Artist:Reckless Kelly Hometown: Austin, Texas Latest Album:The Last Frontier
(Editor’s Note: Answers supplied by Willy Braun.)
What’s your favorite memory from being on stage?
My favorite memory of being on stage is usually the last song at the Braun Brothers Reunion. We always close with a Bob Dylan song, “You Ain’t Going Nowhere.” It’s been a tradition for a long time and that’s always the end of our set. Reckless Kelly always closes Saturday night of the festival. We bring all of our artist friends out to do a big grand finale jam on that song. It’s always really fun, because it’s following a week of great times, great shows, great music, and people getting together having a ball. The crowd is always singing along with it. It’s just a good little crescendo to end the BBR every year. So that’s one of my top ten right there for sure.
What other art forms – literature, film, dance, painting, etc. – inform your music?
I get a lot of inspiration for songs from reading. Actually, I borrow lines from books and maybe story lines or direct quotes. Not sure if that’s considered stealing or not, but haven’t been sued yet; so that’s good. But no, I try to read a lot, especially when I am up in Idaho in the wintertime and I keep a notepad by the chair or by the fire where I’m reading. I’ll jot down lines that jump out at me or you know sometimes when you’re reading a story you’ll get an inspiration for a song. But yeah, I take a lot of inspiration from reading books.
Which elements of nature do you spend the most time with and how do those impact your work?
The nature element that inspired me the most is probably just being in the mountains up in Idaho. Kind of out in the middle of nowhere in the high desert. My place is pretty secluded, so I don’t have a lot of people stopping by, especially in the wintertime. I’m able to just kind of shut the phone off and do some writing. It’s just a great place to just sit and stare out the window at the mountains and just be inspired by the solitude and silence of it all. So I would say the mountains are my number one place to go and get away from it all.
Does pineapple really belong on pizza?
This is two questions rolled into one. First question being, “What’s the most random question you’ve been asked in an interview?” followed by, “Does pineapple belong on pizza?” I think that’s the most random thing I’ve been asked, so we’re going to answer it for you.
The answer is, yes, pineapple belongs on pizza. If you don’t think so, then you’re only fooling yourself, you’re trying to be cool, and trying to be a little more Italian than maybe you are. I can just tell you this from experience. When we have more than one pizza delivered to the bus and one of them contains pineapple, it’s the first one to go. Even though half the guys in the band claim they don’t like pineapple on their pizza, like it is some kind of abomination. So, I’ll take my pizza with pineapple, canadian bacon, and jalapeño, thank you very much. Preferably on thin crust and if you don’t like it, you can go back to Sicily.
If you didn’t work in music, what would you do instead?
If I didn’t work in music, I would probably be a carpenter. I’ve always liked building stuff. My grandpa was a carpenter; he taught me how to build stuff when I was a kid. I just enjoy creating things; whether it’s a coffee table, a cabin, a house, or a picture frame, whatever – if it’s made out of wood. It’s fun, I like to build stuff out of wood. I’m not much of a mechanic, but I can work with wood. Yeah, I’d be a woodworker/carpenter if this whole music thing doesn’t work out.
There was a time when “Western” influence was a pillar of what we knew as country music. Now, the genre’s center of thematic gravity has shifted to the Southeast, and with that shift the Western influence has waned – but artists like Colby Acuff still uphold this mantle.
The thing is, Acuff’s version of “Western” life may not be what you envision.
A native of Idaho, Acuff is more at home in the craggy hills, tall pines and high-mountain streams than out on the open plain. The trails he sings of are often logging roads, and the dust on his clothes comes from mining operations. But the mystique of the Western U.S. is still just as intoxicating, especially to a back-east audience.
For years Acuff balanced regional tours with a side gig as a fly-fishing guide, but these days, the bait he’s throwing is old-school country and what he’s catching is some nationwide, early-career momentum. One of the few major label Nashville artists with a traditional sound and style, this year has seen Acuff release his debut album (Western White Pines), make his Grand Ole Opry debut, and tour with fellow breakout artists like Charles Wesley Godwin – paying his van-life dues along the way.
In mid-September, Acuff added six more tracks to the album with a deluxe edition release – every bit as rootsy and Western as the initial project – and next year he’ll hit 13 stadiums with superstar Luke Combs. While he was in Nashville for this year’s AmericanaFest, BGS caught up with Acuff about his growing platform and why he’s all about a view of the American West most people have never seen.
How are things going on the road? Your world looks pretty exhausting at the moment, but also a lot of fun – and I dig the gas station food reviews. What do you think you’ll remember most from this season of paying dues?
Colby Acuff: Well, hopefully all of it. I mean, I think it’s kind of like anything else – the things that stick with you are either the really good things or the really bad things, and fortunately, we haven’t had any really bad things. I think I’ll just remember the good times. Driving almost 65,000 miles this year in a van with six or seven guys? What’s not to remember? [Laughs]
We’ve been really, really fortunate to where every year it just seems like it’s getting a little bit bigger. For me just being a kid from Idaho, I don’t know if I ever saw it getting out beyond the county line, so I’m very happy and very pleased.
You made your Grand Ole Opry debut this summer. What was that experience like?
That was surreal. It’s still crazy to me that I got to do it. I’ve always said I’m typically the last person who you’d invite to anything. I mean, we don’t get invited to too many things – we just keep doing our own thing, and that’s great. But it means anytime we do get invited to something like that, I’m always pretty shocked. To have the first one out of the gate be the Opry, who not just included us but also include us with such kind words and open arms, it was an amazing experience.
It is interesting they were one of the first institutions to recognize you – but then again, it makes sense. You have a style very rooted in traditional country and Western sounds – even some bluegrass. That kind of clashes with the modern scene, right?
Everything we’ve done has a ton of grassroots, a ton of bluegrass influence in it, but it is really country/country folk. Our biggest thing is we haven’t really ever been defined – and I don’t know if anybody actually really knows where to put us! My whole goal is to make music that’s different and that’s good, music that means something, and we’ve found fans in that. I wouldn’t tell anybody that we’re a bluegrass band by any means, but I would say that if you’re a fan of bluegrass, there’s definitely stuff in our catalog you will enjoy.
The new deluxe version of the album has six new songs, for a total of 16. You’re singing about nature and Western life, but also chasing dreams – and even what happens when you catch the dream. Where did these new songs come from?
I think this whole record is Western music, and a lot of times people think that’s cowboys and that kind of situation. But I’m not a cowboy. I am from the West. I grew up in a very Western household from Idaho. But I’m from a mountain town, not from the plains. There’s cattle and stuff where I’m from, but it’s mostly loggers and lumber and paper mills and mining, and it’s a totally different side of the West that I don’t think a lot of people realize is up there. I mean, the neck of the woods I’m from is very similar to Kentucky, just more pine trees. It’s big on fly fishing and a lot of rivers, big lakes and big trees. And that’s a side of the West I want to represent, so I tried to basically form an entire record around it. This is potentially unknown to many people, but this is where I’m from.
“Movin’” is such a feel-good, timeless country track – where did that track come from?
My favorite part about “Movin’” is definitely the fact that it’s super easy on the ears, and at face value, it doesn’t seem as deep. But really the song is super deep to me because it’s about everybody who has decided to chase the dream with me. It’s a lot to ask somebody, to chase a dream with you. And not only myself and my girlfriend, but my whole band and their families have all moved to Nashville to do that. Don’t let the rear view make you sad. We’ll get there, we’ll figure it out. That whole thing is based around the fact that we’re all going and we’re looking forward, not backwards.
Speaking of dreams, tell me about “Livin’ Too Close to the Dream.” What’s this one about?
When we started out, before I even moved to Nashville, I’d go out to the local bar or whatever in Idaho with my friends and I’d run into people who’d be like, “Man, you’re really doing it. Congratulations, blah, blah.” They’d be like, “You must be out there living the dream.” And I’d be like “Wellll, I’m really close.” And then it turned into a joke where when you’re living too close to the dream. You’re living in limbo, you’re trying to climb up the mountaintop, but the road conditions are shitty. … We’re living too close to the dream now. [Laughs]
You’ll be touring with Luke Combs and doing some stadiums next year. That’s got some living the dream potential, right?
Oh God. I mean, I can’t thank Luke enough. I just couldn’t believe we got the phone call. There’s not a bad time to go play 13 stadium shows.
Are you guys going to work up a special stadium sized set, or how does that work for a roots band?
We will go out there and wave our flag. We’ll do our thing. Every single stage that you play, you got to earn that stage. I don’t care what it is. If it’s a sold out a stadium or some empty bar, you don’t walk on stage owning that stage. You got to put that set in to earn it and they got to give it to you. So we’ll do that just like we do every night.
Are you still getting time to fish?
Not as much, obviously. I mean, shit, my quota used to be 120 days on the river. Now I might get 15 or 20. We did a run with Charles Wesley Godwin, and he was kind enough to set up a fly fishing trip, and to invite me. We went out in Wyoming and caught a ton of fish, which is super nice. I’m fitting it in when I can.
A lot of cool stuff has happened to you this past year, but there’s still lots of people getting to hear you for the first time. What do you hope they take away from Western White Pines (Deluxe)?
I just hope they like the music, really. I hope it does something for ’em. I think for me personally, I never got into this because I wanted to be famous. I got into this because I wanted to make music that truly helps people. So I hope that they like it.
In Their Words: “I wrote this song in the passenger seat of a Chevy truck on a road trip from Idaho to Colorado. The world was slowly opening back up from those strange days. We found ourselves rediscovering the joys of a good, honest road trip. Rediscovering the joys of the open road. We were fixed up with the perfect ingredients: good company, a good playlist, and the here and now.
“The video was directed and edited by my friend, Jesse Borrell. He had me up at 4 a.m. a few times, headed to particular locations in order to get the right light and angles. I love what he created.” – Daniel Rodriguez
Artist:Tylor & the Train Robbers Hometown: Boise, Idaho Song: “Lemonade” Album:Non-Typical Find (produced by Cody Braun of Reckless Kelly) Release Date: July 9, 2021
In Their Words: “Everyone has heard the saying ‘When life gives you lemons, make lemonade.’ I wanted to use that sentiment as the theme of this song without actually saying it and dig into the idea that when you don’t find a way to bring some good out of the bad, you’re just stuck with the same old lemons. When I’m writing about characters, I like to try to make them feel as real as possible, so I often end up using people I know as inspiration. This one started with the first character that the protagonist encounters, who was based on my grandfather (The Storyteller from our last album). He was a hard-working man who spent his weekends hunting in the hills with his hound dogs and was back at work in the mill come Monday. He was also very fond of bluegrass music so as an additional nod to him we brought in a little of the bluegrass sound featuring a banjo solo.” — Tylor Ketchum, Tylor & the Train Robbers
In Their Words: “Every summer for the past twelve years or so, as the Green River Festival in Greenfield, Massachusetts, rolls around, I’ve had Creedence’s song ‘Green River’ stuck in my head. For about as many years I’d wanted to surprise the audience with a rendition of that perfectly summery tune as my homage to the beloved festival, which is presented by Signature Sounds, the label I’ve been happily working with since the beginning of my career. I have so many great memories of that festival over the years: meeting Lucinda Williams for the first time, getting my guitar autographed by Emmylou Harris, being moved to tears by Mavis Staples singing about the Freedom Highway, loving the music in the rain, or in the sun, or the crazy wind, every year having a distinctly amazing experience.
“Last summer the planets aligned just so and my band and I were able to present our version of ‘Green River’ to the Green River Festival on the main stage, and my daughter, part of the next generation of festival goers, was there to witness it. I’m not sure which Green River John Fogerty had in mind when he wrote the tune. I know he did so long before the Green River Festival began, but just as the song is synonymous to me with all things summer, so is that festival. When we recorded the song in August of last year, we would never have believed that the future of that festival, and nearly all festivals, and our own future as touring musicians, would be so imperiled. It’s my hope that the spirit of those free-flowing summer festival days and nights can live on brightly in our hearts and minds, that we can keep that spirit alive until rosier days, and pass the torch to the next generation to keep it lit.” — Eilen Jewell
Artist:Reckless Kelly Hometown: Austin, Texas Latest album:American Girls & American Jackpot
Answers provided by Willy Braun
What other art forms — literature, film, dance, painting, etc — inform your music?
I get a lot of ideas from books, lines here and there, but a lot of time they’re just ideas. A theme or a mood. I get some ideas from movies as well but that’s a little more rare. I’d say most of my ideas for songs come from things people say or do in everyday life. I’m always writing things down.
What was the first moment that you knew you wanted to be a musician?
I’ve always known I was going to be a musician. It’s the family business. My dad, uncles, grandpa, brothers, cousins, etc., are all musicians. I grew up singing on stage with my dad’s band and eventually my brothers and I all joined so there was never really any question about what path we were going to go down.
However, to answer the question more directly, I remember when I was about 5 I got up and sang a song with my dad at a chili cook-off. After the show the girl at the concession stand gave me my Coke for free, and I remember thinking that was the coolest thing ever. It may have been what hooked me for good.
Which elements of nature do you spend the most time with and how do those impact your work?
I have a place in Idaho where I do the majority of my writing these days. It’s in the high desert with mountains all around so it’s really inspiring. It takes me a few days to get in a groove but once I find my rhythm I usually get a lot done. It also helps that it’s off the beaten path so distractions are at a minimum.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
If I could meet one person it would probably be Sir Paul McCartney. I’m pretty sure he’s a vegetarian so I’d eat whatever he wanted to have as long as we could chat about writing and of course, the Beatles. I’m sure we’d have a couple bottles of wine to wash it all down as well.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I use a lot of metaphors in my songs so that’s a place to hide out, ha ha. I almost always write with a caricature in mind, so even when I say “me” I’m not usually talking about myself. A lot of my stuff is fictional so I don’t worry about hiding much. The new albums are the first time I’ve really explained a lot of meaning behind the songs. Normally I let people make up their own version of what they think it’s all about. This time I felt like it was important to let people behind the curtain a bit because of the concept. I wanted them to get it.
Which artist has influenced you the most … and how?
It’s hard to say which artist was most influential, but I’d say John Prine, my dad Muzzie Braun, and Pinto Bennett. They are my favorite songwriters. Always a great story in every song.
What’s your favorite memory from being on stage?
I think my favorite times on stage are every year when we play the Braun Brothers Reunion in Challis, Idaho. At the end of every night we always end up on stage with our friend’s bands and family bands singing and having a blast.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
I’d say you can’t go wrong with putting on John Prine’s The Missing Years record, opening a bottle of red wine and cooking a good pasta.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I tend to write a lot about personal experiences as well as stories I hear from friends or read. So I’d say about 50/50.
What was the first moment that you knew you wanted to be a musician?
I’m not sure I ever had that big moment when I knew this was what I wanted to do forever. I just started playing music at a young age and started really enjoying writing songs, learning how to play different instruments and performing on stage. I’d say I really knew I was a lifer when I was about 20 years old. That’s when the band moved to Austin and we threw our hat in the ring. We haven’t turned back since.
Welcome to “A Minute In” — a BGS feature that turns our favorite artists into hometown reporters. In our latest column, Eilen Jewell takes us on a tour of Boise, Idaho. The singer-songwriter just released her newest album, Gypsy.
My hometown of Boise, Idaho, is a cheerful little place. In fact, visitors to our fair city, or those who have recently relocated, often find the friendliness a bit off-putting at first. Queues tend to move more slowly than in most places, often due to the simple fact that people like to chat and exchange pleasantries. In this regard, there’s an innocence to my hometown, elements of bygone days still intact
But there’s a lot more to Boise than friendliness and a slow pace. We also have nearly boundless outdoor space within arm’s reach. We have great parks and libraries and historic buildings (including one the oldest synagogues west of the Mississippi). We have delicious, award-winning food, two thriving farmers markets, more amazing breweries than you can shake a stick at, and local wine that rivals California’s, in my humble opinion.
This is not the cornfields of similar-sounding Iowa or Ohio, though they are lovely places in their own right. This is Idaho, as in the Rockies, as in mountain lakes and whitewater rivers. This is where I keep returning to, especially when I’m in dire need of some elbow room, and always when I need to write.
Here are some places and activities that I recommend to anyone lucky enough to visit my hometown:
Rediscovered Books (180 N 8th St.) is a sweet bookstore in the heart of downtown, offering new and used titles of all kinds, but very well-curated. If it’s not quality they don’t sell it, and everyone in there really knows their books. They have fun events on a regular basis, including book signings and story time for kids. It’s where I do nearly all of my Christmas shopping every year.
Boiseans almost always use cardinal directions. The mountains are north, so as long as you can see them you can’t get lost. And you can almost always see them. So, moving slightly east from downtown we encounter the historic Basque District. For those unfamiliar, the Basque Country is that mountainous region of northern Spain and southern France. Many folks of Basque descent made their way to southern Idaho over the generations, mainly to herd sheep.
They stayed and thrived, and now Boiseans are very proud of their Basque heritage. We even boast of being the only town in America with a mayor who is fluent in Basque, Mayor Dave Bieter. You can learn about all of this at the Basque Museum and Cultural Center (611 W. Grove St.). For an authentic Boise Basque culinary experience, go to Bar Gernika (202 S. Capitol Blvd.) and order croquetas with a kalimotxo to wash them down.
Head just a bit south from there and catch a movie at The Flicks (646 W. Fulton St.). I love this place. They specialize in indie, foreign, and art films and often screen great documentaries. I like to enjoy a glass of wine while I watch. And their cookies are delicious too.
Next take a walk through nearby Julia Davis Park, and maybe check out one of our lovely museums there, like the Boise Art Museum (670 E. Julia Davis Dr), or perhaps the Idaho Black History Museum (508 Julia Davis Dr.). Then be sure to connect with the Boise River Greenbelt, just on the other side of the park from there. You’ll have over 30 miles along the river to bike or walk or birdwatch or whatever floats your boat. (You can even boat.) I always see wildlife along the river, even bald eagles once in a blue moon.
Head west along the Greenbelt and you’ll be able to quench your well-earned thirst at Lost Grove Brewing (1026 S. La Pointe St.), a fun neighborhood brewery my friends started a few years ago. They always have a solid variety of fresh brews on tap and a cheerful bartender or two to guide you through the selection process. By the way, Idaho is 10th in the nation in breweries per capita. Yeah, we like our beer.
Scoot a bit north of there, to what is known as the Linen District, and check yourself into The Modern Hotel (1314 W. Grove St.). Not only do they have one of the best restaurants in town, a killer cocktail menu, original artwork in each unique room, and a campfire out front on most nights, they also have gnome statues in the restrooms that hold up little turntables for your musical enjoyment while you powder your nose.
Just west of there is the Record Exchange (1105 W. Idaho St.). How do I sufficiently describe my love for this place? It has been the pulse of Boise’s music scene and all things good since 1977, and it’s one of the best indie record stores in the country. It’s also a really fun spot to catch an in-store performance by both local and touring acts.
Last but not least, no trip to Boise would be complete without a visit to our beautiful foothills and historic Hyde Park (1413 to 1620 N. 13th St.). This is a charming little neighborhood in Boise’s quaint north end, where I grew up. Nearby Camels Back Park (1200 Heron St.) never fails to deliver. Hike all around those gorgeous trails, then up the big hill and enjoy a sunset with the best view in town.
Because we’re on the western edge of the Mountain Time Zone, the sun sets very late in Boise in the summertime. On a clear day, and most days are clear in Boise, you can still see a bit of light around 10:30 p.m. As you watch that sun sink down over the horizon, congratulate yourself on a day well spent in one of the prettiest little cities on earth. And come back soon. Just promise not to tell too many people.
Here’s a list of songs I’ve written that were directly inspired by Boise or the surrounding area:
Artist:Ben Winship Hometown: Victor, Idaho Song: “A Little Goes a Long Way” Album:Acorns Release Date: July 19, 2019 Label: Snake River Records
In Their Words: “Life presents us all with many recurring themes — some are daily joys (like the first cup of coffee), others more irritating (like mosquitoes or people who talk too much). Some folks navigate the hard stuff with zen-like grace. Others yell and throw stuff, and worse. Me, I tend to quietly suck it up, while secretly fuming inside. Occasionally a song comes out of it. ‘A Little Goes a Long Way’ is a comment on my lifelong tendency towards impatience, set to an old-time groove.” — Ben Winship
Artist:Pinto Bennett Hometown: Boise, Idaho Song: “I Needed a Lot” Album:The Last Saturday Night Release Date: April 5, 2019
In Their Words: “I was the man so I needed a lot. I needed a lot of women. A lot of booze. A lot of everything. It’s a happy way to say you messed up.” — Pinto Bennett
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