Caroline Cotter: Home is Where the Ocean Is

Posted on by Shelby Williamson

Former trumpet player and anxious adventurer Caroline Cotter had been constantly on the move performing hundreds of live shows since 2015. At the dawn of the pandemic she had a full album in the can and ready to go. When the world shut down, so did she. She set her songs to the side and didn’t pick up her guitar for a long while. She left her city of Portland, Maine and headed even farther north to the Acadia region and reconnected with nature: i.e. hugging as many trees and rocks and one woman can. Also during that time, she had the opportunity to sit with her shelved album. She discovered something amazing in that stillness: She, along with co-producer Alec Spiegelman, had made a fucking bomb record. She went forward with release plans, blew up her Kickstarter goal and finally gave us her third album, Gently as I Go, this past August.

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In our conversation, Caroline talks about what she’s like to work with in the studio (hint: she is not a relaxed and calm dreamboat) as well as her relationship to rest. As someone who has struggled with anxiety, she did not take to rest naturally, however, she’s cultivated a yoga and meditation practice in order to maintain calm. We also dig into her history: talking about how the ocean has remained a constant in her relationship to home. Growing up in Rhode Island, she and her siblings all took piano lessons. Heading to college, she majored in art with a minor in Spanish. She has a reputation for being a globe-trotter, which began in her travels to Thailand, Spain and Portugal as an international educator. She quit her day-job in 2015 to pursue music with a basically nonexistent fanbase. These days, Caroline’s fans are many and they are dedicated. You don’t find many independent musicians with such a devoted crowd as Caroline: they buy her music, they attend her shows, they put her up when she’s in town. So hello all you Cotter-Kickers, hope this conversation does your favorite songwriter justice.

Photo Credit: Katherine Emery

WATCH: Youth in a Roman Field, “Might As Well Have Gone to the Movies”

Posted on by Justin Hiltner

Artist: Youth in a Roman Field
Hometown: Queens, New York City, New York
Song: “Might As Well Have Gone To The Movies”
Album: Get Caught Trying (Extended Edition)
Release Date: November 10, 2023
Label: Better Company Records

In Their Words: “This song – and the phrase – illustrate my takeaway after what felt like another let-down of a relationship; a ‘wise-mind,’ more poetic interpretation of ‘well, damn, that didn’t work out either.’ The lyrics center the conflict between fantasy and reality, confronting the parts of my romantic nature that lend themselves to delusion and magical thinking. ‘Going to the movies’ represents the alternative life and relationship I had envisioned for myself, and has come to represent the alternative world many of us find ourselves in, looking for answers or easier narratives than actually exist. I also meant it literally, as in: ‘I could’ve seen this coming, shoulda just gone to the movies and saved myself all this heartache.’ It ultimately accepts the disappointments of unrequited romantic love, which paves the way to accept ourselves despite mistakes we’ve made or cycles we’ve repeated.” – Claire Wellin, Youth in a Roman Field

Track Credits:

Performed by Youth in a Roman Field:
Claire Wellin – vocals
Tiffany Topol – vocals
Cassidy Stirtz – vocals
Scott Stangland – guitar
Jamie Mohamdein – upright bass

Photo Credit: Saw Photography
Video Credit: Directed by Claire Wellin, Tiffany Topol, Cassidy Stirtz, Scott Stangland, and Jamie Mohamdein. Edited by Scott Stangland and Tiffany Topol.

WATCH: Afton Wolfe, “Lost Prayers” (Feat. Courtney Santana)

Posted on by Justin Hiltner

Artist: Afton Wolfe
Hometown: Nashville, Tennessee
Song: “Lost Prayers” featuring Courtney Santana
Album: The Harvest
Release Date: November 10, 2023
Label: Grandiflora Records

In Their Words: “Courtney’s vocals turned this one from a country waltz to a country waltz that explodes into a gospel hymn. And Anna’s violin part really tied it together beautifully. Hopefully someone hears the prayers, or at least the song.

“This video was filmed in the brief time that [videographers] Anana [Kaye] and Irakli [Gabriel] were available at the same time as Courtney, during AmericanaFest. It represents the offeror of the prayer, Afton, separated from the angel receiving those prayers, Courtney. The tragic figure sending prayers in the wrong direction no matter which direction. We didn’t have much time to plan or conceptualize, but we decided to go outside and brought some chairs. As Anana and I were looking at the setup, the concept and feel of the shoot materialized like magic. Then Anana edited it beautifully. With Courtney’s beauty and presence, the whole thing just turned out better than a plan would have. I wore the same thing to my gig that afternoon.” – Afton Wolfe

Track Credits: Written by L.H. Halliburton.

Afton Wolfe – guitar, vocals
Doc Sarlo – keys
Anna Eyink – violin
Courtney Santana – vocals

Produced and engineered by Doc Sarlo.
Recorded at Portland Playhouse Studio, Portland, Tennessee
Mixed by Mark Robinson, Guidos South, Madison, Tennessee
Mastered by Oz Fritz.

Video filmed, directed, and produced by Anana Kaye and Irakli Gabriel.

Photo Credit: Jeff Fasano

LISTEN: The Resonant Rogues, “What Happened To That Feeling”

Posted on by Justin Hiltner

Artist: The Resonant Rogues
Hometown: The Blue Ridge Mountains of Western North Carolina
Song: “What Happened To That Feeling”
Album: The Resonant Rogues
Release Date: November 10, 2023

In Their Words: “‘What Happened To That Feeling’ is a reminder that everything goes in cycles, and sometimes the disconnect we can feel in our relationships is really just exhaustion and overwhelm. Keith and I have been together for 10 years, married for 6, and we work our asses off. Two years ago, we moved onto raw land in our short bus and started building our own house. Even the best relationships feel strain sometimes, especially during periods of stress and overwork, and sometimes I just need a beautiful, soothing melody to help me remember that I am indeed on the right path, with the right person. This is that song.” – Sparrow

Track Credits:

Sparrow – vocals, accordion, banjo, songwriting
Keith Josiah Smith – vocals, guitars, songwriting
Kristen Harris – fiddle
Landon George – bass, drums
John James Tourville – pedal steel, lap steel, dobro, guzheng, butter knives, 12 string guitar, vibraphone

Produced, recorded, & mixed at Bomb Shelter Studio by Andrija Tokic.
Mastered by John Baldwin at Infrasonic Sound.

Photo Credit: Cory Marie Photography 

LISTEN: Jayme Stone, “Wreckage of the Fall”

Posted on by Justin Hiltner

Artist: Jayme Stone
Hometown: Longmont, Colorado
Song: “Wreckage of the Fall”
Release Date: November 10, 2023

In Their Words: “‘Wreckage of the Fall’ is a fever dream about transformation, mystical experience and emotional healing. I wrote it during a weeklong retreat at the Banff Center of the Arts. It emerged alongside a lot of tears, wild dreams, old wounds and a brief experience of clairvoyance. For a few days, I could see voices coming out my phone. I could feel the exact distance between me and other people in faraway cities like some kind of telepathic Google Earth. The song is full of witchy magic — runes, talismans, pentacles, and crystals. They started appearing and I just followed them.

“‘Wreckage’ is the first in a song cycle I’m currently calling ‘Anima,’ one the archetypes in Carl Jung’s map of the collective unconscious. I spent three years producing it — the longest I’ve ever worked on a track. There are many layers of guitar, my trusty Juno 106 from the late ’80s, an OB-6 synth and a lot of backup vocals care of Daniela Gesundheit. I programmed the drums in Abelton and then had John Hadfield play a real kit, which I then blended with the programming. The song feels like an MRI of my emotional state at the time. It’s some kind of magic to have a sonic postcard I can share now.” – Jayme Stone

Track Credits: Written by Jayme Stone.

Recorded and produced by Jayme Stone.
Mixed and mastered by David Travers-Smith.

Jayme Stone – voice, guitar, synth, drum programming
Emanuel Alexander – guitar, bass
Daniela Gesundheit – voice
John Hadfield – drums
Greg Harris – synth

Photo Credit: Shervin Lainez

WATCH: Sully Bright, “She Left Nashville” (Live in Appalachia Video Series)

Posted on by Justin Hiltner

Artist: Sully Bright
Hometown: Forest City, North Carolina; currently lives in Nashville, Tennessee
Song: “She Left Nashville”
Album: Darling, Wake Up
Release Date: October 13, 2023

In Their Words: “I wrote the song ‘She Left Nashville’ over two years ago, late one cold Valentine‘s night. It was actually freezing outside; it was my first snow in Nashville. Someone I love had to leave town early and head back home to North Carolina because of the snow. This is my favorite video we captured. We recorded while driving through the Blue Ridge Mountains. It felt right to sit in the back of the car while driving through the mountains and singing my song, not to mention the beautiful green peeking through the fog as we drove further along the road. I hope you enjoy the video and check back for the next one in two weeks.” – Sully Bright

Photo Credit: Wonderfilmco
Video Credit: Seth and Jenna Herlich, Wonderfilmco

BGS 5+5: Glitterfox

Posted on by Justin Hiltner

Artist: Glitterfox
Hometown: Bakersfield, California (Solange); Charlotte, North Carolina (Andrea); Eugene, Oregon (Eric)
Personal nicknames (or rejected band names): We definitely joke about our pretend side project punk band Litterbox and Clitterbox (not sure the genre of that one yet). “Solo,” nickname for Solange.

(Editor’s Note: Answers provided by Andrea Walker.)

What’s your favorite memory from being on stage?

When we were first getting started we were asked to play in a battle-of-the-bands called “Buskerfest” in Long Beach, California. To say we were long shots at winning the competition would be an understatement. At 8 p.m. we went out on stage for our 30-minute set in front of the biggest crowd we’d ever been in front of and all of a sudden the sound system started going haywire. My microphone stopped working. The guitar amp stopped working. It’s like everything that could go wrong with the sound system did. But at the same time, all of our friends were right there in front and just so proud and excited for us. We were up there together, just the two of us and we kept rolling with it – whatever went wrong, we just smiled and kept going. We played for the biggest crowd we’d ever been in front of that night and in the end were named the grand prize winners. That night changed the course of our lives, because it gave us the confidence and conviction that we needed to follow our hearts and quit our jobs and try to make a life for ourselves in music.

What’s the toughest time you ever had writing a song?

In 2013, I lost my mom to breast cancer. We were incredibly close and the loss was utterly devastating. I started writing a song called “Cold Steel of Night” a few weeks before she passed. The lyrics to the chorus literally came to me while I was broken down on the carpet crying uncontrollably and the verses I wrote a few months after she was gone. The whole experience of writing the song was pretty cathartic for me and helped me to process her loss, but it was also the hardest to write, because I was going through the saddest experience I’ve ever been through.

What has been the best advice you’ve received in your career so far?

Back in the summer of 2015 we decided that we were going to quit our jobs, give up our apartment, live in a van on the road, and do whatever it took to support ourselves 100% from playing music together. Before leaving Long Beach, we had lunch with a friend, Josh Fischel, who sat us down and spoke with us earnestly about the life we were embarking on. He said, “Always remember, this is a marathon – not a sprint.” That advice has proved helpful every step of the way, because it’s been a reminder to be patient, to make sustainable choices, and to try and stay grateful for wherever we are in our career. We’ve come a long way and still have a long way to go.

Which elements of nature do you spend the most time with and how do those impact your work?

Solange and I live right next to an 85-acre park in Portland and we both walk our dog, Gilly, in the park every day. The park is full of massive trees and forested paths and is just a really peaceful place to explore. Writing songs is such an intensely cerebral activity for me that it’s really helpful to step away and take a walk through the park when I’m working. A lot of times when I take a break the ideas get a chance to gel and I’ll come back to the writing process with new inspiration about how to move forward.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Actually, never. Solange and I both write from our direct experience and point of view, so reading the lyrics of a song is almost like reading a page from one of our journals. We definitely use imagery and metaphors to tell the story and deliver emotional content, so a lot of times the true meaning of a line may be hidden in there. But all of the songs are written from a very personal, first person narrative perspective.

Photo Credit: Jaquelyn Cruz

LISTEN: Matt Blake, “Ohio”

Posted on by Justin Hiltner

Artist: Matt Blake
Hometown: Warren, Ohio
Song: “Ohio”
Album: Cheaper to Fly
Release Date: February 16, 2023
Label: JTM Music

In Their Words: “My friends and I always talked about escaping Warren, Ohio, the minute we graduated high school. The night sky glowed orange from the Youngstown steel mills, the Cuyahoga River caught fire in Cleveland. That’s probably why I thought living in Los Angeles was a dream. It was exotic everyday. I didn’t appreciate Ohio until years later. Ohio felt like home and that’s a feeling I never want to escape.” – Matt Blake

Photo Credit: TB Scott

Musical Alchemy with Rachel Baiman on The Travis Book Happy Hour

Posted on by Shelby Williamson

(Editor’s Note: Singer-songwriter and multi-instrumentalist Rachel Baiman is also a BGS contributor. View her author archive here.)

Rachel Baiman’s indie-folk and Americana vibe – rooted in Chicago and rich with fiddle tunes – unfolds as she shares her transition to singer-songwriter. Influences ranging from Courtney Barnett to John Hartford and other roots music make their way into her live performances. Rachel is part of a generational scene in Nashville that I’ve been watching with awe for the last five to 10 years. A unique voice, multi-talented and articulate, she’s not afraid to sing and speak what’s on her mind. She writes semi-regularly for BGS, shining some light into the darker corners of the music industry, addressing inequality, and challenging all of us – creators and fans – to do better, dig deeper, and expect more. In this episode we discussed everything from climate change concerns to hopes for a more equitable future. We had a great time on the happy hour and I’m sure you’ll dig it.

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This episode was recorded live at 185 King St. in Brevard, North Carolina, on August 8, 2023. Huge thanks to Rachel Baiman and Riley Calcagno.

Timestamps:

0:06 – Soundbyte
0:57 – Introduction
2:09 – Bill K. introduction
2:57 – Travis introduction
3:33 – On “Bad Debt”
4:52 – “Bad Debt”
9:52 – “Shame”
12:35 – On Mullets
14:24 – “She Don’t Know What to Sing About Anymore”
18:18 – “When You Bloom (Colorado)”
22:25 – “Won’t You Come and Sing for Me”
26:10 – Interview
43:45 – “Twin Fiddles”
47:30 – “Bitter”
51:15 – “In Tall Buildings”
54:53 – Outro

Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: Natia Cinco

WATCH: Two Exclusive Clips From Molly Tuttle & Golden Highway’s ACL Debut

Posted on by Justin Hiltner

Just last week on October 28, PBS and Austin City Limits aired Molly Tuttle & Golden Highway’s debut performance on the prestigious, long-running series. Now, fans can watch the full episode – which also features country singer, songwriter, and activist Margo Price – for the next four weeks via this link.

Our friends at ACL were kind enough to bring to BGS and our readers these two exclusive performance videos from Tuttle’s fiery and energetic performance. Fresh off their packed and buzz-y Road to El Dorado tour, Tuttle and band – featuring Shelby Means (bass), Kyle Tuttle (banjo), Dominick Leslie (mandolin), and Bronwyn Keith-Hynes (fiddle) – showcase the blistering and effortlessly tight ensemble they’ve crafted together after nearly two-and-a-half years of performing together. Their set on ACL (full set list below) will be certain to introduce countless new fans to what’s one of the fastest rising groups in all of roots music, let alone bluegrass.

“El Dorado” begins with Tuttle’s gritty guitar and powerful right hand, telling a story from her Bay Area homeland, which features heavily on her most recent album, City of Gold. “San Joaquin” is a careening, forward-leaning train tune that’s always perfectly under control, even while it feels as though, at any moment, the locomotive may be launched from her rails. But what is perhaps most impressive about Tuttle & Golden Highway is the combination of their loose, in the moment vibe and their absolute, minute control.

Tuttle’s vocals are at some times soaring and crisp at others fierce and on the verge of breaking, demonstrating the passion and power she’s always infused into her nuanced and striking lyrics – and her fine-tuned cudgel of a right hand. Before closing her appearance with “San Joaquin,” Tuttle doffs her wig – she’s been continually open and honest about her life experiences with alopecia – backing up the devil-may-care nature of her music and band with an attitude to match. It’s part of what makes her particular brand of bluegrass so engaging.

Enjoy these two videos from Tuttle’s Austin City Limits debut then head to PBS to watch the full episode.

Austin City Limits Season 49 – Margo Price / Molly Tuttle

Margo Price Set List:
“Been to the Mountain”
“Change of Heart”
“That’s How Rumors Get Started”
“Twinkle Twinkle”

Molly Tuttle & Golden Highway Set List:
“El Dorado”
“Yosemite”
“Dooley’s Farm”
“Where Did All the Wild Things Go?”
“Crooked Tree”
“San Joaquin”

Photo Credit: Scott Newton