Travis Book Happy Hour: Chris Eldridge

Chris Eldridge and I met when I stepped off of an elevator with my bass at the International Bluegrass Music Association’s convention in 2004. The Infamous Stringdusters were forming in Nashville at the time and they needed a bass player for the jam that night and, it turned out, for the band in general. We spent the first two years of that band traveling and making music together and Chris is still one of my favorite musicians and humans. A member of Punch Brothers and Mighty Poplar, he’s also made a couple great records with guitarist Julian Lage and plays in a duo with his wife Kristen Andreassen. Our conversation started when he arrived at my house and didn’t end until he pulled out of the driveway the next day, but we’ve captured some of the best parts here for the podcast.

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This episode was recorded live at 185 King St in Brevard, NC on November 12, 2024


Photo Credit: Laura E Partain

Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast includes highlights from Travis’s interviews and music from each live show recorded in Brevard, North Carolina.

The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Michael & Michaela Kelton on Only Vans with Bri Bagwell

Today we have one of my favorite couples on Only Vans! Michael is currently Pat Green’s drummer and also has a solo artist career. Michaela is the creator and artist behind More Than Music Creations. We talk about losing brain space, being parents, and their unique side hustle.

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On this edition of Only Vans, my friend Michael Kelton met Kyle and I on the RV when his wife, Michaela – you heard that right, their names are Michael and Michaela – also walked up. She is one of my dear friends, so I invited her to sit down and be a bonus guest on Michael’s episode of the podcast. Michael is currently the drummer for established Texas legend Pat Green (who also had a national hit with the song “Wave on Wave”), but Michael does a lot more than just drum for Pat. I loved talking to him about his Sideman Song Swap show, where “sidemen” such as drummers, guitarists, fiddle players, and even tour managers showcase their own “frontman” talents alongside Michael. It’s very impressive.

Michaela, meanwhile, is a master upcycler and has found a way to take used guitar strings from a bunch of bands – including my own – and turn them into one-of-a-kind jewelry items that we can sell at our merch tables with some of the profit going back to a good cause.

Oh! And the carbon monoxide alarm goes off at the end of the episode in the RV and it is loud. Super sorry about that, my deepest apologies, but I’m warning you now in case you’re driving. It’s also kind of funny! Enjoy!

Thanks to our sponsors, The MusicFest at SteamboatLakeside Tax, & CH Lonestar Promo!


Find our Only Vans episode archive here.

Basic Folk: Becca Stevens

I first came across Becca Stevens via her collaboration with string group The Attica Quartet. Her new album, Maple to Paper, is really different from her previous releases. If you think you know everything that there is to know about Becca Stevens as a singer, songwriter, arranger, and producer, you are wrong. And you are going to be so amazed by this new record. It’s completely stripped down, featuring just her guitar and her voice. During the pandemic, Stevens started getting inspired to write songs about her family, about her mom, about grief, about becoming a mother. She decided to record Maple to Paper in her home in Princeton, New Jersey. The result is a super intimate and adventurous, bold and personal album which is full of amazing performances.

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In our Basic Folk conversation we also got to talk about some of her notable collaborations. The most interesting one, to me, was hearing about how she considers the late David Crosby a continuous spiritual co-writer. In addition to her friendship with Crosby, Stevens has collaborated with so many more incredible musicians including Jacob Collier and Sufjan Stevens on the Illinoise Broadway musical. She has a really unconventional approach to infusing pop, jazz, and folk into her work. Maple to Paper became an instant classic for me the minute I heard it. I’m really excited for our listeners to hear “Shoulda Been There for Me,” which feels like an old school R&B tune, but arranged for a contemporary folk record.


Photo Credit: Shervin Lainez

Alli Mattice on Only Vans with Bri Bagwell

Today’s guest on Only Vans is my peace, love, and all-things-groovy friend, Alli Mattice! We talk about the making of her record, setting boundaries, her journey as a yoga teacher, and how she merges yoga practice with her art. You’re gonna love it!

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Make sure you check out Alli Mattice’s full length record, No Drama, that just came out last year. In this episode of Only Vans we talk about her band, the Billie Jeans. It’s an all-female band that’s really incredible. We also talk about the studios at Fischer in Canyon Lake, Texas, which is near New Braunfels, where I live and Canyon Lake is where Alli lives. So, we talk about that really incredible studio, Alli’s journey as a yoga teacher, and more. As you can tell, I really love this girl. She’s peace and love and all things groovy. Hope you enjoy it!

Thanks to our sponsors, The MusicFest at SteamboatLakeside Tax, & CH Lonestar Promo!


Find our Only Vans episode archive here.

Travis Book Happy Hour: Caitlin Krisko

I had heard of Caitlin Krisko, but I’d never really heard her until she took over the stage at the Floydfest Buffalo Jam a few years ago. I’d finished up my part of the show and had headed out into the crowd to unwind and watch the proceedings. Every time Caitlin stepped up to the mic the ensemble struggled to match her soul and intensity. It wasn’t even fair, really. She owned that show that night and she owned the interview and music during the Happy Hour, too. It was Caitlin’s show, Aaron and Tommy and I were just along for the ride!

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This episode was recorded live at 185 King St in Brevard, NC on August 13th, 2024.

This episode is brought to you by Thompson Guitars and is presented by Americana Vibes and BGS as part of the BGS Podcast Network.


Photo Credit: Aaron Austin

Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast includes highlights from Travis’s interviews and music from each live show recorded in Brevard, North Carolina.

The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Basic Folk: Kathleen Parks of Twisted Pine

Hot off the heels of Twisted Pine’s latest release, Love Your Mind, Kathleen Parks is here to dig into her uncelebrated polka origins. Daughter of renowned trumpetist Eric Parks, the younger Parks grew up in New York’s Hudson Valley in a very creative family (her mother was also a dancer and the one who made Kathleen practice all the time). She started young on the violin and was surrounded by her dad’s polka music, as he was a member of Jimmy Sturr & His Orchestra, which my dad (also a polka-head) calls “the top polka band revered by all polka bands.” Parks even sat in with the band as a teen, when she would occasionally fill in for their violinist. She fully embraced her strong Irish roots not only in music, but also dance, which she calls her second love. After accepting a full scholarship to Berklee College of Music in Boston, she started meeting and jamming with bluegrass musicians in the area, especially at the Cantab Lounge, famous for its weekly bluegrass night. This is where her new band Twisted Pine scored a residency and started building a following.

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On the group’s new record, Kathleen is the de facto lead singer, which she’s just fine with. She also explains the band in one phrase: “Let’s see what happens.” That philosophy is definitely present on the new record, which is filled with wild vocal performances and sees the band operating at its highest level.

In our Basic Folk conversation, we explore the mental health themes highlighted in “Funky People,” a song about how difficult it can be to take care of yourself on the road and the relief you find in people you meet. Plus, we cover “After Midnight (Nothing Good Happens)” and finally find out what time one should go to bed at a bluegrass festival. It’s always earlier than you think.


Photo Credit: Jo Chattman

Basic Folk: Edie Carey & Sarah Sample

Friends and collaborators Edie Carey & Sarah Sample teamed up in 2014 for their first album, ‘Til the Morning: Lullabies and Songs of Comfort. The pair both had babies and were wanting to do a project that centered around calming music for both children and adults. They were shocked at the album’s reception by adults (AKA non-babies) who listened after experiencing grief, trauma, and huge loss. This type of music certainly had an important place in the world. Now, they have done it again, but with more of a focus on calming music for adults with their follow-up. Lantern In The Dark: Songs of Comfort and Lullabies includes some originals, their first co-write, and new interpretations of songs by Wilco, The Beatles, Cyndi Lauper, and James Taylor.

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In our Basic Folk conversation, we tackle the concept of comfort and what they experienced in the surprise reaction from their first record. What is a good balance of comfort? It was also a great time to talk about their experiences as touring musicians with young babies. For instance, the types of questions they would get asked that they are sure their male counterparts with young children would not get. They talk about the songs on the album, one of which was written by Edie in the aftermath of her mom’s sudden and recent passing. We wrap it all up, of course, by hearing each of their James Taylor stories and a delightful bedtime-themed lightning round.


Photo Credit: Steve Willis

The Travis Book Happy Hour: Luke Bulla

Nashville in the mid-2000s was full of aspiring bluegrass musicians from my generation. People were starting bands, landing gigs as sidemen, and living in large, cheap houses on the east side of town. Almost nightly we’d gather at picking parties that sometimes more closely resembled what you’d see at a fraternity. One of the people I met and played with during these heady years was Luke Bulla. I was in awe of his professionalism and his palmarès and was struck by his calm demeanor. It had been almost 15 years since we’d last played together and I was delighted when he reached out about joining me for the Happy Hour.

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This episode was recorded live at 185 King Street in Brevard, North Carolina on May 5, 2024.


Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast includes highlights from Travis’s interviews and music from each live show recorded in Brevard, North Carolina.

The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: Nicola Gell

Basic Folk: Kasey Anderson

We’re starting with the end in our conversation with Kasey Anderson. On Basic Folk we’ve covered a lot of firsts: debut albums, origin stories, and the beginnings. Ever since I have known Kasey, his social media bio has been, “Gradually retiring songwriter.” I’m always teasing him about “What does that mean? When are you going to retire?” Officially, this latest album, To the Places We Lived, is his “last album.” I want to put that in very heavy quotes, because I hate to imagine a world where a great songwriter friend of mine is not making records. I think his insistence on this album as the last one has more to do with saying goodbye to parts of the music industry that he wants to release and ways of being in the world that he doesn’t want to engage with anymore. What do we need to let go of? What do we need to release? That’s the place where this album begins.

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In our conversation, we talk about Kasey’s whole songwriting career and the moment where he went surprise viral for one of his political songs, “The Dangerous Ones.” We talk about his time being incarcerated and what that taught him about himself, what it taught him about the world, what it taught him about white supremacy. We talk about his family. We talk about his sobriety and his work in helping others get clean and stay clean, and what staying clean means in a holistic and gentle sense.

The songs on this album are mournful, literate, and very, very fun. My favorite is “Back to Nashville;” it’s a rock and blues song. Kasey is the type of artist who can write a really contemplative song about self reflection or grief or loss, and then a blues rocker that makes you want to shake your ass the next second.


Photo Credit: Matthew Leonetti

Chuck Prophet Talks Music, Surfing, and Storytelling with Mark Erelli

Editor’s note: For this episode, we invited our friend Mark Erelli to interview Chuck Prophet. The two are familiar with each other’s work through songwriting together for Mark’s latest album Lay Your Darkness Down (2023). We’re thrilled to welcome Mark back as guest host!

Chuck Prophet has been a mainstay on the indie and Americana music scenes since the 1980s, before either designation was a common part of the rock ‘n’ roll lexicon. Through his guitar work in the seminal psychedelic desert rock band Green On Red, musical collaborations with Kelly Willis, Kim Richey, and Warren Zevon, and a string of over a dozen solo records, Prophet has carved out a respected niche in rock music history with his “California Noir” sound. It’s a streak he probably could have kept riding for the rest of his career, if not for his sudden diagnosis with lymphoma a couple years ago. During his treatment and eventual recovery from cancer, Prophet found solace in his record collection — in particular the vibrant rhythms and danceable energy of Cumbia. He eventually sought out a favorite local band in the genre to jam, and then formally collaborate on Wake The Dead, Prophet’s first new solo album in four years. The project blends his longtime band The Mission Express with members of the Cumbia outfit Quiensave, and the result is equal parts familiar and fresh.

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I have firsthand knowledge of Prophet’s freewheeling collaborative process, having worked with him and his longtime songwriting partner Klipschutz on a song for my 2020 album Blindsided. I once taught with Chuck at a folk festival songwriting school, and was relieved to be able to play before him at the instructor open mic, because no one wants to follow Chuck Prophet. His musical catalog is so deep and broad that it’s both inspiring… and a bit overwhelming. It was a joy to reconnect with him for a wide-ranging conversation about his new album that also touched upon his sense of humor, guitar-playing techniques, surfing culture, and even his favorite Bob Seger song.


Photo Credit: Chuck Prophet by Kory Thibeault; Mark Erelli by Joe Navas