Out Now: Cali Wilson

Cali Wilson is the kind of artist who starts playing and the rest of the world melts away, leaving you with her phenomenal voice, warm guitar, and captivating lyrics. The first time I heard Cali play, she was doing her soundcheck for our monthly Queerfest showcase at Vinyl Tap in Nashville. Of course, I had listened to her music before, but I was stunned by how strongly her voice felt live, her vibrato resembling Brandi Carlile’s.

Following Cali’s appearance at Vinyl Tap, I was proud to book her for Queerfest 2022 and Nashville Scene‘s BEST FEST.

Cali’s latest release, “Old Fashioned,” was co-written with Chris Housman, another queer artist in Nashville known for his single “Blueneck.” It’s exciting to see LGBTQ+ artists collaborating and growing together. 

Our Out Now conversation touches on the process of creating music, the challenges around promoting it, and finding a balance between social media and mental health.

Why do you create music? What’s more satisfying to you, the process or the outcome?

CW: I think creating music, for me, is one of my forms of communication. It’s a way I can look inward and reflect on my emotions. Often we are so caught in our own experience, it’s hard for us to be objective. Music has a way of letting me see more points of view. It helps me get outside of myself to find the story in the situations of life. 

I think the process is always amazing and inspiring. It’s art that can keep evolving. To have a song or a record you can physically hear and feel is truly incredible, of course. But I’ll always love the act of writing and feeling it in the moment – a moment that you’ll never have again with that idea. Either by yourself or with co-writers, it’s the challenge of finding the best words to express that. I love that challenge. I love getting better at that process and soaking in how other writers flow, too. It’s the best thing about songwriting. 

Do you create music primarily for yourself or for others?

I think that’s a really difficult question to answer. I find it’s mostly for me as I’m creating it, but then when I play it out, I hear how others connect with it. Then it becomes something else entirely. The best way I can describe it is, it feels like it’s for me, because it is at first. It’s what I feel. It’s my idea. But then it grows to be bigger than that feeling when people connect with it. That’s why music is so universal and beautiful. People can see something in a song that is totally different than what I wrote it for. 

What’s the best advice you’ve ever gotten?

No one is going to promote you if you won’t promote yourself. And you can always be better. I don’t care if you’re the biggest hit writer, you can always learn something from someone in a room or on stage. Don’t get too big for your britches! 

What are your release and touring plans for the next year? 

I am planning some more single releases and maybe even an EP in the near future. Touring will be mostly around Nashville, but I’m heading to other states as well. Looking forward to creating more and broadening my fan base. 

What would a “perfect day” look like for you?

I wake up, take my dog for a walk, and have my morning coffee or matcha. Then I head to co-writes on the row. Grabbing lunch, spending time with my wife and friends after a day like that is my slice of heaven. 

Where did the idea for “Old Fashioned” come from? And how have you found the process of this release from writing to recording and promoting? 

“Old Fashioned” was the first song Chris Housman and I wrote together. We had the title first and then wrote it as a love song. I’m super proud of it. The process was pretty simple. The production and how I wanted the record to sound was the hard part. Promotion is always going to be a challenge. You don’t want to overstimulate your audience, but you also want them to listen when it’s released. It’s tricky. 

Independent artists like myself have nobody else to help with promo, social media, etc. It’s a lot of work, but it’s worth it. 

Over the past year you’ve seen substantial growth on social media. What has that been like for you? Do you enjoy the process of creating content and promoting your work? Do you ever find it tiring or exhausting? How do you balance social media and mental health? 

To be honest, I think social media was so much lighter on my soul when it wasn’t exactly “part of the job” in music. I have a hard time with it, but it’s getting better. I get overwhelmed and it’s hard for me not to compare myself to the peers that are doing better on socials. I get anxious cause I’m not posting enough and then I just get so anxious I don’t post at all. It’s such a hard balance and can really take a toll on you mentally. I try to balance it out with creating posts ahead of time when I can and just floating them up there on a schedule. That has helped a lot with the overthinking. 

I’ve also found it’s okay to be silly and not take yourself too seriously. People want variety in your content regardless of what the “professionals” say. I always try to remember that as well. 


Photo courtesy of Cali Wilson

MIXTAPE: Jill Andrews’ Soundtrack for the Making of ‘Modern Age’

I wrote the songs for Modern Age over a period of a few years. It was a time of reflection. I was looking back on my past, because I had recently gone back to my hometown to sing at a childhood friend’s memorial service. I’m normally a present and future thinker, but this gave me the opportunity to sit with my past for a bit and spend time remembering. I walked around my old neighborhood and drove by my high school. I sat in my car at the park that my friends and I used to go to after school to talk and hang out. The songs that came were a mixture of simple, joyful childhood memories juxtaposed with the beauty and heaviness of adulthood. I listened to quite a bit of music over this period of time. Most of the songs that I was drawn to had beautiful melodies, lush production, and very descriptive lyrics. Here are a few of my favorites. – Jill Andrews

“Beauty Into Cliches” – Madison Cunningham

I first heard this song on the Cayamo cruise, which is a music cruise that sails through the Caribbean. I was a featured artist on the ship, as was Madison. I love the way Madison calls out the beauty standards of our society in this song. As a female artist, this feels especially poignant. There are extra pressures to look and act certain ways in the music industry. Madison’s lyrics are creating space for everyone. Not only is it a positive message, the melody is lovely and the rhythm is so vibey.

“Nightflyer” – Allison Russell

Allison and I run in some of the same circles in Nashville, so when I heard she was putting out an album I immediately checked it out. I was drawn to this song for the obvious reasons, the melody and overall vibe are gorgeous and, in addition, the descriptive nature of her lyrics really made me feel like I was in the same room with her. She uses all of her senses to let the listener in. It’s so descriptive and sings like a poem. “I’m the melody and the space between. Every note the swallow sings. I’m 14 vultures circling. I’m that crawling, dying thing…”

“Pressure Machine” – The Killers

The desperation of this song gets me every time. It describes hard living in a small town in such a visceral way. “A mattress on a hardwood floor. Who could ever ask for more? I’ll get up and cut the grass. Ain’t nothing wrong with working class.” I have listened to this song over and over. It always hits me in a new way. The melody is so delicate and gorgeous.

“First Time” – Becca Mancari

“I remember the first time my Dad didn’t hug me back. Under the porch light with my sister’s old cigarettes. With your hands hanging to your side and my face to your chest.” I love Becca’s description of this moment. It’s so sad and so beautiful. After I heard this song, I messaged Becca and asked her if she would sing on Modern Age. We had met a few years prior, but didn’t know each other well. She ended up singing on three of the songs: “80’s Baby,” “Kids,” and “Better Life.” She is such a talent.

“Teenage Drug” – Ethan Gruska

The production of this song is really cool. It feels very alive, the way that it moves and breathes. I love how the melody follows the instrumentation in the chorus. I first heard this song on a playlist when I was jogging. I kept coming back to it over and over.

“Chemicals” – Gregory Alan Isakov

I played a show that Greg was on a few years back with Hush Kids. When I saw him live, I fell in love with his music. I have listened to his album, Evening Machines, hundreds of times since then. “Chemicals” is my favorite song on that album. I love the lines, “You saw her bathing in the creek. Are you jealous of the water?”

“The Night We Met” – Lord Huron

I first heard Lord Huron play this song at Forecastle Festival in Louisville, Kentucky, a few years ago. I had just gotten done performing and I wandered to the nearest stage to see who was playing. Seeing it live got me hooked. This song feels like a dream. I think it’s a mixture of the heavy tremolo on the electric guitar and the vast reverb on his vocals that capture this dream-state so perfectly. The lyrical theme of wanting to go back in time sits so nicely in this vibe.

“Slow Burn” – Kacey Musgraves

I love the vast soundscape on this song. The album Golden Hour is such a good example of music blurring the genre lines in whatever way feels natural to the artist. These songs could have been produced in a traditional country format, but instead she and producers, (and buddies of mine!) Daniel Tashian and Ian Fitchuk, decided to take it a totally different, interesting way. This was incredibly inspiring and helped guide my way of thinking during the making of Modern Age.


Photo Credit: Fairlight Hubbard

LISTEN: Scott Sean White, “Hope You Never Do” (Feat. Radney Foster)

Artist: Scott Sean White
Hometown: Dallas, Texas/Nashville, Tennessee
Song: “Hope You Never Do” (Featuring Radney Foster)
Album: Even Better On the Bad Days
Release Date: August 18, 2023 (single); January 19, 2024 (album)

In Their Words: “Eric Erdman and Radney Foster were writing at Radney’s house one day and the news or something came on the TV while they were having lunch. Whatever it was, it made one of Radney’s kids say, ‘Dad, I don’t even know what it’s like to ball up my fist to hit someone.’ And Radney teared up and said, ‘I hope you never do.’ Eric gave him a minute and then said, ‘We’re writing THAT!’ They got stuck on the idea for some reason and couldn’t get it where they wanted. It was a year-and-a-half later that I met Eric for the first time and for some reason, he thought I was the guy to help them and their other co-writer, Chad Wilson, get it unstuck. We got together over Zoom one day and left with this.” – Scott Sean White


Photo Credit: Ted Parker Jr.

WATCH: High Fidelity, “The Mighty Name of Jesus”

Artist: High Fidelity
Hometown: Nashville, Tennessee
Song: “The Mighty Name of Jesus”
Album: Music In My Soul
Release Date: September 15, 2023
Label: Rebel Records

In Their Words: “‘The Mighty Name of Jesus’ is an incredibly special song to me. It came to me at a time in my life when I was struggling with mysterious health issues, and all I had to get me through was my faith in the Lord. Early one morning, I woke up with it playing in my head like a recording. I knew I could easily fall right back asleep, and I actually started to, but I thought, ‘I better just grab my phone to record this.’ I was so sleepy that I actually forgot that it existed for a few days! When I finally remembered something about it and listened to the voice memo, I was a bit in shock. It was like listening to a song for the first time, only it was me singing it! I had gotten three verses and two distinct choruses that morning. As I wrote out the words, the fourth verse came to me, so I wrote it out, too. I could talk on and on about the amazing things with this song. I hope it is an incredible blessing to everyone who hears it!

“Much like the making of this song, there are so many special things I could talk about in the making of this video! Location after location fell through right up until the morning of the video shoot when the weather threatened to rain on our only day available for shooting. Love Circle was a location that came to me while desperately praying for ideas and direction, and it turned out to be absolutely amazing. The unique weather that day combined with our videographer Warren Swann’s artistic touch created an indescribable texture quality to this video that almost feels like Technicolor. It’s hard to believe that this is the first video High Fidelity has shot in our hometown of Nashville proper. The city has changed so much through the years, but we still love and care deeply for it. To be able to perform this song of healing and deliverance right there in our hometown with our beautiful city skyline behind us was beyond special. As the ‘songwriter,’ I feel so incredibly blessed to have received a song like this and to get to perform it with High Fidelity — I hope it can be a blessing and encouragement!”  ̶  Corrina Rose Logston Stephens


Photo Credit: Amy Richmond

Nashville’s Queerfest Returns for Its Second Year

On August 11 and 12 Queerfest returns to Nashville, Tennessee, after its first in-person event in 2022 was named Nashville Scene’s Best New Music Festival. The multi-venue festival and celebration of queer folk, roots music, and indie will take place at three popular Nashville music venues – the 5 Spot, Dee’s Country Cocktail Lounge, and the Basement East – and will feature over eight hours of programming from LGBTQ+ identified musicians from across the genre landscape. (Full lineup and schedule below, tickets available here.)

In anticipation of this year’s event, we spoke to festival founder, community builder, singer-songwriter, and BGS contributor Sara Gougeon, founder and director of Pineworks Creative, about Queerfest, its growth, and why queer-centered communities are so vital, not just in Music City but in the music industry in general.

Congratulations on your second in-person Queerfest and your third ever! What are you looking forward to during this year’s festival?

SG: I’m so stoked about the lineup and the community. There are SO many phenomenal LGBTQ+ artists on this year’s lineup. And I’m so excited to bring the community together again in a way that supports queer music, artists, and organizations. I’m really looking forward to soaking up that energy.

Are there particular artists on the lineup you’re excited to have this year? Who are some of the artists and bands you think the QF audience will be most excited to discover?

I’m honestly excited for the lineup as a whole. As a songwriter and musician myself, I’m very particular about the artists and bands that I chose to book. If I had to choose one stand out band, it’d be The Collection. Their live show has this electric live energy and they also just seem so genuine. I’m stoked to be booking them. I love highlighting great music all around – regardless of how big the artist is. Sydnee Conley and Dani-Rae Clark are two up-and-coming artists who might not be as well known and their music blows me away. And Great Aunt who is coming all the way from Australia!

Liv Greene (center) performs with Jobi Riccio (right) and Christine Wilhoyte (left) at Queerfest 2022

How would you describe the growing and blossoming queer music scene in Nashville, and more broadly, in the music industry as a whole?

What an interesting question. There’s been so much growth and acceptance within the industry. I’m always blown away by how many phenomenal queer artists there are in Nashville. The industry as a whole is definitely seeing more artists come out.

It’s actually incredible to talk to artists who are a few generations older about that growth. I’ve heard stories from artists who were kicked off their label after coming out. Unfortunately, there’s a lot of history of that sort. But it’s been so incredible to build spaces, highlight queer music, and watch the industry become more inclusive in many ways.

Why do you think it’s so important to create and hold spaces like Queerfest for LGBTQ+ musicians, artists, and fans?

I decided to start Queerfest because of a personal need. I couldn’t find community spaces. And I was surprised that there weren’t places highlighting queer artists. And yet I noticed that there are SO MANY phenomenal queer artists, and so many queer people in general looking for inclusive spaces.

Queerfest and BGS have partnered on a column, Out Now, which was also created to hold space for LGBTQ+ folks in music. Who is on your wishlist to interview for Out Now? Is there anyone you dream of booking on a future Queerfest?

Oooh! I am so excited that we started Out Now! I’d love to interview Katie Pruitt and Joy Oladokun. Oh, and she’s definitely more in the popular music genre, but it’d be amazing to feature Fletcher one day.

And there are so many other artists: Becca Mancari, Jaime Wyatt, Shelly Fairchild, Palmyra, Aaron Lee Tasjan, SistaStrings, Leith Ross, Corook, Shelly Fairchild, Olive Klug.

And these artists who played the 2021 virtual festival: Mary Gauthier, Jaime Harris, The Accidentals, Izzy Heltai.

I’d love to have all of these acts both in-person and on Out Now!

Carmen Dianne (right) performs with band at Queerfest 2022

Do you have any advice for queer folks out there trying to find community and belonging in Nashville and in music?

Come to Queerfest!! But also, there are a lot of pockets of queer community/events/organizations popping up. Check out Outdoorsy Queers – I founded this community group with friends. We host hikes, climbs, park days, roller skating hangs, and more!

Other ways to connect with queer community in Nashville:

Queer Book Club
RNBW
QDP (Queer Dance Party)
Nashville GSA
Inclusion TN (They are working on developing a community center)

QUEERFEST 2023 FULL SCHEDULE:

Friday, August 11

Dee’s Country Cocktail Lounge
6:00-8:30 pm
Featuring: JB Somers, Sydnee Conley, Gina Venier, Dani-Rae Clark, Justin Hiltner

Saturday, August 12

The 5 Spot
3-5 pm
Featuring: Olivia Rudeen, Summer Joy, Great Aunt

The Basement East
Doors: 6 pm
Show: 7-11 pm
Featuring: Julia Cannon, Madeleine Kelson, Skout, Marielle Kraft, The Collection


All Photos: Andrea Schollnick
Graphic courtesy of Queerfest, Sara Gougeon.

Out Now: Skout

It was a Tuesday night in 2021. I was sitting in The Lipstick Lounge, Nashville’s local lesbian bar, attending RNBW, a weekly LGBTQ+ showcase. I sat near the stage at a large table amongst strangers and friends, one of whom was Laura Valk. Naturally, after introducing herself as an indie-folk singer-songwriter, I knew I had to find her music and see if she was compatible with Queerfest, my local LGBTQ+ music showcase and festival. I was stunned. Not only to find a phenomenal, local queer musician, but upon the realization that I had already liked one of her videos on TikTok! If there’s one thing I’ve learned, it’s that the queer music industry is small – and TikTok’s algorithms had me figured out.

Skout is a duo composed of Laura Valk and Connor Gladney. They played the first festival I hosted, a virtual event livestreamed in collaboration with Club Passim, and they were one of the first artists to play a live Queerfest show, back when I was hosting performances in a friend’s backyard before working with established venues.

It’s been an honor and a pleasure to watch them join the local Nashville community, take off on tours, and release new songs. Their music is laced with intricate guitar lines, hard-hitting lyrics, and warm, catchy melodies. I’m proud to present our Out Now interview with Laura Valk of Skout.

@skoutoutloud I have it for 24 hours, what do you wanna hear? #rubberbridge #acousric #phoebebridgers #ethangruska #allisonponthier #cover @Allison Ponthier ♬ original sound – Skout

What’s your greatest fear?

Laura Valk: Living a life with regret. It’s so insane that we’re all here to begin with, and I just want to make sure I’m taking full advantage of my time here. I know I’ll stumble along the way, but I want to live a life where I took some chances and big leaps of faith instead of always playing it safe. In the words of everyone’s favorite grassroots folk hero, Eminem, “You only get one shot, do not miss your chance to blow. This opportunity comes once in a lifetime.”

What would a “perfect day” look like for you?

LV: The year is 2012. At 8 a.m. I wake up to a text from Ben Howard asking us to open for him on his Every Kingdom Tour. Literally anything else could happen that day and it would still be perfect. Maybe some blueberry pancakes somewhere in there, too.

What’s your current state of mind?

I’ve been going through a rough patch the last few months both personally and professionally. So I’m trying to be really intentional this summer about how I spend my time and energy. Re-focusing on the things and people that fill me up and letting go of everything else.

Why do you create music? – What’s more satisfying to you, the process or the outcome?

Process 100%. There’s truly no higher high for me than the moments when a song is starting to take shape. It’s like an out of body experience. Connor and I constantly get lost in the process and it’s just this addicting feeling. Don’t get me wrong, we love sharing new music. It’s magic when you play a new song out and someone shares a personal experience that relates. But I think the formal release of a song into the world can feel like slapping all these benchmarks and metrics onto something that really is beyond measure.

Do you create music primarily for yourself or for others?

It’s all about ME. I’m kidding. Except it is, really, about me. Whoops.

I guess what I mean is that I hardly ever write with other people’s opinions in mind. A mentor once gave some great advice, that the best way to write widely relatable songs is to get as personal and specific to you as humanly possible. So I always try to write with that in mind.

Who are your favorite LGBTQ+ artists and bands?

Gahh there are so many!! But recently Allison Ponthier, Joy Oladokun, and Leith Ross have been on repeat.

For anyone reading this who might not be out of the closet, were there any specific people, musicians, or resources that helped you find yourself as a queer individual?

This is going to be specifically unspecific but, for me, it was all about individual friends when I was first coming out. When you share this new part of your identity with a trusted friend and instead of turning their back on you, they reinforce their love and support for you, that changes everything. That process, repeated enough times, was truly the thing that made me start feel safe while exploring my identity.

What are your release and touring plans for the next year?

We have two new singles coming out later this year! We’re psyched, we think we’re writing our best music yet and can’t wait for you to hear it.

“But if I come up short like I fear/ Will you still be proud you brought me here?” is a lyric from your latest single, “I Am Here.” How have you found the challenges of pursuing a music career and how do you cope with the slow process of growth? With that, how do you define success?

Ugh, it’s hard, man! It sounds cliché, but really celebrating the little wins is everything. The thing is, I’ll never stop making music. Ever. I’m in it for the long haul, and I think that mentality helps when I’m frustrated by slow growth. Some seasons feel like rapid-fire while during others, the motivation is harder to find. But I think knowing that the opportunity to create will always be there helps relieve some of that pressure. I’m just trying to be kinder to myself in this area.

For me the definition of success has always been a moving target. When I was in high school, success in music meant selling out Madison Square Garden. Tour busses, the Grammys, our faces tattooed on your chest, etc. Today it looks a little different. I think if I can make a full-time living off of music, in all of its forms, that, to me, would be success. And the tattoos of course. Someone tattoo our faces on yourself already so I can feel successful!!

Drawing from another lyric from the single, “But a song I wrote, it changed one life/ And the friends I hold, I hold them tight,” do you feel that changing one life is enough to make all of your time, efforts, and pursuits worth it?

Does changing a single life make all the hours, the investment, the rejections, the crashing on couches, the blood, sweat, and tears worth it? No. Probably not. But it’s still worth reminding myself of every once in a while. It’s one of those little wins I talked about above.

I think this verse captures the essence of “I Am Here,” and really touches on the success question above. It’s admitting that no, life doesn’t necessarily look like I thought it would. But there are some absolutely beautiful, redeeming things about my new reality that I need to celebrate harder. And it’s the sum of all the hundreds and thousands of little things that does, in fact, make it all worth it.


Photo of Skout courtesy of Skout.

LISTEN: The Grascals, “I Go”

Artist: The Grascals
Hometown: Nashville, Tennessee
Song: “I Go”
Release Date: July 28, 2023
Label: Mountain Home Music Company

In Their Words: “I sat down at the dinner table with one of my best friends, Darren Nicholson, (I work at a recovery treatment center in Asheville, North Carolina, often and I stay with Darren and his wife while in town) back in February of this year with the intention of writing our first song together. ‘I Go’ is the result of that writing session. The song ‘I Go’ comes from a previous vantage point and paints a picture of a darker time in both of our lives. Since Darren and I are now both in recovery together, we bounced some ideas off of each other from our personal journeys… combined with a little fiction that was easy to create from our past intoxicated minds. I feel like the story we came up with is one of my favorite songs I’ve written to date and I’m really glad that it was with Darren.

“‘I Go’ is a catchy melodic, up-tempo tune with an edgy, dark, true-life subject that many choose to avoid. However, we decided to face it head on and The Grascals took it and made it their own – OUR own. I am so excited to be back in this band and creating music with my friends again, and I’m thankful that we are the ones telling this story.” – Jamie Johnson


Photo Credit: Larry Bunn

WATCH: Tommy Emmanuel, “Tennessee Stud” (Feat. Nitty Gritty Dirt Band)

Artist: Tommy Emmanuel
Hometown: Nashville, Tennessee
Song: “Tennessee Stud” featuring Nitty Gritty Dirt Band
Album: Accomplice Two
Release Date: April 28, 2023
Label: CGP Sounds

In Their Words: “I’ve always loved this song. I wanted to pay tribute with Nitty Gritty to Doc Watson and the original version that appears on the Will The Circle Be Unbroken album. Jeff Hanna sang on that version with Doc. Jeff and I split the verses up so we could come together on the choruses. It was a very relaxed feeling recording with the Nitty Gritty guys. They know it so well and I loved coming up with little changes in the riffs and chords to try to add my own touch to this classic. I love working with such an iconic band. I see them still giving music their ALL! Their passion for music, good songs, and performing for the fans is all still present when you see them and doesn’t seem like the years have taken their edge at all. More power to Nitty Gritty!” – Tommy Emmanuel


Photo Credit: Simone Cecchetti

LISTEN: The Cleverlys, “Creep” (Radiohead Cover)

Artist: The Cleverlys
Hometown: Nashville, Tennessee
Song: “Creep”
Album: Solid Butter
Release Date: July 28, 2023
Label: Mountain Home Music Company

In Their Words: “The audience is loving ‘Creep’ in our live show. Starting with the initial recognition of the iconic Radiohead tune and the irony of us doing it — classic. The 3/4 timing gives it a fresh sound and sets it apart from other covers of the song, but the shining moment comes when Haggis sings the bridge. There’s a point, when he hits and holds out the last note, that the audience explodes, sometimes even giving him a standing ovation in the middle of the song. It’s a chill pimple moment for sure.” – Dr. Digger Cleverly


Photo Credit: Libby Danforth

IBMA Announces 34th Annual Awards Nominees and Recipients

The International Bluegrass Music Association announced this year’s nominees and recipients for the 34th Annual IBMA Bluegrass Music Awards today in downtown Nashville at SiriusXM’s Music City Theater. The announcement ceremony included live performances by nominees the Lonesome River Band and Sam Bush, who will be inducted into the Bluegrass Music Hall of Fame at the IBMA Awards show in Raleigh, North Carolina, this September.

Additional inductees into the Hall of Fame, which is housed at the Bluegrass Music Hall of Fame & Museum in Owensboro, Kentucky, include first-generation bluegrasser and country chart-topper Wilma Lee Cooper and an innovator and virtuoso who has expanded the borders of bluegrass and acoustic music throughout his career, David Grisman.

Recipients of the Distinguished Achievement Awards – IBMA’s highest honor outside of Hall of Fame induction – were also announced, highlighting the significant contributions of artists, musicians, and organizations such as Red Wine (Italy’s foremost bluegrass group), banjo player and band leader Terry Baucom, author and musician Tom Ewing, promoter and organizer Carl Goldstein, and media outlet and online hub BGS, The Bluegrass Situation.

“We are so honored and humbled by this recognition,” says BGS managing editor Justin Hiltner. “Bluegrass is all about community, and to have our community – the genre that built us – recognize our efforts in this way means the world. What Ed [Helms] and Amy [Reitnouer Jacobs] have created and brought all of us into is something truly special. Thank you to IBMA, the organization and its membership, for this award.” (Read more here.)

In the Instrumentalist, Recordings, and Artists’ categories, Molly Tuttle & Golden Highway, Billy Strings (and his father, Terry Barber), Michael Cleveland, Del McCoury Band, and Sam Bush Band lead the nominations. View the full list below and make plans now to attend the IBMA Awards Show in Raleigh, North Carolina, as part of IBMA’s World of Bluegrass conference on Thursday, September 28, 2023.

ENTERTAINER OF THE YEAR:

Appalachian Road Show
Billy Strings
Del McCoury Band
Molly Tuttle & Golden Highway
The Po’ Ramblin’ Boys

VOCAL GROUP OF THE YEAR:

Authentic Unlimited
Balsam Range
Blue Highway
Del McCoury Band
Sister Sadie

INSTRUMENTAL GROUP OF THE YEAR:

Billy Strings
Michael Cleveland & Flamekeeper
The Infamous Stringdusters
Molly Tuttle & Golden Highway
The Travelin’ McCourys

SONG OF THE YEAR:

“Blue Ridge Mountain Baby”

Artist: Appalachian Road Show
Songwriters: Barry Abernathy/Jim VanCleve
Label: Billy Blue Records
Producer: Appalachian Road Show

“Crooked Tree”
Artist: Molly Tuttle & Golden Highway
Songwriters: Molly Tuttle/Melody Walker
Label: Nonesuch Records
Producers: Jerry Douglas and Molly Tuttle

“Diane”
Artist: Sister Sadie
Songwriters: Jeffrey Nath Bhasker/Samuel Tyler Johnson/Cameron Marvel Ochs
Label: Mountain Home
Producer: Sister Sadie

“Heyday”
Artist: Lonesome River Band
Songwriters: Barry Huchens/Will Huchens
Label: Mountain Home Music Company
Producer: Lonesome River Band

“Power of Love”
Artist: Rick Faris
Songwriters: Johnny Colla/Huey Lewis/Christopher Hayes
Label: Dark Shadow Recording
Producer: Stephen Mougin

ALBUM OF THE YEAR:

Crooked Tree
Artist: Molly Tuttle & Golden Highway
Label: Nonesuch Records
Producer: Jerry Douglas and Molly Tuttle

Lovin’ of the Game
Artist: Michael Cleveland
Label: Compass Records
Producers: Jeff White, Michael Cleveland, and Sean Sullivan

Lowdown Hoedown
Artist: Jason Carter
Label: Fiddle Man Records
Producers: Jason Carter and Brent Truitt

Me/And/Dad
Artist: Billy Strings and Terry Barber
Label: Rounder Records
Producers: Billy Strings and Gary Paczosa

Radio John: The Songs of John Hartford
Artist: Sam Bush
Label: Smithsonian Folkways
Producer: Sam Bush

GOSPEL RECORDING OF THE YEAR:

“The Glory Road”

Artist: Joe Mullins & The Radio Ramblers
Songwriters: Paul Martin/Harry Stinson/Marty Stuart
Label: Billy Blue Records
Producers: Joe Mullins and Adam McIntosh

“Jordan”
Artist: Darin & Brooke Aldridge with Ricky Skaggs, Mo Pitney and Mark Fain
Songwriter: Fred Rich
Label: Billy Blue Records
Producer: Darin Aldridge and Mark Fain

“The Scarlet Red Lines”
Artist: Larry Sparks
Songwriter: Daniel Crabtree
Label: Rebel Records
Producer: Larry Sparks

“Take a Little Time for Jesus”
Artist: Junior Sisk
Songwriter: David Marshall
Label: Mountain Fever Records
Producers: Junior Sisk and Aaron Ramsey

“Tell Me the Story of Jesus”
Artist: Becky Buller with Vince Gill and Ricky Skaggs
Songwriter: Fanny Crosby, arrangement by Becky Buller
Label: Dark Shadow Recording
Producer: Stephen Mougin

INSTRUMENTAL RECORDING OF THE YEAR:

“Contact”
Artist: Michael Cleveland with Cody Kilby, Barry Bales, and Béla Fleck
Songwriter: Michael Cleveland
Label: Compass Records
Producer: Jeff White, Michael Cleveland, and Sean Sullivan

“Foggy Morning Breaking”
Artist: Alison Brown with Steve Martin
Songwriters: Alison Brown/Steve Martin
Label: Compass Records
Producers: Alison Brown and Garry West

“Gold Rush”
Artist: Scott Vestal’s Bluegrass 2022
Songwriter: Bill Monroe
Label: Pinecastle Records
Producer: Scott Vestal

“Kissimmee Kid”
Artist: Jason Carter
Songwriter: Vassar Clements
Label: Fiddle Man Records
Producers: Jason Carter and Brent Truitt

“Scorchin’ the Gravy”
Artist: Frank Solivan & Dirty Kitchen
Songwriter: Frank Solivan
Label: Compass Records
Producer: Frank Solivan

NEW ARTIST OF THE YEAR:

Authentic Unlimited
East Nash Grass
Henhouse Prowlers
The Tennessee Bluegrass Band
Tray Wellington

COLLABORATIVE RECORDING OF THE YEAR:

“Alberta Bound”
Artist: Special Consensus with Ray Legere, John Reischman, Tisha Gagnon, Claire Lynch, Pharis & Jason Romero, Patrick Sauber
Songwriter: Gordon Lightfoot
Label: Compass Records
Producer: Alison Brown

“Big Mon”
Artist: Andy Leftwich with Sierra Hull
Songwriter: Bill Monroe
Label: Mountain Home Music Company
Producer: Andy Leftwich

“Foggy Morning Breaking”
Artist: Alison Brown with Steve Martin
Songwriter: Alison Brown/Steve Martin
Label: Compass Records
Producer: Alison Brown and Garry West

“For Your Love”
Artist: Michael Cleveland with Billy Strings and Jeff White
Songwriter: Joe Ely
Label: Compass Records
Producer: Jeff White, Michael Cleveland, and Sean Sullivan

“From My Mountain (Calling You)”
Artist: Peter Rowan with Molly Tuttle and Lindsay Lou
Songwriter: Peter Rowan
Label: Rebel Records
Producer: Peter Rowan

MALE VOCALIST OF THE YEAR:

Greg Blake
Del McCoury
Danny Paisley
Larry Sparks
Dan Tyminski

FEMALE VOCALIST OF THE YEAR:

Brooke Aldridge
Dale Ann Bradley
Jaelee Roberts
Molly Tuttle
Rhonda Vincent

BANJO PLAYER OF THE YEAR:

Kristin Scott Benson
Alison Brown
Béla Fleck
Ned Luberecki
Scott Vestal

BASS PLAYER OF THE YEAR:

Mike Bub
Todd Phillips
Missy Raines
Mark Schatz
Vickie Vaughn

FIDDLE PLAYER OF THE YEAR:

Jason Carter
Michael Cleveland
Stuart Duncan
Bronwyn Keith-Hynes
Deanie Richardson

RESOPHONIC GUITAR PLAYER OF THE YEAR:

Jerry Douglas
Andy Hall
Rob Ickes
Matt Leadbetter
Justin Moses

GUITAR PLAYER OF THE YEAR:

Chris Eldridge
Trey Hensley
Billy Strings
Bryan Sutton
Molly Tuttle

MANDOLIN PLAYER OF THE YEAR:

Alan Bibey
Jesse Brock
Sam Bush
Sierra Hull
Ronnie McCoury

DISTINGUISHED ACHIEVEMENT AWARD RECIPIENTS:

Terry Baucom
The Bluegrass Situation
Tom Ewing
Carl Goldstein
Red Wine

BLUEGRASS MUSIC HALL OF FAME INDUCTEES:

Sam Bush
Wilma Lee Cooper
David Grisman


Photo of Sam Bush by  Jeff Fasano; photo of Molly Tuttle by Samantha Muljat.