LISTEN: Peter Mulvey with SistaStrings, “What Else Was It”

Artist: Peter Mulvey with SistaStrings
Hometown: Milwaukee, Wisconsin
Song: “What Else Was It”
Album: Live at the Cafe Carpe
Release Date: Oct. 9, 2020
Label: Righteous Babe Records

In Their Words: “‘What Else Was It?’ was a gift, a trance, a song that came straight through me in a time of need. I’ve been alternating two different third verses for years now, and we finally got the other one on record. This might be the best we’ve ever played this song, so I guess we won. What else was it we were looking for, anyway?” — Peter Mulvey

Yellow Couch Management · What Else Was It?

Photo credit: Matt Dayak

WATCH: Josh Shilling, “(Go to Hell) 2020”

Artist: Josh Shilling
Hometown: Martinsville, Virginia
Song: “(Go to Hell) 2020”
Release Date: October 9, 2020
Label: Josh Shilling Music

In Their Words: “This song wrote itself. It fell out one morning while waiting for a Skype writing session to start with another songwriter. It felt like a personal and heavy conversation with an old confidant. I was positive this would impact people. Each verse is something I’ve faced personally since spring regarding the pandemic: societal unrest, facing loss and grief, and relationship tension throughout 2020. The chorus provides hope and belief that life will get better and ‘someday soon we’ll be free and this will be in the rear view.’ The song is where I am; it’s where I think we all are right now. No tricks, no big production, this was a live take, three chords and the truth … the truth for everyone, I think.” — Josh Shilling


Photo credit: Sebastian Smith

LISTEN: Bahamas, “Half Your Love”

Artist: Bahamas
Hometown: Living in Halifax, Nova Scotia; from Barrie, Ontario
Song: “Half Your Love”
Album: Sad Hunk
Release Date: October 9, 2020
Label: Brushfire Records

In Their Words: “It’s a love song. Doesn’t the world need another one of those? My first co-write with the massively cool Pat MacLaughlin. Every line in this one feels well-earned and true and like it’s been there for 1000 years. Hope it’s half as good as I think it is.” — Afie Jurvanen


Photo credit: Dave Gillespie

Harmonics with Beth Behrs: Episode 6, Allison Russell

Allison Russell is one half of acclaimed roots music duo Birds of Chicago, with her husband JT Nero, and a member of Americana supergroup Our Native Daughters.

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Editor’s Note: This episode contains intense and honest descriptions of trauma that may be triggering to some listeners. While there is nothing directly explicit in the content, listener discretion is advised.

Born and raised in Quebec, Allison Russell survived a traumatic childhood, teaching herself various instruments as a way to cope before eventually finding her voice within the Vancouver music scene. On this episode of Harmonics, Russell talks with host Beth Behrs about those traumas, the healing power of music and artistic community, the history of the banjo, the intersectionality of the honest conversations currently being had in our culture, and much, much more.

In addition to her career with Birds of Chicago, Russell is one quarter of Americana supergroup, the Grammy-nominated Our Native Daughters, with Rhiannon Giddens, Amythyst Kiah, and Leyla McCalla, and is preparing to release her first solo album. She and JT Nero live in Nashville with their daughter.

Listen and subscribe to Harmonics through all podcast platforms and follow BGS and Beth Behrs on Instagram for series updates!


 

LISTEN: Jeremy Garrett, “The World Keeps Turning Around”

Artist: Jeremy Garrett
Hometown: Loveland, Colorado
Song: “The World Keeps Turning Around”
Release Date: October 9, 2020
Label: Organic Records

In Their Words: “These days it just seems like we are going around in circles with many of the conversations we are having — especially online. Someone has a good idea for good change, and then the barrage of disagreements on how to achieve that fires up. When we look at the big picture though, are we all just beating our heads against a brick wall, so to speak? Never realizing how powerful all of us truly loving one another could be? Maybe that message is too simple and naive, but perhaps we need to break it all down, go back to the basics and realize that we are one country, one world. We can’t ever escape that, and when we learn from each other, we would never want to. So the goal of this song for us was to simply ask that question: are we going to keep heading down a path of division over and over and over again? Or can we ask ourselves what we can do to break this cycle?” — Jeremy Garrett


Photo credit: J.Mimna Photography

LISTEN: Woodlock, “Normal”

Artist: Woodlock
Hometown: Melbourne, Australia
Song: “Normal”
Album: Collateral EP
Release Date: October 9, 2020
Label: Nettwerk Records

In Their Words: “I wrote ‘Normal’ a few years ago in Adelaide after a friend came to a show, and we were chatting about relationships. I wasn’t married at the time, but I was thinking about taking the next step. My friend opened my eyes on how marriage, after all the glamour, needs serious work, and how he still loved his partner, but it expressed itself differently over the years. I loved the idea of describing a deep love for someone without saying the word ‘love.'” — Eze Walters, Woodlock


Photo credit: Kane Hibbered

LISTEN: The Nude Party, “Nashville Record Co.”

Artist: The Nude Party
Hometown: Livingston Manor, New York
Song: “Nashville Record Co.”
Album: Midnight Manor
Release date: October 2, 2020
Label: New West Records

In Their Words: “‘Nashville Record Company’ comes from a conversation I had with my mom, when I was home in North Carolina for the holidays. I was very broke, telling her about the music industry, all the players in it and how it works. She suggested that if things got too down and out, maybe I could just switch sides. Become an A&R guy or something. I was strumming my guitar later that day, thinking about it. This song is the thought-dream that fell out.” — Patton Magee, The Nude Party


Photo credit: Bryan Derballa

LISTEN: Caiola, “Alaska”

Artist: Caiola
Hometown: Philadelphia, Pennsylvania
Song: “Alaska”
Album: Only Real When Shared
Release Date: October 2, 2020
Label: Workaround Records

In Their Words: “‘Alaska’ tells the story of a brief yet impactful love affair. Someone who has been emotionally closed off for years has their eyes opened to the opportunity of a relationship. The stripped-down instrumental arrangement draws glaring attention to the lyrics as warm textures build around a droning, woody, repetitive fingerpicked acoustic. The stacked vocals both doubling and harmonizing were meant to add to the width of the track, sonically. I’ve always liked doubling my vocals and wanted the chorus to be set apart from the verses with all the added layers. I think guys like José González, Justin Vernon, and S. Carey do this really effectively and that’s sort of what we referenced, production-wise.” — Caiola


Photo credit: Kirby Sybert

Artist of the Month: Steep Canyon Rangers

In a state with no shortage of bluegrass bands, North Carolina’s Steep Canyon Rangers have always set themselves apart with compelling songwriting and a camaraderie that feels authentic, whether they’re up on stage headlining Merlefest or at a performing arts center supporting Steve Martin. (The band shared IBMA Entertainer off the Year honors with Martin in 2011.) These guys have integrity, sure, but they also have an adventurous spirit, a subtle sense of humor, and a keen perspective that reflects where they are in life.

On their upcoming album, Arm in Arm, bluegrass fans will find a lot to like, but so will those listeners who pay attention to songwriting. It happens to be the first time they’ve recorded an album outside of North Carolina, opting to work at Southern Ground studio in Nashville, and to produce the album with Brandon Bell. Some of the sonic textures may sound different, but the emotions in their music remain intact.

“We’re not trying to sound like a style or genre,” says Graham Sharp, the band’s banjo player, frequent songwriter, and occasional lead singer. “We’re not trying to fit into a certain mold. For a long time, we were a traditional bluegrass band, and that meant the themes would have to fit into that mold: work songs, heartbreak songs, train songs. But we’ve evolved to play any groove, any style, and it has opened us up to so many more possibilities.”

BGS will spotlight Steep Canyon Rangers as our Artist of the Month with back-to-back interviews with two of its founding band members, Woody Platt and Graham Sharp, conducted by noted North Carolina author and journalist David Menconi. (Read part one with Woody Platt here. Read part two with Graham Sharp here.) Arm in Arm arrives on October 16, but we’ve include a few of its early tracks below in our BGS Essentials Playlist for Steep Canyon Rangers.


Photo credit: David Simchock

WATCH: The Sweeplings, “Deep & Wild”

Artist: The Sweeplings (Cami Bradley and Whitney Dean)
Hometown: Spokane, Washington (Cami) and Huntsville, Alabama (Whitney)
Song: “Deep & Wild”
Album: Losing Ground, Vol. 2
Release Date: September 18, 2020
Label: Nettwerk

In Their Words: “‘Deep & Wild’ is a lighthearted song about entering into the unknown with a willing attitude and a free spirit. We sat down to write this song with a painted picture of each scene in our minds. It shaped itself as we wrote, seamlessly creating a tune about the longing to explore the unknown with someone you love with no other purpose other than to find what’s most freeing. This song in particular fits itself into our EP series, Losing Ground, Vol 1 & 2, as a happy spot of contrast to the cinematic drama of the most of the collection.

“It took us a long time to get to these EPs. We worked tirelessly relationally and musically to make it happen. Stopping and starting, pushing and pulling. Because of that, we lost some ground in our process, but it ultimately brought us to something more magical. These two EPs truly have the grit of our story behind each song. The songs range in sentiment and tone, but all share the same heart. We wanted to create something special with as minimal sonic distractions as possible. We just let the performances and songs speak for themselves, simple and even bare at times. In that, we found our true identity as artists and songwriters.” — Cami Bradley and Whitney Dean, The Sweeplings


Photo credit: Glass Jar Photography