Basic Folk: Olivia Ellen Lloyd

Olivia Ellen Lloyd‘s latest album, Do It Myself, sees the West Virginia-born, Brooklyn-based songwriter reflecting on the powerful imagery of water. She shares how it has been a source of grounding and calmness in her life; from childhood memories spent on the Potomac River to her current love for the ocean, these elements have shaped her artistic journey. In an interesting twist, it was her friends and family that pointed out that she’s always trying to get around water. From there, she reflected on the positive impact that being in and around water has had on her mental state.

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Olivia also opens up in our Basic Folk conversation about her complex relationship with her hometown of Shepherdstown, West Virginia, where she’s experienced both hardships and good memories (her grandfather was actually the mayor and there’s a street named after him). Ultimately she decided to leave, but she still spends about half the year there. She talks about how, especially on the new album, her sound is impacted by the duality of small-town life versus her evolving relationship with New York City. We also discuss the foundation of her musicality, which was strongly influenced by her late father, who stressed the importance of learning music by ear. As she navigates her identity as an independent woman in the music industry, she discusses the challenges of societal expectations and the importance of self-reliance. With humor and vulnerability, Olivia Ellen Lloyd explores themes of resilience, love, and the struggles many women face in finding their voice and place in the world.


Photo Credit: Joseph Robert Krauss

LISTEN: The Bygones, “If You Wanted To”

Artist: The Bygones
Hometown: Brooklyn, New York & Nashville, Tennessee
Song: “If You Wanted To”
Album: The Bygones
Release Date: April 4, 2024
Label: Tonetree Music

In Their Words: “‘If You Wanted To’ encapsulates the feeling of longing for acceptance and approval from someone you love that has known you through many chapters of life. People change and grow over time, and one of the biggest pains is when the ones closest to you don’t grow with you or want to get to know the current person you are. Over time, I’ve realized that you can’t make someone see you and love you for the current walk of life you’re in and not for a previous version of yourself, they have to choose to get to know you. Sometimes the ones you love just want to hold on to the version of you they knew that is no longer here.” – Allison Young


Photo Credit: Brett Warren

Nora Brown and Stephanie Coleman Bring Old-Time to NPR’s Tiny Desk

Perhaps the most remarkable skill of New York-based old-time duo Nora Brown and Stephanie Coleman is their ability to place canonical old-time material – fiddle tunes, ballads, breakdowns, hornpipes, transatlantic lyrics, and more – firmly in the present. Aided and abetted by their youth and their now longstanding musical collaboration, the two deftly entwine together timelessness and the fleeting, effervescent moment, leaving listeners on the edges of their seats as we cling to the temporal and seemingly miraculous space that opens up between them.

Brown and Coleman thrive behind NPR’s fabled Tiny Desk, all at once broad and bold while tender and understated, simple. Unadorned, but flush and full. Their new EP together, Lady of the Lake, features two of the numbers they performed at NPR’s headquarters in D.C., the title track and “Copper Kettle.” But they open their mini concert with a set, “Across the Rocky Mountains” and “The Old Blue Bonnet,” with Brown on guitar, before switching to her signature clawhammer banjo. For being so young – she only recently dropped the “Little” from her former stage moniker, Little Nora Brown – her voice carries an ancient ache. As their vocals resonate together in close harmony, Brown and Coleman remind of so many old-time, string band, and bluegrass duos that came before them, like Hazel & Alice, Laurie Lewis & Kathy Kallick, Cathy Fink & Marcy Marxer, and many more.

We hope then, like those impactful and influential duos that came before them, that Nora Brown and Stephanie Coleman continue to gift us with gorgeous music such as this for many decades to come.


Photo courtesy of Nick Loss-Easton Media

LISTEN: Lake Street Dive, “Neighbor Song” (Feat. Madison Cunningham)

Artist: Lake Street Dive
Hometown: New York City, New York
Song: “Neighbor Song” (Featuring Madison Cunningham)
Release Date: October 6, 2023
Label: Fantasy Recordings

In Their Words: “Madison Cunningham is an extremely special musician, the kind who can make a single note sound like music and who breathes life into every song that she comes into contact with. We feel so honored to have had her join us on one of our songs. We first recorded ‘Neighbor Song’ in 2010, shortly after a few of us had moved to Brooklyn. The song narrates an experience, all too familiar to many New York City apartment dwellers, of overhearing your neighbors making love. Involuntarily bearing witness to such intimacy inspires a potent mix of emotions from annoyance to despair to compassion. It’s a fun song to play live because we get to walk the audience through this emotional journey. Some audiences laugh a lot when we play it. Some cry a lot. In preparing to do this song on tour with Madison, we came up with a new musical treatment for the song to bring out some different sides of those emotions. We recorded it with Madison in Brooklyn, live in one room in a single take. We hope it makes you laugh and/or cry!” – Lake Street Dive


Photo Credit: Shervin Lainez

LISTEN: Josh Ritter, “Honey I Do”

Artist: Josh Ritter
Hometown: Brooklyn, New York
Song: “Honey I Do”
Album: Spectral Lines
Release Date: April 28, 2023
Label: Pythias Recordings marketed and distributed by Thirty Tigers

In Their Words: “I think it’s important for us to share some of our most basic and common experiences with each other, however we can. That’s what we really, really need right now. I know we have common experiences, and it’s important to telegraph those back because they don’t have to be lonely experiences. [‘Honey I Do’] is less a confession than a signal sent outwards. It’s so easy to feel insignificant and down and unlovable; so easy to believe that no one will ever love us again. I’ve felt that way before, and it’s important enough to me to share it. Maybe someone else has, too. There! We’re not alone anymore.” — Josh Ritter


Photo Credit: Sam Kassirer

BGS 5+5: Dougie Poole

Artist: Dougie Poole
Hometown: Brooklyn, New York
Latest Album: The Rainbow Wheel of Death

What’s your favorite memory from being on stage?

Once I was playing at The Glove, a great old DIY venue in Brooklyn. It was a hot night in the summer and I was playing to a fairly empty room. I started a song called “Elbow” which is a country waltz that probably tops out at around 80bpm. And when I did, a group of four or five friends began to writhe and grind right in front of the stage. It was such a silly sight, these young sweaty kids grinding to a slow country waltz, that I caught the giggles and couldn’t get through the words of the song. For years after, if I happened to think of that night during another performance, I’d lose my place in the song or forget the words and start laughing spontaneously all over again.

What other art forms — literature, film, dance, painting, etc — inform your music?

I watch a lot of television. TV writers are masters of short form story arcs, constructing conflict and resolution and tension and release over the course of an episode arc. And in some cases, tying those small episode arcs into the arc of a larger season or series. To me it seems not dissimilar from writing a song that fits in the larger context of a record. I’m a huge, lifelong fan of The Sopranos, Seinfeld, Star Trek: The Next Generation — stuff that was primetime TV when I was growing up. I revisit them often.

What rituals do you have, either in the studio or before a show?

I like to have a weak drink or two before we perform. Something like a bitters soda or a digestif with enough of a kick to loosen me up, but not strong enough to make me sloppy. It’s not my healthiest habit, and they start to add up over a long tour. I’ve gotten some suspicious looks trying to order a Cynar or something at the wrong dive bar.

What has been the best advice you’ve received in your career so far?

I’ve gotten great advice from lots of people, directly and indirectly, throughout my career. It’s hard to boil down into a bite-sized nugget, but I do remember when I was in my 20s seeing a commencement address that Patti Smith gave at an art school. I think it was Pratt. She said something to the effect of: build your name. Not in the sense of fame or branding or anything like that. But just to focus on honing your craft and doing good work and trying to treat other artists and other people with kindness and respect, and to let your name carry your code as an artist. To listen to your conscience and take care of your teeth. And that if you do this, success will define itself for you.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

This is a cool question because it’s not like: “Who would you love to talk to for an hour?” I love cooking and eating. And I love spending a whole day overeating and sitting around outside. Like a barbecue or something. So it’d have to be someone who also ate a lot too, so I didn’t feel self-conscious about eating way too much. Lowell George famously overate — maybe we’d have a nice time just sitting in silence and eat ribs together or whatever. If I were sitting across from a table from like Prince or something, I’d be too nervous to eat.

LISTEN: Ben Krakauer, “Brushy”

Artist: Ben Krakauer
Hometown: Swannanoa, North Carolina
Song: “Brushy”
Album: Hidden Animals
Release Date: March 22, 2023
Label: Adhyâropa Records

In Their Words: “I was thrilled and honored to have such wonderful companions on this album – Duncan Wickel and Ella Jordan on fiddles, Dan Klingsberg on bass, and Nick Falk on drums – that really brought this music to life. ‘Brushy’ is a burning banjo and fiddle tune that I originally envisioned as slow and moody, but we recorded it at twice the intended speed because Dan, Ella, Nick, and Duncan were all feeling it as a rager! I had a hard time keeping up, but it was fun to do. I wrote it to feature the open tone of the banjo and to explore one of my favorite pentatonic modes (1 2 4 5 b7). A centerpiece of this recording is Nick’s drumming, which is wonderfully nuanced, explosive, and intricate, and is informed by the best of banjo/fiddle/flatfooting tradition; it also echoes further back to the banjo’s African roots and its place within a percussive ensemble. Also listen for the twin fiddling and the traded phrases between Duncan and Ella, like a nouveau old-time ‘Tenor Madness.’” — Ben Krakauer


Photo Credit: Aaron Stone

LISTEN: Grant Gordy, “Journey to Miniera”

Artist: Grant Gordy
Hometown: Brooklyn, New York
Song: “Journey to Miniera”
Album: Peripheral Visions
Release Date: March 3, 2023

In Their Words: “This music has been a long time coming: I made my debut record, Grant Gordy, 14 years ago with much the same band (Alex Hargreaves on violin, and Dominick Leslie on mandolin), and there’s been a small but consistent clamor for another ‘Grant Gordy Quartet’ record in the intervening years. Somehow it just took this long to come around to it. This time, it was us three with the great Aidan O’Donnell on bass — Aidan and I have been working together frequently since meeting here in NYC almost a decade ago, and we play in the band Mr. Sun together. So I have long-standing relationships with all three of these musicians, and I think that though the GGQ isn’t a full-time project (hence, to some degree, the record’s title Peripheral Visions), that spirit of experimentation and camaraderie comes through in the music. I played with the David Grisman Quintet/Sextet for six years and I feel like ‘Journey to Miniera’ displays the most direct connection to Dawg music on the album, though there are other musical inspirations at play here, too. The title is a dedication to some beautiful friends I’ve made working over in Italy, at a music camp called Minieracustica, truly a paradise-on-earth kind of situation. I can’t wait to make the return journey to Miniera.” — Grant Gordy

grantgordy · Journey To Miniera

Photo Credit: Jacob Blickenstaff

WATCH: Taylor Ashton ft. Rachael Price, “Time After Time” (Cyndi Lauper Cover)

Artist: Taylor Ashton ft. Rachael Price
Hometown: Brooklyn, New York (by way of Vancouver, Canada)
Song: “Time After Time”
Album: Pizza Tickets
Release Date: March 24, 2023
Label: Signature Sounds

In Their Words: “Rachael and I mostly keep our musical lives separate, but we’ve been asked to sing at a few friends’ weddings and ‘Time After Time’ is a song we love to sing in that context. I love the pining chorus contrasted with the cinematic dream logic of the verses of this song, I feel like I could live an entire lifetime just inside the phrase ‘suitcase of memories.’ I have so many memories of this song — singing it at weddings with Rachael, singing it by myself on NYC subway platforms when I had just moved here and didn’t know anybody, hearing it on the radio as a kid, catching the music video on MuchMusic. We made a quick-and-dirty video of it shortly after the beginning of lockdown in 2020, and people seemed to really like it, so we thought it deserved a proper recording.” — Taylor Ashton


Photo credit: Desmond Picotte

Basic Folk – Eliza Edens

Growing up in the Berkshires, Massachusetts-born Eliza Edens grew up in a family with strong musical roots. Getting her first guitar at 16, she was moved to write songs as her chosen form of expression. After some time in Philly, Eliza took on New York, choosing Brooklyn as her home base. There she found community and began to thrive creatively, especially in embracing her queer identity, Eliza uses she/they pronouns.

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She released her second album We’ll Become the Flowers in 2022 seeking to understand what happens after the end. She had a lot of processing to do after a breakup and her mother being diagnosed with a neurodegenerative disease. Her mother has been a central figure in her songwriting recently, especially in her love of gardening and flowers. Eliza’s music, like the person, is thoughtful, unpredictable, serious and silly. Hope you enjoy getting to know this cool musician!


Photo Credit: Juliet Farmer