Rissi Palmer and Miko Marks have been laying the foundation for country musicians and fans who are Black for almost 20 years. Back in the early 2000s, both experienced the trials and tribulations of being Black women in country. Despite their successes and large growing fanbase, they were separately discouraged by the ceilings and roadblocks they encountered from the white-dominated industry. Even though they each nearly quit music, they discovered a deep and meaningful ally and friend in each other. Now, they are back in the spotlight in a different era that has seen a rise of Black musicians – and The Black Opry in Nashville. Recently, Rissi and Miko have been touring together and we got them both on the show to talk about their parallel experiences, their friendship, and what they’ve been up to recently. It was a sincere honor and a blast to speak with these inspiring women.
This month The Bluegrass Situation is highlighting The Black Opry as Artist of the Month. Basic Folk, a part of The Bluegrass Situation Podcast Network, is proud to present this episode in collaboration with our BGS motherhost.
Just in time for Pride Month, singer-songwriter Tanya Tucker released her new album, Sweet Western Sound, with Fantasy Records, marking the Country Music Hall of Fame inductee’s 26th solo studio record. Tucker is an American country icon, having landed her first hit single in 1972 at the age of 13 with “Delta Dawn.”
Tucker has long supported the LGBTQ+ community and queer equality, and Sweet Western Sound hits many of the same notes. The record was produced by Shooter Jennings and Brandi Carlile, the openly lesbian, roots music singer-songwriter and producer who is the only woman to receive two Grammy nominations for Song of the Year in a single year. Tucker has also collab’ed with drag queen and TV legend RuPaul and performed for GLAAD and Nashville Pride.
To celebrate her inclusivity and the new record, we’re counting down some of her most memorable – and most fabulous – stage performances and duets.
Tanya at Nashville Pride 2022
Is there anything better than rainbows, bedazzled tassels, and feathers? Absolutely not! And Tucker brought all three in her spectacular outfit at Nashville, Tennessee’s Pride celebration in 2022. Tucker sang “If It Don’t Come Easy” on stage during the celebration and was joined by multiple drag queens wearing rainbow tees emblazoned with “Tanya Mother Tucker.” Guests during her set included her dog and her daughter; the two sang Merle Haggard’s apropos “The Way I Am.”
Tanya Shows Some “Kindness”
Tucker’s latest album features a track called “Kindness,” a country-western crooner that encourages us to be a little nicer to those around us. “I found glory in the ruin of the best laid plans,” Tucker sings. “There were times tomorrow felt so far away. It seemed as though the bitterness was here to stay. I’ve pushed down on my anger through my tears.”
The tune is a good reminder we never know what someone else is going through, and that we could all be a little softer because of it.
Tanya and RuPaul Declare “This Is Our Country”
In a totally unexpected, but absolutely harmonious collab, Tucker and RuPaul teamed up in 2021 to release a duet called “This Is Our Country,” a genre-bending blend of country and pop that celebrates inclusion and equality.
“I can be a queen or I can be a cowboy,” RuPual sings.
“Love is the answer, love always wins,” Tanya adds.
The lyrics state firmly that our country is big enough for all its diverse communities and features more than a few of RuPaul’s rap bars. The video performance features some of Drag Race’s most popular queen and contestants, as well as a couple cute, shirtless cowboys.
Tanya In the Moment With “Bring My Flowers Now”
Co-written by Tucker and Carlile — as well as twins Tim and Phil Hanseroth — “Bring My Flowers Now” is a call to show our love and appreciation for friends and family before they’ve passed away. The tune is from her 2019 album While I’m Livin’, also produced by Carlile and Jennings. In the song, Tucker reminds us there are “rainbows, sunshine, and babies” to celebrate in this life, and that we shouldn’t wait until it’s too late. The simple, slow track features a piano instrumental and Tucker’s iconic vocals — perfect for a gentle moment with the ones we cherish most.
Tanya and Brandi Have “Breakfast In Birmingham”
If it’s a classic country duet you’re craving, Tucker and Carlile’s duet on the new album is just the ticket. “Breakfast In Birmingham” features both singers’ warm, soulful vocals and paints a picture of the city’s past with descriptions of hippies, cheap gas, and crispy-fried bacon. There’s also mention of “shutting down the rebel history,” a reminder that there’s a lot to celebrate and remember this Pride.
Tanya’s First Hit, “Delta Dawn”
This would be no list of Tanya Tucker’s best moments without reaching back to her roots. “Delta Dawn” was Tucker’s first hit, and this 2019 performance at The Troubadour features her famous key change as well as beautiful dobro and electric guitar licks.
Around the 2:40 mark, Tucker pauses her singing to let the audience fill in the words and they don’t miss a beat. This tune is always worth a listen and is one of Tucker’s best-known singles.
Whether you’re a fan old or new, Tucker’s got something for everyone — including a message of equality for all. There’s almost no better country singer ally to revisit during Pride Month.
Artist:Ellis Paul Hometown: Charlottesville, Virginia Latest album:55 (available June 9, 2023)
Which artist has influenced you the most … and how?
I can’t say which artist has inspired me “the most,” there’s too many great ones in the generations that came before me and too many new ones popping up as I go. And some of them are unconscious influences. I don’t go to James Taylor or Paul Simon consciously, but they are such a part of my youth and DNA that I know they are there. The Beatles are my go to teachers, as is Bob Dylan, Neil Young, Joni Mitchell. Their entire catalogues. When I listen to them with a magnifying glass, I’m constantly awe struck. They make my humility rise as a dominant emotional state. I’m good at what I do. But the gap between them and me is clear to me – but it is also where my great frontier lies. The best version of me is somewhere out there ahead — in that direction — and I need them as inspiration to explore it. To guide my improvements. So I dissect their music. And thank them. While their songs lie like frogs in the biology class of my mind.
What other art forms — literature, film, dance, painting, etc. — inform your music?
All of it! Everywhere I’m engaged in life can create a song — so I’m constantly on the lookout. I see what I do as a form of literature. There is a reason why Bob Dylan is walking around with a Nobel Prize in Literature. It’s storytelling, poetry, lyricism wrapped in imagery, dressed within melody and colored orchestration. It’s a visual medium in people’s brains as they watch the details unfold in a song while they are listening. So it’s like a movie or a painting. The music is a dance. It’s flowing. It’s a kind of geography.
Everything from a great meal to a great movie can inspire. Anytime I’m stuck, I try to get out and see a film or go to a museum or take a walk. Read a book. Watch how film makers tell their stories. It’s all a deep well to drink from, aren’t we incredibly lucky? I love my job.
What rituals do you have, either in the studio or before a show?
One of the best rituals I have in the studio is working with a grid sheet and stickers to watch the progress I’m making as the album evolves. I put it on the wall so everyone involved can see it. It’s a big piece of paper usually 18” by 24”. The songs are on the left side going down and all the tracks run across the top. After a musician plays their part, I give them a sticker to fill in their square for the song. It helps me project out, to see what’s left to do, and to see how much has been done. It helps to focus my thoughts on the parts left to finish and I can be creatively thinking about how I want the remaining tracks to lie against the ones that are completed. It also makes the musician feel good for some reason. They always love it. The stickers are usually cool, like Wizard of Oz characters. It brings out the first grader in people. They choose which sticker and then find their empty box and fill it with Toto.
If you had to write a mission statement for your career, what would it be?
Mainly— create beauty in every part of your work.
Now, since I’m in my fifties, this would be by making the most of your talent and my skill set. Focus on the writing because that is the part that will be left behind when you part from the earthly side of things. The recordings will tell the story of you in the years to come when your gone. So I’m editing the songs until they shimmer, working more in the studio to get things right and less as a road dog doing shows. I was always writing and recording on the fly. Coming into the studio with a voice torn up by the road. And songs written on airplanes. I’ve got more space now, because I’m established, and can live off of fewer shows. I can’t sing as high or sustain notes the same way, but I have more patience and wisdom now. I’m a better writer for those things. And the best is yet to come.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I like character driven songs and usually have a couple on every album. The latest album, 55, has a song from the perspective of a tattooed lady in a circus. I did it as a writing exercise where I was assigning circus characters to my songwriting students. So I had to assume a lot of different things with this song: a woman’s perspective, a time/era perspective – because I felt like it was occurring in the late ’40s – and then someone who is essentially a circus act in a freak show. It was fun to write. Unlike, say a “bearded lady” or conjoined twins, the tattooed performer chose to look as she does. I don’t feel like she is a victim of circumstance in the same way, so the character invites the listener to gaze upon her physique. Circus life can be tough as well, doing show after show, so you sense her boredom. Despite the fact that she is lighting the wick on the big gun of the human cannonball. She’s a bit over it.
Artist:David James Allen Hometown: Prince Edward County, Ontario, Canada Song: “Holly” Album:By The Summertime Release Date: June 9, 2023 Label: Littleknown Records
In Their Words: “‘Holly’ is a song of drugs, dingey bars, old relationships, and backward priorities. Ultimately, it’s a song about losing an important part of your life to backward priorities, self-destruction, or naiveté, and growing up and confronting yourself in the passage of time. It’s about coming to terms with yourself and what it is you’ve lost, and reflecting on it with regret, sorrow, some nostalgia about it, but also having insight and maturity — a ‘grown-ass-ness’ of realizing things are better off now then they were then.
“In this song, the character is a songwriter who constantly prioritized every relationship they’ve been in after they hit a little success, but it sooner or later backfires. I wanted to write a song about tackling work/life balance and social-party/life balance, and in this case, it’s about a songwriter, because that’s something I know well. I feel like so many different people prioritize and occupy their minds with their work or social lives over personal relationships or family, a decision that may not always be intentional. But it does have a big impact on the ones who are left in the wake of that decision. I’m pretty self-aware of this type of work mindset because I can be a bit of a workaholic with my songwriting and creative work. I get obsessed easily — especially when I’m in the flow. I wear a lot of work hats and now being a new father and family man, I find myself regularly seeking ways to encourage a healthier balance. The social nightlife isn’t as much of a concern to me these days, I tend to enjoy being a bit of a homebody.” – David James Allen
Artist:Joh Chase Hometown: Los Angeles, California Song: “Another Lover” Release Date: June 12, 2023 Label: Kill Rock Stars
In Their Words: “This song began in a writing retreat in Washington State back in 2017 and has had many iterations. This version is the ‘acoustic version’ I recorded and mixed at home in the corner of my living room during insomniatic COVID lock-down nights; [it] speaks of the visceral remorse we feel after nurturing and then losing relationships and just wanting to take it all back.” – Joh Chase
Artist:Sarah Morris Hometown: Shoreview, Minnesota Song: “Ruthless” Album:Here’s To You Release Date: May 5, 2023
In Their Words: “‘Ruthless’ was a writing prompt in the summer of 2019. My initial response was the opening line, ‘Your calloused fingers, my calloused heart, I bet you earned your lack of feeling by working hard …’ My husband has calloused hands from building a cabin for our family, I have earned my own calloused fingers from guitar strings over the years – it was an easy image to grab on to. So often my songwriting takes me to deeply domestic moments and this song felt removed from that in a way that was so fun to write (and now to sing). I’ve written many songs about kindness; offering one another healing, a soft place to fall – it was fun to explore the other nooks and crannies of human emotion and character.
“On a late winter run I was listening to the masters of the album and when ‘Ruthless’ came on, I saw all these images – the two people, the sink, the dark background, a sense of kaleidoscope. As soon as I landed back at home, I emailed the amazing team of Sarah and Erik Elstan to ask if they were up to collaborating on a video again. On a blustery April day, we hid in a Minneapolis studio with Michael Gay, some great vintage pieces courtesy of Seven Suns Vintage out of Eau Claire, and shot the video. What a gift to find people who you can share a tangle of run-induced ideas with, and then they create something so fantastic!” – Sarah Morris
Highlighting the confluence of roots music and the mainstream, Railbird Festival welcomed 32 acts from across the rock, folk, and bluegrass spectrum to Lexington, Kentucky on June 3-4.
Boasting headliners Tyler Childers and Zach Bryan, plus Charley Crockett, Whiskey Myers, Nickel Creek and more, a sold-out crowd of 40,000-plus helped kick off festival season with a uniquely “Americana” lineup – drawing attention to this hidden gem of a city.
Set in the heart of Lexington and spread across three massive stages and a spacious lawn at The Infield at Red Mile (usually a horse racing venue and casino), 2023 marked the third year of a festival turning the “horse capital of the world” into roots-music central while celebrating the rich musical history of the area.
Jenny Lewis (R) with Lucius by Nathan Zucker
Day one kicked off with perfect festival weather– meaning it was blazing hot and dry as a bone. That was no worry, however, since Railbird also featured three huge shaded areas, plenty of refreshments (it is bourbon country, after all) and a merciful breeze. From just about anywhere on the grounds, fans could see everything all at once – and that included 2023’s festival-season fashions.
Charley Crockett (L) by Charles Reagan
Indie pop chanteuse Jenny Lewis was an early draw, singing smart tunes about “psycho men” and hypoallergenic puppies – and also welcoming Lucius, the Grammy-nominated duo who became something like the fest’s house band, for a rich duet.
Sheryl Crow by Nathan Zucker
Later on, Charley Crockett herded everyone to the Elkhorn stage for some ballads from a modern day drifting cowboy. And Sheryl Crow showed she could still hang with the kids, even calling for more of them in politics. “I don’t have a lot of hope for people older than me,” the feisty icon said. “But you can bring change.”
Valerie June by Cora Wagoner
Whiskey Myers brought their own gasoline (and a match), firing up a midday crowd with their rowdy roadhouse rock, and while Valerie June won her crowd over with a big smile and songs connected to the Black-folk past, emerging phenom Morgan Wade unleashed the pent up anger of country girls everywhere, sounding like a combination of Courtney Love and Loretta Lynn.
Morgan Wade by Taylor Regulski
Nineties alt-heroes Weezer united the crowd in a full set of fuzzed out awkward-teenager anthems – but also showed where they fit in the roots world, breaking out some old-timey three part harmony – and the day came to a close with breakout superstar Zach Bryan.
Zach Bryan by Charles Reagan
A self-made headliner who still carries the underground spirit, he gathered the whole crowd as the sun went down, doing his best to stay a songwriter who “keeps truth in songs.” Leading a country band with strong Class of ‘89 vibes, he mixed tender-but-edgy confessions with a well-placed vocal growl, and finished the night off in awe of the Railbird crowd, noting he was on the fest’s smallest stage just a few years earlier.
“I’m nervous as shit!” Bryan admitted. “Never in my life did I think I’d be after Weezer or Marcus Mumford.”
Marcus Mumford by Charles Reagan
Day two started off much the same as the first: hot and sunny, but with a marked increase of tow trucks prowling the Red Mile area. Great herds of humanity seem to migrate from one stage to the next, with wide smiles and a rootsier, more-acoustic lineup for them to enjoy. Luckily, the pacing was excellent and there was rarely any conflict over which stage to check out.
Sierra Ferrell by Cora Wagoner
Winchester 49 took over the big stage early, dodging beach balls and blasting their gritty country/rock/soul as they welcomed the crowd back with calls to drink up life (and beer.) Old-school master Sierra Ferrell had everyone dancing a throwback jig, and while Flipturn mixed fiery rock grooves with huge, danceable swells of energy (like EDM on electric guitars), Ricky Skaggs charmed as the fest’s elder statesman, and Kentucky treasure.
Making bluegrass look beyond easy (maybe more like effortless), a “RICKY!” chant soon broke out as parents answered questions from dumbstruck kids, like “Is it just him playing right now?” – once again proving the timeless, ageless wonder of acoustic music.
Nickel Creek by Charles Reagan
Nickel Creek seasoned their simple ingredients with a playful edge, returning for their first tour as a blood-bonded neo-bluegrass trio in quite a few years, while Amos Lee sampled everything from Memphis soul to Bob Marley and a bit of New Orleans funk.
Amos Lee by Taylor Regulski
Town Mountain found a welcome home for its foot-stomping, wild-child alternative-grass over at the covered Burl stage – as did Molly Tuttle (who will surely be on a bigger stage next year) and Charles Wesley Godwin, the West Virginia troubadour who welcomed night-one’s headliner back for a re-energizing duet, late in the festival and just before its biggest draw.
Molly Tuttle by Cora Wagoner
That moment finally came as the deep-red Strawberry Moon rose over Red Mile, with Tyler Childers putting a bold, indie-country cap on an already special event.
Tyler Childers by Charles Reagan
Welcomed to the stage by Lexington Mayor Linda Gorton – who proclaimed June 4, 2023 as Tyler Childers Day – the Lawrence County native arrived carrying the whole state’s roots-music tradition on his small frame, and never put a foot wrong.
Humble as ever and wielding the witty cadence of a carnival barker, he presided over a rabid hometown crowd in a jean jacket and rusty-blond hair, matching a voice that could cut Kentucky limestone with hardscrabble poetry just as sharp.
Tyler Childers by Charles Reagan
Over a two hour set, all of Lexington seemed to sway and sing along, closing the weekend with proudly down-home tracks like “All Your’n.” On the surface, it’s a holler-kid’s rebellious pledge of true love, that’s obvious enough. But in this case, that pledge seemed applicable in other ways – to the fans, to roots music, to Lexington. Perhaps even to the Railbird Music Festival itself.
“I’ll love ya ’til my lungs give out / I ain’t lying,” Childers and his audience sang. “I’m all your’n and you’re all mine.”
Tyler Childers and band by Cora Wagoner
Photos courtesy of Railbird Festival Lead photo credit: Taylor Regulski
Artist:Selwyn Birchwood Hometown: Orlando, Florida Song: “Exorcist” Album:Exorcist Release Date: June 9, 2023 Label: Alligator Records
In Their Words: “‘Exorcist’ is the most vivid song on this album. It is meant to evoke and stir your emotions as you listen. The music video allowed me to paint the rest of the song’s story and picture visually. I have spent the last four weeks working on and editing this video to create an immersive cinematic experience and I couldn’t be happier with the final product. This is my masterpiece!” – Selwyn Birchwood
Artist:Sara Petite Hometown: San Diego, CA Song: “The Empress” Album:The Empress Release Date: June 9, 2023 Label: 40 Below Records
In Their Words: “The Empress rides with a sword of Justice by her side. A tale of the feminine energy through the hand and sands of time. From Joan of Arc to Mary Magdalene and other heroines. A tale of love, perseverance, and rising above.” – Sara Petite
Artist:Dusky Waters Hometown: New Orleans, Louisiana Song: “How Will We Know?” Album:Pass It On Release Date: June 9, 2023
In Their Words: “I am so excited to share the song ‘How Will We Know?’ as the final teaser to the album, Pass It On, that will be released on Friday, June 9! This album captures many special and pivotal moments in time for me and my perspective on navigating the 2020s as a black, southern, millennial woman. I was inspired to write this song during a hiking trip in the Smoky Mountains. The beauty, awe, and uncertainty I experienced on that journey provided some really fitting parallels to the progression and ending of a long-term relationship, which you can hear in the song. My favorite moment on the track is the ending, which features a piano solo by Tommy Henson. Tommy began playing with the band about a year and a half ago and has already left his mark on our sound and brand of Americana. I hope you enjoy the track and also check out the rest of the album when it comes out on Friday!” – Dusky Waters
Photo Credit: Analiese De Saw
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.AcceptRejectRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
