WATCH: Arlo McKinley, “Walking Shoes”

Artist: Arlo McKinley
Hometown: Cincinnati, Ohio
Song: “Walking Shoes”
Album: Die Midwestern
Release Date: August 14, 2020
Label: Oh Boy Records

In Their Words: “When the idea of writing ‘Walking Shoes’ came to mind it was originally about how hard it was for me to remove myself from a relationship that was obviously failing. It was me wanting to and knowing that I should walk away from the relationship but not wanting to hurt someone even more than I already have by leaving. As I continued to write the song it became more about starting everything over and realizing what I needed to let go of to do so. It’s about realizing that you can’t live a meaningful life and offer anything to anyone until you’ve walked alone long enough to figure yourself out. ‘Walking Shoes’ to me is about saying goodbye to what once seemed so necessary and taking a gamble by saying hello to the unknown in hopes it brings me happiness.” — Arlo McKinley


Photo credit: David McClister

BGS 5+5: Jaime Wyatt

Artist: Jaime Wyatt
Hometown: Fox Island/Gig Harbor, Washington
Latest Album: Neon Cross
Personal nicknames (or rejected band names): My family and close friends call me James

Which artist has influenced you the most … and how?

Gram Parsons is one of the most influential artists for my life and creativity. I identify deeply with Gram: He was a hippie who was obsessed with country as well as soul and his original music was a perfect blend of genres, incorporating vintage and modern influences. I try not to make a perfectly vintage sounding country song, as I feel like I’d rather listen to the classics than listen to a straight reproduction.

What’s your favorite memory from being on stage?

I toured with Wheeler Walker Jr. as support and during a set in Los Angeles, a man screamed, “Jaime, I wanna have your baby!”

What rituals do you have, either in the studio or before a show?

For both pre-show and pre-recording sessions, I do yoga, meditate, go for a jog and do some mat exercises, vocal warm-ups and then crack a Coca-Cola and smoke a cigarette and pace until I hit the stage, or pick up a guitar and pace around with the guitar.

What’s the toughest time you ever had writing a song?

Many many times for many many songs. For me, following the melody is very important and it should lead the lyrics. I write mostly in my head then bring to an instrument, so a lot of songs come to me while I’m sleeping, driving, meditating or walking outside.

Just a Woman” almost didn’t make the record, because I did not want to risk comprising the potential of that song. I felt I was representing women with that one, which might be a total lie, but I did not want to fail all of womankind, by making the lyrics cheesy. I finished the bridge right before we tracked the song with the band. I heard a major/minor Beatles thing when I woke up that morning and was blessed enough for that melody to return to me while I was outside pacing in the courtyard. Then I finished the second verse maybe one hour before the final recording session.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I’d say 50 to 60 percent of the time. I’ve done this to hide that I’m gay or that I don’t want anyone I know to know how I feel and I’ve done it to give a wider demographic of people the opportunity to connect to a song.


Photo credit: Magdalena Wosinska

WATCH: Charley Crockett, “Welcome to Hard Times”

Artist: Charley Crockett
Hometown: San Benito, Texas / Austin, Texas
Song: “Welcome to Hard Times”
Album: Welcome to Hard Times
Release Date: July 31, 2020 (album)
Label: Son of Davy/Thirty Tigers

In Their Words: “‘Welcome To Hard Times’ is about the viewpoint of society from an outcast’s perspective. The hobo who prefers to skirt by Sin City taking it in as he passes by its outskirts. Inevitably we are compelled to play the game. In America today everyone understands the casino and that when you’re in it you have to play by the house rules. I’m a nameless drifter at the end of the day. Forced to roll the dice and get that money, but the dollar doesn’t own me. I think anybody can relate to that hustle.” — Charley Crockett


Photo credit: Bobby Cothran

LISTEN: John Baumann, “Second Wind”

Artist: John Baumann
Hometown: Austin, Texas
Song: “Second Wind”
Album: Country Shade
Release Date: June 5, 2020
Label: The Next Waltz

In Their Words: “When I think of myself from ten years ago, I recall a much more naive and unaware version. Blindly ambitious, I was willing to chase a carrot as far as needed, to feel validated as an artist and writer. It was before I had taken a few licks and gotten knocked down. It was before my expectations had been tempered, before my sight had been adjusted to reality. The highs and lows, the ebbs and flows. I sometimes wonder what it would be like if I could only bottle that feeling of invincibility, and take a dose of it every day for the rest of my life. It really speaks to the power of youth and the strength that people have when they are motivated. This song is about questioning your motives, where you have gone right and wrong, remembering who you can lean on, and ultimately finding how to harness that long lost feeling of unbridled motivation to push forward and find that validation.” — John Baumann

johnbaumann · John Baumann – Country Shade – 09 – Second Wind

Photo credit: Jordan Fischels

LISTEN: Grizzly Goat, “Wallowa, OR 1877”

Artist: Grizzly Goat
Hometown: Provo, Utah/ Knoxville, Tennessee
Song: “Wallowa, OR 1877”
Album: Bound to Go to Waste
Release Date: May 29, 2020

In Their Words: “While in Oregon, performing in the Joseph Mountain Jubilee festival, I spotted a statue of Chief Joseph. This sparked my curiosity as a history enthusiast and I soon listened to the 18-hour audiobook, Thunder in the Mountains. I learned that the area had been home to Joseph’s Nez Perce tribe which the US government wanted to claim for white settlers. Despite Chief Joseph’s efforts to negotiate rights for his people peacefully, a war broke out causing the tribe to flee 1,170 miles before they were surrounded near the Canadian border. When this ‘spaghetti western’ melody came to me, I was inspired to shed light on the story of Chief Joseph and a neglected piece of American history.” — Nate Waggoner, Grizzly Goat


Photo credit: Ryan Carter

LISTEN: Gina Sicilia, “For a Little While”

Artist: Gina Sicilia
Hometown: Philadelphia, PA — with East Nashville as her adopted/current home
Song: “For a Little While” (feat. Luther Dickinson)
Album: Love Me Madly
Release Date: May 29, 2020
Label: Blue Élan Records

In Their Words: “I wrote this tune in a dark room late at night, and I think that moment is captured by the tenderness and melancholy mood of this song, which is about missing someone — something I’ve felt often. I kept the lyrics brief, saying all that needed to be said to express a pretty simple, pure emotion. Luther Dickinson’s guitar solo is stunning and I love how this song almost has the feeling of an interlude, of a fleeting thought that you express, tuck away and don’t dwell on. This is a fragile song and getting my vocals to be as delicate as the song’s temperament was a challenge, but I’m so proud of the overall feeling that was accomplished with the help of my producer, Cody Dickinson, who devoted so much time to making sure we got this song right.” — Gina Sicilia


Photo of Gina Sicilia with Cody Dickinson: Madison Thorn

LISTEN: Dolly Parton’s New Song Imagines “When Life Is Good Again”

A ceaselessly prolific artist and business woman, Dolly Parton seems intent on not only forging ahead during COVID-19, but on helping all of us through it, too. If you’ve been saying Goodnight with Dolly, tuning in for her series of bedtime stories from the Imagination Library, you’ll know the most-buzzed-about country diva around is a more than reassuring voice in these uncertain times. She also gave $1 million to Vanderbilt University Medical Center in Nashville, TN to support advancements toward a coronavirus cure. Even so, her generosity may be best evidenced in a new song, “When Life Is Good Again.” An emotional savant of songwriting, Parton once again holds her listeners like putty in the balm of her maternal hands. “When Life Is Good Again” looks ahead to a future beyond the current coronavirus pandemic not with blind optimism, but strengthened resolve.

In a gentle pause, before a soaring, inspirational outro, Parton speaks, “And it’s gonna be good again.” And, if for but a brief moment, we can all believe it will be true.

WATCH: Jason Isbell Performs “Only Children” From His Tennessee Barn

Jason Isbell dropped by The Daily Show with Trevor Noah (temporarily known as the Daily Social Distancing Show) earlier this month and in a delightful interview, Noah inquired about many things, including how Isbell’s life personally has changed and how the impact of COVID-19 is being felt in the music industry.

Speaking eloquently as only he can, Isbell set the stage for his just-released record, Reunions. “The person that I used to be,” he says in the interview, “I looked back on him with a lot of judgment and a lot of disdain. … Finally, in the last couple years, for whatever reason, I felt comfortable looking back. … [Memories] came back to me in a way that I’m more equipped now to write about than I was.” 

Isbell is then joined by Amanda Shires to perform “Only Children” from their barn in Tennessee. Take a look.


Photo credit: Alysse Gafkjen

BGS Podcast Roundup // May 22

We’ve got another round of podcasts for you this Friday, with episodes featuring one of the last founding fathers of bluegrass, a delicious Mexican-inspired meal from an award-winning Austin chef (in your home!), a young Nashville phenom’s debut on Rounder Records, and much much more.

Make sure to follow along with the BGS Podcast Network on our social media [Facebook, Twitter, and Instagram] and right here, where we’ll consistently gather our new episodes, as well as some past favorites:

The Shift List – Chef Fermín Núñez (Suerte) – Austin, TX

This week, our first in a series of shows from Austin, Texas, starting off with Fermín Núñez, executive chef of East Austin’s Mexican-inspired restaurant Suerte and Eater Austin’s 2018 chef of the year.

As you’ll soon discover, Chef Fermín is a man with a mission: To create the perfect tortilla, every single day. It’s his attention to detail that has made Suerte one of the most beloved new restaurants in Austin, and Chef Fermín’s love of music is woven into each part of the day, from the making of the masa, to prepping his mise en place, to the entire staff stopping at 4pm to clap to a cover of “Achy Breaky Heart” in Spanish and prepare for the night of service ahead.

Speaking of service, Suerte closed for a few weeks back in early March to regroup and recalibrate as the city of Austin sheltered in place because of the new coronavirus. In mid-March they reemerged with the Suerte Taqueria, providing highlights from Suerte’s menu for takeout — a highlight being the Suadero Taco Meal kit for families to enjoy at home. The kit includes all the ingredients needed to prepare Chef Fermín’s signature dish at home, including confit brisket, avocado crudo, black magic oil, signature tortillas, and sides. In addition to cooking instructions, they rounded out the experience with a video of Chef Fermín cooking along in his own kitchen, and a link to his favorite playlist in an attempt to bring the full Suerte experience into your kitchen.

The kits are still available, so if you live in the Austin area and need some high quality sustenance, head over to Suerteatx.com.


The String – Lilly Hiatt, Gabe Lee

Lilly Hiatt put in a lot of work at the local and regional level, including releasing two albums, before her third, Trinity Lane, met the moment and became a breakout work.

So a lot of ears were lifted toward her 2020 release of Walking Proof, and it was quickly acclaimed as punchy, vivid and memorable. We talk about going on the road with her dad songwriter John Hiatt back in the day, the deserved success of Trinity Lane and new musical directions. Also, a get-acquainted talk with Nashville-born, rocking country songwriter Gabe Lee.


Toy Heart: A Podcast About Bluegrass – Jesse McReynolds

One of the last founding fathers of bluegrass, Jesse McReynold’s story is the story of bluegrass — a music that emerged out of the country, into rural schoolhouses, onto rural radio, finding sponsorship along the way, enmeshing itself into the mainstream of American culture.

McReynolds tells the story of his grandfather, who played in the first recorded country music session, talks about being offered a gig with the Stanley Brothers, serving with the armed forces in Korea and singing alongside Charlie Louvin. He relates hunting down record deals and successes with his brother Jim, starting their own label, being sought out by counter cultural icons like the Grateful Dead and The Doors. Now nearing the age of 91, McReynolds spends some time reflecting as well, on his brother Jim’s death, his own struggles with the Opry, and how he feels about his legacy in the music. This is an icon of American music whose story isn’t often told, and we’re honored to play a part.


The String – Katie Pruitt, Jenee Fleenor

Katie Pruitt has been known as a phenom ready for big things in Nashville for a few years now. With patience and enough maturity to get the music exactly as she intended, Pruitt has now made her debut on Rounder Records.

The album Expectations is a bold, ambitious, and succulent collection, and vividly honest as well, with songs documenting a difficult journey from a conservative family in Georgia to a proud gay woman in Music City. This is a 25-year-old singer, songwriter, and guitarist poised for big things. Also in the hour, the journey of Arkansas born fiddler Jenee Fleenor. She was named CMA Musician of the Year and she’s releasing her first recordings of her own music after years supporting others.


The Show on the Road – Steve Poltz

This week on The Show On The Road, we feature a conversation with a Canadian-born paraparetic prince of pop-folk singers, who has jumped through more gauntlets of the modern music industry than almost anyone in his three plus decades of making records, Steve Poltz.

Poltz first hit the scene with the San Diego-based underground punk-folk favorites The Rugburns, then as an accidental hitmaker and MTV video heartthrob with collaborator and friend Jewel, and then as a wild-haired, two hundred shows a year internationally revered solo act. He’s put out a baker’s dozen of whacked-out, deceptively sensitive, and fearlessly personal albums that have won him devoted audiences from his ancestral home in Nova Scotia to the dance party dives of California to massive festivals across Australia and beyond.

As we are still quite separated during the pandemic, host Z. Lupetin called up Poltz in Nashville to discuss the long and twisty road Poltz has travelled — jumping from his inspired, most-recent album Shine On back to his childhood in swinging Palm Springs (where he met Elvis and Sinatra), to making $100,000 music videos for his ill-fated major label debut in ’98, to nearly dying on stage after substance abuse problems and never-say-no-to-a-gig exhaustion took its toll.

We now find him in a more peaceful, purposeful existence, where he is newly married and enjoying making music at home (government orders!) for the first time in decades.


 

Stay On Your Ass: If Days Still Mean Anything to You, It’s a Long Weekend!

Our plans: GET. OFF. YOUR. ASS. 2020: Nope, lol.

In the past, supporting musicians, writers, and creators meant going out to shows, buying drinks at venues, volunteering at festivals, and so much more. But music fans and supporters around the globe are finding new ways to show up for the folks who supply the soundtracks to our lives.

States and local jurisdictions may be loosening coronavirus lockdown restrictions, but the numbers are still very clear. Memorial Day or not, the healthy, safe choice is to just stay distanced, stay apart, and stay on your ass! We’ll continue to bring you a few of our favorite events, livestreams, and COVID-19 coping resources that we’ve scrolled by on our feeds or found in our inboxes each week until that reality changes.

Did we miss something? (We probably did.) Let us know in the comments or on social media!

Rhiannon Giddens Honors Bill Withers, Aids COVID-19 Relief Efforts

In early May, Rhiannon Giddens released a gem from her vault of B-sides and outtakes. Recorded in what she refers to as a “very un-socially distanced time,” Giddens and co. perform a lively tribute to an icon of American music. The release of this cover and music video celebrate the life and music of Bill Withers, while also portraying life in quarantine and raising funds for Global Giving’s Coronavirus Relief Fund.

Like many of his other hits, Withers’ “Just the Two of Us” has an infectious cheerfulness that, especially when juxtaposed with images of quarantine and sheltering in place, can brighten any day. Giddens explains, “When Bill Withers passed, we suddenly remembered we had made this beautiful [cover]… So whether it’s just the two of us, or just a few of us; whether the lockdown has been for months or it’s about to be lifted; COVID-19 is here for the foreseeable future, and the more we can be alone together now, the better the future will be.” 


Whiskey Sour Happy Hour Concludes

Our month-long online variety show came to a close last night with a surprise bonus episode featuring performances from past WSHH performers like Billy Strings, Valerie June, Rodney Crowell, and more. Last week, for the superjam of our final “official” episode, our cast of pickers pulled off this incredible cover of “The Weight,” a perfect finale for the series.

It’s been an incredible journey building and sharing these shows with all of you over the past few weeks, but the fun isn’t quite over yet. We’ve left all episodes of Whiskey Sour Happy Hour online so we can continue raising money for MusiCares and Direct Relief, two organizations leading the charge with critical support for musicians and front line responders facing this crisis.

Over your Memorial Day weekend, why not binge the whole show, enjoy world-class songs and comedy, and if you can, give a little to support the cause, too? Watch all episodes and donate here.Our friends at Direct Relief have been working ceaselessly since the advent of this pandemic to supply personal protective equipment to front line responders. Watch this brief video that captures the importance and the magnitude of the work they’re accomplishing.


California Bluegrass Association Says to “Turn Your Radio OnLINE”

Founded in 1974, the California Bluegrass Association is one of the oldest and largest bluegrass associations in the world, with over 2,700 members. They produce events throughout the year, including the jewel in their bluegrassy crown, Father’s Day Bluegrass Festival, held every Father’s Day weekend in Grass Valley, CA since just a year after the organization’s inception.

This year, the festival has canceled all in-person programming, asking bluegrass fans in California and around the world to turn their radios “OnLine” to take part in music performances, live interviews, online interaction, and so much more, featuring artists such as Tim O’Brien, Laurie Lewis, Molly Tuttle, Lonesome River Band, Special Consensus, Joe Newberry & April Verch, and others.

The webcasts will be accompanied by an online auction to raise funds for the CBA’s newly announced COVID Artist Relief Fund. Items being auctioned include fine acoustic instruments, books, music lessons, historic bluegrass memorabilia, and items of interest from popular musicians.

Get all of the information, full performance schedules, and more right here.


Music Maker Relief Foundation’s Freight Train Blues 2020

Our friends at the Music Maker Relief Foundation, the Hillsborough, N.C. based nonprofit whose mission is to promote and preserve American musical traditions by partnering directly with elderly musicians, have announced their 2020 music series, Freight Train Blues. The event, which ordinarly takes place at Carrboro Town Commons in Carrboro, NC, will now be broadcasted on Facebook, YouTube, and by WCHL 97.9FM out of Chapel Hill.

Featuring performances from Phil Cook, Mandolin Orange, Thomas Rhyant, and more, Freight Train Blues celebrates the life and legacy of Piedmont blues legend Elizabeth “Libba” Cotten, a pioneer in bluegrass, old-time, and blues and whose songs have left an indelible mark on all of American roots music.

You can tune in all through May and June! Get more information from MMRF here.


Reinventing a Broken Wheel – Frank Conversations, Future Opportunities


BGS co-founder and executive director Amy Reitnouer Jacobs will moderate the sixth session in Folk Alliance International’s “CommUNITY Online” series of sessions and panels on Friday, May 22 at 2pm CDT / 12pm PDT. Joined by David Macias (Thirty Tigers), Erin Benjamin (President/CEO Canadian Live Music Association), Enrique Chi (artist/activist), and Megan West (Facebook/Instagram) this group of industry experts will discuss, identify, and explore opportunities to innovate, pivot, and move the industry along in new directions. We each have a role to play in constructing our “new normal” — from immediate action to big picture initiatives, this conversation promises to be inspiring, provocative, and realistic.

Register for free, inform the conversation, and participate here.


Justin Hiltner and Jonny Therrien contributed to this article.