Minute-by-Minute at Willie Nelson’s 90th Birthday

6:35pm – Billy Strings kicks off Night Two at the Hollywood Bowl with “Whiskey River.” It’s the same song as the first night but it’s a welcome repeat number (and face).

Billy Strings by Randall Michelson

6:39pm – Ethan Hawke opens the show, saying “Willie has always stood for equality,” so it’s no surprise to see the next guest…

6:40pm – It’s Orville Peck in a sleeveless vest (Aren’t his arms cold?! It’s freezing tonight) and his classic fringed mask. Performs “Cowboys Are Frequently, Secretly Fond of Each Other.” Makes use of the full Hollywood Bowl stage – he is owning this moment.

6:45pm – Charley Crockett. “Yesterday’s Wine.” Lady in box next to me states loudly, “Now this is real country.”

6:49pm – Allison Russell and Norah Jones do “Seven Spanish Angels.” These two voices are so perfectly in sync… please call me as soon as they do a duet record together.

6:56pm – Chelsea Handler introduces Dwight Yoakam for “Me and Paul.”

7:05pm – Waylon Payne and Margo Price take the stage together for “Georgia On A Fast Train.” These two are having the absolute best time together. Their chemistry is off the charts. From the box next to me, I hear a fan whisper under their breath, “MARGO IS MOTHER.” Couldn’t agree more.

Margo Price by Randall Michelson

7:14pm – Particle Kid (aka Willie’s younger son, Micah) along with Daniel Lanois. “I went to the garage and got high as shit and wrote a Willie Nelson song.” The lyrics come from a phrase his dad said one day: “If I die when I’m high I’ll be halfway to heaven, or I might have a long way to fall.”

7:19pm – Dame Helen Mirren (!) introduces Rodney Crowell. Emmylou joins mid-song for “‘Till I Gain Control Again.” Crowd goes bananas.

Emmylou Harris by Randall Michelson

7:33pm – Rosanne Cash does “Pancho and Lefty.” Totally different interpretation compared to Night One (where it was performed by Willie and George Strait), but a universally beautiful song nonetheless.

7:46pm – Lyle Lovett melting hearts and brains on “My Heroes Have Always Been Cowboys”

7:53pm – The “Aloha State Statesman” Jack Johnson performs one of the only non-Willie catalogue songs of the night, “Willie Got Me Stoned and Took All My Money.”  He wrote it after Willie got him stoned and took all his money (in a poker game).

Jack Johnson by Jay Blakesberg, Blackbird Productions

7:57pm – Beck (in sunglasses). First artist to acknowledge the unreal house band. “Can you imagine waking up in the morning and opening your eyes and realizing ‘I’m Willie Nelson’? It’s already a great day.” Performs “Blue Eyes Crying In The Rain.”

8:03pm – TOM JONES! One of the most unexpected joys of the night. His love for Willie shines through in his performance of “Across the Borderline.”

Tom Jones by Josh Timmermans

8:12pm – Surprise guest host Woody Harrelson takes the stage. “Not to self-promote, but just so you guys know, I did open a dispensary… seems like the right audience.” He introduces the legendary Bob Weir. Billy Strings and Margo Price join Bob on stage for a fun and enthusiastic “Stay All Night (Stay a Little Longer).”  Margo is having the most fun tonight.

Billy Strings, Margo Price, Bob Weir by Jay Blakesberg, Blackbird Productions

8:18pm – Shooter Jennings and Lukas Nelson together! The next generation doing their fathers proud with own rendition of “Good Hearted Woman.”

Shooter Jennings, Lukas Nelson by Randall Michelson

8:22pm – Lukas performs a heart-wrenching version of “Angel Flying Too Close to the Ground.” Sounds so much like his dad yet simultaneously unique to himself. He has all 18,000 attendees in the palm of his hand.

8:29pm – The Avett Brothers. Wow. They sound so good, and fresh off the MerleFest stage just 48 hours prior. It’s been a few years since I saw them and gosh I missed them.

8:40pm – Chelsea Handler introduces Norah Jones, who performs an instrumental ode to Bobbie Nelson.

8:43pm – Norah brings on Kris Kristofferson (!) and helps him through “Help Me Make It Through the Night.” There’s not a dry eye in the house.

Kris Kristofferson, Norah Jones by Randall Michelson

8:49pm – Ethan Hawke introduces Nathaniel Rateliff. Not unlike the first evening (where he performed “City of New Orleans”) he steals the show with “A Song For You.” Rateliff is a national treasure who should be protected at all costs.

8:54pm – Sheryl Crow does “Crazy.” Crowd (rightfully) goes Crazy.

9:02pm – Dave Matthews, overflowing with sheepish charisma, tells an amazing story about getting high with Willie on his bus and how proud his mom was of that moment. The photo of that night is still prominently displayed on her mantle. He performs “Funny How Time Slips Away,” a song that seems to be the theme of the night.

Dave Matthews by Randall Michelson

9:18pm – Jamey Johnson and Warren Haynes perform “Georgia On My Mind.” From the first word Jamey sings, the audience goes wild. These two bring down the house.

9:28pm – The Children of the Highwaymen, including Lukas and Micah Nelson (Particle Kid), Shooter Jennings, and Rosanne Cash. One of the few moments during the show with technical difficulties.

Woody Harrelson, Willie Nelson by Randall Michelson

9:35pm – Woody Harrelson returns to the stage to introduce Willie. The man of the hour finally takes the stage. Willie performs “Stardust.” It is perfect. I am crying.

9:53pm – Willie duets with his longtime studio producer, Buddy Cannon, on “Something You Get Through” (which the two wrote together).

10:02pm – KEITH RICHARDS JUST WALKED OUT. I AM DECEASED. It’s hard to even remember what they performed because everyone is in such shock. (They performed “We Had It All” and “Live Forever”).

Willie Nelson, Keith Richards by Randall Michelson

10:10pm – All skate. “On the Road Again” of course. Willie wraps up the night by taking us all to church, ending with a medley of “Will the Circle Be Unbroken” and “I’ll Fly Away.” It’s going to take an awfully long time to process everything from this weekend.


Lead photo of Willie Nelson by Randall Michelson.

BGS 5+5: Abby Litman

Artist: Abby Litman
Hometown: Bethesda, Maryland
Latest Album: Still on My Mind EP

Which artist has influenced you the most … and how?

The one artist who has influenced me the most is Joni Mitchell. I first discovered Joni when I was in high school, and she became one of the reasons I wanted to pursue music. Listening to her, I was floored. Her lyrics were so relatable yet incredibly smart and observational, grounded in nature and full of poeticism. I spent hours and hours listening to all of her songs, dissecting them, taking them apart and putting them back together. Her albums made up my syllabus in songwriting. I read every biography and article about her I could get my hands on. Now, whenever I feel stuck with my own writing, I often go back to her songs and am quickly reminded why I wanted to be a musician in the first place.

What other art forms — literature, film, dance, painting, etc — inform your music?

I love reading poetry. My favorite poet is Edna St. Vincent Millay. I discovered a collection of her books on the shelves of my great-grandparents’ house in Maine. I was immediately taken in by her writing: blunt, sparse, yet layered with meaning and metaphor. Similar to my relationship to Joni Mitchell’s music, reading St. Vincent Millay’s poetry felt like finding someone who saw the world as I do. I also find inspiration in Sylvia Plath’s poetry and Shel Silverstein.

What’s the toughest time you ever had writing a song?

Sometimes, I struggle with finishing a song. Often, a song comes out all in one piece, almost seamlessly, but other times it can take weeks, sometimes years for a song to feel “finished.” Learning to enjoy the revising process has been helpful, but I sometimes feel like the constant revision takes away from the song’s authenticity, its initial spark. When I was writing my song “Alright,” I went through dozens of verses, melodies, and guitar parts. And the more I messed with the song, the less connected I felt to it. I was getting further from what the song was initially trying to say. It wasn’t until my producer Tyler Chester and I put some of the disparate parts I had written together, that I felt like the song finally revealed itself. Collaborating with Tyler has been one of the best experiences of my songwriting career.

What has been the best advice you’ve received in your career so far?

It sounds obvious, and maybe a bit trite, but the best advice I’ve ever been given is to “write good songs.” When I find myself comparing my music to other artists’, worrying about whether I’ll ever be successful, or feeling jaded by the music industry, I go back to that advice. I go back to writing songs because that’s really the only thing I can do. As long as I focus on my craft and keep making art that I am proud of, things will fall into place. I know that as long as I continue writing songs and making music, I’ll be happy pursuing the thing I love.

Which elements of nature do you spend the most time with and how do those impact your work?

I currently live in Los Angeles and my go-to spot for nature is the beach. My favorite thing to do is grab a towel, sit on the sand and stare out into the ocean. There’s something about the vastness and wildness of the ocean that helps to clear my head. It’s actually a place where I’ve gotten dozens of lyrics and guitar parts. One of my favorite times to go to the beach, perhaps paradoxically, is when it’s cold and cloudy. I love the salty wind, the crashing waves. It makes me feel small and renewed, but most of all, it opens up my mind to accept inspiration that I otherwise wouldn’t find in a city.


Photo Credit: Tammie Valer

Basic Folk – Brett Dennen

Brett Dennen is a songwriter, painter and summer camp enthusiast. His camp experience was instrumental in developing his musicality. He attended Camp Jack Hazard in the Sierra Nevada Mountains where young Brett was enamored with the music his camp counselors would play on guitar around the campfire. He was introduced to Paul Simon, Neil Young, Joni Mitchell and John Denver thanks to his counselors and his parents. He really developed as a songwriter in college at UC Santa Cruz. After school, he wove himself into the LA songwriter scene, which in the early 2000’s was a haven for musicians like himself, Alexi Murdoch, Damien Rice and Josh Ritter. He developed a large fanbase that remains loyal to this day.

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Brett talks about running his own summer camp, Camp Dennen, which allows him to create community through nature and art. He shares his experience of writing and thinking about being a dad and how that relates to the reality of fatherhood. And he talks about decidedly not being in the cool crowd and also not caring about it … well, not caring about it as much as he used to. Brett’s written some of my favorite songs of the 21st century. It was an honor to have him on the pod!


Photo Credit: Elli Lauren

WATCH: Alice Howe, “Love Has No Rules”

Artist: Alice Howe
Hometown: Los Angeles by way of Boston
Song: “Love Has No Rules”
Album: Circumstance
Release Date: April 21, 2023

In Their Words: “‘Love Has No Rules’ is a song about following your truth in love and life, setting aside others’ expectations and judgments. It’s about trusting yourself, and listening to that deep, internal knowledge that guides you to what is right for you. In both the writing and the singing of this song, I had to tap into my power, and I’m so proud of the vocal that you hear on this recording. As my producer, arranger, and co-writer, Freebo brought his unique musical sensibility to this song, helping me take it from a sweet ballad, which is how I originally envisioned it, to an infectious track with an ’80s-style groove. ‘Love Has No Rules’ is a strong statement both lyrically and musically, and it’s representative of the collaborative nature of this entire album.” — Alice Howe


Photo Credit: Jim Shea

LISTEN: Water Tower, “My Little Girl in Tennessee” (Flatt & Scruggs Cover)

Artist: Water Tower
Hometown: Los Angeles, California
Song: “My Little Girl in Tennessee”
Album: Live From Los Angeles
Label: Water Tower Records

In Their Words: “We love traditional bluegrass with all of our heart. That is part of the reason we chose to release this Lester Flatt/Earl Scruggs song. When we met our second banjo player Jesse Blue Eads (we have two on stage with us usually; Tommy Drinkard plays the other banjo) we were busking and this was a tune that we all knew. We recorded this version in one take after a 55-date tour. On the way to the Palomino Recording Studio our van broke down, so we got the car towed. Then when we arrived at the studio, the bridge on the bass had fallen off and cracked. It was ‘one of those days.’ This all contributed to the raw feeling in the room as we recorded.” — Kenny Feinstein, Water Tower


Photo Credit: David K. Cupp

Photos: AmericanaFest Pre-Grammy Salute to Lucinda Williams

Few artists are more associated with Americana music than Lucinda Williams, even as her incredible career is hard to categorize. Her Grammy wins range from Best Country Song (“Passionate Kisses”) to Best Contemporary Folk Album  (Car Wheels on a Gravel Road) to Best Female Rock Vocal Performance (“Get Right With God”). Just a few days following her 70th birthday, the Americana Music Association hosted an impressive all-star tribute concert at the fabled Troubadour club in Los Angeles on Saturday, February 4. The intimate performances underscored Williams’ versatility as a songwriter, with each of the performers putting their own personal stamp on her songs without ever losing the straightforward and often sensual lyricism that she’s known for.

Enjoy photos from the AMERICANAFEST Pre-Grammy Salute to Lucinda Williams:


All Photos: Erika Goldring, Courtesy of the Americana Music Association.

Top 10 Sitch Sessions of the Past 10 Years

Since the beginning, BGS has sought to showcase roots music at every level and to preserve the moments throughout its ever-developing history that make this music so special. One of the simplest ways we’ve been able to do just that has been through our Sitch Sessions — working with new and old friends, up-and-coming artists, and legendary performers, filming musical moments in small, intimate spaces, among expansive, breathtaking landscapes, and just about everywhere in between. But always aiming to capture the communion of these shared moments.

In honor of our 10th year, we’ve gathered 10 of our best sessions — viral videos and fan favorites — from the past decade. We hope you’ll enjoy this trip down memory lane!

Greensky Bluegrass – “Burn Them”

Our most popular video of all time, this Telluride, Colorado session with Greensky Bluegrass is an undeniable favorite, and we just had to include it first.


Rodney Crowell and Emmylou Harris – “The Traveling Kind”

What more could you ask for than two old friends and legends of country music reminiscing on travels and songs passed and yet to come, in an intimate space like this? “We’re members of an elite group because we’re still around, we’re still traveling,” Emmylou Harris jokes. To which Rodney Crowell adds with a laugh, “We traveled so far, it became a song.” The flowers were even specifically chosen and arranged “to represent a celestial great-beyond and provide a welcoming otherworldly quality … a resting place for the traveling kind.” Another heartwarming touch for an unforgettable moment.


Sarah Jarosz and Aoife O’Donovan – “Some Tyrant” 

In the summer of 2014, during the Telluride Bluegrass Festival we had the distinct pleasure of capturing Sarah Jarosz and Aoife O’Donovan’s perfectly bucolic version of “Some Tyrant” among the aspens. While out on this jaunt into the woods, we also caught a performance of the loveliest ode to summertime from Kristin Andreassen, joined by Aoife and Sarah.


Rhiannon Giddens – “Mal Hombre”

Rhiannon Giddens once again proves that she can sing just about anything she wants to — and really well — with this gorgeously painful and moving version of “Mal Hombre.”


Tim O’Brien – “You Were on My Mind”

Is this our favorite Sitch Session of all time? Probably. Do we dream of having the good fortune of running into Tim O’Brien playing the banjo on a dusty road outside of Telluride like the truck driver in this video? Definitely.

Enjoy one of our most popular Sitch Sessions of all time, featuring O’Brien’s pure, unfiltered magic in a solo performance of an original, modern classic.


Gregory Alan Isakov – “Saint Valentine”

Being lucky in love is great work, if you can find it. But, for the rest of us, it’s a hard row to hoe. For this 2017 Sitch Session at the York Manor in our home base of Los Angeles, Gregory Alan Isakov teamed up with the Ghost Orchestra to perform “Saint Valentine.”


The Earls of Leicester – “The Train That Carried My Girl From Town”

In this rollicking session, the Earls of Leicester gather round some Ear Trumpet Labs mics to bring their traditional flair to a modern audience, and they all seem to be having a helluva time!


Sara and Sean Watkins – “You and Me”

For this Telluride session, Sara and Sean Watkins toted their fiddle and guitar up the mountain to give us a performance of “You and Me” from a gondola flying high above the canyon.


Punch Brothers – “My Oh My / Boll Weevil”

The Punch Brothers — along with Dawes, The Lone Bellow, and Gregory Alan Isakov — headlined the 2015 LA Bluegrass Situation festival at the Greek Theatre (a party all on its own), and in anticipation, the group shared a performance of “My Oh My” into “Boll Weevil” from on top of the Fonda Theatre in Hollywood.


Caitlin Canty feat. Noam Pikelny – “I Want To Be With You Always”

We’ll send you off with this delicate moment. Released on Valentine’s Day, Caitlin Canty and Noam Pikelny offered their tender acoustic rendition of Lefty Frizzell’s 1951 country classic love song, “I Want to Be With You Always.”


Dive into 8 of our favorite underrated Sitch Sessions here.

BGS Wraps: Rich Hinman, “White Christmas”

Artist: Rich Hinman
Hometown: Los Angeles, California
Song: “White Christmas”
Album: Christmastown

In Their Words: “The songs on Christmastown originally came from a holiday show I played with David Piltch and Barbara Gruska at 1642 in LA in December 2019. We had a few hours to fill, and initially my impulse was to find lesser-known Christmas songs to explore — but overwhelmingly the ones that stuck out, that were the most fun to play, were songs that literally everybody knows. It was easy to feel connected to material I’d been hearing since I was a child. We made the record over two sessions, four days total, in 2021 and 2022 at Barbara’s studio and at Lucy’s Meat Market, a familiar spot in Los Angeles; we worked fast so as not to overthink or get bogged down in anything. ‘White Christmas’ was recorded at Barbara’s place in 2021; I slid a piece of foam under the bridge of my pedal steel to get the muted sound you’re hearing. Overall, it was hard to sound bad playing an Irving Berlin song with David and Barbara.” — Rich Hinman

LISTEN: The Eagle Rock Gospel Singers, “Light of Day”

Artist: The Eagle Rock Gospel Singers
Hometown: Los Angeles, California
Song: “Light of Day”
Release Date: December 2, 2022

In Their Words: “‘Light of Day’ is an Americana folk rock song featuring a choir, banjo, fiddle, acoustic guitar, electric guitar, and auxiliary percussion. It pulls from artists like The Beatles, Nick Drake, and Paul Simon. The song is about confronting the past and realizing that regret is silly. It’s about recognizing that even poor decisions are valuable. It’s about letting the bad times lead to better times. The song is about letting the hard seasons in life lead us to the good ones. It’s about finding peace in learning the hard way. ‘Light of Day’ is about being thankful for the painful teachable moments in life and having a bit of a sense of humor about it. Enjoy.” — Jeremy Horton, The Eagle Rock Gospel Singers


Photo Credit: Matt Wingall