Tag: Americana

LISTEN: The Way Down Wanderers, “Everything’s Made Out of Sand”

Posted on by Editor

Artist: The Way Down Wanderers
Hometown: Peoria, Illinois
Song: “Everything’s Made Out of Sand”
Album: More Like Tomorrow
Release Date: September 10, 2021
Label: Soundly Music

In Their Words: “‘Everything’s Made Out of Sand’ was written to create a dialogue on the temporary nature of all things: one day everything here will to turn to dust. I was inspired in the writing process while struggling to feel like I was using my short time here wisely. Humans are connected by our perception of time and the understanding of our own mortality. Through this mutual connection that we share as neighbors, I feel that a certain amount of accountability exists between us to try and live our best life for each other. We captured this tune with the band belting and stomping into a single antique microphone. By recording the song in just one take, it is set aside from the rest of the album and meant to capture the idea behind the track itself in a sonic way: we have a short time to live the most impactful and fulfilling life we can, so let’s try our best.” – Collin Krauss, The Way Down Wanderers

Photo credit: Keith Cotton

LISTEN: Andy Peake, “Hip Replacement”

Posted on by Editor

Artist: Andy Peake
Hometown: Nashville, TN
Song: “Hip Replacement”
Album: Mood Swings
Release Date: August 20, 2021
Label: Biglittle Records

In Their Words: “A friend of mine was talking about needing a hip replacement and I immediately locked into the double meaning of the term. The music for the song was inspired by an often-heard melodic hook found on some of Miles Davis’ and other popular jazz compositions of the ’50s and ’60s. Lay that hook on top of a salsa rhythm and spice it up with some Middle Eastern modal rock guitar and you have a danceable international flare that is uniquely American. Regarding the lyrics/theme… Sometimes as we get older, we get set in our ways — and may need a jump start. ‘Hip Replacement’ is intended as a poetic, virtual set of jumper cables.” — Andy Peake

Photo credit: Karen Leipziger

Harmonics with Beth Behrs: Time for Some Music Recommendations

Posted on by Shelby Williamson

Let’s face it: times are pretty dark right now — but what else is new? Harmonics was born out of a love for music and its healing powers, and we are once again turning towards art to pull us through. Today, Beth is joined by Amy Reitnouer Jacobs — our very own BGS co-founder and executive producer of Harmonics — who shares with us the fruits of her curatorial labor in the form of her top albums getting her through the summer: from heart-wrenching yet uplifting folk songs by Allison Russell, to the vibey, Don Henley-esque sounds of John Mayer’s recent release, on through to ’70s Japanese pop, and stopping everywhere in between.

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Allison Russell – Outside Child

BGS readers will be familiar with this first pick. We’ve long sang the praises of Allison Russell (she was our Artist of the Month for May of this year) and when asked their favorite albums of the year, essentially every member of the BGS team chose her solo debut Outside Child. This is a very special record — for so many reasons — that you do not want to miss. And your listening experience will only be enhanced by learning the context in which it was written. Russell shared her painful story with us back in Season 1 of Harmonics, then came back and breathed uplifting hope into that story through the beautiful music of Outside Child.

Dante Elephante – Mid-Century Modern Romance

This album has been Amy’s weekend soundtrack for some time now. Throw this record on first-thing Saturday morning, and you, too, will be grooving, coffee in hand, in no time.

Tony Joe White – Smoke from the Chimney

This posthumous album from Tony Joe White features vocals from acoustic demos the roots legend recorded shortly before his passing, brought to their full potential through the lush arrangements and editing magic of Dan Auerbach.

Valerie June – The Moon And Stars: Prescriptions For Dreamers

Fall into the weird and wonderful world of Valerie June through the intricately layered yet completely raw and vulnerable musical journey of her latest album. Don’t try to define this album — just allow yourself to get wrapped up in whatever it is.

John Mayer – Sob Rock

While Amy has admittedly not dug into any John Mayer album since his 2001 debut Room for Squares, her love for the newly coined “Bistro Vibes” aesthetic (read into this y’all, and just trust us…) has led her to Mayer’s latest summer release: a more-than-likely pandemic-fueled nostalgic nod to the sounds of the ’80s a la Don Henley, Dire Straits, Steve Winwood, and Phil Collins, paired with songwriting that taps into the isolation and despair we’ve felt for the past year and a half.

Yellow Magic Orchestra – Yellow Magic Orchestra

The experimental nature and endlessly chill vibes of Japanese pop of the ’70s and ’80s make for the perfect summer soundtrack, and the traceable influence on today’s indie music is fascinating. Bonus points if you can listen on vinyl, as the depths of these recordings are all the more rewarding and delicious in this format.

Sara Watkins – Under the Pepper Tree

While the beautiful Under the Pepper Tree — a collection of lovely lullabies, both original and classic favorites — was recorded and released for Watkins’ small daughter, we, as adults, have been unable to take it off of repeat since its March release. While some may laugh at the idea of being so enamored with a “children’s record,” we dare them to experience the comfort of Watkins’ magical collection — especially amidst the tumultuous year we’ve had — and not fall in love. She pulls out what is so beautiful and lasting about these songs, and what makes us connect with and feel through them.

Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

WATCH: The New Acoustic Collective, “Old Gray Coat” Feat. Wyatt Rice

Posted on by Editor

Artist: The New Acoustic Collective
Hometown: San Jose/San Francisco Bay Area
Song: “Old Gray Coat” Featuring Wyatt Rice
Album: Art of Acoustics
Release Date: September 20, 2021

In Their Words: “Tony Rice’s ‘Old Gray Coat’ has a special place in The NAC’s repertoire. This specific project came about when artistic director of Bay Area nonprofit Music in Place, Aaron Lington, contacted us and wanted to include us in the list of amazing musicians featured in a remotely-filmed music video production during the COVID-19 pandemic. I began to give Aaron some suggestions on song ideas and he really enjoyed ‘Old Gray Coat’ by Tony Rice. I thought if The NAC was going to record ‘Old Gray Coat,’ I’d like to feature a special guest, Tony’s brother Wyatt Rice. To have the opportunity to collaborate closely with both our NAC members and Wyatt Rice as a special guest was a dream come true!

“The fun and challenging part of this project was that it was all distanced and used with a click track, which started with me tracking my rhythm guitar part. Afterwards, Wyatt recorded his parts and then The NAC featuring Alonso Sanchez (double bass), David Boyden (fiddle), and Nathaniel Grohmann (cello) layered their parts and solos from there. Overall, the creative partnership between The NAC and Wyatt Rice was particularly rewarding and we are all grateful to work with him along with Music in Place, a nonprofit with an amazing mission!” — Jason Keiser, The New Acoustic Collective

Photo credit: Music in Place

WATCH: Aisha Badru, “The Way Back Home”

Posted on by Editor

Artist: Aisha Badru
Hometown: Orlando, Florida
Song: “The Way Back Home”
Album: The Way Back Home EP
Release Date: December 3, 2021
Label: Nettwerk Records

In Their Words: “During my early 20s, I left home, pursed my wildest dreams, traveled the world, and made decisions with my heart that allowed me to experience the fullness of life. This freedom allowed me to become the person I am today. ‘The Way Back Home’ is written from the perspective of someone who understands that in order for one to be whole, they have to go on a self-exploration journey alone. This song explores non-possessiveness in relationships. It embodies a confidence that allows our loved ones to grow without the fear of losing them.” — Aisha Badru

Photo credit: Jeffery Trapani

BGS 5+5: Mike and the Moonpies

Posted on by Editor

Artist: Mike and the Moonpies
Hometown: Austin, Texas
Latest Album: One to Grow On
Personal nicknames: The Moonpies

All answers by Mike Harmeier

Which artist has influenced you the most … and how?

It would be impossible for me to narrow it down to just one artist. Early on, I was heavily influenced by George Strait and ’80s/’90s country artists, in general. I really thought that was the path I would take — a very commercial approach to country music. I would later gain a new perspective when I started listening to more songwriters like Guy Clark and John Prine. It was then that I wanted to add more depth and sincerity to my music. When I moved to Austin in 2002, I started to get more into the art of record making and that process was heavily influenced by bands like Wilco and Radiohead. Lately, I’ve kind of melded all that into an approach that’s more along the lines of Jerry Jeff Walker. Freewheeling records with thoughtful lyrics and just having fun playing music with my friends.

What’s your favorite memory from being on stage?

I’ve had countless moments that stick out in my memory from being on stage. Most of them include our artist friends joining us on stage. From the big jams we usually host at Mile 0 Fest in Key West, to our encores with the opening bands joining us for a cover song to end the night. Most recently, Jerry Jeff Walker’s son Django joined us on stage in Alpine, Texas, for our rendition of “London Homesick Blues.” It’s a song written and performed by Gary P. Nunn and made famous on Jerry Jeff’s Viva Terlingua record. We cut it in London at Abbey Road Studios for our Cheap Silver and Solid Country Gold record. That was a very special moment and felt like a culmination of a lot of things for us. You never know who will join you or when, and that excitement always makes for a memorable show.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I’ve always found a lot of inspiration in film. Especially when that film uses the right music for a particular scene. I can’t tell you how many times I’ve hit pause on a movie to write a song. Some songs can take on a whole new meaning when you put them behind the right scene or character and I will sometimes use those character’s emotions to inspire a new subject to write about. I’ve written quite a few songs just off one line I heard in a movie or TV show.

What’s the toughest time you ever had writing a song?

I actually had a lot of tough moments writing songs for this record. I had more time than normal to write and rewrite these songs. There were countless edits and rewrites and versions of the songs that we just scrapped and then started over. While I think these are some of the best songs I’ve written, it really took much longer to get to a place where I was happy with them. I think if you spend too much time on one thought it can be a dangerous game to play. I’m still learning when to put the pen down and be satisfied with what came naturally. It’s a fine line.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I think I have subconsciously done this a lot with many songs in our catalogue. Not until this record have I made the conscious decision to write from a character’s perspective. While I was experiencing or have experienced a lot of the feelings and virtues of the character on this album, I tried to take myself out of it as much as I could. I wanted to broaden the scope and viewpoint beyond my own personal experience so I strayed away from talking too much about road life or really much to do with my personal experience with my work as a musician. I wanted to project a world view from the perspective of an everyday nine-to-fiver and play with how that intersected in my own personal experience. While there is a lot of myself in these songs, I think it translates to the everyman in a very relatable and accessible way. At least to anyone that works hard to get where they want to be.

Photo credit: Lyza Renee Photography

WATCH: Tim Easton, “Speed Limit”

Posted on by Editor

Artist: Tim Easton
Hometown: Nashville, Tennessee
Song: “Speed Limit”
Album: You Don’t Really Know Me
Release Date: Aug 27, 2021
Label: Black Mesa Records

In Their Words: “My friend Tree Butcher said the opening line in a sentence and I just wrote it down. It became a song very quickly and it’s the first tune where my daughter helped sort out some lyrics as well. Both my mother and father make an appearance in this one, so the family theme is established further. This is a healing song that is played with a lot of energy to remind you to slow down. The chorus lyric ‘when the pain of staying the same outweighs the strain of making changes’ is an inner rhyme sequence of pain, stay, same, weigh, strain, make, and change — seven rhymes in just 13 words. This is something I learned from listening to hip-hop, or something I was reminded of by listening to hip-hop. ‘The worst enemy I ever had is the one inside my head’ is a notion I got from the poet Gregory Corso who said that the worst critic he ever had was himself.” — Tim Easton

Photo credit: Robby Kline

LISTEN: Robert Plant & Alison Krauss, “Can’t Let Go”

Posted on by Editor

Artists: Robert Plant & Alison Krauss
Song: “Can’t Let Go”
Album: Raise the Roof
Release Date: November 19, 2021
Label: Rounder Records

In Their Words: “We wanted it to move. We brought other people in, other personalities within the band, and coming back together again in the studio brought a new intimacy to the harmonies.” — Alison Krauss

“You hear something and you go ‘Man, listen to that song, we got to sing that song!’ It’s a vacation, really — the perfect place to go that you least expected to find.” — Robert Plant

Editor’s Note: Plant and Krauss’ 2007 album, Raising Sand, won six Grammy Awards. Like its predecessor, Raise The Roof was produced by T Bone Burnett, and features twelve new recordings of songs by legends and unsung heroes including Merle Haggard, Allen Toussaint, The Everly Brothers, Anne Briggs, Geeshie Wiley, Bert Jansch and more. The collection also includes a Plant-Burnett original, “High and Lonesome,” and “Can’t Let Go,” written by Randy Weeks and first recorded by Lucinda Williams.

Photo credit: Frank Melfi

WATCH: Tré Burt, “Dixie Red”

Posted on by Editor

Artist: Tré Burt featuring Kelsey Waldon
Hometown: Sacramento, California
Song: “Dixie Red”
Album: You, Yeah, You
Release Date: August 27, 2021
Label: Oh Boy Records

In Their Words: “I prayed under an old oak tree in my neighborhood a lot for John Prine and his family while he was in the hospital last year. In the days following his passing I was mostly silent and listened to The Tree of Forgiveness non-stop. One night, I was standing on my porch looking at the full moon through a break in the trees over my street. It was especially silver and awfully large. The moon looked as if it were signaling John’s safe arrival to the other side. I felt privileged to witness this message sent for his family. ‘Dixie Red’ is a southern-grown peach and that line from ‘Spanish Pipedream’ has always been so potent to me. So I used a peach as imagery to represent John’s body of work he left behind for all of us.” — Tré Burt

Photo credit: Lance Bangs

BGS 5+5: Leah Blevins

Posted on by Editor

Artist: Leah Blevins
Hometown: Sandy Hook, Kentucky
Latest Album: First Time Feeling

Which artist has influenced you most & how?

The first time hearing Stevie Nicks was at the ripe age of 11. The inflection and mystery of her essence molded me from the moment I heard her voice. That furthered when I saw how she wore clothes. The record was Trouble in Shangri-La and it still hits me on a deep emotional level.

What’s your favorite memory from being on stage?

My favorite memories that come to mind are the moments that I’m singing with my family. We’ve sung from stages to living rooms, to share the spirit. There’s nothing more special than family harmony.

If you had to write a mission statement for your career, what would it be?

My daily mission in life is to spread love. “Be kind to yourself, be kind to others.”

Since food and music go so well together, what is your dream pairing of a meal and musician?

The pairing of musician a meal would be soup beans, wieners, kraut and cornbread with my momma singing and playing the piano. Comfort food in every sense of the expression.

What was the first moment that you knew you wanted to be a musician?

When I heard Martina McBride on GAC, singing “A Broken Wing.” I’d pull out my dads video camera and perform that song with my best efforts. When you grow up around a family of singers and players — it’s a natural pull to want to do the same. I’m not sure if my 7-year-old brain had an epiphany or I just desperately wanted to mimic her voice.

Photo credit: Robby Klein