Out Now: Cali Wilson

Cali Wilson is the kind of artist who starts playing and the rest of the world melts away, leaving you with her phenomenal voice, warm guitar, and captivating lyrics. The first time I heard Cali play, she was doing her soundcheck for our monthly Queerfest showcase at Vinyl Tap in Nashville. Of course, I had listened to her music before, but I was stunned by how strongly her voice felt live, her vibrato resembling Brandi Carlile’s.

Following Cali’s appearance at Vinyl Tap, I was proud to book her for Queerfest 2022 and Nashville Scene‘s BEST FEST.

Cali’s latest release, “Old Fashioned,” was co-written with Chris Housman, another queer artist in Nashville known for his single “Blueneck.” It’s exciting to see LGBTQ+ artists collaborating and growing together. 

Our Out Now conversation touches on the process of creating music, the challenges around promoting it, and finding a balance between social media and mental health.

Why do you create music? What’s more satisfying to you, the process or the outcome?

CW: I think creating music, for me, is one of my forms of communication. It’s a way I can look inward and reflect on my emotions. Often we are so caught in our own experience, it’s hard for us to be objective. Music has a way of letting me see more points of view. It helps me get outside of myself to find the story in the situations of life. 

I think the process is always amazing and inspiring. It’s art that can keep evolving. To have a song or a record you can physically hear and feel is truly incredible, of course. But I’ll always love the act of writing and feeling it in the moment – a moment that you’ll never have again with that idea. Either by yourself or with co-writers, it’s the challenge of finding the best words to express that. I love that challenge. I love getting better at that process and soaking in how other writers flow, too. It’s the best thing about songwriting. 

Do you create music primarily for yourself or for others?

I think that’s a really difficult question to answer. I find it’s mostly for me as I’m creating it, but then when I play it out, I hear how others connect with it. Then it becomes something else entirely. The best way I can describe it is, it feels like it’s for me, because it is at first. It’s what I feel. It’s my idea. But then it grows to be bigger than that feeling when people connect with it. That’s why music is so universal and beautiful. People can see something in a song that is totally different than what I wrote it for. 

What’s the best advice you’ve ever gotten?

No one is going to promote you if you won’t promote yourself. And you can always be better. I don’t care if you’re the biggest hit writer, you can always learn something from someone in a room or on stage. Don’t get too big for your britches! 

What are your release and touring plans for the next year? 

I am planning some more single releases and maybe even an EP in the near future. Touring will be mostly around Nashville, but I’m heading to other states as well. Looking forward to creating more and broadening my fan base. 

What would a “perfect day” look like for you?

I wake up, take my dog for a walk, and have my morning coffee or matcha. Then I head to co-writes on the row. Grabbing lunch, spending time with my wife and friends after a day like that is my slice of heaven. 

Where did the idea for “Old Fashioned” come from? And how have you found the process of this release from writing to recording and promoting? 

“Old Fashioned” was the first song Chris Housman and I wrote together. We had the title first and then wrote it as a love song. I’m super proud of it. The process was pretty simple. The production and how I wanted the record to sound was the hard part. Promotion is always going to be a challenge. You don’t want to overstimulate your audience, but you also want them to listen when it’s released. It’s tricky. 

Independent artists like myself have nobody else to help with promo, social media, etc. It’s a lot of work, but it’s worth it. 

Over the past year you’ve seen substantial growth on social media. What has that been like for you? Do you enjoy the process of creating content and promoting your work? Do you ever find it tiring or exhausting? How do you balance social media and mental health? 

To be honest, I think social media was so much lighter on my soul when it wasn’t exactly “part of the job” in music. I have a hard time with it, but it’s getting better. I get overwhelmed and it’s hard for me not to compare myself to the peers that are doing better on socials. I get anxious cause I’m not posting enough and then I just get so anxious I don’t post at all. It’s such a hard balance and can really take a toll on you mentally. I try to balance it out with creating posts ahead of time when I can and just floating them up there on a schedule. That has helped a lot with the overthinking. 

I’ve also found it’s okay to be silly and not take yourself too seriously. People want variety in your content regardless of what the “professionals” say. I always try to remember that as well. 


Photo courtesy of Cali Wilson

Nashville’s Queerfest Returns for Its Second Year

On August 11 and 12 Queerfest returns to Nashville, Tennessee, after its first in-person event in 2022 was named Nashville Scene’s Best New Music Festival. The multi-venue festival and celebration of queer folk, roots music, and indie will take place at three popular Nashville music venues – the 5 Spot, Dee’s Country Cocktail Lounge, and the Basement East – and will feature over eight hours of programming from LGBTQ+ identified musicians from across the genre landscape. (Full lineup and schedule below, tickets available here.)

In anticipation of this year’s event, we spoke to festival founder, community builder, singer-songwriter, and BGS contributor Sara Gougeon, founder and director of Pineworks Creative, about Queerfest, its growth, and why queer-centered communities are so vital, not just in Music City but in the music industry in general.

Congratulations on your second in-person Queerfest and your third ever! What are you looking forward to during this year’s festival?

SG: I’m so stoked about the lineup and the community. There are SO many phenomenal LGBTQ+ artists on this year’s lineup. And I’m so excited to bring the community together again in a way that supports queer music, artists, and organizations. I’m really looking forward to soaking up that energy.

Are there particular artists on the lineup you’re excited to have this year? Who are some of the artists and bands you think the QF audience will be most excited to discover?

I’m honestly excited for the lineup as a whole. As a songwriter and musician myself, I’m very particular about the artists and bands that I chose to book. If I had to choose one stand out band, it’d be The Collection. Their live show has this electric live energy and they also just seem so genuine. I’m stoked to be booking them. I love highlighting great music all around – regardless of how big the artist is. Sydnee Conley and Dani-Rae Clark are two up-and-coming artists who might not be as well known and their music blows me away. And Great Aunt who is coming all the way from Australia!

Liv Greene (center) performs with Jobi Riccio (right) and Christine Wilhoyte (left) at Queerfest 2022

How would you describe the growing and blossoming queer music scene in Nashville, and more broadly, in the music industry as a whole?

What an interesting question. There’s been so much growth and acceptance within the industry. I’m always blown away by how many phenomenal queer artists there are in Nashville. The industry as a whole is definitely seeing more artists come out.

It’s actually incredible to talk to artists who are a few generations older about that growth. I’ve heard stories from artists who were kicked off their label after coming out. Unfortunately, there’s a lot of history of that sort. But it’s been so incredible to build spaces, highlight queer music, and watch the industry become more inclusive in many ways.

Why do you think it’s so important to create and hold spaces like Queerfest for LGBTQ+ musicians, artists, and fans?

I decided to start Queerfest because of a personal need. I couldn’t find community spaces. And I was surprised that there weren’t places highlighting queer artists. And yet I noticed that there are SO MANY phenomenal queer artists, and so many queer people in general looking for inclusive spaces.

Queerfest and BGS have partnered on a column, Out Now, which was also created to hold space for LGBTQ+ folks in music. Who is on your wishlist to interview for Out Now? Is there anyone you dream of booking on a future Queerfest?

Oooh! I am so excited that we started Out Now! I’d love to interview Katie Pruitt and Joy Oladokun. Oh, and she’s definitely more in the popular music genre, but it’d be amazing to feature Fletcher one day.

And there are so many other artists: Becca Mancari, Jaime Wyatt, Shelly Fairchild, Palmyra, Aaron Lee Tasjan, SistaStrings, Leith Ross, Corook, Shelly Fairchild, Olive Klug.

And these artists who played the 2021 virtual festival: Mary Gauthier, Jaime Harris, The Accidentals, Izzy Heltai.

I’d love to have all of these acts both in-person and on Out Now!

Carmen Dianne (right) performs with band at Queerfest 2022

Do you have any advice for queer folks out there trying to find community and belonging in Nashville and in music?

Come to Queerfest!! But also, there are a lot of pockets of queer community/events/organizations popping up. Check out Outdoorsy Queers – I founded this community group with friends. We host hikes, climbs, park days, roller skating hangs, and more!

Other ways to connect with queer community in Nashville:

Queer Book Club
RNBW
QDP (Queer Dance Party)
Nashville GSA
Inclusion TN (They are working on developing a community center)

QUEERFEST 2023 FULL SCHEDULE:

Friday, August 11

Dee’s Country Cocktail Lounge
6:00-8:30 pm
Featuring: JB Somers, Sydnee Conley, Gina Venier, Dani-Rae Clark, Justin Hiltner

Saturday, August 12

The 5 Spot
3-5 pm
Featuring: Olivia Rudeen, Summer Joy, Great Aunt

The Basement East
Doors: 6 pm
Show: 7-11 pm
Featuring: Julia Cannon, Madeleine Kelson, Skout, Marielle Kraft, The Collection


All Photos: Andrea Schollnick
Graphic courtesy of Queerfest, Sara Gougeon.

Out Now: Skout

It was a Tuesday night in 2021. I was sitting in The Lipstick Lounge, Nashville’s local lesbian bar, attending RNBW, a weekly LGBTQ+ showcase. I sat near the stage at a large table amongst strangers and friends, one of whom was Laura Valk. Naturally, after introducing herself as an indie-folk singer-songwriter, I knew I had to find her music and see if she was compatible with Queerfest, my local LGBTQ+ music showcase and festival. I was stunned. Not only to find a phenomenal, local queer musician, but upon the realization that I had already liked one of her videos on TikTok! If there’s one thing I’ve learned, it’s that the queer music industry is small – and TikTok’s algorithms had me figured out.

Skout is a duo composed of Laura Valk and Connor Gladney. They played the first festival I hosted, a virtual event livestreamed in collaboration with Club Passim, and they were one of the first artists to play a live Queerfest show, back when I was hosting performances in a friend’s backyard before working with established venues.

It’s been an honor and a pleasure to watch them join the local Nashville community, take off on tours, and release new songs. Their music is laced with intricate guitar lines, hard-hitting lyrics, and warm, catchy melodies. I’m proud to present our Out Now interview with Laura Valk of Skout.

@skoutoutloud I have it for 24 hours, what do you wanna hear? #rubberbridge #acousric #phoebebridgers #ethangruska #allisonponthier #cover @Allison Ponthier ♬ original sound – Skout

What’s your greatest fear?

Laura Valk: Living a life with regret. It’s so insane that we’re all here to begin with, and I just want to make sure I’m taking full advantage of my time here. I know I’ll stumble along the way, but I want to live a life where I took some chances and big leaps of faith instead of always playing it safe. In the words of everyone’s favorite grassroots folk hero, Eminem, “You only get one shot, do not miss your chance to blow. This opportunity comes once in a lifetime.”

What would a “perfect day” look like for you?

LV: The year is 2012. At 8 a.m. I wake up to a text from Ben Howard asking us to open for him on his Every Kingdom Tour. Literally anything else could happen that day and it would still be perfect. Maybe some blueberry pancakes somewhere in there, too.

What’s your current state of mind?

I’ve been going through a rough patch the last few months both personally and professionally. So I’m trying to be really intentional this summer about how I spend my time and energy. Re-focusing on the things and people that fill me up and letting go of everything else.

Why do you create music? – What’s more satisfying to you, the process or the outcome?

Process 100%. There’s truly no higher high for me than the moments when a song is starting to take shape. It’s like an out of body experience. Connor and I constantly get lost in the process and it’s just this addicting feeling. Don’t get me wrong, we love sharing new music. It’s magic when you play a new song out and someone shares a personal experience that relates. But I think the formal release of a song into the world can feel like slapping all these benchmarks and metrics onto something that really is beyond measure.

Do you create music primarily for yourself or for others?

It’s all about ME. I’m kidding. Except it is, really, about me. Whoops.

I guess what I mean is that I hardly ever write with other people’s opinions in mind. A mentor once gave some great advice, that the best way to write widely relatable songs is to get as personal and specific to you as humanly possible. So I always try to write with that in mind.

Who are your favorite LGBTQ+ artists and bands?

Gahh there are so many!! But recently Allison Ponthier, Joy Oladokun, and Leith Ross have been on repeat.

For anyone reading this who might not be out of the closet, were there any specific people, musicians, or resources that helped you find yourself as a queer individual?

This is going to be specifically unspecific but, for me, it was all about individual friends when I was first coming out. When you share this new part of your identity with a trusted friend and instead of turning their back on you, they reinforce their love and support for you, that changes everything. That process, repeated enough times, was truly the thing that made me start feel safe while exploring my identity.

What are your release and touring plans for the next year?

We have two new singles coming out later this year! We’re psyched, we think we’re writing our best music yet and can’t wait for you to hear it.

“But if I come up short like I fear/ Will you still be proud you brought me here?” is a lyric from your latest single, “I Am Here.” How have you found the challenges of pursuing a music career and how do you cope with the slow process of growth? With that, how do you define success?

Ugh, it’s hard, man! It sounds cliché, but really celebrating the little wins is everything. The thing is, I’ll never stop making music. Ever. I’m in it for the long haul, and I think that mentality helps when I’m frustrated by slow growth. Some seasons feel like rapid-fire while during others, the motivation is harder to find. But I think knowing that the opportunity to create will always be there helps relieve some of that pressure. I’m just trying to be kinder to myself in this area.

For me the definition of success has always been a moving target. When I was in high school, success in music meant selling out Madison Square Garden. Tour busses, the Grammys, our faces tattooed on your chest, etc. Today it looks a little different. I think if I can make a full-time living off of music, in all of its forms, that, to me, would be success. And the tattoos of course. Someone tattoo our faces on yourself already so I can feel successful!!

Drawing from another lyric from the single, “But a song I wrote, it changed one life/ And the friends I hold, I hold them tight,” do you feel that changing one life is enough to make all of your time, efforts, and pursuits worth it?

Does changing a single life make all the hours, the investment, the rejections, the crashing on couches, the blood, sweat, and tears worth it? No. Probably not. But it’s still worth reminding myself of every once in a while. It’s one of those little wins I talked about above.

I think this verse captures the essence of “I Am Here,” and really touches on the success question above. It’s admitting that no, life doesn’t necessarily look like I thought it would. But there are some absolutely beautiful, redeeming things about my new reality that I need to celebrate harder. And it’s the sum of all the hundreds and thousands of little things that does, in fact, make it all worth it.


Photo of Skout courtesy of Skout.

Tyler Childers Stunning “In Your Love” Music Video Was Written by Silas House

Traditional country phenom and Kentuckian Tyler Childers has announced his upcoming album, Rustin’ In The Rain (available September 8, 2023), with a brand new single and music video, “In Your Love.” Written and creative directed by New York Times bestselling author Silas House, the video tells a gay love story between two working class, Appalachian men – played by queer A-list actors and celebrities Colton Haynes and James Scully. The visuals for “In Your Love” tell one of country music’s most prominent and visible LGBTQ+ narratives to date, entering an industry landscape that has become more and more (openly) queer over the past decade.

“In Your Love” reminds of songs and albums released not just by left-leaning, more mainstream artists like Childers and Parker Millsap, but also by queer artists themselves, telling working-class stories and histories just like that constructed and depicted by House and director Bryan Schlam. In 2015, gay banjo player, singer-songwriter, and fellow Kentucky-resident Sam Gleaves released a landmark album, Ain’t We Brothers, which dripped with the exact same lived experiences and soot-tinged patina that inform Childers’ new video. In the past couple of years, releases by LGBTQ+ identified music makers like Amanda Fields, Willi Carlisle, Adeem the Artist, Amythyst Kiah, Jaimee Harris, and more trod similar ground. It’s notable still that an artist – however outlaw- or fringe-identified – as mainstream as Tyler Childers and with as broad a fanbase as his would choose to not only highlight queer, working-class storytelling, but to do so in a way that normalizes and re-centers these ways of being in Kentucky, the South, and Appalachia.

Rustin’ In The Rain will be released via RCA Records on Childers’ own imprint, Hickman Holler Records, on September 8. Via press release, Childers describes the inspiration that birthed Rustin’: “This is a collection of songs I playfully pieced together as if I was pitching a group of songs to Elvis. Some covers, one co-write, and some I even wrote in my best (terrible) Elvis impersonation, as I worked around the farm and kicked around the house. I hope you enjoy listening to this album as much as I enjoyed creating it. Thank you. Thank you very much.”

Clearly, the legacy of “The King” is merely one way drama, mystique, nuance, entertainment, and Southern-ness coalesce within this new project from one of the most exciting voices and perspectives in country.


Photo Credit: Sam Waxman

Out Now: Queerfest & BGS Announce New Column with Guest Jobi Riccio

Welcome to OUT NOW! We are so excited to bring you the latest LGBTQ+ folk, roots, bluegrass, country, Americana, and indie songwriters, artists, and musicians. Who am I to guide you through the queer music industry? My name is Sara Gougeon. I founded and run Queerfest, which supports LGBTQ+ music by hosting monthly showcases and an annual festival in Nashville, promoting queer-identifying artists and creating spaces for our community. In 2022 Queerfest was named “Best New Music Festival” by The Nashville Scene.

This column is designed to amplify the voices of queer songwriters, musicians, and industry leaders. I am so excited to share just how talented, creative, and supportive the queer music industry is. We are delighted that the release of this column aligns with Pride Month, but we are even more excited to support LGBTQ+ music consistently year-round, beyond just the month of June. 

Our first artist is one that I am proud to have known for years, and I can write with undeniable confidence that their music is at the start of a career filled with national tours, stunning releases, and larger followings sure to come. 

I met the amazing Jobi Riccio in college when we were students at Berklee College of Music in Boston. They’ve come a long way since then: a record deal with Yep Roc, touring, and the move to Nashville. But I knew from day one that their music was exceptional. It is always a complete honor to promote incredible queer music. 

Jobi’s carefully crafted lyrics turn songs into movies. Melodies blend with smooth vocals, and mournful fiddle solos lift between lines. It’s the kind of music I catch myself playing for hours before noticing that I’ve fallen so deeply for a few songs that I could listen to them on repeat forever. 

And with that, I am deeply proud to present OUT NOW: Jobi Riccio.

BGS: What would a “perfect day” look like for you?

Jobi Riccio: A day spent primarily outside in the sun with those I love that ends playing songs in a living room or around a fire is really hard to beat. I also love being alone exploring nature and any day I spend hiking, biking, kayaking or doing any outdoor activity completely alone is always perfect and healing. 

Why do you create music? What’s more satisfying to you, the process or the outcome?

It depends on the day. I love performing just as much as I love songwriting and I view both as a very gratifying way to connect with myself and other people.

Do you create music primarily for yourself or for others?

I honestly don’t know. I create music when I’m feeling something big and feel I need to or have the ability to express it.  I’m not sure if it’s completely honest to say I write entirely for myself because sometimes those big feelings I’m experiencing stem from a desire to connect with others. 

Who are your favorite LGBTQ+ artists and bands?

Rufus Wainwright, Aaron Lee Tasjan, and Caroline Rose all come to mind as LGBTQ+ artists I’ve had in heavy rotation, but also those I’m lucky enough to consider friends: Liv Greene, Erin Rae, Brennan Wedl, Brittany Ann Tranbaugh, Palmyra, and Olivia Barton are all queer artists/bands I’m very inspired by. 

Is “Green Flash ” based on real feelings/experiences?

I started “Green Flash” during late spring of 2020, when I moved back home with my mom in Colorado. Lots of these existential crisis-y type thoughts were swirling in my head throughout my senior year of college, and the onset of the pandemic just sent them into overdrive. Most musicians have a fantasy of quitting music at some point and leading a “simple life” and I was caught up in that idea as I had nowhere to play and no hope of touring in the future.  Sometimes I find my songs function similar to journal entries — questions I ask myself or little prayers out into the universe — and I think “Green Flash ” functions that way.

One of the main lines in Green Flash is “I’m still learning how to trust a heart.” How do you find a balance between being open to love/vulnerability/life and not getting your heart hurt?

I love this question, I ask myself it almost everyday. More and more I’ve learned to push myself to be vulnerable and honest even when it’s scary because I might be hurt, because it’s the key to real connection with others and is where the true beauty in life lies. Learning how to be authentically myself has a lot to do with learning to trust my heart and myself, and it’s very much a daily practice. All and all, I’d rather be hurt than live in fear of being hurt. 

What are your release and touring plans for the next year? 

I am releasing my debut record, Whiplash, on September 8 and I’m extremely excited to get this body of work into the world. I’ll be touring around the record this year and next! 


Photo of Jobi Riccio: Monica Murray

6 Times Tanya Tucker Showed Us What Pride Is All About

Just in time for Pride Month, singer-songwriter Tanya Tucker released her new album, Sweet Western Sound, with Fantasy Records, marking the Country Music Hall of Fame inductee’s 26th solo studio record. Tucker is an American country icon, having landed her first hit single in 1972 at the age of 13 with “Delta Dawn.”

Tucker has long supported the LGBTQ+ community and queer equality, and Sweet Western Sound hits many of the same notes. The record was produced by Shooter Jennings and Brandi Carlile, the openly lesbian, roots music singer-songwriter and producer who is the only woman to receive two Grammy nominations for Song of the Year in a single year. Tucker has also collab’ed with drag queen and TV legend RuPaul and performed for GLAAD and Nashville Pride.

To celebrate her inclusivity and the new record, we’re counting down some of her most memorable – and most fabulous – stage performances and duets.

Tanya at Nashville Pride 2022 

Is there anything better than rainbows, bedazzled tassels, and feathers? Absolutely not! And Tucker brought all three in her spectacular outfit at Nashville, Tennessee’s Pride celebration in 2022. Tucker sang “If It Don’t Come Easy” on stage during the celebration and was joined by multiple drag queens wearing rainbow tees emblazoned with “Tanya Mother Tucker.” Guests during her set included her dog and her daughter; the two sang Merle Haggard’s apropos “The Way I Am.”

Tanya Shows Some “Kindness”

Tucker’s latest album features a track called “Kindness,” a country-western crooner that encourages us to be a little nicer to those around us. “I found glory in the ruin of the best laid plans,” Tucker sings. “There were times tomorrow felt so far away. It seemed as though the bitterness was here to stay. I’ve pushed down on my anger through my tears.”

The tune is a good reminder we never know what someone else is going through, and that we could all be a little softer because of it.

Tanya and RuPaul Declare “This Is Our Country”

In a totally unexpected, but absolutely harmonious collab, Tucker and RuPaul teamed up in 2021 to release a duet called “This Is Our Country,” a genre-bending blend of country and pop that celebrates inclusion and equality.

“I can be a queen or I can be a cowboy,” RuPual sings.

“Love is the answer, love always wins,” Tanya adds.

The lyrics state firmly that our country is big enough for all its diverse communities and features more than a few of RuPaul’s rap bars. The video performance features some of Drag Race’s most popular queen and contestants, as well as a couple cute, shirtless cowboys.

Tanya In the Moment With “Bring My Flowers Now”

Co-written by Tucker and Carlile — as well as twins Tim and Phil Hanseroth — “Bring My Flowers Now” is a call to show our love and appreciation for friends and family before they’ve passed away. The tune is from her 2019 album While I’m Livin’, also produced by Carlile and Jennings. In the song, Tucker reminds us there are “rainbows, sunshine, and babies” to celebrate in this life, and that we shouldn’t wait until it’s too late. The simple, slow track features a piano instrumental and Tucker’s iconic vocals — perfect for a gentle moment with the ones we cherish most.

Tanya and Brandi Have “Breakfast In Birmingham”

If it’s a classic country duet you’re craving, Tucker and Carlile’s duet on the new album is just the ticket. “Breakfast In Birmingham” features both singers’ warm, soulful vocals and paints a picture of the city’s past with descriptions of hippies, cheap gas, and crispy-fried bacon. There’s also mention of “shutting down the rebel history,” a reminder that there’s a lot to celebrate and remember this Pride.

Tanya’s First Hit, “Delta Dawn”


This would be no list of Tanya Tucker’s best moments without reaching back to her roots. “Delta Dawn” was Tucker’s first hit, and this 2019 performance at The Troubadour features her famous key change as well as beautiful dobro and electric guitar licks.

Around the 2:40 mark, Tucker pauses her singing to let the audience fill in the words and they don’t miss a beat. This tune is always worth a listen and is one of Tucker’s best-known singles.

Whether you’re a fan old or new, Tucker’s got something for everyone — including a message of equality for all. There’s almost no better country singer ally to revisit during Pride Month.


Photo Credit: Derrek Kupish

The Show On The Road – Durand Jones

This week, we dive into the revelatory first solo record from rising Louisiana-born roots-soul singer-songwriter Durand Jones. Wait Til I Get Over is years in the making. While nearly giving up on his dream to be a singer several times, Jones was diligently collecting songs about his upbringing living in his father’s trailer in the tiny Mississippi River town of Hillaryville, his grandmother giving him the confidence to sing (and also dragging him to church), escaping broken relationships and infidelity, his yearning for a connection to a higher power, and how betting on the music and himself was a jubilant radical act that just may be finally paying off.

LISTEN: APPLE PODCASTSSPOTIFYSTITCHER

The lush strings and almost Broadway-ready power of his voice on the opener “Gerri Marie” harken back to a time when artists like Marvin Gaye and Aretha Franklin were creating cutting-edge pop and soul music that could at once get you to hit the streets to protest injustice and woo your new love with total abandon.

Most folks may know Jones as one of the co-lead singers with falsetto-master (and drummer) Adam Frazer of the Bloomington, IN-based throwback “sweet soul” group Durand Jones & The Indications, a project he began out of graduate school (he also plays the saxophone) at The University of Indiana. Starting with their hard-hitting 2018 self-titled record and the follow ups American Love Call (2019) and Private Space (2021), they became a coveted national act and AAA radio favorite, with this writer seeing their biggest show yet, last summer at the Hollywood Bowl in L.A. You would be forgiven if you thought the club-ready romantic earworm “Witchoo” dropped in 1971 not in the height of the pandemic — but the unrestrained Chaka Khan-esque vibes are hard to deny. As I told Jones, that tune got me through a very hard time.

While Jones admits he likes to play a certain version of himself on stage — flamboyant outfits and soaring vocal runs are what keep audiences coming back — at home, he’s a much more introspective character who is a big fan of journaling. It’s the quieter, more vulnerable sides of his story (being queer in the Deep South for one), and the complicated figures like “Sadie” (not her real name) that he renders in full cinematic detail that point to a powerful solo career ahead if he wants it.


Photo credit: Rahim Fortune

LISTEN: Katie Dahl, “Sacristy”

Artist: Katie Dahl
Hometown: Baileys Harbor, Wisconsin
Song: “Sacristy”
Album: Seven Stones
Release Date: June 2, 2023
Label: Leaky Boat Records

In Their Words: “I grew up as a queer kid in a very Baptist family — I am the daughter, granddaughter, and niece of Baptist pastors, seminary professors, and missionaries. I was deeply involved in my church during high school, when I started to feel my queerness more fully. There were so many dissonant moments — like the deep crush I had on my church camp counselor, and the strange longing I felt when I heard her chapel sermon about ‘the evils of homosexuality.’ When I went to college and began to explore who I really was, it dawned on me that I wasn’t the only queer kid in my church youth group. I wished we had known about one another in high school — we might not have felt so alone.

“I wrote ‘Sacristy’ as a fable, imagining what life could have been like if we had been given the grace and the space to help each other along, and celebrating the ‘water from our own well’ that we eventually found anyway. I love what Julie Wolf did in producing this song: how triumphant and grounded the bass and drums are; how Julie’s organ and piano parts soar; the way the mandola, banjo, and fiddle keep the song rolling; and the quirky, unexpected background vocals by Nini Camps and Vicki Randle. Plus, we had a really fun time recording the hand claps!” — Katie Dahl

Katie Dahl · Sacristy

Photo Credit: Kelly Nicolaisen

LISTEN: Izzy Heltai, “Running Out”

Artist: Izzy Heltai
Hometown: Boston, now Nashville
Single: “Running Out”
Release Date: February 24, 2023

In Their Words: “‘Running Out’ is a song about feeling lucky for the first time maybe ever. I know that sounds pretty dramatic, but if I’m not allowed to be dramatic in my songs then I don’t know when I ever will be. I had felt stuck for a while and when I wrote ‘Running Out’ I was beginning to feel like the tides were turning in my favor; things were happening, I was excited. ‘Running Out’ was written primarily as a tool for me to try and stay present in the good things that were beginning to happen. Ironically, I’m releasing a song that mentions both ‘running’ and ‘good luck’ in the same week I literally broke my hip.” — Izzy Heltai


Photo Credit: Muriel Margaret

Basic Folk – Eliza Edens

Growing up in the Berkshires, Massachusetts-born Eliza Edens grew up in a family with strong musical roots. Getting her first guitar at 16, she was moved to write songs as her chosen form of expression. After some time in Philly, Eliza took on New York, choosing Brooklyn as her home base. There she found community and began to thrive creatively, especially in embracing her queer identity, Eliza uses she/they pronouns.

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She released her second album We’ll Become the Flowers in 2022 seeking to understand what happens after the end. She had a lot of processing to do after a breakup and her mother being diagnosed with a neurodegenerative disease. Her mother has been a central figure in her songwriting recently, especially in her love of gardening and flowers. Eliza’s music, like the person, is thoughtful, unpredictable, serious and silly. Hope you enjoy getting to know this cool musician!


Photo Credit: Juliet Farmer