Artist:The Alex Leach Band Hometown: Jacksboro, Tennessee Song: “Take the Long Way Home” Release Date: May 15, 2020 Label: Mountain Home Music Company
In Their Words: “After writing the song, my wife and I had a vision of how we thought the video would look. With plenty of help from our Mountain Home family and our band, we were able to make our vision a reality; complete with a ’60s, bright orange VW Microbus and bell-bottoms for all! Each of us got to unleash a bit of our inner, free spirit for the video, and we think the outcome gives off the perfect vibe. We hope you enjoy this groovy journey with us as we ‘Take the Long Way Home.'” — Alex Leach
Artist:Sarah Jarosz Hometown: Wimberley, Texas; now living in New York City Song: “Johnny” Album:World on the Ground Release Date: June 5, 2020 Label: Rounder Records
In Their Words: “The song ‘Johnny’ was one of the first ones I wrote for my new record, and it was the first single I released back in March. I had plans to make a video for it the week that everything went into lockdown, so obviously that didn’t happen! But I was able to head over to a filming studio here in Nashville last month and do a socially distanced shoot, and I’m so happy it’s finally coming out, albeit many months after originally planned.
“Grant Claire put the concept for the video together, which we had to tweak a little bit due to filming limitations. I wound up shooting the whole thing in front of a green screen. But I really loved his vision for it being this colorful, collage-heavy, kind of trippy video for this song. I always have a lot of commentary when working on the visuals that go with my songs, and I really enjoyed working with Grant on this.” — Sarah Jarosz
Artist:Alec Lytle & Them Rounders Hometown: Woodside, California Song: “Diamonds on the Soles of Her Shoes” (Paul Simon cover) Album:The Remains of Sunday Release Date: April 17, 2020 Label: CEN/The Orchard
In Their Words: “There is a bit of an interesting story around the album cut; it was fully recorded live, no overdubs. The band was in the live room at Sound City Studios and I was in the reverb chamber. The chamber is a huge, empty, concrete vault normally used to add reverb and echo to the mix in a very natural way. So I sat in there, hearing the band over headphones. No light, total blackness. All that echo and reverb is because of the space I’m sitting in. This is the same reverb chamber that became famous from Fleetwood Mac’s Rumours that was recorded there too.
“I chose to put this song on the record after sitting with it for about six months. My sister passed away recently after a brutal battle with cancer. She loved music, she was the first person I ever heard play guitar and sing, she sang the soprano part when my sisters and I would sing together. I played this song at her memorial service because my family and I felt like this song represented how we want to remember her. I decided to include it on the record as a marker for her… a testament to her memory.
“Dylan Day (guitarist/Jackson Browne, Jenny Lewis, Beck) was spending a few days at our house in November. We had just finished playing and recording some other songs in our living room when we noticed the light starting to fade at the end of the day. Dylan and I decided to play the song outside our back door while the sunset over the forest. It was a one-take thing… filmed and recorded in a matter of minutes. This was likely only the second time Dylan and I played this song… the first time for the record, and then this time behind our house.” — Alec Lytle
Following his newest record, Home, Billy Strings has sustained his success and enjoyed a rising position among the modern bluegrass ranks. With each subsequent release, he cements himself as a consummate bluegrasser, wowing audiences with his picking, singing, and writing.
“Enough to Leave” is a ponderous number, and Strings calmly delivers a performance wrought with apparent unrest; as the song moves through wonder and doubt, his firm guitar playing matches with a lead that slowly incorporates a distorted tone, adding dimensions to the theme of reflection in the song. Words can only do so much to describe Strings’ artistry — the real thrill of it has to be heard to be properly experienced. Watch the in-studio performance of “Enough to Leave” on BGS.
Artist:Fierce Flowers Hometown: Paris, France Song: “Tell Me Lies” Album:Mirador Label: Celebration Days Records
In Their Words: “We wrote ‘Tell Me Lies’ as a contemporary tribute to the desperate cowboy ballad genre. In our story, the narrator is a young woman who roams about the lonesome prairie of modern love and online dating. The songwriting process started on a lazy Paris summer afternoon. The melody was created on fiddle, and the rest of the song came together pretty quickly. The hardest thing was to get the three-part harmonies in place — they are a little quirky, but exciting and satisfying when we get them spot on.” — Julia Zech, Fierce Flowers
Artist:Tré Burt Hometown: Sacramento, California Song: “What Good” (Live From the French Quarter) Album:Caught It From the Rye Label: Oh Boy Records
In Their Words: “A really good friend of mine confided in me about a recent falling out she had had with her best friend since childhood. I guess that’s what started me writing the song, at least the first verse, then I got thinking about impermanence, time and how it (time) is like a vehicle that everyone is traveling on together. The jet plane, steamboat, race car references… On a beautiful sunny day in New Orleans in January we took a walk with the folks from Northern Cowboy films (UK) around the French Quarter and found a spot we all felt good about. The homeowner was happy and gracious to let us film outside his house. Traffic on foot, car and horse all slowed down to see what we were up to and stopped to listen too.” — Tré Burt
Artist:Wild Rivers Hometown: Toronto, Ontario Song: “Kinda Feels Alright” Album:Songs To Break Up To EP Release Date: May 1, 2020 Label: Nettwerk
In Their Words: “‘Kinda Feels Alright’ holds an important place on the Songs To Break Up To EP, exploring the positive side of a breakup. It’s also a big part of the personal story of the record. It’s about beginning to accept a breakup and feel alright. Sonically, it feels like a bridge between a classic Wild Rivers song and the new territory we explore with the rest of the EP.” — Khalid Yassein, Wild Rivers
In Their Words: “Soon after I moved to Nashville, I met musician and writer Logan Ledger and we became fast friends over of our love of traditional country music; soon we discovered that our voices complemented each other well, too, so we played out a bit as a duo and wrote a few songs together. One afternoon I said straight up, ‘I want to write a classic country duet.’ We then proceeded to get stoned and listen to hours of vinyl records by the Louvin Brothers, The Beach Boys, George Jones & Gene Pitney, and on and on… we almost didn’t even start writing! But Logan pulled out the melody and first line, and the rest of the verses spilled out from there.
“A month or so later, on a sunny May afternoon, I wrote the chorus. Frank Carter Rische’s vocal part next to mine on the recording is what really makes the song for me; he is so emotive and follows my voice effortlessly. Though the inspiration for the song came originally from a traditional era, I’m proud of the timeless and vibe-y feel of ‘Tell Me.’ Truly, the video is up for individual interpretation, but after I watched it a few times, I think it’s about a woman who initially feels defeated by an impending breakup but then turns it on its head, burns it down, and perhaps realizes she’s better off.” — Kristina Murray
The idea of success, especially as it relates to being a musician, songwriter, and/or performer, has always been a wily, shifting idea. What are the benchmarks we use to determine someone’s level of notoriety? What are their claims to fame? Owning a tour bus? Having your first number one hit? Being the musical guest on SNL? Having a highway named after you? Or perhaps a proclamation from your local public figures designating a [Named After You] Day?
Well, for everyone’s favorite bluegrass powerhouse vocalist turned mainstream country star and global sensation Chris Stapleton, success isn’t measured only by a cameo appearance on HBO’s Game of Thrones. How about having LEGO figures modeled after you, your wife, your band, your stage set, and your otherworldly, music-hating fantastical arch-enemies?
LEGO Group and Stapleton collaborated on the brand new music video for “Second One To Know,” creating a fully realized toy brick universe replete with Stapleton’s signature hat, Morgane Stapleton’s omnipresent tambourine, strikingly accurate LEGO versions of instruments, gear, crew, family members, and even a cameo by bassist J.T. Cure’s cat! (A cat-meo? A cat-meow?)
It may seem a little off the wall for an artist who, while ceaselessly compelling, is generally reserved and counterintuitively subdued — despite his music and window-shaking voice being anything but. But the video is whimsical, painstakingly detailed, expertly crafted, and damn, it’s entertaining. Watch LEGO + Chris Stapleton’s “Second One To Know” right here, on BGS.
From Newport Folk Festival to network TV, it’s been a huge summer for Molly Tuttle. She’s blazed a trail through modern bluegrass, become one of the most prominent pickers around, and now she’s taking on roots music realms further and further from the string band territory in which she grew up. Feel the rhythm and energy in Tuttle’s national television debut performance of “Take the Journey,” which showcases her unique frailing, “clawhammer guitar” technique, live from CBS This Morning‘s Saturday Sessions.
Photo credit: Courtesy of CBS
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