Austin, Texas-based alt-country rockers Reckless Kelly released their music video for “What’s Left of My Heart” – from their 2024 album, The Last Frontier – a handful of months ago. Now, they’ve returned with a special “Pop-Up Music Video” that takes viewers behind the scenes of the making of the video. (Watch below.)
Bits of commentary, context, insight, facts, and fun “pop up” as noteworthy action occurs on screen, bringing outlaw country fans into the processes that led to the zany and fun visual rendition of the track. Set in the now-legendary South Austin honky-tonk Giddy Ups, just days before it permanently closed its doors, the video includes plenty of Easter eggs and details that would have easily gone overlooked if not for the illuminating pop-ups. Viewers follow frontman Willy Braun through a series of hijinx brought on – or enhanced by? – the band’s informal mantra, “sorry for partying.”
“We shot the entire video in about five hours after a show,” Willy’s brother and bandmate Cody Braun explains via press release, “So a ton of pre-prep and organizing had to happen. It was amazing to have friends, family, and musician buddies join us and bring this vision to life. Giddy Ups was one of our favorite spots, and as Austin changes, we wanted to give it a proper send-off.”
“What’s Left of My Heart” is certainly that send-off, but with so many collaborators, actors, cameos, industry folks, and special guests, the behind-the-scenes touches of the pop-up video help illustrate how important community and family are to the band over the decades. There’s so much to see and hear in “What’s Left of My Heart,” we don’t want to give any of it away! So don’t miss a single beat and watch Reckless Kelly’s new pop-up music video.
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Photo Credit: Robert Millage Video Credit: Co-directed by Tony Gates and Cody Braun.
Artist:Reckless Kelly Hometown: Austin, Texas Latest Album:The Last Frontier
(Editor’s Note: Answers supplied by Willy Braun.)
What’s your favorite memory from being on stage?
My favorite memory of being on stage is usually the last song at the Braun Brothers Reunion. We always close with a Bob Dylan song, “You Ain’t Going Nowhere.” It’s been a tradition for a long time and that’s always the end of our set. Reckless Kelly always closes Saturday night of the festival. We bring all of our artist friends out to do a big grand finale jam on that song. It’s always really fun, because it’s following a week of great times, great shows, great music, and people getting together having a ball. The crowd is always singing along with it. It’s just a good little crescendo to end the BBR every year. So that’s one of my top ten right there for sure.
What other art forms – literature, film, dance, painting, etc. – inform your music?
I get a lot of inspiration for songs from reading. Actually, I borrow lines from books and maybe story lines or direct quotes. Not sure if that’s considered stealing or not, but haven’t been sued yet; so that’s good. But no, I try to read a lot, especially when I am up in Idaho in the wintertime and I keep a notepad by the chair or by the fire where I’m reading. I’ll jot down lines that jump out at me or you know sometimes when you’re reading a story you’ll get an inspiration for a song. But yeah, I take a lot of inspiration from reading books.
Which elements of nature do you spend the most time with and how do those impact your work?
The nature element that inspired me the most is probably just being in the mountains up in Idaho. Kind of out in the middle of nowhere in the high desert. My place is pretty secluded, so I don’t have a lot of people stopping by, especially in the wintertime. I’m able to just kind of shut the phone off and do some writing. It’s just a great place to just sit and stare out the window at the mountains and just be inspired by the solitude and silence of it all. So I would say the mountains are my number one place to go and get away from it all.
Does pineapple really belong on pizza?
This is two questions rolled into one. First question being, “What’s the most random question you’ve been asked in an interview?” followed by, “Does pineapple belong on pizza?” I think that’s the most random thing I’ve been asked, so we’re going to answer it for you.
The answer is, yes, pineapple belongs on pizza. If you don’t think so, then you’re only fooling yourself, you’re trying to be cool, and trying to be a little more Italian than maybe you are. I can just tell you this from experience. When we have more than one pizza delivered to the bus and one of them contains pineapple, it’s the first one to go. Even though half the guys in the band claim they don’t like pineapple on their pizza, like it is some kind of abomination. So, I’ll take my pizza with pineapple, canadian bacon, and jalapeño, thank you very much. Preferably on thin crust and if you don’t like it, you can go back to Sicily.
If you didn’t work in music, what would you do instead?
If I didn’t work in music, I would probably be a carpenter. I’ve always liked building stuff. My grandpa was a carpenter; he taught me how to build stuff when I was a kid. I just enjoy creating things; whether it’s a coffee table, a cabin, a house, or a picture frame, whatever – if it’s made out of wood. It’s fun, I like to build stuff out of wood. I’m not much of a mechanic, but I can work with wood. Yeah, I’d be a woodworker/carpenter if this whole music thing doesn’t work out.
It’s a serendipitously Canada-filled day on You Gotta Hear This, where singer-songwriter Rose Cousins brings us a brand new track, “Forget Me Not,” with a beautiful accompanying visualizer, plus Alex Mason impressively performs “Broken Bottles” live from a canoe, and Bob Sumner and posse line-dance it up in a new video for “Motel Room.”
That’s not all, though, as we’ve got alt-country, bluegrass, and more from the southern side of that border, too. Don’t miss Reckless Kelly performing “Keep Lookin’ Down The Road” in a brand new, self-shot video that features gorgeous landscapes and stunning drone footage. Derek Vanderhorst brings us the title track to his upcoming album, Be Kind, as well, with a ringer cast of collaborators including Steve Poltz.
To round out our collection this week, we’re re-sharing two premieres from earlier in the week on the site. The Doohickeys brought us zombie-fied Good Country with “Rein It In Cowboy” and virtuosic pickers Steven Moore and Jed Clark paid tribute to what would have been Frank Wakefield’s 90th birthday with their rendition of “New Camptown Races.”
It’s all right here on BGS and, to be perfectly honest, You Gotta Hear This!
Rose Cousins, “Forget Me Not”
Artist:Rose Cousins Hometown: Halifax, Nova Scotia, Canada Song: “Forget Me Not” Release Date: June 28, 2024 (single) Label: Nettwerk Music Group
In Their Words: “‘Forget Me Not’ is the romance of spring unfolding into summer as it pulls us into its presence. Nature asking us to pay attention and come along. Spring is my favourite season and I’ve now gotten to see it four times in a row in the same place which touring kept me from doing for years. It’s been like falling in love in a new way with an old flame.” – Rose Cousins
Reckless Kelly, “Keep Lookin’ Down The Road”
Artist:Reckless Kelly Hometown: Austin, Texas Song: “Keep Lookin’ Down The Road” Album:The Last Frontier Release Date: September 13, 2024 (album) Label: No Big Deal Records
In Their Words: “‘Keep Lookin’ Down The Road’ is a reflection of the past and an appreciation for the present, but most importantly, it’s an optimistic look ahead. I wrote it with my brother Gary and our buddy Jeff Crosby during our annual songwriting retreat that we jokingly refer to as the ‘hitscation.’ I came up with the line on the way there. sang a few lines into my voice recorder, and we worked out the rest over the next couple of days. Once we were in the studio, I chopped up a couple of verses and used the best lines to shorten it up a bit to match the theme of the record, which is, in a nutshell, ‘Don’t bore us, get to the chorus.’
“As technology advances by the second, I’ve wondered for a while how close to a pro-shot music video I could film using just an iPhone and a drone. Since the expense of filming a music video can sometimes outweigh its visibility, I decided to find out. Using the limited videography and editing skills I’d picked up filming the pandemic-inspired ‘Music from the Mountains’ and ‘Quarantine Kitchen’ shows, I set up time lapses of sunsets, sent the drone up to capture areal views of the mountains in my high desert backyard, and tried to time sunrises and sunsets for the cringiest part – standing in a field of sagebrush all alone, Uncle Rico style, filming myself singing and playing the song in front of a tripod. Luckily, my locations were so remote that nobody drove by and saw this old man making selfie videos like some 14-year-old influencer.
“I shot a lot of B roll road scenes, filmed at an old junkyard in the woods, waterfalls, national monuments, and in huge valleys surrounded by mountains on all sides. I tried to use the scenery as the main focus and also borrowed my brother Gary’s old Dodge truck to match the timeless vibe I was going for. It was a lot of work and took a lot more time than I thought it would, but it was fun and it turned out pretty cool, and I have a newfound appreciation for why these things cost so much. I’m not sure if I matched the quality of a high-end production, but for the cost of a tank of gas or two it’s close enough for RK!” – Willy Braun
Track Credits: Written by Willy Braun, Gary Braun (Micky & The Motorcars) and Jeff Crosby.
Wily Braun – Lead vocals, rhythm guitar, harmonica, percussion Cody Braun – Fiddle, harmony vocals, mandolin, tenor guitar, synth, percussion Jay Nazz – Drums, percussion Joe Miller – Bass guitar Geoff Queen – Lead electric guitar, pedal steel guitar Bukka Allen – Hammond B3 organ, piano, harmonium Kelley Mickwee – Harmony vocals
Produced by Jonathan Tyler, Cody Braun, Willy Braun. Engineered by Joseph Holguin. Mixed by Jacob Sciba, Cody Braun, Jonathan Tyler. Mastered by Jacob Sciba. Recorded at Arlyn Studios, Austin, Texas. Additional recording at Clyde’s VIP Room, Austin, Texas.
Video Credit: Produced, directed, filmed, and edited by Willy Braun. Filmed on location in Idaho.
In Their Words: “‘Broken Bottles’ is a song about how when memories form, especially when we’re younger, they can take on an almost mythical quality in our imaginations and dreams. Then as we grow older and that spell of innocence is broken, we leave them behind, only to return to them again later when they likely don’t resemble anything like what they originally looked like. After losing my mom, writing songs became a way to preserve memories, even painful ones from when I was a kid. Sometimes even difficult memories can sweeten and soften with time. I was exploring a lot of open tunings with this new album, and felt a bit like Dylan on Blood On The Tracks – something about playing in open D on this Martin opened up a new space and new ideas for me and reminded me of being a teenager exploring the same tunings. It’s funny how things make their way back around.” – Alex Mason
Video Credit: Bradley Pearson, Don River Music
Bob Sumner, “Motel Room”
Artist:Bob Sumner Hometown: Vancouver, British Columbia, Canada Song: “Motel Room” Album:Some Place to Rest Easy Release Date: September 6, 2024 Label: Fluff and Gravy Records
In Their Words: “There is a rapper/DJ named Channel Tres. Everything Channel does is cool. He drips cool. I’m a big fan of his music, his aesthetic, and his videos. He has a video for a tune called ‘Weedman.’ It’s Channel and his homies hanging out in a home ordering weed from their dealer. Throughout the video they break into dance routines. It’s chill af. It’s funny. It’s joyous. It doesn’t take itself too seriously. I wanted that for ‘Motel Room.’
“I wrangled two of my close friends, Logan Wolff & Matty Beans. I knew they’d be down. My partner Mica Kayde choreographed a dance routine for us. With my director Dana Bontempo and his partner Zara, we loaded into my pickup truck, brought Endo my tripod dog (and best friend), and spent three days on a road trip messing around. We danced in front of a motel called El Rancho in the interior of B.C. We went to the Armstrong Fair & Rodeo. We laughed a lot, mostly at ourselves, and we had the time of our lives doing it. It’s no Channel Tres, but I think we did what we set out to do. The video turned out to be a joy. It’s fun. It’s funny. It encapsulates those magical carefree years I spent with my friend. At the end of the video the character ends up alone in a motel room wantonly gazing out the window. We felt that was a part of the story we couldn’t leave out.” – Bob Sumner
Derek Vanderhorst, “Be Kind” (featuring Steve Poltz)
Artist:Derek Vanderhorst Hometown: Golden, Colorado but moving to Nice, France in September Song: “Be Kind” Album:Be Kind Release Date: July 12, 2024
In Their Words: “I wrote ‘Be Kind’ in a fun, humorous way to address serious issues that are dividing friends and family and loved ones. Racism and intolerance are making their way into our everyday experience and becoming somewhat normalized. The divisiveness is becoming so overwhelming that it’s now hard to have these serious conversations and I wanted to send the simple message of acceptance, love, and kindness – as well as [pointing out] differences are what makes life so great and worth living.
“As Gen Xers, we need to be open, aware, and embrace all the progress and change, not forgetting our generation’s great changes. We sometimes need to remember that we need change to have stagnant waters.” – Derek Vanderhorst
Track Credits: Derek Vanderhorst – Music, lyrics, guitar, vocals Steve Poltz – Vocals, guitar John Mailander – Fiddle, mandolin Frank Evans – Banjo Brook Sutton – Bass Jamie Dick – Percussion
The Doohickeys, “Rein It In Cowboy”
Artist:The Doohickeys Hometown: Los Angeles, California Song: “Rein It In Cowboy” Album:All Hat No Cattle Release Date: January 24, 2025 Label: Forty Below Records
In Their Words: “We wrote ‘Rein It In Cowboy’ after Haley got her butt grabbed in a bar… He copped a feel and we copped a song. The unsettling vibe you get from a creepy guy groping you is eerily similar to the feeling zombies evoke, which is why our video draws inspiration from our love of classic zombie films like Night of the Living Dead and Dawn of the Dead. We had a blast coming up with t-shirt pick-up lines and other visual jokes throughout the video. With the help of our friends, we crafted a visual narrative we’re truly proud of and can stand behind (and grab).” – Jack Hackett, The Doohickeys
Artist:Steven Moore & Jed Clark Hometown: Jed Clark lives in Nashville, Tennessee, originally from Searcy, Arkansas; Steven Moore lives in Saint Clairsville, Ohio, originally from Bethesda, Ohio. Song: “New Camptown Races” (by Frank Wakefield) Release Date: June 26, 2024
In Their Words: “We are very excited to share our music video of ‘New Camptown Races,’ a tune by the late Frank Wakefield (June 26, 1934 – April 26, 2024) that has become a bluegrass standard. The idea for this video began at SPBGMA 2023, when we jammed to ‘New Camptown Races’ with both of us playing it in B-flat without using capos. We laughed and agreed that we needed to record it and maybe do a video shoot of it someday. It wasn’t until a year later at SPBGMA 2024, when we met up again, that we really solidified plans to make the video happen. Our hopes were to record the video and put it out on June 26, 2024 in honor of Frank’s 90th birthday. Unfortunately, the world lost Frank two months before he turned 90, but we decided to still aim to put out the video on what would have been Frank’s 90th birthday, in his memory…” – Steven Moore
Artist:Tylor & the Train Robbers Hometown: Boise, Idaho Song: “Lemonade” Album:Non-Typical Find (produced by Cody Braun of Reckless Kelly) Release Date: July 9, 2021
In Their Words: “Everyone has heard the saying ‘When life gives you lemons, make lemonade.’ I wanted to use that sentiment as the theme of this song without actually saying it and dig into the idea that when you don’t find a way to bring some good out of the bad, you’re just stuck with the same old lemons. When I’m writing about characters, I like to try to make them feel as real as possible, so I often end up using people I know as inspiration. This one started with the first character that the protagonist encounters, who was based on my grandfather (The Storyteller from our last album). He was a hard-working man who spent his weekends hunting in the hills with his hound dogs and was back at work in the mill come Monday. He was also very fond of bluegrass music so as an additional nod to him we brought in a little of the bluegrass sound featuring a banjo solo.” — Tylor Ketchum, Tylor & the Train Robbers
Artist:Reckless Kelly Hometown: Austin, Texas Latest album:American Girls & American Jackpot
Answers provided by Willy Braun
What other art forms — literature, film, dance, painting, etc — inform your music?
I get a lot of ideas from books, lines here and there, but a lot of time they’re just ideas. A theme or a mood. I get some ideas from movies as well but that’s a little more rare. I’d say most of my ideas for songs come from things people say or do in everyday life. I’m always writing things down.
What was the first moment that you knew you wanted to be a musician?
I’ve always known I was going to be a musician. It’s the family business. My dad, uncles, grandpa, brothers, cousins, etc., are all musicians. I grew up singing on stage with my dad’s band and eventually my brothers and I all joined so there was never really any question about what path we were going to go down.
However, to answer the question more directly, I remember when I was about 5 I got up and sang a song with my dad at a chili cook-off. After the show the girl at the concession stand gave me my Coke for free, and I remember thinking that was the coolest thing ever. It may have been what hooked me for good.
Which elements of nature do you spend the most time with and how do those impact your work?
I have a place in Idaho where I do the majority of my writing these days. It’s in the high desert with mountains all around so it’s really inspiring. It takes me a few days to get in a groove but once I find my rhythm I usually get a lot done. It also helps that it’s off the beaten path so distractions are at a minimum.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
If I could meet one person it would probably be Sir Paul McCartney. I’m pretty sure he’s a vegetarian so I’d eat whatever he wanted to have as long as we could chat about writing and of course, the Beatles. I’m sure we’d have a couple bottles of wine to wash it all down as well.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I use a lot of metaphors in my songs so that’s a place to hide out, ha ha. I almost always write with a caricature in mind, so even when I say “me” I’m not usually talking about myself. A lot of my stuff is fictional so I don’t worry about hiding much. The new albums are the first time I’ve really explained a lot of meaning behind the songs. Normally I let people make up their own version of what they think it’s all about. This time I felt like it was important to let people behind the curtain a bit because of the concept. I wanted them to get it.
Which artist has influenced you the most … and how?
It’s so hard to choose just one, I’ve been inspired by so many great songwriters. My first major influence as a kid was Hank Williams Sr. I was introduced to his music through my grandparents record collection and it was a sound I had never heard before. My first songs were heavily infused with his tone. Over the years I’ve drifted from that, but it still serves as an important first step down the songwriting rabbit hole. John Prine was my next big influence and his music has continued to inspire me to this day. I find myself re-listening to his records and finding nuances in his writing that I never noticed before and that to me is the mark of a truly great songwriter.
What other art forms — literature, film, dance, painting, etc. inform your music?
I grew up watching a lot of old Western movies with my grandpa, which played a big role in my writing of the track “The Ballad of Black Jack Ketchum” on the new album. The imagery from the films painted the picture for the backdrop of this song. I also pulled inspiration from the language and storytelling style of Louis L’Amour from his classic series of Western novels.
Honestly though, my biggest inspirations come from other musicians. I love listening to all kinds of different music, new and old, to pull ideas from. I feel like the best way to continue being inspired is to listen to more music.
What was the first moment that you knew you wanted to be a musician?
From an early age, I just remember that whenever I was listening to music I had a strong desire to want to play along and learn the songs. My mom played guitar and sang to me a lot when I was kid, she had always wanted to be a musician, but never pursued it. I found one of my mom’s rusty electric guitars in my house and started to try to teach myself to play, which eventually led to my parents getting me my first acoustic guitar. I pretty much knew right then that this is what I wanted to do and I never really turned back. I was really lucky that my mom was always very supportive of my dream and never tried to talk me out of it.
What’s the toughest time you ever had writing a song?
Probably the toughest song I have ever written is actually on our new album. “Storyteller” was written back in 2012 when my grandpa passed away, he was a huge part of my life and we lost him at a pretty early age to illness. I wrote the song to help cope with the loss, but couldn’t completely finish it for over five years after his death. Sometimes I feel like that song and the time it took to write it are a literal representation of the time it took me to grieve.
What’s your favorite memory from being on stage?
For years I had a goal to play The Braun Brother’s Reunion Festival. If you’re not familiar with it, it is an annual Americana music festival in Challis, Idaho, with some of Red Dirt/Americana’s best bands. It’s hosted by the Braun family (Cody and Willy of Reckless Kelly, and Micky and Gary of Micky & the Motorcars). They are Idaho natives who took their music to Texas and have thrived in that scene for many years. I went to the BBR for the first time back when I was 18 years old. It was the first time I had seen that much of the music I loved in one place and from that point on, it was my goal to play it someday.
In 2017, a good friend of mine, Jeff Crosby was playing the festival and he reached out and asked if I wanted to come play a Tom Petty song with him during his set. Of course I said yes! He got me up in front of that crowd and on that stage for the first time. He introduced me to the crowd and told them that we were his favorite Idaho band, which meant a lot. It took us a couple years after that, but this year, 2019, the band and I are on the bill for the festival and we can’t wait!
Name: Reckless Kelly Hometown: Austin, TX Latest Project: Sunset Motel
Tacos: Living in Austin, Texas, is like living in taco heaven. There’s a taco on every corner and you really can’t go wrong. We are currently involved in a breakfast taco war with San Antonio, which I believe we’re winning. They have some good tacos, too, but for my money, I’d have to say that Maudie’s has the best tacos in town, and if we’re gonna get specific, Pete's tantalizing breakfast tacos are the bomb. Flour tortillas filled with eggs, potatoes, cheese, sausage, and serrano peppers. They are already hotter than the fiery bowels of hell, but I like to put a little of their fantastic salsa on there, too … really ties the room together.
Burger: One of the greatest little greasy spoons in the world is a little dive called Brown’s Diner in Nashville, Tennessee. It’s a little café with about an eight- or 10-stool bar that’s usually filled with songwriters eating their world famous cheeseburgers and fries while washing it down with a Budweiser for $1.10. We’ve been known to log in some serious sessions there … the kind where you order a second cheeseburger a few hours later because you’re still there and smelling those burgers will get you every time. I’m pretty sure they’ve never cleaned the grill, which may be the secret to the success of the cheeseburger. The also have a world class jukebox, filled with classic country.
Record store: Bop Street, in Seattle, Washington. It used to be right next door to the Tractor Tavern where we almost always play. They’ve moved a few blocks away, but as far as I know, are still alive and well, which says a lot in this day and age. I was in there once looking for a British copy of Revolver and the owner asked me what I was looking for. I told him I didn't see one, and he took me down to the basement where he had what he estimated to be 750,000 albums and three full shelves of Beatles. He had about 20 copies of Revolver, and I picked one out. I bet he had several hundred Beatles albums, an instant stamp of approval in my book.
A photo posted by Reckless Kelly (@recklesskelly96) on
Book store: Kevin and Dustin Welch always told me about City Lights Bookstore in San Francisco. It was on my list for quite a while before I finally made it in and, since then, I don’t miss an opportunity to stop in when we’re in town. I was on a big Steinbeck kick a few years back and was having a hard time finding some of his lesser known works. City Lights had them all. I think I spent a couple hundred bucks on Steinbeck alone and then had to haul a huge bag of books all over town for the rest of the day, but it was worth it. I still don’t think I’ve read them all yet.
Backstage hang: Speaking of San Francisco, there is a festival there called Hardly Strictly Bluegrass that is our favorite backstage hang. The festival is put on by the Helman family and they treat the artists and fans like royalty. It’s free to the public and there are no corporate sponsors, so basically, it’s all about the music. The back stages are all set up with comfy couches, chairs, and everything you might want backstage. The staff is second to none and they aim to please. They also have artist-only pathways between stages so you can easily get from stage to stage to watch other bands or get someplace fast, if you need to jump up and jam with someone.
Gear shop: It’s called Austin Vintage Guitars. They have a huge collection of great old guitars and amps. They also have the best amp service in town and, for my money, the world. It’s the kind of place where, if you’re not in the market to buy anything, you better not go in, because there’s always a guitar or amp calling your name and making you re-evaluate your current financial situation: “Well, I guess I could sell the car, and do the kids really need new shoes?”
A photo posted by Reckless Kelly (@recklesskelly96) on
Listening room: There are some great listening rooms out there … but when someone says “listening room,” I immediately think of the Birchmere in Alexandria, Virginia. We played there with Robert Earl Keen a few times when Robert used to take us out on the East Coast with him when we were just getting our feet wet. They have a strict "no talking over the band" policy, and it was one of the first places I’ve ever seen people really listen like there was gonna be a test at the end of the show. It’s a beautiful room. I’ve heard a few people say things like, “I don’t like the Birchmere because they won’t even let you talk …” I’m always thinking, "Exactly."
Music Festival: I may be biased, but my favorite festival is one that my parents have been putting on since I can remember. The Braun Brothers' Reunion started in Stanley, Idaho, about 30 years ago and was held there on a flatbed stage at the scenic city park. We moved the fest to Challis, Idaho, about 15 years ago, and have built a permanent stage on the driving range at the local golf course. The driving range is a perfect natural amphitheater where fans spread their blankets, set up chairs and awnings. Kids will be rolling down the hill and tossing frisbees around while the music plays in the background. The views are incredible and the little town grows from about 800 to about 3,400 over the three-day weekend. Almost everyone camps out in RVs or tents since there are only a couple hundred rooms available, so there are all these little makeshift villages of people who return every year and reconnect with other music fans they’ve met there over the years. What started as a couple local bands playing to a couple hundred people from the back of a flatbed trailer has turned into a three-day event with acts like Chris Hillman, Alejandro Escovedo, Robert Earl Keen, and the Randy Rogers band. The list goes on and on … It’s a unique festival and we’re really proud of it!
Driving album: My favorite driving music lately is live Bruce Springsteen bootlegs. I have a place up in Idaho that’s exactly a four-hour drive from the airport to the front door, and my friend Dale is a big Boss fan so he always sends me Bruce bootlegs. Since he varies his set list so much and plays for almost four hours a night, one show will pretty much get me home, and another will get me back to the airport. It’s a great way to pass the time on a drive that I’d otherwise be getting pretty sick of.
A photo posted by Reckless Kelly (@recklesskelly96) on
Car game: Our favorite car game as kids was “Name That Tune.” The rules were simple: We’d crank up the radio and the first person to yell out the artist and song got a point for each, and a bonus point for getting both. If you guessed wrong, you lost a point. We also had what we called a lightning round, which was when dad would hit the scan button and it would stop on every station for about five or 10 seconds. You could really rack up the points during a lightning round. If dad was falling behind, he’d always stop on the oldies station for a few songs and kick our asses.
Dive bar: There are so many great dive bars out there that it’s hard to narrow it down to one favorite. I have my favorite one here in Austin, but I don’t want it overrun with hipsters, so I’ll tell you about another one … Mary’s Club in Portland, Oregon, is one of the best dives ever. It’s a little hole in the wall with cheap drinks, classic drunks, and great bartenders. It’s also the oldest topless bar in Oregon, but you’d hardly know it was a strip club except for the topless dancers who pick their own songs on the jukebox that’s on stage, and sometimes they have to borrow a buck from someone to get started. We’re not really big strip club guys, but in a world of great dives, this one is right up there … and there just happens to be a topless dancer in the corner.
Highway stretch: Of all the cool stretches of highway in America, I’d have to say the coolest and most breathtaking one is Route 1, or the Pacific Coast Highway, out in California. You’ve got the ocean on one side and hillsides on the other. You pass through Big Sur and a bunch of cool little overlooks along the way. It’s hard to keep your eyes on the road! I’ve written a lot of songs about the road and that stretch of highway has inspired a few of them. I camped out on a cliff overlooking the ocean for a few days one time and wrote songs. When I left, a guy pulled in with his camper and asked if he could take the spot when I left and that he had always tried to get that particular site for years and couldn't believe his luck. Since I was flying out, I gave him a few leftover bottles of good wine a friend in Carmel had given me. I thought he was going to cry. Pay it forward!
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