Artist of the Month: Opry 100

This month, BGS is celebrating 100 years of the Grand Ole Opry! It would be hard to overstate the influence of the Opry on American roots music – hell, on music in general – over the past century.

From Earl Scruggs joining Bill Monroe to create the sound of bluegrass; to DeFord Bailey becoming the first Black Opry star and the first Black musician to break into the commercial music scene in Nashville; to the legendary meeting of Johnny Cash and June Carter; the Opry has been a catalyst for so many iconic moments. Below, we kick off our “Artist of the Month” celebration with our Opry 100 Essentials Playlist, which includes some of our favorite live recordings from the Opry, songs famously debuted on that legendary stage, and some of our favorite roots songs written about the Opry and its lore, too.

Did you know that Dolly Parton made her first Grand Ole Opry appearance in 1959 at the age of 13 and received 3 encores? To get a sense of how young Dolly might have sounded on that stage, we’ve included one of her very first singles, “Girl Left Alone,” (the B side of the now well-known “Puppy Love”), recorded when she was just 11 years old and released the same year as her Opry debut.

Elvis famously made his Opry debut in 1954 at the age of 19, singing “Blue Moon of Kentucky” in a style that was so poorly received a manager told him to “go back to driving a truck,” or something of that nature. You can hear his rockabilly version on our playlist.

In 1969, Linda Martell was the first solo Black woman to perform on the Opry, singing “Color Him Father” for her debut. Although she faced rampant racism throughout her career, her first performance on the Opry was met with two standing ovations and she went on to perform there 12 times over the years.

The Opry has also been fodder for songwriting, inspiring many tracks over the years. Early Opry star David “Stringbean” Akeman met Bill Monroe while playing semi-professional baseball and went on to play clawhammer-style banjo in his band from 1943 to 1945. After parting ways with Monroe’s band, Stringbean became an Opry star in his own right and penned the song “Opry Time in Tennessee.”

Stringbean and his wife were tragically murdered in 1973 by thieves who had heard of him storing cash in his home. In 2009, Sam Bush released his song, “The Ballad of Stringbean and Estelle,” co-written with Guy Clarke and Verlon Thompson. “The thieves laid in wait for hours/ But things didn’t go their way/ But he wouldn’t let go of his Opry pay,” sings Bush on his album, Circles Around Me.

@cmt #SabrinaCarpenter makes her #grandoleopry debut 💋✨🎙️ #opry100 #slimpickins #mansbesfriend ♬ original sound – CMT

Shortly before the Opry was moved from downtown Nashville’s Ryman Auditorium to the newly built Opry House in 1974, John Hartford released “Tear Down the Grand Ole Opry,” a scathing commentary on the commercialization of country music. “Right across from the wax museum/ They used to line up around the block/ From east Tennessee and back down home again … Broad Street will never be the same,” Hartford sings nostalgically on his legendary Aereo-Plain album.

While the Opry is known as a country music gold standard, over its 100 years as a live-broadcast radio show it has held clout across the genres and in popular culture – not just in country. This year, as part of their celebration of their 100th anniversary, the Opry has been featuring 100 Opry debuts and first-time performances. These special appearances have showcased the broad impact of the Opry, hosting the likes of pop star Sabrina Carpenter who said, “My mom raised me on the artists who have stood up here.”

Whether in country, bluegrass, Americana, or beyond, the Grand Ole Opry continues to be a musical powerhouse, 100 years after its barn dance birth. While we look ahead to the next century of Opry magic, we’re beyond excited to join the Grand Ole Opry family in celebrating Opry 100 for the entire month of November. Enjoy our Opry 100 Essentials Playlist below and relive the Opry 100: A Live Celebration television special on NBC from earlier this year here, too. Plus, stay tuned all month as we have brand new and archive articles, interviews, and features we’ll be sharing here and on socials all spotlighting the incredibly legacy and community of our beloved Grand Ole Opry as we countdown to November 28, 2025 – the Opry’s official 100th birthday!


Lead Image: Opening of the Grand Ole Opry House in 1974, courtesy of Ryman Hospitality Properties.

13 Online Tributes to Earl Scruggs for His 100th Birthday

On January 6, bluegrass luminaries gathered at the Mother Church itself – the Ryman Auditorium in Nashville – to celebrate what would’ve been the 100th birthday of a man whose name is synonymous with the genre. On that day just over a week ago, banjo legend Earl Scruggs would have celebrated his centennial, and bluegrass celebs like Sam Bush, Béla Fleck, Sierra Hull, Bronwyn Keith-Hynes and many more gave a tribute concert streamed live on Veeps. While the live show might have come to an end, many are sharing pics and memories of Scruggs, keeping his special celebration going.

We’ll be highlighting the pioneer’s 100th all year long, so we’re also collecting some of the best social posts – in no particular order – that you might have missed.

Ryman Auditorium

With such a star-studded tribute concert, of course we should kick our list off with the Mother Church’s post about their live concert celebrating Scruggs – which benefitted the Earl Scruggs Center in Earl’s hometown of Shelby, North Carolina. The Ryman itself is located in the heart of downtown Music City, a fitting venue for this show.


Béla Fleck

Béla Fleck is just one of many modern banjo pickers inspired by Scruggs’ iconic three-finger style. We recently featured a single from his upcoming album in our #BGSClassof2024 playlist. His Facebook post recalling memories of working with his banjo hero is a touching accompaniment.

“Rhapsody in Blue(grass),” from Fleck’s upcoming album Rhapsody in Blue, is a perfect commemoration of the 100th birthday of Scruggs. Fleck is joined by his My Bluegrass Heart band, picking alongside Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz and Bryan Sutton.


Sam Bush

It’s hard to imagine historic movements and bands like New Grass Revival existing without the ability to build on the foundation that Earl Scruggs and others laid for the generations that followed. It’s no surprise, then, that Sam Bush paid tribute to Earl in a Facebook post following the Ryman show.


Gena Britt

IBMA Award winner and Grammy-nominated Sister Sadie banjo player Gena Britt has posted several photos and reels on her Facebook page from the Scruggs bash, where she was just one of many banjo players in attendance.


Tony Trischka

Tony Trischka’s upcoming album, Earl Jam, is a tribute to his musical mentor and inspiration, Scruggs, and will be released later this spring by Down the Road Records. Trischka just released the official music video for “Brown’s Ferry Blues,” featuring Billy Strings, right after Scruggs’ birthday.

Earl Jam will be a special collection of Trischka playing Scruggs transcriptions note-for-note that he gleaned from jam session recordings taken by John Hartford at Earl’s house in the ’80s and ’90s.


Earl Scruggs Music Festival

To mark their namesake’s birthday, the Earl Scruggs Music Festival posted one of the most iconic photos of the banjo player in music history. If you haven’t made it to this North Carolina event yet, check out our coverage from last year’s festival. We’re very much looking forward to Earl Scruggs Music Festival 2024!


John McEuen

For his own tribute, John McEuen – a founding member of the Nitty Gritty Dirt Band – shared some incredible footage of the first time he met Earl Scruggs back in October of 1970.

“This meeting right here is what led to the Will The Circle Be Unbroken album,” he shared.


Jerry Douglas

Jerry Douglas, iconic Dobro player and member of the Earls of Leicester, posted a wonderful collection of photos from the Ryman show!


Kyle Tuttle

Kyle Tuttle, member of Molly Tuttle’s Golden Highway band, posted a clip of his own three-finger work inspired by Scruggs.

“Who knows where the banjo would be had this man not come along and shown us how it works,” Tuttle mused.


International Bluegrass Music Association

The IBMA marked Scruggs’ centennial by posting an abbreviated history of his life and career.

“From his home state of North Carolina, Earl took the sound of the banjo and revolutionized it across the world,” the post reads. “Not only did he pioneer the three-finger banjo, but he played it to standards of taste and technique unmatched by thousands of disciples over seven decades.”


Alison Brown

 

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A post shared by Alison Brown (@alisononbanjo)

Alison Brown, co-founder of Compass Records and multi Grammy award-winning banjo player, posted a touching tribute to Scruggs on Instagram.


Mark O’Connor

In a lengthy tribute post with multiple photos fiddler and composer Mark O’Connor remembered Scruggs on his Facebook page.


Andy Thorn

 

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A post shared by Andy Thorn (@_thornpipe_)

Thorn, banjoist for Leftover Salmon, posted a clip of himself on Instagram playing what is perhaps the most iconic banjo tune of all time, making it a fitting end to our list of social media tributes. Check out Thorn’s take on “Foggy Mountain Breakdown!”

We’ll continue to celebrate Earl Scruggs’ 100th all year long, so keep checking back for more on BGS!


Lead photo by Eric Ahlgrim courtesy of the Ryman Auditorium. Pictured: Stuart Duncan, Jim Mills, Alan Bartram, Sam Bush, and Del McCoury perform for Earl Scruggs’ 100th Birthday Celebration at the Ryman on January 6, 2024. 

Remember When Dolly Parton Took a Bluegrass “Shine” to This Rock Anthem?

The queen of country music is celebrating a milestone birthday on January 19. Her majesty, Dolly Parton, turns 75 this year, and to celebrate the music that has won awards and our hearts alike, we’re deep-diving back to the distant year of 2001. Like Dolly herself, “Shine” comes from a record that was born in mid-January — one that features a little bit of everything, from original compositions and old traditionals to cleverly reimagined cover tunes like this one. That diverse album, Little Sparrow, earned a pair of Grammy nominations and a win for her vocal performance on “Shine.”

Although this 1993 rock radio staple was originally recorded by Collective Soul and written by its lead singer Ed Roland, Dolly and the all-star backing band in the video give the song a fresh breath of bluegrass energy and acoustic attitude. It’s a seemingly unlikely cover, yet Parton pulls a unique bluegrass diamond out of what seems like a through-and-through rock and roll song. Upon Little Sparrow’s release in 2001, Parton stated, “I’ve been trying to think of how I can sing it without all the rock stuff; it sounds spiritual and all that, and the melody lent itself well to some bluegrass harmonies. I figured we’d kick it around and if it didn’t work, we wouldn’t put it on. But it worked out great.”

As unbelievable as it may be, here is the TL;DR: Dolly won a Grammy for a cover of a Collective Soul hit. Watch the music video below and enjoy our Essential Dolly Parton Playlist in honor of her 75th birthday!


 

BGS Long Reads of the Week // April 17

We’ve so enjoyed looking back into the BGS archives with you every week for some of our favorite reporting, videos, interviews, and more. If you haven’t yet, follow our #longreadoftheday series on social media [on FacebookTwitter, and Instagram] and as always, we’ll put all of our picks together right here at the end of each week.

Our long reads this week are pioneering, longsuffering, triumphant, innovative, and so much more.

Old, New, Borrowed, and Blue: A Conversation with Sam Bush

April 13 just so happens to be the birthday of this bluegrass pioneer, a man who has had an incredible impact on the genre over the course of his lifelong career. So of course we started off the week in long reads with this 2016 interview with Sam Bush, written by Mipso guitarist and vocalist, Joseph Terrell. Sam talks New Grass Revival, Bluegrass Alliance, the future of mandolin, and so much more. It’s worth a read, birthday or not! Happy Birthday, Sam! [Read more]


Canon Fodder: Loretta Lynn, Van Lear Rose

It just so happens, we’re featuring two birthday long reads in a row! On Tuesday this week we wished country legend Loretta Lynn a very happy birthday with a revisit to an archived edition of Canon Fodder on Van Lear Rose, her 2004 critically-acclaimed collaborative album made with Jack White. Lynn has changed and innovated upon country music in many more ways than one, and she continues to do so as her career goes on! Just like with Van Lear Rose. [Read more about the album]


Eric Gibson’s Family Shares Autism Story in New Film

We love a two-fer. With this look back into the archives, you get a film choice for tonight or this weekend, too. The Madness & the Mandolin is a documentary following the many challenges and breakthroughs of Kelley Gibson’s (son of The Gibson Brothers’ Eric Gibson) journey and evolution with autism. The film explores methods like exercise, meditation, reading, and music as tools that, combined, can often be the most powerful treatment. We spoke to the project’s producer/director Dr. Sean Ackerman last year. 

The Madness & the Mandolin is available to rent on Amazon Prime. [Read the interview]


Like Father, Like Sons: Del McCoury & the Travelin’ McCourys

2019 was a banner year for The Del McCoury Band and The Travelin’ McCourys, Del celebrated his 80th birthday, his Opry anniversary, and DelFest conquered the mid-Atlantic once again. While 2020 is certainly off to a rockier start, the entire bluegrass world — and roots music altogether, too — are so glad to still have this legend of bluegrass making music, laughing a lot, and killing the hair game. At BGS, we’re grateful we got a chance to chat with Del backstage at the Opry last year. [Read more]


Rose Maddox: The Remarkable Hillbilly Singer Who Made Bluegrass History

She’s not in the Country Music Hall of Fame or the Bluegrass Hall of Fame, and Hollywood has never adapted her story for any sized screen. She’s certainly more than deserving of the former — regarding the latter, you’ll just have to read our feature to see why Rose Maddox deserves to be canonized and then some for her myriad contributions to country, bluegrass, and every other genre in between. [Read about this musical pioneer]