LISTEN: Lindsay Lou, “Bell Suite” & “Alright Sweet”

Artist: Lindsay Lou
Hometown: Nashville, Tennessee
Songs: “Bell Suite” & “Alright Sweet”
Album: The Suite Sweets
Release Date: February 12, 2021
Label: Alright Sweet Records

In Their Words: “I wrote all the elements of The Suite Sweets during a time when I was practicing with a lot of Immersion Composition Society (ICS) writing lodges. I was dedicating hours to the practice of writing as uninhibitedly as possible, and sometimes I would come out with partial songs that I would go back later to finish. I noticed that there were common themes among them, so I decided to try a smash-up of the two songs that mentioned bells into one song, and a smash-up of the two songs that mentioned being alright into another song, and I was pleasantly surprised by the outcome. It seemed that the Suites had a sort of emergent property, which was greater than the sum of their parts. I made these particular tracks as demos, but loved the raw energy so much I knew I wanted to share them with the world when the time was right. There is the deep thread of my personal journey with mental health in ‘Alright Sweet’ and of the complexities of love in ‘Bell Suite,’ so I can’t imagine a better way to bring them to you than with the benefit show I’ve put together for Valentine’s Day weekend in support of Backline: a music industry-specific resource for mental health and well-being.” — Lindsay Lou


Photo credit: Scott Simontacchi

Whether Your Dream Is Big or Small, Valerie June Dedicates This Song to You

Valerie June blends her roots writing and singing styles with a markedly modern production quality in her new single, “Call Me a Fool,” giving the music a fresh yet familiar feeling. The upcoming album, titled The Moon and Stars: Prescriptions for Dreamers, was produced by June and Jack Splash, whose resume includes powerhouse names like Kendrick Lamar, Alicia Keys, and John Legend.

“With this record, it finally became clear why I have this dream of making music,” says June, who was raised in Tennessee and now lives in Brooklyn. “It’s not for earthly reasons of wanting to be awarded or to win anybody’s love — it’s because dreaming keeps me inquisitive and keeps me on that path of learning what I have to share with the world. When we allow ourselves to dream like we did when we were kids, it ignites the light that we all have within us and helps us to have a sort of magic about the way we live.”

Embracing an experimental approach, Valerie June and Jack Splash recorded the project at Los Angeles and Miami studios. She notes, “For this album I wanted to see how we could bring some modern elements into that band-in-the-room approach I’ve taken with my records in the past.” To compound that marriage between old school and new, “Call Me a Fool” features none other than the Queen of Memphis Soul, Stax legend Carla Thomas. Crisp yet warm, sleek yet comfortable, Valerie June’s new music is everything we’ve been waiting for and then some. The Moon and Stars: Prescriptions for Dreamers will be available on March 12 on Fantasy Records.

Upon releasing the video, she wrote on Instagram, “Have you ever been a fool for a dream? It might have been a little dream like a kiss from a lover or a big one like the dream of peace that Dr. King, John Lennon, and so many others have had for humanity. No matter how big or how small your dream may be, keep believing, and let the world call you a fool!”


Photo credit: Renata Raksha

LISTEN: Strung Like a Horse, “Lookin’ for Love”

Artist: Strung Like A Horse
Hometown: Chattanooga, Tennessee
Song: “Lookin’ for Love”
Album: WHOA!
Release Date: October 30, 2020
Label: Transoceanic Records

In Their Words: “‘Lookin’ For Love’ is a tune all about that exciting feeling you only get when first falling in love. It’s meant to invoke the joy of a relationship young enough to not be complicated. I know all our longtime fans are gonna be stoked on this one. The strings were cooling off just a little, and we needed to let them open up again and meet their quota. So we took care of business the way we used to — playing live in a room all together with a few mics scattered about. This one is a helluva good time, and I think our excitement for this song made its way through the wires. We all love to fall in love, and that’s the fun part to focus on. If you’re lookin’ for heartbreak, you’re in the wrong song.” — Clay Maselle, Strung Like a Horse


Photo credit: Vincent Ricardel

BGS 5+5: Cordovas

Artist: Cordovas
Hometown: Nashville, Tennessee
Album: Destiny Hotel

Answers by Joe Firstman, Toby Weaver, and Lucca Soria of Cordovas

What was the first moment that you knew you wanted to be a musician?

I always felt like I was an artist or working towards being one. So all I had to do was do it, not “become it.” — JF

I was around 7-8 years old and swinging on the swing set in elementary school. I was thinking about a song that I liked and at that time I had the feelings that I would like to play that song for people. I watched my dad and his friends play music as a child but it was at that moment I decided I would like to get a guitar and learn how to play. — TW

Feeling that feeling of “we’re doing something” as a kid in my friend’s basement trying to play some songs together. — LS

Which elements of nature do you spend the most time with and how do those impact your work?

We spend a lot of time in the desert in Baja. Most of our mornings at the beach waiting for the surf. Checking the waves. Feelin’ the desert. Waiting for songs. Sunsets are also magnificent. There’s a lot of power and the light is changing. — JF

Which artist has influenced you the most … and how?

As far as living artists go, it would be Roy Bookbinder as he has personally learned from the great masters of the blues and has his own interpretation of their works as he performs them and written songs in that style. I got to meet Roy at a guitar clinic in 1998 and it was very inspiring. — TW

Bob Dylan and Grateful Dead. Hearing how Dylan writes made me want to emulate that. The Dead are like lifelong teachers, I learn something about playing music every time I listen to them. – LS

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

This is a writing technique. When we insert the word “I” into the sentence, the line, and the composition takes on an entirely new feel and tone. To make things universal often times we use the term “you” when we mean “I,” but I found that usually these are interchangeable in that the story would not suffer either way we did it. It could be a subtle thing, but being aware of the power of “I” is important. There used to be this drunk acting coach at the bar I went to in Hollywood, La Poubelle. He would always try to get everyone to have a conversation without using the word I. — JF

What other art forms — literature, film, dance, painting, etc. — inform your music?

Lately, I have been reading spiritual guides and literature that feeds the mind and soul as well as biographies and autobiographies. The concepts outlined in these works have contributed to the lyrics I have written for our Destiny Hotel album, specifically the ego. — TW

As a teenager I was shown the work of Whitman and Ginsberg by a great teacher who explained that vein of American poetry. That exposure definitely fueled the writer fire. — LS


Photo Credit: Joseph Ross

WATCH: Justin Wade Tam, “Paradise”

Artist: Justin Wade Tam
Hometown: Nashville, Tennessee, via San Diego, California
Song: “Paradise”
Release Date: July 24, 2020
Label: Soundly Music

In Their Words: “I wrote this song with my friend Daniel Ellsworth about the subjectivity of paradise. We often get caught up in staring at idealized photographs on social media and forget that there can be beauty in the everyday, no matter where we are. Maybe paradise is more a state of mind than an actual physical location. So when Luke Harvey (Moss Flower Pictures) and I set out to make the music video, we wanted to convey that people all over the world have their own versions of paradise, and that is lovely: so many people and so many paradises. To help with the concept, friends from Chile, France, Iran, and Russia translated the lyrics into their respective languages. I’ve met each of these friends through music and touring over the years, and it’s wonderful to have their friendship reflected in this project. Luke set the translated subtitles and music to old film vignettes, capturing and challenging our perceptions of paradise.” — Justin Wade Tam


Photo credit: Annelise Loughead

LISTEN: Victoria Bailey, “Tennessee”

Artist: Victoria Bailey
Song: “Tennessee”
Album: Jesus, Red Wine & Patsy Cline
Release Date: September 18, 2020
Label: Rock Ridge Music

In Their Words: “I first heard Johnny Cash’s rendition of this Rick Scott song while driving through snowy Tennessee a few winters back. I was heading down toward Leiper’s Fork in my little rental car, stopping all along the road to pet horses and listening to all my favorite country legends along the way. This song really sums up how I feel about the South and Tennessee as a whole. I love the little pleasures in life that Tennesseeans hold near and dear: family traditions and small town simplicities.

“My favorite verse in the song is, ‘We got a cabin in the country / And a creek that rolls nearby / And a dog that won’t even bark at a firefly.’ That’s exactly what I saw all around me exploring Tennessee on that trip — just a lot of pure joy and friendly folks! Recording this song was SO much fun. My band fell in love with the lyrics as much as I did. We tried to stay pretty true to the sound of Cash’s recording, but we sprinkled a little bit of our own sound into it as well. It was such an honor recording this song, especially because it represents a state I have come to love oh so very much!” — Victoria Bailey


Photo credit: Stefanie Vinsel Johnson

LISTEN: Will Kimbrough, “My Right Wing Friend”

Artist: Will Kimbrough
Hometown: Nashville, Tennessee
Song: “My Right Wing Friend”
Album: Spring Break
Release Date: October 23, 2020
Label: Daphne/Soundly

In Their Words: “I wrote ‘My Right Wing Friend’ after reading a dear old friend’s Twitter posts. I knew if we communicated personally, we would still be those dear old friends who shared 40 years of memories, from high school through his college and my early touring years, through the time we raised our children. We’d always been political opposites. And we’d always had friendly debates and agreed to disagree. It’s tougher now, in a way — with a glance, you can find something to hate about people you love. I am learning to communicate personally with my right wing friend. That way, we keep our friendship alive. This is a love song to friendship. As my friend said, after he heard the song for the first time, ‘Come over here and let me kiss you on the lips, my left wing friend.’ Still laughing. Still friends.” — Will Kimbrough


Photo credit: Sadie Kimbrough

BGS 5+5: Grant-Lee Phillips

Artist: Grant-Lee Phillips
Hometown: Nashville, Tennessee
Latest album: Lightning, Show Us Your Stuff
Personal nicknames (or rejected band names): Pistol, Ranchero

Which artist has influenced you the most … and how?

Neil Young I suppose. His music hit me at just the right time. I had been playing guitar for two years when I first heard “Down by the River” and “Cortez the Killer.” I was 16. My ears were wide open. Young’s songs spoke to me like no other. He was also the first singer I saw in concert. All alone, with a rack of acoustic guitars, an upright piano on one side of the stage, a grand on the other, a pump organ. I was mesmerized.

What was the first moment that you knew you wanted to be a musician?

My family loved music. Hee Haw was a big one. We never missed a show. My grandma loved Elvis and Johnny Cash. The excitement I felt when Roy Clark played “Orange Blossom Special” or “Foggy Mountain Breakdown” on the electric guitar, I wanted to feel that all the time. The TV show Austin City Limits introduced me to Lightning Hopkins, John Prine and Tom Waits. I recall those moments like yesterday.

What’s the toughest time you ever had writing a song?

The hardest prolonged period of song wrestling was back in the ‘90s after Grant Lee Buffalo had put out a few albums. The pressure was on to deliver. The question was, deliver what to whom? I did my best to put all that noise out of my head. You can go from dancing on a ledge like Buster Keaton one minute to vertigo the next. Thankfully I had come across the film director Andrei Tarkovsky’s defiant book Sculpting in Light and that became a temporary manifesto.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I paint a great deal these days. Landscapes and still life. It slows me down and demands another degree of focus. Composition involves strategic thinking but there’s a wild side to painting. I like that balance. It gives me insight to making music.

Which elements of nature do you spend the most time with and how do those impact your work?

Tennessee is one of the greenest states in the country. I’m never so in tune with my own spirit as when I surrounded by elms and oaks. During this pandemic our family has made a point to take a drive every day. We drive through the country, roll down the windows and breathe some fresh air. One of my other rituals involves drawing. Every day I set aside 20-30 minutes to sketch. I have notebooks full of trees, landscapes in the works. Trees, clouds — that’s my sanctuary. Some of these images find their way into my lyrics, which is just another way of painting a picture.


Photo credit: Denise Siegel-Phillips

LISTEN: Great Peacock, “Heavy Load”

Artist: Great Peacock
Hometown: Nashville, Tennessee
Song: “Heavy Load”
Album: Forever Better Worse
Release Date: October 9, 2020
Label: Soundly Music

In Their Words: “I don’t totally know what this song means or is about. I just know that it makes me feel a lot of different emotions. We love so many things throughout the course of our life. Love is experienced and given and received in so many different ways for all manner of experiences, memories, places, things, and people. I think the real message of this song is that love isn’t always an easy thing, but you can’t give up on it. You have to give and receive it. I’m telling myself that in this song. I’m not singing to anyone else. I’m singing to me.” — Andrew Nelson, Great Peacock


Photo credit: Harrison Hudson

LISTEN: Mandy Barnett, “A Fool Such as I”

Artist: Mandy Barnett
Hometown: Crossville, Tennessee
Song: “A Fool Such as I”
Album: A Nashville Songbook
Release Date: August 21, 2020
Label: Melody Place LLC

In Their Words: “The first time I heard “A Fool Such as I,” I was just a kid. Baillie & the Boys had a big hit on it on the ‘80s. Later on, I became familiar with some of the other great versions by Hank Snow and Elvis Presley. Every year we would play the after party at the BMI Awards and would always include this iconic Nashville song in our set list.” — Mandy Barnett


Photo credit: Jiro Schneider