LISTEN: Sinner Friends, “Unforgivable You”

Posted on by Editor

Artist: Sinner Friends (Grace van’t Hof and Conner Vlietstra)
Hometown: Detroit, Michigan; Johnson City, Tennessee
Song: “Unforgivable You”
Album: Sinner Friends Miss You (The Quarantine EP)
Release Date: April 1, 2021
Label: Bigtone Records

In Their Words: “When Sinner Friends cut bluegrass, we do it like our heroes did: everyone is in one space, there are no separate vocal tracks, we don’t overdub solos, and the result is a snapshot of one vital moment. Like Page Ross’ lyrics, ‘Unforgivable You’ is raw and compelling. It weaves the messy web of a breakup followed by a one-sided attempt at reconciliation which, by the end, has the listener questioning the boundaries of the narrator’s tenacity. It’s clear that our protagonist has turned antagonist and his love interest would “rather that [he] stay away.” Sentimentality swirled with confusing choices is Sinner Friends’ favorite flavor, and this song is a savory example. We were privileged to be joined on this session at Bigtone Records by Josiah Nelson on fiddle and Max Etling on bass.” — Grace van’t Hof and Conner Vlietstra, Sinner Friends

Photo credit: Billie Wheeler

The Show on the Road – Bettye LaVette

Posted on by Shelby Williamson

This week on The Show On The Road, we feature an intimate conversation with beloved soul and R&B singer, Bettye LaVette.

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Covering her remarkable six decades in show-business, we dive deep into LaVette‘s beginnings as a Detroit hit-making teenager during Motown’s heyday (her neighbor was Smokey Robinson), to her early career touring with Otis Redding and James Brown, and the hard times that followed, as a music industry steeped in racist and sexist traditions largely turned its back on her.

While other soulful song stylists like Sharon Jones, Tina Turner, Mavis Staples and others saw their status and popularity rise with time, LaVette remains an underrated, best kept secret on the Americana circuit, with younger listeners just discovering her remarkable work covering anyone and everyone from The Beatles to Neil Young to Billie Holiday.

After nearly dropping out of music, her remarkable comeback began in 2005 with a string of acclaimed records — bringing her from half-filled bars to singing “Blackbird” at The Hollywood Bowl with a 32-piece orchestra, being nominated for five Grammy awards, and being inducted into the Blues Hall of Fame.

One thing you’ll notice immediately is her fiery laugh, which punctuates the episode — even when telling the darkest stories, like her early manager getting shot and her 1960s hits being recorded by white artists, leaving her versions largely forgotten. Her Grammy-nominated newest LP Blackbirds, produced by legendary drummer Steve Jordan, shows her at her most vulnerable best.

Photo credit: Mark Seliger

LISTEN: Korby Lenker, “All in My Head”

Posted on by Editor

Artist: Korby Lenker
Hometown: East Nashville
Song: “All in My Head”
Album: Man in the Maroon
Release Date: May 21, 2021
Label: Grind Ethos

In Their Words: “‘All in My Head’ is the first track on my 8th studio album, Man in the Maroon. It’s about a depressed person who entertains the idea that maybe there’s a different perspective out there. I wrote it last spring over several nights while jogging through my neighborhood in East Nashville. The outings happened to coincide with the Nashville 8 o’clock howl, a typically quirky East Nash neo-tradition where for the first several months of the pandemic, people would stand out on their porch every night at 8 and just go crazy. I heard the howling, in the distance mostly, before I ever knew what it was, and after a few nights, I started joining in. Just yelling at the top of my lungs. Purging that threatening despair that seemed to be everywhere, inside and out. Later, when I was recording the song, I posted on social media, asking if anyone knew who started it. In no time I was sitting over coffee with the founder herself. She put me in touch with some of the howlers… if you listen closely, after the bridge you can hear a few of the more choice examples of the East Nashville 8 o’clock howl.” — Korby Lenker

https://soundcloud.com/user-747568408/all-in-my-head/s-Hjv7RcuUYYF?in=user-747568408/sets/man-in-the-maroon//s-0dkClBhP9E3

Photo credit: David McClister

BGS 5+5: Ervin Stellar

Posted on by Editor

Artist: Ervin Stellar
Hometown: Grand Rapids, Michigan
Latest Album: Nothing to Prove

Which artist has influenced you the most … and how?

Bob Dylan. I don’t know why I was initially drawn to his music, I was probably 14 or so. It felt like hearing the truth. Such word-crafting and an indifference to pop culture standards or expectations. He’s an artist I can continually go back to and never grow out of.

What other art forms — literature, film, dance, painting, etc. — inform your music?

Film more than anything else. P.T. Anderson, Wes Anderson, Éric Rohmer, the Coen Brothers — I aspire to write songs as cinematic as their films. They all seem to take place in a particular era, with an aesthetic that colors the experience in the same way time ages a Polaroid, it’s as we see that time period from the present.

What rituals do you have, either in the studio or before a show?

Past rituals include getting stoned beyond recognition and trying to perform from a lucid dream state. This produced inconsistent results with varying levels of quality control. But these days I just like to be comfortable, at ease and without overthinking it. Letting the spirit of the sound move through me with as little resistance as possible.

Which elements of nature do you spend the most time with and how do those impact your work?

I like the earth and water elements. Waves and mountains. The impact is spiritual, rather than literal or lyrical. My connection to this celestial body circling the sun and the infinite universe is most clear when I’m far away from civilization’s hum.

If you had to write a mission statement for your career, what would it be?

This feels a lot like writing a five year plan (which I’ve never done). I don’t believe my “career” needs a mission statement. It should be enough to just write the songs — and their reason for being is largely irrelevant. There is no mission, but I do find joy in other people’s experience of my music. They can’t know everything a song means to me, and vice versa, but still there’s a shared conduit of energy that connects us.

Photo credit: Laura E. Partain

BGS 5+5: Esther Rose

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Artist: Esther Rose
Hometown: New Orleans, Louisiana, and sometimes Taos, New Mexico
Latest album: How Many Times
Personal nicknames: Dayfire, Wild Rose

What’s your favorite memory from being on stage?

Seeing as how there haven’t been any stages as of late, my favorite recent performance was singing “Handyman” with my nephew Cedar. Cedar is three years old and he knows every single word.

What was the first moment that you knew you wanted to be a musician?

The moment that I knew I wanted to be a guitar player/songwriter was on my 28th birthday when I wrote a song called “The Game” on piano. ‘Til then I had been a supporting member of my partner’s band, but that morning I wrote a breakup song. I remember thinking I need to learn how to play the guitar immediately and I did.

What rituals do you have, either in the studio or before a show?

In the studio I set up a good-luck altar with little treasures from the past year; pretty rocks from significant places, jewelry, photos, whatever has been close to me for the past year of songwriting I will take off and turn it over to the altar. It is grounding to look over and be reminded of why I wrote the songs, or where I was, or who I was with. I keep a candle burning the entire time. It gives me great satisfaction to blow out the candle at the end of a long day, signifying that the work is over.

What’s the toughest time you ever had writing a song?

Writing “When You Go” was tough. My songwriting golden rule is “no bullshit.” I will write and scratch out lines to get closer to what’s really going on. With this song, I wrote the first verses and then froze. The song starts as this kind of self-assured, “I’m getting over you” song. I was scared to go to the no bullshit place to see what was below the surface. I sent it to my best friend and songwriter soulmate Julia and she urged me to finish it. The next day I wrote the chorus and I remember crying, crying, crying and then crying some more. It’s a very primal feeling; please take me with you.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I want to have a glass of wine and a cigarette with Joni Mitchell. I don’t even smoke anymore.

Photo credit: Akasha Rabut

We’re Looking Back (and Forward ) With Mandolin Orange’s Music at the Mansion

Posted on by Editor

At the one-year mark of the pandemic drastically changing our daily lives, let’s take a minute to reflect. Sure, we’ve seen more livestreamed content than we ever cared to see, we’ve ordered more takeout than we deem reasonable, and we’ve had far fewer haircuts than we’d like to admit in the last 12 months. Live music has all but disappeared from our lives. Although the brilliant artists we love have found creative ways to connect with their audiences, fans haven’t been able to regularly engage in a person-to-person musical experience in some time. As we reflect on all these things that have come to pass, it is this author’s earnest and sincere hope that we also look forward.

The live music experience is gradually coming back, too, and to remind us of the beauty of an intimate acoustic performance, we’ve dug up this video from Mandolin Orange’s show for the North Carolina Department of Natural and Cultural Resources. Now that spring is here, let the joys of new beginnings fill your home by watching this full set and remembering what it’s like to crowd into a room to hear beautiful music, seeing no mask and fearing no illness. As tumultuous as the last year was, let us remember, celebrate, and continue pressing on, making preparations for the possibility of having intimate musical experiences like this once again in 2021. Watch the lovely concert below.

Photo credit: Kendall Bailey

WATCH: Johnny Chops, “Trouble with the Truth”

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Artist: Johnny Chops
Hometown: Austin, Texas
Song: “Trouble with the Truth”
Release Date: April 2, 2021 (Single)
Album: Yours, Mine and the Truth EP
Label: Johnny Chops Music

In Their Words: “One September morning in 2019, I got up early, before the dogs or my wife were awake, grabbed a cup of coffee and sat down in my writing room. This song fell out of the sky into my lap and was basically written in about an hour. It’s a departure from most of my material and some of the ‘songwriting rules’ I usually stick with. It isn’t a sing-along or an anthem, but more of a lament. I think of it as a sad little poem. Aside from my vocals and acoustic guitar, the rest of the track is producer and multi-instrumentalist David Abeyta. He put a lovely finish and a beautiful solo on this song.

“While I was writing the video treatment, I wanted to lean in to that lonely feeling by filming in some dark and bleak locations. I came across these dramatic spaces by researching abandoned buildings on YouTube and was lucky enough to contact the property owners through the Mineral Wells Chamber of Commerce and get their permission to film. The video wouldn’t have the same visual depth or resonance without their assistance and patience. I also have to give some extra credit to the camera expertise of my DP, Brian Monnone (Big Flavor Films) for helping to capture the atmosphere of the song, as well as braving some structurally questionable locations. Creating this story has been an exciting exploration into videography, film and screenwriting. I have been telling tales through song for almost 20 years, so it’s an exciting next chapter that I hope to pursue more in the future.” — Johnny Chops

Photo credit: Brandon Aguilar

Harmonics with Beth Behrs: Dr. Tara Swart

Posted on by Shelby Williamson

Dr. Tara Swart is a neuroscientist, medical doctor, Senior Lecturer at MIT, and author of best-seller The Source.


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Dr. Swart and host Beth Behrs have an in-depth conversation on neuroplasticity and how we can physically change the structure of our brains through our thoughts, and therefore, change our lives. Following a full career in medicine, Dr. Tara was surprised to realize the scientific evidence supporting the Law of Attraction, and has since committed her work to helping others use science-backed practices to live their fullest lives.

Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

This episode of Harmonics is brought to you by BLUblox: blue light blocking glasses, backed by science. Reclaim your energy and block out the unhealthy effects of blue light on your mental and physical health. Take 15% off your order with code “HARMONICS”

WATCH: Mallory Johnson & Twin Kennedy, “Wise Woman”

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Artist: Mallory Johnson & Twin Kennedy
Hometown: Conception Bay South, Newfoundland & Labrador and Powell River, BC
Song: “Wise Woman”

In Their Words: “Immediately after we finished writing ‘Wise Woman’, we could visualize the music video. Although we knew it would be ambitious, we believed it was important to feature as many women’s stories as we could in three and a half minutes. We also wanted to feature leaders who have inspired us, raised us, and helped shape us into the women we are today. Our mothers are in the video, our sisters, our nieces, our friends, our mentors. This video is not about Mallory Johnson and Twin Kennedy in the spotlight singing a pretty song. It’s about the message, the conversation and the women.” — Mallory Johnson & Twin Kennedy

Photo credit: Jessica Steddom

BGS 5+5: The Brother Brothers

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Artist: The Brother Brothers (Adam and David Moss)
Hometown: Peoria, Illinois
Latest Album: Calla Lily (out April 16, 2021, on Compass Records)

Which artist has influenced you the most … and how?

If I have to pick one, which is quite difficult, I’d have to pick John Hartford. I constantly admire, rediscover, and celebrate the effortlessness with which music and words flow out of him. When he writes, he writes about what he knows, and we are convinced to join him in his love of steamboats, old time Nashville, and so many other things that I’d normally walk on by. His musicality is so honest and of himself, and damn, it just sounds so good. He doesn’t subscribe to any “rules” and yet he’s so completely inside a style. — Adam

What other art forms — literature, film, dance, painting, etc. — inform your music?

I have done a fair share of composition for dance, which has opened a whole new universe of creativity to me — the idea that movement, once catalogued, becomes an intentional means of expression has such a real and vibrant quality that no other art form can ever hope to encapsulate. Working with ballet dancers is amazing because the rigid tradition and pure athleticism of the art form creates an amazing palette that can really get inside different kinds of music, and the creativity flowing from choreographers of modern dance in NYC and around the world is just something so otherworldly but yet incredibly accessible. For some reference, I would recommend Batsheva Dance Company and the surrounding tradition of Gaga, and Nederlands Dance Theater. And of course the ever famous and incredible stewards of George Balanchine, the New York City Ballet. — David

Which elements of nature do you spend the most time with and how do those impact your work?

This last year we’ve both been displaced by the pandemic and as a result have continuously traveled. Now, David is living with his fiancée and their dog in a scamp trailer, spending every day entirely surrounded by nature. I’m currently living in California and surfing every day. When you make your life in nature, you can’t help but let the waves and your wetsuit influence your rhythm and rhyme. The sunset is an impossible thing to describe, but we can keep trying. — Adam

What’s the toughest time you ever had writing a song?

There isn’t really such a thing as “a tough time writing a song,” in my experience. Songs, for me, are things found and worked out. If the process feels difficult, it usually requires waiting and trying different avenues. If you asked, “What is the longest it’s taken to write a song?” The answer would be a very very long time. — David

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Honestly, I can’t imagine a better pairing than Russ & Daughters’ smoked fish spread and dancing to one of the hottest klezmer bands in NYC. Second only to that would be another trip to Lafayette, Louisiana, to spend another weekend at Blackpot Festival, hanging with our Cajun friends down there, playing music and eating the contest-winning gumbo, jambalaya, and gravies of the year. — Adam

Photo credit: Shervin Lainez