It’s a beautiful spot! We hoped for a sunny day, but there are no guarantees where we come from, and of course it was raining. No biggie, we’re used to it. We had a great time recording this and hope you enjoy it!” — Darling West


Photo credit: Lars Petter Pettersen

WATCH: Kirby Brown, “Justine”

Artist: Kirby Brown
Hometown: Nashville, TN (by way of New York City; Dallas; Sulphur Springs, Texas; Damascus, Arkansas)
Song: “Justine”
Album: Dream Songs EP
Release Date: July 2019
Label: Soundly Music

In Their Words: “As I have continuously sought to do with my writing, this song is an exploration of duality and juxtaposition. It’s about the courage to accept love as a gift, even against the backdrop of a dog-eat-dog barter culture. It imagines a world where the mighty Universe itself stoops to your level, cigarette in hand, to affirm who you are… to say, ‘Honey, you beat all I’ve ever seen.’ I wanted the video to visually represent a similar dichotomy, but I also wanted to give voice to someone else, to hear another story about what acceptance of self can look like — and to perhaps, with reverence and nuance, challenge us all to be more accepting of others. I threw the reins to Queen Robert and Gabriel, and I got out of the way.” — Kirby Brown, artist

“I was refreshed by the concept of God [as represented in Kirby’s lyrics] being visually represented by the duality of drag. Religious ideologies of God and wrath have historically oppressed queer people for centuries — I have felt that fear and oppression firsthand. Appearing in this video presented me with the opportunity to confront those fears while challenging a new audience with ideas about masculinity and femininity. I admire Kirby and Gabriel’s risk in taking an otherwise heterosexually-dominated music genre and infusing it with some queerness. Some people will love what we’ve done, but some won’t be ready for it. Those with open minds will make the connections within the dichotomy presented. Regardless, If God is THE almighty, then drag queens are a close second — just look at Dolly Parton!” — Queen Robert, actor

“Being asked to direct the video for Kirby’s song ‘Justine’ was a true gift, made even more special when Kirby told me his concept. He asked me, with genuine concern and empathy, if it felt appropriative to utilize this decidedly queer form of art as a cis straight man. I reminded him that, though I’m married to a woman, I am a queer person still. This was a generous opportunity for me to own my queer identity through his song and this video. The shoot itself was an embarrassment of riches. Kirby shared his song and in turn we were able to share ourselves.” — Gabriel Barreto, director


Photo credit: Jacqueline Justice

WATCH: Twisted Pine, “Papaya”

Artist: Twisted Pine
Hometown: Boston, Massachusetts
Song: “Papaya”
Release Date: July 10, 2020 (album)
Label: Signature Sounds

In Their Words: “We call this Americana funk. Chris [Sartori, bass & vocals] was playing this groove in NYC one time during a sound check, and then later at a gig in California when the chorus melody came flying out of me. We decided the song would be about a papaya. We figured, ‘Everybody loves a good fruit song, right?’ The song’s about the chase for someone, the wait. The idea that they won’t give into the fact that you two are a natural fit.

“I wasn’t really writing about love. You know how when you’re waiting for an avocado, you just want to eat it right now, but it’s not ready? That annoyed feeling, the fear of someone else getting to it first. Another day and this thing isn’t ready?! By the time it’s ripe, it’s already gone or you have to toss it out. It’s about a fruit relationship and the perfect timing for love. Don’t tell anybody, but I’ve never had a papaya. We’re putting it on the rider. I just hope I’m not allergic.” — Kathleen Parks, fiddle and vocals, Twisted Pine


Photo credit: Joanna Chattman