You Gotta Hear This: New Music From Mon Rovîa, Loose Cattle, and More

We’ve reached the end of the week and we’ve got your new music covered this Friday! Our premiere round-up is completely full with excellent new songs and videos from a variety of artists who work in a variety of roots styles.

Check out new music videos from folks like singer-songwriter Sadie Campbell performing “Getting Older,” a subtly spooky tune from High Horse entitled “Tombstone Territory,” country outfit Loose Cattle bring us “The Shoals,” on which they are joined by none other than Patterson Hood, and “Afro-Appalachian” artist Mon Rovîa’s lyric video for “Winter Wash 24” is colorful and engaging.

You’ll also find brand new music from folks like JD Clayton, who sings about being disappointed by a friend on “Let You Down,” Benny Sidelinger processes a difficult season of life on “Lilacs,” and roots rockers Clarence Tilton call on their pal Marty Stuart for their latest, “Fred’s Colt.”

To cap it all, we debuted our new video series, the AEA Sessions, with our partners at AEA Ribbon Mics earlier this week with an incredible performance by our longtime friend, Gaby Moreno. You can watch that debut session below, as well.

It’s all right here on BGS and, you know the routine – You Gotta Hear This!

Sadie Campbell, “Getting Older”

Artist: Sadie Campbell
Hometown: British Columbia-raised, Nashville-based
Song: “Getting Older”
Album: Metamorphosis
Release Date: October 11, 2024 (single); October 25, 2024 (album)
Label: Glory War Records

In Their Words: “In a sea of filters, fillers, and constant pressure to look young, ‘Getting Older’ is my reminder to embrace myself where I am, as I am, to be proud of every wrinkle on my face, that my body was well-earned through laughter and learning, and not everyone gets the privilege to grow older. This video is meant to symbolize the many different versions we can be throughout our lives — and that it’s really about perspective. The photo can be the same, but through a different lens, you see a different image. Just like how we see ourselves. If we can change the lens, and the way we perceive ourselves, the picture we see often changes, too.” – Sadie Campbell

Video Credits: Filmed and edited by Justin Alexis at That Good Graphic.


JD Clayton, “Let You Down”

Artist: JD Clayton
Hometown: Fort Smith, Arkansas
Song: “Let You Down”
Release Date: October 11, 2024
Label: Rounder Records

In Their Words: “‘Let You Down’ was born in a coffee shop in East Nashville called Cafe Roze. I sat next to a new friend who would later become my bass player. We had an itch to hit the town and get dinner at an unfamiliar restaurant, but to our surprise every establishment the waitress recommended was closed that day. After about the fourth restaurant it became a humorous bit. It immediately began pouring rain outside. Although the waitress meant nothing by it, I teased that she was letting us down. On my drive home that day I sang ‘sometimes people let you down’ in my voice memo. It immediately hit me and I was flooded with feelings of an old friend that had actually let me down and meant it. I then had my sweet little song. But it needed more. It wasn’t until the day of recording that I dreamed up a huge instrumental break to highlight all of my band members and bring their skills to life. On a Thursday at Sound Emporium studio on Belmont Boulevard, my band cut ‘Let You Down’ and it became in my own humble opinion a certified banger. I’m certainly biased, but I truly love the song and its flow of story to emotionally charged musical outrage.” – JD Clayton

Track Credits: 
Written by JD Clayton.
JD Clayton – Vocals, acoustic guitar, background vocals, harmonica
Bo Aleman – Electric guitar
Lee Williams – Bass guitar
Kirby Bland – Drums, percussion
Hank Long – Piano, Wurlitzer, organ


High Horse, “Tombstone Territory”

Artist: High Horse
Hometown: Boston, Massachusetts
Song: “Tombstone Territory”

In Their Words: “After coming off tour with the Jacob Jolliff Band, I had all this inspiration that I wanted to bring to a High Horse instrumental composition. The basic elements of ‘Tombstone’ come from some of the ideas in Jolliff’s music and influence from Grant Gordy/Mr. Sun recordings. And, from a practice of sending around a melodic part that I learned in an earlier Persian Music Ensemble at NEC to the band. Not only was this an academic sort of exploration for me, but it was also a great opportunity to show off some of the special skills everyone in the band has as instrumentalists. Some of my favorite solos on the record happen on this recording and it has some of our best band cohesion! After performing the piece for one of its first times in Hancock, New Hampshire we were still looking for a title when we happened upon a short dirt road named Tombstone Territory. Given the spooky vibe of the tune, that seemed to fit just perfectly!” – G Rockwell, composer, guitarist

Track Credits:
G Rockwell – Guitar
Carson McHaney – Fiddle
Karl Henry – Cello
Noah Harrington – Bass

Video Credits: Video, editing, recording, and mixing by Micah Nicol


Loose Cattle, “The Shoals” featuring Patterson Hood

Artist: Loose Cattle
Hometown: New Orleans, Louisiana
Song: “The Shoals”
Album: Someone’s Monster
Release Date: October 8, 2024 (single); November 1, 2024 (album)
Label: Single Lock Records

In Their Words:“‘The Shoals’ gives me faith good men are actually listening, since Michael pulled the lyrics from several years of my private ‘Mad As Hell/Not Gonna Take It Anymore’ rants. It’s a song about what happens when we stop twisting into pretzels trying to please everyone else and start speaking uncomfortable truths to power. Historically, there’s a long tradition of accusing women who speak uncomfortable truths aloud of possession or witchcraft, so it felt especially fitting to cast Patterson Hood as a river ‘demon’ egging on the narrator.” – Kimberly Kaye

“I started writing the song during my first stay in the Shoals some years ago, on a banged up old guitar I’d just bought there. Better writers than me have tried and failed to explain the mysterious way that stretch of the Tennessee River has sung so much unforgettable music into being. All I can say is the song kind of wrote itself there and I just tried to copy it down. And ever since, from having an original Swamper’s son tell me “hell yeah” that he wanted to sing the part of a River Demon for us, to finding the record the perfect home at Single Lock Records, has just seemed meant to be. After a hell of a lot of work, of course.” – Michael Cerveris

Track Credits:
Music and lyrics by Michael Cerveris.
Kimberly Kaye – Vocals
Michael Cerveris – Acoustic and electric guitars, harmonies
René Coman – Bass
Doug Garrison – Drums
Rurik Nunan – Fiddle, harmonies
Jay Gonzalez – Farfisa organ
Patterson Hood – Vocals, guitar


Mon Rovîa, “Winter Wash 24”

Artist: Mon Rovîa
Hometown: Liberia-born, Tennessee-based
Song: “Winter Wash 24”
Album: Act 4: Atonement
Release Date: October 11, 2024 (single); January 10, 2025 (EP)
Label: Nettwerk Music Group

In Their Words: “I wrote ‘Winter Wash 24’ while touring with Josiah and the Bonnevilles in March ’24. The theme of cognitive dissonance weighed heavily on my mind amidst everything happening in the world. Outside Seattle, I saw tanks covered in tarps treated with winter wash and the image moved me to write. The song explores how we often distance ourselves from the struggles of others when they don’t directly affect us. My goal is to raise awareness of these shared struggles, because empathy is a crucial force for change. As a refugee, I’m deeply inspired by the work of the IRC (International Rescue Committee) and am donating the song’s proceeds to support their vital efforts.” – Mon Rovîa


Benny Sidelinger, “Lilacs”

Artist: Benny Sidelinger
Hometown: Wayne, Maine (famous for a bumper sticker that says “Where the hell is Wayne, ME?”)
Song: “Lilacs”
Album: Cherry Street
Release Date: October 25, 2024

In Their Words: “I wrote ‘Lilacs’ during a particularly difficult period of my life. However, there were many joyous things happening at the time too. My then-fiancée was pregnant with our lovely daughter Tulsi and we were living in a gorgeous historical farmhouse on the Skagit River, yet I was dealing with the aftermath of a difficult divorce and was temporarily isolated from my two older kids. The juxtaposition of tragedy and joy during that time are the basis of the song. For a while, I thought I might lose my mind, but somehow I managed to hold on to a thread of sanity. Eventually I was reunited with my kids and moved on to much easier chapters of life. At the same time, we had a spring with an incredible amount of rain and there was concern that the river might overflow the dikes, which would have flooded our house. Yet, just as I managed to not go crazy, the dikes held and a catastrophic flood was avoided. So, as they say: ‘I wrote a song about it.'” – Benny Sidelinger

Track Credits:
Benny Sidelinger – Vocals, guitar, Dobro
Michael Thomas Connolly – Bass, telecaster, vocals
Aida Miller – Vocals
Jason Haugland – Drums


Clarence Tilton, “Fred’s Colt” featuring Marty Stuart

Artist: Clarence Tilton
Hometown: Omaha, Nebraska
Song: “Fred’s Colt” featuring Marty Stuart
Album: Queen of the Brawl
Release Date: October 11, 2024 (single)

In Their Words: “We asked Marty to get involved with ‘Fred’s Colt’ as we had met and opened for him a couple times in our hometown, [Omaha]. Marty agreed and played his famous pull-string telecaster, the original guitar of Clarence White of the Byrds. It’s a guitar we were well acquainted with, as we are huge Clarence White fans. Marty’s voice seemed perfect for the second verse of this song, which recounts the potentially sordid history of a strange family heirloom – an old Civil War-era Colt pistol. Marty not only lent us his voice for a verse and his guitar wizardry for a solo, but even added parts throughout that we did not realize were missing. Marty Stuart is a national treasure, and we are so honored and excited that he spent a day with our tune and did what only he can do!”

Track Credits:
Words and music by Chris Weber.
Chris Weber – Rhythm electric guitar, acoustic guitar intro, vocals
Marty Stuart – Electric guitar (Telecaster), first solo, second verse vocals
Corey Weber – Electric guitar throughout, second solo
Paul Novak – Acoustic guitar
Craig Meier – Bass
Jarron Storm – Drums, percussion, vocals


AEA Sessions: Gaby Moreno, Live at AmericanaFest 2024

Artist: Gaby Moreno
Hometown: Los Angeles, California
Songs: “New Dawn,” “Solid Ground,” and “Luna de Xelajú”

In Their Words: “It was a wonderful experience performing a few songs for AEA at Bell Tone during AmericanaFest. The sound quality and the energy in the room were unforgettable.” – Gaby Moreno

“Gaby is charismatic and energetic. She lights up a room when she walks in and when she performs, it’s electrifying.”
Julie Tan, AEA Ribbon Mics

Read more here.


Photo Credit: Mon Rovîa by Glenn Ross; Loose Cattle by Joseph Vidrine.

The BGS Radio Hour – Episode 212

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you new music from John Hiatt and Jerry Douglas, Yola, and more from our Artist of the Month, Chris Thile! Remember to check back every week for a new episode of the BGS Radio Hour.

APPLE PODCASTS, SPOTIFY

Bill and the Belles – “Happy Again (I’ll Never Be)”

To kick things off on the Radio Hour this week is a new release from Johnson City, Tennessee-based Bill and the Belles. We caught up with them recently on our 5+5 series, where they discussed hosting the revived Farm & Fun Time series in Bristol, Virginia, as well as their musical influences and career-based mission statements. Between lead singer Kris’ songs, their great harmonies, and instrumental prowess, Bill and the Belles are just plain enjoyable.


Sam Filiatreau – “Wrecking Ball”

When asked about his musical influences on a recent 5+5, Louisville-based Sam Filiatreau highlighted country greats John Prine and Guy Clark. Those influences combined with his classic twang shine through on “Wrecking Ball.”

Loose Cattle – “He’s Old, She’s High”

Loose Cattle hope they’ve made Porter & Dolly, Johnny & June, and John Doe & Exene all equally proud with this track, written by their longtime friend and songwriter Paul Sanchez.

Miranda Lambert – “Tin Man”

In this new live version of “Tin Man,” Miranda Lambert reminds us how moving a simple performance can be. The solo acoustic version of the track comes from a new album and film that Lambert and fellow songwriters (and proud Texas natives) Jack Ingram and Jon Randall have crafted. Titled The Marfa Tapes, the album features the recordings that are shown in The Marfa Tapes Film.

Chris Thile – “Dionysus”

Our Artist of the Month, Chris Thile, has been the busiest man in bluegrass for a long time. Between hosting Live From Here, shows with the Punch Brothers, or Nickel Creek reunions, Chris didn’t get to slow down much before the pandemic forced him to. Recorded in an old church-turned-studio, his new album Laysongs reflects on his Christian upbringing and community, and how that relates to where he is now. 

Turner Cody and the Soldiers of Love – “Lonely Days in Hollywood”

In the words of Turner Cody and the Soldiers of Love, “Lonely Days in Hollywood” is a “kind of meditation on the transactional nature of our culture of celebrity; how our dreams belie reality and nothing is for free.”

Tray Wellington – “Pond Mountain Breakaway”

Tray Wellington originally wrote the main riff for “Pond Mountain Breakaway” on the electric guitar, but then realized it would be well-suited for an uptempo bluegrass tune.

John Hiatt and the Jerry Douglas Band – “Mississippi Phone Booth”

For his latest record, famed roots singer and songwriter John Hiatt enlisted the help of the Jerry Douglas Band. Recorded in famed RCA Studio B in Nashville, Leftover Feelings returned Hiatt to his earliest days in town when he lived in a $15-a-week rented room on Music Row. Although the space could easily intimidate due to the amount of classics recorded there, Hiatt suggested that you don’t actually think about it, because it’s such a comfortable environment.  

Paula Cole – “What a Wonderful World”

Paula Cole’s new album American Quilt showcases her impressive vocal range as she sings some of her favorite American standards. She chose “What a Wonderful World” to close the album intentionally, stating that the song “unifies people.”

Satsang – “Malachi”

We caught up with Drew McManus of Satsang recently, and he shared with us the touching story of “Malachi,” a song about his son, which he wrote in the hospital the night he was born.

Rhiannon Giddens with Francesco Turrisi – “O Death”

“O Death” is the latest installment in Rhiannon Giddens ongoing collaborations with her partner, Francesco Turrisi, a gifted Italian multi-instrumentalist. Their new record, They’re Calling Me Home, was inspired by the year they spent together in Ireland, amidst the pandemic. They’re Calling Me Home echoes the many ways that a tumultuous 2020 had many of us yearning for the comforts of home, of the past, or of those that were called home from this world.

Yola – “Stand For Myself”

“Stand For Myself” is Yola’s newest single from her upcoming album, set to release in July. The track is a mix of “symphonic soul and classic pop,” and its message is universal — that real change can come from thinking, living, and standing for ourselves. 

Merle Monroe – “Shelby Tell Me”

Tim Raybon & Daniel Grindstaff of Merle Monroe hope listeners will be captured by the classic sound and wonderful story line of “Shelby Tell Me.” In talking to BGS recently, they stated, “our intention is to move the listener emotionally through the lyrics and melody.”

Pilgrim – “Darkness of the Bar”

When BGS spoke with Beau Roberson of Pilgrim about “Darkness of the Bar,” he shared that the song “…is about the dark struggles of life, and trying to see the light in those dark times.”


Photos: (L to R) Miranda Lambert by Jim and Ilde Cook of CookHouseMedia; Yola by Joseph Ross Smith; John Hiatt by David McClister

LISTEN: Loose Cattle, “He’s Old, She’s High”

Artist: Loose Cattle
Hometown: New Orleans / New York City
Song: “He’s Old, She’s High”
Album: Heavy Lifting
Release Date: June 4, 2021
Label: Low Heat Records

In Their Words: “It’s great when your friend gets you. But when the friend who gets you is also one of New Orleans’ most celebrated songwriters, can he maybe get you too well? When Loose Cattle’s longtime friend Paul Sanchez (multiple time NOLA songwriter of the year and ex-Cowboy Mouth) told us he’d written a song for the band, we pondered that for half a second. But by the end of the first listen, we threw our arms around him and the song, and turned it into something that we hope would make Porter & Dolly, Johnny & June and John Doe & Exene all equally proud. Even though Kimberly and Michael stopped being a couple years ago, they’re still odd. This one is for all the perfectly mismatched people out there.” — Loose Cattle


Photo credit: Zach Smith