You Gotta Hear This: New Music From Brothers Comatose, Caitlin Canty, and More

Your weekly dose of brand new roots music is here – You Gotta Hear This!

Our West Coast friends, The Brothers Comatose, kick us off this week with their new single, “Golden Grass.” The title track for their upcoming album, it’s a loping bluegrass number that pays tribute to the special regional string band styles and genre-bending of their home state, California. From the opposite side of the country, Caitlin Canty brings us “Hotter Than Hell,” a nostalgic song about nighttime summer drives, first loves, and first jobs that features fellow Vermonter Matt Lorenz on backing vocals.

We have a couple great new music videos, too, this week. Singer-songwriter Kai Crowe-Getty shares a live performance video of “Dancing on a Razor’s Edge,” a heartfelt original song about grief, loss, that takes inspiration from – as Joni Mitchell would put it – “you don’t know what you got ’til it’s gone.” Meanwhile, Hillary Reynolds also comes to us from an Americana space with her new track, “Can’t Turn Off My Mind,” a song about insomnia with an accompanying video that demonstrates how, to Reynolds, sleeplessness can become a familiar friend.

Keep scrolling though, because Nashville-based honky-tonker and picker-singer-songwriter Mose Wilson gives an unexpected flair to traditional country with his song, “Since I Lost You.” Wilson’s friend and sometimes bandmate, award-winning bassist Vickie Vaughn, returns to You Gotta Hear This once again with her latest Mountain Home Music Co. single, a fiery, soulful, and plaintive rendition of Vince Gill’s classic, “Liza Jane.” And, from just up the road across town in Nashville, string duo and old-time aficionados Golden Shoals turn their skills to “dad rock” for their pro-worker, anti-work-week summer anthem, “Five Day Weekend.” Of course, it’s just perfect for entering a long holiday weekend.

Country, bluegrass, folk, Americana, and blends of all of the above are all right here on BGS. You Gotta Hear This!

The Brothers Comatose, “Golden Grass”

Artist: The Brothers Comatose
Hometown: San Francisco, California
Song: “Golden Grass”
Album: Golden Grass
Release Date: May 21, 2025 (single); September 12, 2025 (album)
Label: Swamp Jam Records.

In Their Words: “We wrote ‘Golden Grass’ about the current wave of string bands coming out of California that are creating a new take on an old style of music. They start with their foundations in traditional bluegrass and incorporate folk, rock, and jam elements to form that Western ‘golden grass’ sound. Lots of great string bands have come out of California, like AJ Lee & Blue Summit, Molly Tuttle, and even going back to Old & In the Way who were trailblazers for this type of sound. It’s about taking the heart and soul of bluegrass and infusing it with everything we love about music today.” – Ben Morrison


Caitlin Canty, “Hotter Than Hell”

Artist: Caitlin Canty
Hometown: Danby, Vermont
Song: “Hotter Than Hell”
Album: Night Owl Envies the Mourning Dove
Release Date: May 22, 2025 (single); October 2, 2025 (album)
Label: Distributed by Tone Tree

In Their Words: “This is the first track I’m sharing from my forthcoming record, Night Owl Envies the Mourning Dove, out October 2. This song grew from the ground in Vermont, where I was born and raised and have recently returned to raise my little kids. On those hot humid nights before we had air conditioning, my folks would pack us all in the truck and we’d drive along mountain roads with the windows down to cool off. ‘Hotter Than Hell’ is a nostalgic summer throwback to first love, first jobs – those ephemeral firsts seared into memory.

“And making this record was my first time partnering with Sam Kassirer, who produced and played keys. I was nearly 8 months pregnant when we cut the record live at his Great North Sound Society in Maine. I just love to hear fellow Vermonter, Matt Lorenz (The Suitcase Junket) singing his blazing backing vocals on this song.” – Caitlin Canty

Track Credits:
Caitlin Canty – Vocals, acoustic guitar, songwriting
Jeremy Moses Curtis – Bass
Rich Hinman – Electric guitar
Sam Kassirer – Piano, organ
Matt Lorenz – Backing vocals
Ray Rizzo – Drums, percussion


Kai Crowe-Getty, “Dancing on a Razor’s Edge”

Artist: Kai Crowe-Getty
Hometown: Nelson County, Virginia
Song: “Dancing on a Razor’s Edge”
Album: The Wreckage
Release Date: May 23, 2025 (single); June 27, 2025 (album)

In Their Words: “In my life, I’m not one who does a lot of looking backwards or dwelling in the past with much intention. This song, like several on the record, does exactly that. The Joni Mitchell refrain of ‘don’t know what you got ’til it’s gone’ was a lost inspiration here. My mother died when I was young and this collection of memories, some with her, some without, is trying to make sense of the present in one of my more personal writes. Like many things we avoid, tuck away, wait to face another day, it tends to come out in unexpected floods and fissures as we navigate the grief of it, standing on different shores.” – Kai Crowe-Getty

Video Credits: Filmed by Zach Phillips. Edited by Kai Crowe-Getty.


Golden Shoals, “Five Day Weekend”

Artist: Golden Shoals
Hometown: Nashville, Tennessee; Vancouver, British Columbia, Canada
Song: “Five Day Weekend”
Album: The Dream and The Hunger
Release Date: May 23, 2025

In Their Words: “We live in a world where we’re pushed to our limits of productivity while being sold tons of garbage that we don’t need. At the same time, we could be harnessing AI to do the work that allows humans more leisure time, but Big Tech seems intent on replacing meaningful human work instead. The song just kind of manifested with a dad rock vibe. It details my dream for a world that I think is possible – where we all spend a significant, but not overwhelming, amount of time doing the hard work that a society needs to thrive and the rest of the time taking care of ourselves making the world a great place to live in.” – Mark Kilianski

Track Credits:
Mark Kilianski – Electric guitar, vocals, songwriting
Amy Alvey – Fiddle, vocals
Chris Sartori – Electric bass
Alex Bice – Drum kit, cowbell


Hillary Reynolds, “Can’t Turn Off My Mind”

Artist: Hillary Reynolds
Hometown: Appleton, Wisconsin (for the summer) and Los Angeles, California (for the winter)
Song: “Can’t Turn Off My Mind”
Album: Changing Seasons
Release Date: May 22, 2025 (single); August 8, 2025 (album)

In Their Words: “‘Can’t Turn Off My Mind’ ended up being the first song I wrote for my album. It came in stages. I wrote the first half by myself and when I felt like it needed fresh energy, I turned to my dear friend and fellow artist, Madison Malone, for a little nudge. Simply put, ‘Can’t Turn Off My Mind’ is a song about insomnia. I love how the narrative has evolved over time. Since finishing this song, Madison and I have become mothers and insomnia has taken on a new meaning, becoming a familiar friend – whether it was breast feeding and watching Schitt’s Creek in the wee hours of the morning or having an endless to-do list running through my brain at 3 a.m., I love that this song is the first single, setting the tone of my forthcoming morning album, Changing Seasons.” – Hillary Reynolds

Track Credits:
Hillary Reynolds – Vocals, piano, songwriting
Madison Malone – Background vocals
Benjamin Kopf – Acoustic guitar, bass, singing bowl
Tom Shewmake – Octave mandolin
Matt Musty – Percussion
Jim Frink – Drums

Video Credit: Directed and filmed by New Normal Studios.


Vickie Vaughn, “Liza Jane”

Artist: Vickie Vaughn
Hometown: Nashville, Tennessee
Song: “Liza Jane”
Release Date: May 23, 2025
Label: Mountain Home Music Company

In Their Words: “I’ve loved Vince Gill’s ‘Liza Jane’ since I heard it on local country radio when I was little. His version is so iconic and playful and the groove is intoxicating. I wanted to take to the song and add some serious drama, giving it a little bit of a darker vibe and instead of just singing about Liza Jane, I wanted to be pleading and angry and desperate about her.” – Vickie Vaughn

Track Credits:
Vickie Vaughn – Upright bass, lead vocal
Cody Kilby – Guitar
Casey Campbell – Mandolin
Wes Corbett – Banjo
Dave Racine – Drums
Deanie Richardson – Fiddle
Lillie Mae Rische – Harmony vocal
Frank Rische – Harmony vocal


Mose Wilson, “Since I Lost You”

Artist: Mose Wilson
Hometown: Nashville, Tennessee
Song: “Since I Lost You”
Album: That’s Love
Release Date: May 28, 2025 (single); July 17, 2025 (album)

In Their Words: “‘Since I Lost You’ is unlike anything I’ve released before. It’s a bridge between worlds – a song that could invite listeners from outside the traditional country audience to experience something new and unexpected. It’s a story of love lost told with a groove that’s both timeless and entirely my own.” – Mose Wilson

Track Credits:
Henry Long – Keyboards
Norbert McGettigan – Bass
John Papageourgiou – Drums
Will Johnson – Electric guitar
Stephen “Tebbs” Kearney – Dobro
Mose Wilson – Vocals, acoustic guitar


Photo Credit: Brothers Comatose by Jessie McCall; Caitlin Canty by Laura Partain.

You Gotta Hear This: New Music From BEATrio, Graham Sharp, and More

From banjo geniuses to borderless country and folk, this time, our weekly new music and premiere roundup has a little bit of everything!

Kicking us off, BGS Podcast Network host and singer-songwriter Bri Bagwell, who’s behind the Only Vans podcast, brings us a lovely fresh country track called “Border Girl.” It’s about how close we all really are to each other, and how the culture, communities, and music of our neighbors really do rub off on all of us. From across the state line in Texas, Jack Barksdale accomplishes the complex through simplicity with “A Funny Song,” which is equal parts satirical and contemplative in an ethereal indie-folk package.

Virginian Jesse Smathers offers up his version of a Randall Hyton number, “Good Time Get Together,” and with the roster of bluegrass pickers he had join him in the studio for the recording, it surely must have been the titular good time get together just to make the single. Plus, Kenny Feinstein steps away from his band Water Tower for just a moment to release a bluegrass single under his own name, “Old Richmond Prison,” a “fast waltz” about mistakes, consequences, and redemption.

Banjo virtuosity brings us home, first with BEATrio featuring Béla Fleck, Edmar Castañeda, and Antonio Sánchez blending styles, sonics, and banjo, harp, and percussion on “Walnut and Western.” Not quite jazz, folk, jam band, or string band alone, the instrumental draws from seemingly endless inspirations, combining each with expertise and ease. The track is, of course, infinitely charming, raucous, and fascinating. Five-string aficionado Graham Sharp (who you’ll know from Steep Canyon Rangers) releases his brand new solo album today, How Did We Do It. We’re sharing “Living Like Thieves” from that project, an original which features Jerry Douglas, Lyndsay Pruett, Michael Ashworth, and more trotting towards a getaway while having a good time and with a vacation in mind.

It’s all worth a spin, that’s for sure! You know what we’re going to say– You Gotta Hear This!

Bri Bagwell, “Border Girl”

Artist: Bri Bagwell
Hometown: Las Cruces, New Mexico
Song: “Border Girl”
Release Date: April 18, 2025

In Their Words: “I am from the border of New Mexico, Mexico, and Texas. My hometown of Las Cruces, New Mexico, is a very beautiful blend of people and cultures. I believe a lot of people feel that they ‘belong’ to different places, straddling a line between ethnicities and geographical influences that shape who they are. Instead of wrestling with the idea of feeling very deeply rooted in Hispanic culture without having it in my blood, I always have embraced the idea that where I am from seeped into the fiber of my being, and that is a beautiful thing. Being from the border of all of these places created a girl who sings in Spanish every night, loves both Selena and George Strait, and knows that the Rio Grande is just a divider for map (and not for a heart).

“My boyfriend Paul Eason really took to this song after I wrote it and recorded all of the instruments and my vocals in our home studio in New Braunfels, Texas. It features harmonies by Lyndon Hughes from The Wilder Blue, and receives a big reaction at shows when I play it live. I think people really relate to the idea of loving where you are from and embracing all of your geographical and cultural influences!” – Bri Bagwell


Jack Barksdale, “A Funny Song”

Artist: Jack Barksdale
Hometown: Fort Worth, Texas
Song: “A Funny Song”
Album: Voices
Release Date: April 25, 2025 (single); June 13, 2025 (album)
Label: Truly Handmade Records

In Their Words: “I’m really interested in ways to inspire nuance and complexity with songwriting, which can be a surprisingly tough task. Somewhat counterintuitively, the way I tried to achieve that complexity in ‘A Funny Song’ is through simplicity. Sometimes if you strip something back to its simplest form and try to understand it through that point of view, you can gain a deeper understanding of it or, at least, a good foundation for future understanding. It’s not the final destination, but it’s good start. In this song, I used that same framework to try and understand some of, what you might call ‘the big questions.’

“This song borders on satire and works in pretty much the same way as satire, where the substance isn’t really in what’s being said, but in the listener’s reaction to what’s being said. Ultimately, I’m not trying to simplify ‘the big questions’ by telling a black-and-white story. I’m trying to create more nuanced thought around these questions in the minds of listeners, whether they agree or disagree with what the song has to say.” – Jack Barksdale

Track Credits:
Jack Barksdale – Vocals, acoustic guitar, songwriter
Diana Burgess – Cello
Jared Reynolds – Uke Bass


BEATrio (Béla Fleck, Edmar Castañeda, Antonio Sánchez), “Walnut and Western”

Artist: BEATrio (Béla Fleck, banjo; Edmar Castañeda, harp; and Antonio Sánchez, drums)
Hometown: Nashville, Tennessee
Song:Walnut and Western
Album: BEATrio
Release Date: April 16, 2025 (single); May 16, 2025 (album)
Label: Béla Fleck Productions

In Their Words: “Here’s a tune I have had for many years that’s been looking for a home and the right band. I am positive that this is the best setting it could have, and thrilled that I waited! Antonio and Edmar knew exactly what to do. This project kind of reminds me of the early days of the Flecktones, when audiences would go, ‘How is this supposed to work?’” – Béla Fleck


Kenny Feinstein, “Old Richmond Prison”

Artist: Kenny Feinstein
Hometown: Los Angeles, California
Song: “Old Richmond Prison”
Album: Kenny Feinstein
Release Date: April 18, 2025 (single); TBA (album)

In Their Words: “There’s something magical about siblings making music together. The way Jake and Carter work together reminds me of Ralph and Carter Stanley – it’s like they share a musical language that only brothers can understand.

“The song is about mistakes, consequences, and redemption – themes I’ve grappled with in my own life. There’s a universality to the story that I think anyone can relate to, whether it’s the weight of regret or the hope for a second chance. Water Tower will always be my home base, but this album is a chance to explore the music that shaped me as an artist. It’s a love letter to the sounds and stories that have been with me through every high and low.” – Kenny Feinstein


Graham Sharp, “Living Like Thieves”

Artist: Graham Sharp
Hometown: Asheville, North Carolina
Song: “Living Like Thieves”
Album: How Did We Do It
Release Date: April 18, 2025
Label: Enchanted Barn

In Their Words: “For me, this tune is about being in tune with the moment, paying attention to the magic when you find it. I was sitting at friend’s one afternoon thumbing through this melody and it seemed to capture the time and place (‘The prettiest thing that I know right now/ Is these little chords and the way they move/ The only place that I wanna be/ Is where I’m playing them for you”). I leaned on a recollection of an afternoon several years ago on vacation with my sweetie for the first verse. I’ve always loved Earl Scruggs’ banjo style in open D Reuben tuning and it happened to fit this song really well. Having Flux and this group of Western NC all stars on the track brought the whole thing together and made it sing!” – Graham Sharp

Track Credits:
Graham Sharp – Banjo, vocals
Ryan Stigmon – Guitar
Michael Ashworth – Bass
Jerry Douglas – Dobro
Lyndsay Pruett – Fiddle
Drew Matiluch – Mandolin


Jesse Smathers, “Good Time Get Together”

Artist: Jesse Smathers
Hometown: Floyd, Virginia
Song: “Good Time Get Together”
Release Date: April 18, 2025
Label: Mountain Home Music Company

In Their Words: “When I first ran across this old Randall Hylton tune, I knew it was something that I wanted to record. I sought out the lyrics and Wanda Dalton, Randall’s sister, wrote them out for me. I truly cherish this tune and its uplifting melody and message. When I think of my friends, loved ones, and heroes that have gone on, it is a beautiful and consoling thought to think of the music making that will happen once we get to heaven. It will truly be a ‘Good Time Get Together’!” – Jesse Smathers

Track Credits:
Jesse Smathers – Guitar, lead vocal
Hunter Berry – Fiddle
Corbin Hayslett – Banjo
Nick Goad – Mandolin, harmony vocal
Joe Hannabach – Upright bass
Patrick Robertson – Harmony vocal
Dale Perry – Harmony vocal


Photo Credit: BEATrio (Béla Fleck, Edmar Castañeda, Antonio Sánchez) by Shervin Lainez; Graham Sharp by Nathan Golub.

You Gotta Hear This: New Music From David Starr, Darren Nicholson, and More

For our final New Music Friday of February and as we look ahead to March, here are a half dozen brand new songs and videos you simply gotta hear.

Kicking us off, JD Clayton reminds himself and all of us that the speed of the internet, the news cycle, and social media is too damn fast. His new video reminds us of the power of “Slow & Steady” with a glitzy and gritty alt-Americana sound. A modern blues picking icon David Starr brings a new video for “Hole In The Page” as well, writing the book on lost love, lessons learned, and a liberal dose of longing with wailing organ and plenty of licks. Rounding out our videos this week is a frolic by Miss Georgia Peach, “Dusty,” that was inspired by her independent Maine Coon cat, Dusty Springfield, but ultimately celebrates autonomy and agency soundtracked by Americana meets Southern rock.

From the bluegrass realms, Darren Nicholson and band perform an original that Darren penned with Charles Humphrey (Songs From the Road Band). The pair regard their number, “Any Highway,” as a “modern classic” – and we think you’ll agree when you’ve heard this propulsive traveling song. Nicholson’s labelmate, Jaelee Roberts, can be found with a new track below, too. This gospel selection, “He’s Gone,” was written by Kelsi Harrigill (formerly of Flatt Lonesome) and features special guest vocalists Ricky Skaggs, Sharon White, and Cheryl White Jones joining Roberts.

You won’t want to miss a new single from new acoustic-infused Colorado string trio Salomé Songbird, who debut the lovely and contemplative “I’m Alright.” It’s a bit of a musical mantra, pushing through darkness and precipitous mental health to find strength with mandolin, violin, and guitar lending bluegrass and old-time touches.

It’s all right here on BGS and You Gotta Hear This!

JD Clayton, “Slow & Steady”

Artist: JD Clayton
Hometown: Fort Smith, Arkansas
Song: “Slow & Steady”
Album: Blue Sky Sundays
Release Date: February 28, 2025
Label: Rounder Records

In Their Words: “‘Slow & Steady’ is about a young carefree couple taking life easy in the summertime, living in the moment, fully content with living the slow life. My generation is crippled by depression and anxiety with me chief among them. We’re addicted to our phones and the attention we receive from strangers on the internet. I can’t go more than five minutes without checking to see if someone texted me or shared my post. I don’t want this for my life anymore. I want to change. I know things can be better! ‘Slow & Steady’ is more than a song, it’s a mindset. It’s a movement. I’m going to love and live in each moment. Slow and steady, easy does it. This is going to be the greatest summer of our lives.” – JD Clayton

Video Credits: Drifters Productions
Directed by Hannah Gray Hall.
Director of Photography – Ryan Mclemore


Miss Georgia Peach, “Dusty”

Artist: Miss Georgia Peach
Hometown: Saint Paul, Minnesota
Song: “Dusty”
Album: Class Out The Ass
Release Date: February 14, 2025
Label: Rum/Bar Records

In Their Words: “Technically, this song is about our feral, gorgeous Maine Coon cat, Dusty Springfield. The song practically wrote itself, following the opening hook, ‘Dusty’s goin’ out tonight,’ which came to me as she ran in looking perfectly happy and unworried after being gone for a number of days. The lyrics are for any wild independent beauty who can’t or won’t be tamed and knows what’s best for herself. She’s going out all night, doing exactly what she feels like doing, and despite your worries, she knows what’s what. She is mysterious and unknowable and incredibly fascinating. The music conveys love and frustration, confusion and devotion. The one left [at] home is the one going crazy and trying to figure out what’s going on, not experiencing the adventure Dusty is having. The video puts it in the context of a teenage girl living with her grandma in the country, testing her boundaries, wondering when her life will start. Like most teens, I felt trapped at home, ditching school and running wild at night with my friends. I was home in the morning and for dinner, but the in-between times were mine.” – Miss Georgia Peach

Track Credits:
Miss Georgia Peach – Vocals
Ruyter Suys – Guitar, backing vocals
Blaine Cartwright – Guitar
AJ Srubas – Fiddle
Mark Hendricks – Bass
Travis Ramin – Drums
Heather Parrish – Backing vocals

Video Credits: Directed and shot by Miss Georgia Peach.
Edited by Wendy Norton, Norton Video.


Darren Nicholson, “Any Highway”

Artist: Darren Nicholson
Hometown: Canton, North Carolina
Song: “Any Highway”
Release Date: February 28, 2025

In Their Words: “‘Any Highway’ is one of the first songs I ever wrote with Charles R. Humphrey III. Not only is it one of my favorites, but the No Joke Jimmy’s always had this one in the set list, so I felt I needed to get a good studio recording of it. It’s a story of a man who is so heartbroken by a free-spirited young lady he feels compelled to leave immediately. No plan, no direction, he just knows he has to go elsewhere. Sometimes, the best way to get over a heartache is by just getting to a place where you don’t have to stare it in the face it anymore.” – Darren Nicholson

“‘Any Highway’ is the first song Darren and I wrote. We had met years ago in Alaska while playing in separate bluegrass bands together. I was, and still am, a long time admirer of Darren’s singing, picking, and larger-than-life personality. These are qualities I look for in co-writers. In my opinion, the song itself is a historical fiction account of ‘the one that got away.’  The song style pays tribute to the bluegrass greats that perfected the hard-driving slick style of playing. I think it’s a really cool song, and it’s been the start of a fruitful co-writing friendship with Darren. ‘Any Highway’ is a modern day classic!” – Charles Humphrey III

Track Credits:
Darren Nicholson – Mandolin, lead vocal
Zach Smith – Upright bass
Colby Laney – Acoustic guitar
Deanie Richardson – Fiddle
Kristin Scott Benson – Banjo
Tony Creasman – Drums
Kevin Sluder – Harmony vocal
Jennifer Nicholson – Harmony vocal


Jaelee Roberts, “He’s Gone”

Artist: Jaelee Roberts
Hometown: Nashville, Tennessee
Song: “He’s Gone”
Release Date: February 28, 2025

In Their Words: “As the songs were coming together for my new album, I was still in need of a gospel song to record so I reached out to my very dear friend and mentor, Kelsi Harrigill, to see if she had written anything recently. She sent a few songs to me that I really liked but none of them felt like ‘the one.’ However, a few days later while she was vacuuming, she was inspired to write the song ‘He’s Gone’ and I knew after the first listen it was absolutely the one for me to record. This gospel song tells the incredible story of how Jesus was crucified, buried, and rose again. ‘Praise God the tomb’s empty, He’s Gone.’

“I am so happy that I got to record this special song and thrilled to be joined by amazing musicians: Ron Block (banjo), Stuart Duncan (fiddle), Cody Kilby (guitar), Andy Leftwich (mandolin), Justin Moses (dobro), and Byron House (bass/producer). To top it off and make a dream come true, three very special people in my life came to the studio to sing with me – Sharon White Skaggs, Cheryl White Jones, and Ricky Skaggs. I feel very blessed and honored to have their voices on ‘He’s Gone.’ I love this song so much and I am thankful for the message of ‘He’s Gone’ and I hope that each of you will love it, too.” – Jaelee Roberts


Salomé Songbird, “I’m Alright”

Artist: Salomé Songbird
Hometown: Colorado
Song: “I’m Alright”
Release Date: February 28, 2025

In Their Words: “Broadly, ‘I’m Alright’ is about being stuck someplace and needing to escape. It is full of imagery from every place I’ve ever been desperate to leave. There are a lot of references to following the sun or heading west, which would be a return home in my mind. On a personal level, this song is about suicide. I hope anyone listening who is also feeling that kind of darkness feels a little less alone. There is always someone who wants to help you and there is always another door that’s not that one.” – Joy Adams, songwriter, mandolin, vocals

“‘I’m Alright’ is a song that has been an important part of finding our voice and an audience that voice resonates with during live performance over the last couple years. I’m glad it’s now one of the first songs we’re releasing as a band.” – Bryan Dubrow, guitar

Track Credits:
Joy Adams – Songwriter, vocals, mandolin
Ariele Macadangdang – Vocals, violin
Bryan Dubrow – Guitar


David Starr, “Hole In The Page”

Artist: David Starr
Hometown: Cedaredge, Colorado
Song: “Hole In The Page”
Album: Must Be Blue
Release Date: January 24, 2025 (song); February 28, 2025 (video)
Label: Quarto Valley Records

In Their Words: “I am so excited to share my first release with Quarto Valley Records! It’s kind of ironic, because this song was the last song written for the album that happened by accident. The idea came about because of something I misheard on a radio show, thinking they said ‘hole in the page,’ which got the wheels turning. While I can’t remember what they actually said, I am so grateful for that spark of creativity. It’s funny that this song then turned into being the one to kick off the rest of the project. I love the energy of the track and that it packs a punch. Jason Lee Denton and I have collaborated on a number of videos together and I knew he would knock this one out of the park. I love the direction he took, it is the perfect visual representation of the song!” – David Starr

Track Credits:
David Starr – Acoustic guitar, vocals
Greg Morrow – Drums
Jeff King – Electric guitar
Mark Prentice – Bass, keyboards
Michelle Nicolo Prentice – Background vocals
Joe Starr – Electric guitar

Video Credits: Jason Lee Denton, Solar Cabin Productions


Photo Credit: David Starr by Jason Lee Denton; Darren Nicholson by Jeff Smith.

You Gotta Hear This: New Music From Andy Leftwich, Leeann Skoda, and More

For New Music Friday, we’ve got a healthy handful of new videos, tracks, and releases from your favorites artists in folk, country, bluegrass, old-time, and beyond.

Don’t miss new songs like Penny & Sparrow’s single “Jeopardy” and Helene Cronin’s take on mortality and togetherness, “Visitors.” Also, bluegrass outfit Seth Mulder & Midnight Run bring a Yellowstone-inspired cowboy number, “Looking Past the Pain (The Cowboy Song).” LA-based singer-songwriter Leeann Skoda debuts “Easy” in our round-up, as well, a new track with plenty of grit – and ’90s rock influences.

Plus, we’ve got a bevy of new music videos! Andy Leftwich performs an instrumental rendition of the gospel classic, “Talk About Suffering,” with an excellent trio. Check out the Hannah Connolly-crafted special live performance for “Worth the Wait,” a song from her most recent album, Shadowboxing. And old-time multi-instrumentalist and songwriter Evie Ladin picks “Walking Up Georgia Row” with fiddler Kieran Towers, celebrating her upcoming project, Ride the Rooster 2.

That’s not all, either! Earlier in the week, the second-to-last installments of the AEA Sessions (featuring Tony Arata this time) and Rachel Sumner’s Traveling Light Sessions (featuring her original “3000 Miles”) premiered on BGS. So you can check out those great performances below, too, and watch for the final edition in each series next week.

All of that musical goodness is right here on BGS – and You’ve Gotta Hear This!

Hannah Connolly, “Worth the Wait” (Live)

Artist: Hannah Connolly
Hometown: Eau Claire, Wisconsin
Song: “Worth The Wait” (Live Performance)
Album: Shadowboxing
Release Date: November 8, 2025

In Their Words: “‘Worth the Wait’ is a song about time, distance, and love. This video was captured last fall in Vienna, when my husband Eric and I were able to be on tour together. I was opening a few shows for his band Young the Giant’s tour and our friend and the band’s photographer, Lupe Bustos, filmed it when we had the afternoon off at the hotel. This song came out of missing Eric while he was on tour, so it was special to be able to capture it while we were traveling together. I’m grateful we were able to record a version of it in such a natural, unplugged form.” – Hannah Connolly

Video Credit: Filmed by Guadalupe Bustos.


Helene Cronin, “Visitors”

Artist: Helene Cronin
Hometown: Dallas, Texas / Nashville, Tennessee
Song: “Visitors”
Album: Maybe New Mexico
Release Date: November 29, 2024 (single); March 7, 2025 (album)

In Their Words: “I got together to write with Cameron Havens and Ben Roberts last year. Ben had the idea of ‘Visitors.’ I immediately loved it, because I like songs that tell the truth. That truth being, we all got here the same way, we’re all leaving the same way, and it’s what we do with the time in between those events that’s most important. How do we treat each other? How do we care for this ‘place made of stardust and gold’ where we’ve landed? What really matters: possessions, time, relationships?

“But the song avoids being preachy, speaking from a level playing field. No one is above anyone else. ‘We all got a seat at the table, pull up a chair, there’s room for plenty more.’ I like the inclusiveness of that; it’s an invitation I want to be part of.

“When I sing this song, I envision a huge, ever-expanding supper table where all are welcome, none are left out in the cold. Shouldn’t we just remember our manners? Wipe your feet and c’mon in!” – Helene Cronin

Track Credits:
Helene Cronin – Lead vocal
Bobby Terry – Acoustic guitar, pedal steel
Paul Eckberg – Drums, percussion
Matt Pierson – Bass
Charlie Lowell – Mellotron, keys
Caitlin Anselmo & Matt Singleton – Background vocals
Mitch Dane – Production, engineering, mixing
David Diel – Production assistant
Sputnik Sound, Nashville – Studio
Mastered by Kim Rosen, Knack Mastering.


Evie Ladin & Kieran Towers, “Walking Up Georgia Row”

Artist: Evie Ladin featuring Kieran Towers
Hometown: Baltimore, Maryland to Oakland, California
Song: “Walking Up Georgia Row”
Album: Riding the Rooster 2
Release Date: November 19, 2024
Label: Evil Diane Records

In Their Words: “Six years and one pandemic to the day since Riding the Rooster came out – my popular first edition of clawhammer banjo/fiddle duets with 17 different fiddlers around the country. Riding the Rooster 2 features 17 new and different fiddlers, from old-time stars like Bruce Molsky and George Jackson to bluegrass maven Laurie Lewis, Cajun master David Greely, and excellent fiddlers known deeply in their old-time subcultures around the world.

“Having released many records of my original songs, this project sits firmly in the wheelhouse of my upbringing and ongoing community. My favorite thing in this milieu is to sit down with a fiddler and launch fast into some crooked tune I’ve never heard. Every cell kicks in and the experience is much like I imagine riding a rooster to be – visceral, in the moment, somewhat off-the-chain. ‘Walking Up Georgia Row’ is a raging duet with London fiddler Kieran Towers, recorded in a cow pasture at the Crossover Festival in England. Kieran and I met at Clifftop in West Virginia, playing in the very early morning hours before he had to head back to the UK, and it was a joy to reconnect a few years later, and invite him to be a part of this record. Also, this tune and the album are being released while I’m on a packed two-week tour of the UK, with only one fiddler, Sophie Wellington.” – Evie Ladin


Andy Leftwich, “Talk About Suffering”

Artist: Andy Leftwich
Hometown: Carthage, Tennessee
Song: “Talk About Suffering”
Release Date: November 15, 2024
Label: Mountain Home Music Company

In Their Words: “Life can deliver some hard blows and no one is exempt from troubles and trials. We read in Matthew 11:28 where Jesus said, ‘Come unto me, all ye that labour and are heavy laden, and I will give you rest.’ He offers us peace in the middle of our storm and a confidence knowing we don’t have to walk through it alone. As bad as it can seem sometimes, there is always something to hold onto. We talk about suffering here below, but let’s keep following Jesus.” – Andy Leftwich

Track Credits:
Andy Leftwich – Fiddle, mandolin
Byron House – Upright bass
Cody Kilby – Acoustic guitar


Seth Mulder & Midnight Run, “Looking Past the Pain (The Cowboy Song)”

Artist: Seth Mulder & Midnight Run
Hometown: Sevierville, Tennessee
Song: “Looking Past the Pain (The Cowboy Song)””
Album: Coming On Strong
Release Date: November 15, 2024 (single); Spring 2025 (album)
Label: Rebel Records

In Their Words: “I had just finished binge-watching Yellowstone and felt inspired to write a cowboy song. However, I wanted the song to feel personal and unique and the best way to do that was to draw from my own experiences with a touch of imagination. Growing up in North Dakota, I spent a lot of time around horses, training with my grandfather, competing in 4H and horse shows. After college, I moved back to North Dakota and worked at a camp as a horse trainer and ranch hand. That experience rekindled my passion for working with horses – a passion that almost became my career instead of music. So, it only made sense that I would eventually write about that lifestyle. Once I had a solid foundation for the song, I knew it had potential but I wanted it to be perfect. I reached out to my good friend Seth Waddington from The Waddington Brothers. He helped me refine it, giving the lyrics that old-school cowboy feel I was after.” – Seth Mulder

Track Credits:
Seth Mulder – Mandolin, lead vocal
Colton Powers – Banjo, tenor vocal
Chevy Watson – Guitar, baritone vocal
Tyler Griffith – Upright bass
Max Silverstein – Fiddle


Penny & Sparrow, “Jeopardy”

Artist: Penny & Sparrow
Hometown: Florence, Alabama / Waco, Texas
Song: “Jeopardy”
Album: Lefty
Release Date: November 15, 2024
Label: I Love You / Thirty Tigers

In Their Words: “‘Jeopardy’ is about knowing someone perfectly. It goes beyond tracking their needs & preferences & peccadillos. It grows into a kind of loving memorization where you can almost see the future. Whether it’s romantic, friendly, or familial, there’s something gorgeous about that kind of ‘knowing someone.'” – Penny & Sparrow


Leeann Skoda, “Easy”

Artist: Leeann Skoda
Hometown: Los Angeles, California / Phoenix, Arizona
Song: “Easy”
Album: Now I See Everything
Release Date: November 15, 2024

In Their Words: “I channeled some anger into this song. When I wrote it, I was feeling resentful of the time and energy I’ve spent trying to be easygoing because I thought it was the only acceptable way for me to be in the world. It’s how so many women feel or have felt. There’s this dichotomy because the song feels “easy” and almost light to me. I think it came out that way because it’s cathartic and freeing to put these feelings into music. Like a lot of my songs, there is plenty of ’90s rock influence in this one.” – Leeann Skoda

Track Credits:
Leeann Skoda – Vocals, guitar
Brad Lindsay – Guitar
Nick Bearden – Bass
Ed Benrock – Drums
Brian Whelan – Background vocals
Produced, Recorded and Mixed by Andy Freeman at Studio Punchup! in Nashville.
Background vocals recorded by Aaron Stern at Verdugo Sound.
Mastered by Gentry Studer.


AEA Sessions: Tony Arata, Live at Americanafest 2024

Artist: Tony Arata
Hometown: Savannah, Georgia
Songs: “When I Remember You,” “Here I Am,” “The Dance,” “Getting Older”

In Their Words: “My hometown is Savannah, Georgia, but I grew up on nearby Tybee Island, which I always claim as my hometown. Jaymi and I have been in Nashville since 1986.

“The shoot was done in one of my favorite places I’ve ever worked – Bell Tone Studios in Berry Hill (Nashville, Tennessee), and could not have been easier nor more relaxed. I know I met you, Julie, for the first time that day, but you made me feel like an old friend. And though I’m not a gear-head, the mics were super cool! Thank you for making and representing great stuff. And I love Roger Nichols, my only hope is that he never realizes how talented he is, because he might be hard to live with! He is a truly brilliant musician/engineer/producer/human.” – Tony Arata

More here.


Rachel Sumner, “3000 Miles”

Artist: Rachel Sumner & Traveling Light
Hometown: Boston, Massachusetts
Song: “3000 Miles” (Traveling Light Sessions)
Album: Heartless Things 
Release Date: November 14, 2024 (video); May 10, 2024 (album)

In Their Words: “‘3000 Miles’ is an autobiographical song that traces my journey from the deserts of California to Boston, the place I now call home. Growing up, the Mojave felt confining to me and I always sensed that I’d need to leave to find myself. This song is a rambler’s road song, shaped by years of searching. However, it took the stillness of lockdown to finally finish it – when I couldn’t travel anywhere. That pause gave me the chance to look back and make sense of all the miles I’d put behind me.” – Rachel Sumner

More here.


Photo Credit: Andy Leftwich by Erick Anderson; Leeann Skoda by Anna Rochelle Imagery.

You Gotta Hear This: New Music From Gangstagrass, Jaelee Roberts, and More

This week, it’s a tale of two Mothers in our premiere round-up! First, Gangstagrass bring us their latest single, “Mother,” ahead of their full album release next week, then Portland, Oregon-based string band Never Come Down bring us their own track, “Mother,” performed live at Ear Trumpet Labs. The serendipitously themed selections couldn’t be more distinct and unique, relative to the other, demonstrating the depth and breadth of these roots genres.

Plus, elsewhere in our collection of new music, hear fresh tracks from Jaelee Roberts, Kate Prascher, Karen Jonas, and Eddy Lee Ryder – a taste of bluegrass, a dash of singer-songwriter, a heaping helping of reckless abandon, and so much more.

It’s all right here on BGS and, honestly, You Gotta Hear This!

Gangstagrass, “Mother”

Artist: Gangstagrass
Hometown: All over the USA! Rench: Brooklyn with Oklahoma roots; Dolio the Sleuth: Pensacola, Florida; R-SON the Voice of Reason: Philly; Danjo: Washington, D.C.; Farrow: Omaha; Sleevs: Baltimore.
Song: “Mother”
Album: The Blackest Thing on the Menu
Release Date: June 7, 2024 (single); June 14, 2024 (album)
Label: Rench Audio

In Their Words: “It started as a poem I wrote one day on tour. We were in the north of France, and just as described, I was sitting under a tree looking around me thinking about the world, our place in it, and what major changes we’d have to make in order to ensure the survival of humanity. My younger brother was actively deployed at the time and since my family has generations of men who’ve served, including my father, grandfather, great-grandfather, and numerous uncles and aunts and cousins, there is always real concern about why the country is involved in active aggression, especially when that same country is obsessed with committing violence against its own citizens, my community in particular. I shared it with the crew, and Rench cooked up a haunting oeuvre.” – Dolio the Sleuth


Karen Jonas, “Gold in the Sand”

Artist: Karen Jonas
Hometown: Fredericksburg, Virginia
Song: “Gold in the Sand”
Album: The Rise and Fall of American Kitsch
Release Date: June 7, 2024 (single); August 9, 2024 (album)
Label: Yellow Brick Records

In Their Words: “My dreamy Las Vegas wedding song; it’s an against-all-odds love story, a starry-eyed late-night wedding, the sweet optimism of love at first sight. I pictured a very zoomed-out and very zoomed-in Vegas as I wrote this, a drone image of a city rising from the desert and her hand tightly in his as they walk down the neon-lit midnight strip. We stumbled into Benji Porecki’s bittersweet piano intro during our live-in-the-studio recording session, with fiddle by Bobby Hawk and a tearing solo by guitarist Tim Bray capturing the intimacy and boldness of this love story. The monochromatic gold-washed video by videographer Ryan Poe feels like a retro dream sequence, pairing performance with delicate details.” – Karen Jonas

Track Credits: Written by Karen Jonas.
Karen Jonas – Vocals, acoustic guitar
Tim Bray – Electric guitar
Benji Porecki – Piano
Bobby Hawk – Fiddle
Seth Morrissey – Bass
Ben Tufts – Drums
Ahren Buchheister – Pedal steel

Video Credit: Ryan Poe at Oddbox Studios in Fredericksburg, Virginia

Never Come Down, “Mother”

Artist: Never Come Down
Hometown: Portland, Oregon
Song: “Mother”
Album: Greener Pastures
Release Date: June 7, 2024

In Their Words: “I wrote ‘Mother’ after finding myself living back at home, at my Mom’s house, and with my sister there, too. I had just left an emotionally turbulent relationship and was kind of broke and starting over at 29, but also extremely hopeful and grateful that I had my life back and could decide what I wanted to do with it. Having my sister and my mother around was really important for me at that time, to get me back to a place of feeling unconditionally loved and safe. The song came out of my subconscious need for those women to tell me what to do and to be there for me as I figured out what to do.

“I feel like it’s a really simple song, actually. I think most of us can relate to needing a parent or a mother figure or somebody that’s not family that’s a mother figure to be guided by. In this day and age, we all need mentors and guides more than ever and the age old wisdom of women, of mothers, of nurturers, of ‘kissing it to make it better’ and softness and the divine feminine.

“I hope all that comes through in this song. Because when I was writing it I wasn’t thinking about all those things, I was just singing my own little mantras out of my head, things that were just making me feel safe and loved. I hope this song makes people feel safe and loved. I hope people relate to it in all the ways that we relate to our mothers. Sometimes it’s hard, sometimes it’s lovely. I think if we all lived like our mothers were still watching over us or were in their presence, we’d all be happier and kinder human beings.” — Crystal Lariza

Video Credit: Ear Trumpet Labs


Kate Prascher, “Mary Ellen”

Artist: Kate Prascher
Hometown: Hudson Valley, New York
Song: “Mary Ellen”
Album: Shake The Dust
Release Date: August 30, 2024

In Their Words: “This song names the sensations of a summer’s day when she decides to leave, a taxi ride and the cigarette smoke that both soothes her and sets her free. Banjo and drums and the steady rhythm of driving wheels.” – Kate Prascher


Jaelee Roberts, “Georgia Rain”

Artist: Jaelee Roberts
Hometown: Nashville, Tennessee
Song: “Georgia Rain”
Release Date: June 7, 2024
Label: Mountain Home Music Company

In Their Words: “I wrote ‘Georgia Rain’ after experiencing my first breakup/heartbreak when I was 16 years old. Interestingly enough, I had the melody come to me first and then the lyrics, which isn’t the normal songwriting process for me. I really do love this melody and the little twist in the chord structure. If you know me or have followed my musical journey so far, you know that I absolutely love a good ole heartbreak song and having rain be part of the scenario makes a heartbreak song even more lonesome and sad! When I wrote ‘Georgia Rain’ it really came to me like a movie and the words are really visual and I hope that y’all will be able to hear it and see it along with me when you listen.” – Jaelee Roberts

Track Credits:
Jaelee Roberts – Vocals
Stephen Mougin – Harmony vocal
Byron House – Bass
Cody Kilby – Acoustic guitar
Andy Leftwitch – Mandolin
Stuart Duncan – Fiddle
Ron Block – Banjo
John Gardner – Drums


Eddie Lee Ryder, “Bad Decisions”

Artist: Eddy Lee Ryder
Hometown: Woodstock, New York (current); Irvington, New York (hometown)
Song: “Bad Decisions”
Album: Sweet Delusions
Release Date: June 6, 2024 (single); July 19, 2024 (album)

In Their Words: “The song is a collection of fragments from a story marked by a string of bad decisions, beginning with falling for someone who misled me about their relationship status. However, the song sat in the dust-bin for a long time until I knew it would ultimately be a story about crashing and burning. I began noticing his intense jealousy, which you will find in lines woven into the song like, ‘Don’t ask me how I know those guys you wouldn’t like to know.’ The song is about being reckless and wild, which is the state we were in when we fell for each other. But when I was ready to move past being reckless and wild, to just stay home and watch crime shows together, that’s when he left. So anyways, I’m back to making ‘Bad Decisions’ and it’s going great.” – Eddy Lee Ryder

Track Credits: Written by Eddy Lee Ryder.
Produced, Engineered, mixed by Dave Cerminara.
Mastered by Adam Ayan.

Daniel Chae – Bass, guitar
Dan Bailey – Drums
Eddy Lee Ryder – Vocals
Rich Hinan – Pedal steel
Todd Caldwell – Organs


Photo Credit: Gangstagrass by Melodie Yvonne; Jaelee Roberts by Eric Ahlgrim.

LISTEN: Buddy & Julie Miller, “I’ll Never Live It Down”

Artist: Buddy & Julie Miller
Hometown: Nashville, Tennessee
Song: “I’ll Never Live It Down”
Album: In The Throes
Release Date: September 22, 2023
Label: New West Records

In Their Words: “This is a song about capricious love and the heartbreak it brings. Sometimes Julie will write a song for me and I need to live in it a while – both as a singer and guitar player. We recorded the ‘demo’ in the upstairs studio that pocket doors open into from our bedroom. Julie couldn’t help but hear as I learned and tried to develop the song and she was quick to correct me when I strayed from her melody – even the tiniest bit. She’s usually not like that, but with this song she wanted the melody exactly how she wrote it. I normally honor the melody, every note is there for a reason, but sometimes a little turn or flourish sneaks in. Not on this song. It took me a while to get a guitar/vocal I could listen back to without cringing. Not cringing is my measure of success. I don’t like listening to myself sing.

“I added a simple piano and I was OK enough with this upstairs ‘demo,’ and didn’t think I could beat it. I am accustomed to recording ‘live’ in a room with all the musicians. I dig looking at and responding to each other as the track is recorded. But not this time, I let my ‘demo’ play back while Viktor Krauss, Tim Lauer and Fred Eltringham played to it. I sat in the control room with Mike Poole and Julie and listened. A different experience for me and actually more enjoyable. There’s all kinds of ways to make a record. That’s how we made this one. I hope you like it.” – Buddy Miller


Photo Credit: Jeff Fasano

Harmonics with Beth Behrs: Beth Behrs & the Brothers Koren, ‘The Moon Will Stay’

Beth Behrs, host of the BGS podcast Harmonics, is premiering her new album with the Brothers Koren, The Moon Will Stay – now available on Bandcamp.


LISTEN: APPLE • SPOTIFY • STITCHERAMAZON • POCKET CASTS • MP3

The project was originally intended to be purely therapeutic, a merging of Behrs’ personal poetry and the Korens’ music it inspired. But over time, with the growth of the Harmonics community and a decision to be more vulnerable with her listeners, Behrs decided to release the album via Bandcamp, donating the proceeds to three organizations near and dear to her heart:

Songwriting with Soldiers provides weekend retreats across the U.S. for veterans who have served in all conflicts. Since 2012, they’ve connected with hundreds of veterans and military families, and created a safe and inspiring environment to share their experiences and write with professional songwriters, like Mary Gauthier, a guest on Season 1 of Harmonics.

Jewel’s Never Broken program, in partnership with the Inspiring Children Foundation, aides struggling children through mental health support, mentoring, education, and equip them with life skills and tools to earn college scholarships. Jewel will be the first guest on Season 2 of Harmonics, premiering next week.

The Equus Foundation is the only national animal welfare foundation in the U.S. that is 100% dedicated to protecting the country’s horses, and strengthening the bond between horses and people. Their mission is to safeguard the dignity of America’s horses throughout their lives, and to share the ability that horses have to empower, teach, and heal. Equine therapy has had a huge impact on host Beth Behrs’ and her family’s lives — horses have been instrumental in her mental health and loving connection within her family.

Subscribe to Harmonics to stay in the loop for Season 2, premiering on Tuesday, March 9, featuring guests like singer-songwriter Jewel, legendary comedian and entertainer Carol Burnett, renowned singer and actress Kristin Chenoweth, and so many more incredible guests!


Follow @harmonicspodcast on Instagram for more updates on these incredible organizations, and to stay updated on the podcast.

Album Art: Hana Behrs

The BGS Radio Hour – Episode 189

For the first time, we are so excited to bring to you the BGS Radio Hour in podcast form! Since 2017 the BGS Radio Hour has been a weekly recap of the wonderful music, new and old, that we’ve covered here on BGS. Check back in every Monday to kick your weeks off with the best of BGS via the BGS Radio Hour.


LISTEN: APPLE MUSIC

Shemekia Copeland – “Clotilda’s on Fire”

Highly awarded modern blues artist — and our current Artist of the Month — Shemekia Copeland brings us a new release, Uncivil War, offering us a number of topical songs with perspectives on gun violence, LGBTQ+ rights, and more.

StillHouse Junkies – “Mountains of New Mexico”

Colorado-based StillHouse Junkies bring us a classic murder ballad inside an ode to the American West.

Marc Scibilia – “Good Times”

Recent 5+5 guest Marc Scibilia brings us a song from his new release, Seed of Joy.

Leyla McCalla – “Song for a Dark Girl”

Leyla McCalla (who you may know from folk supergroup Our Native Daughters) brings us a song from her new Smithsonian Folkways re-release, Vari-Colored Songs: a Tribute to Langston Hughes.

My Darling Clementine – “I Lost You”

UK-based duo My Darling Clementine brings us a new interpretation of an Elvis Costello/Jim Lauderdale co-write.

The Caleb Daugherty Band – “Daylight’s Burning”

The Caleb Daugherty Band pays tribute to Aubrey Holt of the acclaimed Boys From Indiana with a cover of “Daylight’s Burning.”

Madison Cunningham – “The Age Of Worry”

Madison Cunningham is back on BGS with a brand new EP, Wednesday, an interpretation of a handful of cover songs chosen by the California-based singer, songwriter, and guitarist.

Adam Hurt – “The Scolding Wife”

“Clawhammerist” Adam Hurt was a recent feature on Tunesday Tuesday with a solo gourd banjo rendition of “The Scolding Wife.”

The Avett Brothers – “Victory”

Everyone’s favorite roots music brothers — that is, the Avett Brothers — are back with The Third Gleam, a follow up to the first and second Gleam EPs. Much like their earlier sounds, the new record is stripped down, with timely discussions of gun violence, mortality, and the human condition. Check out our conversation with Scott, Seth, and Bob Crawford.

Jeff Cramer and the Wooden Sound – “Aimless Love”

Denver-based singer-songwriter Jeff Cramer brings us an edition of The Shed Sessions along with his band the Wooden Sound, and a wonderful tribute to the late, great John Prine.

Max Gomez – “He Was a Friend of Mine”

Regular friend of BGS, Max Gomez brings us a timely, social justice-inspired song.

Mipso – “Your Body”

Pop string band Mipso is just one of so many great North Carolina groups that we’re proud to feature this month in our Made in NC playlist for #NCMusicMonth!

Julian Taylor – “Love Enough”

Julian Taylor was the guest of honor on our most recent episode of Shout & Shinea series that serves as a platform for Black, Brown, Indigenous, Asian, LGBTQ+, and disabled musicians, who are so often marginalized in genres to which they’ve constantly contributed.

Tony Trischka – “Carry Me Over The Sea”

Quintessential banjo legend Tony Trischka was featured this week with a new single from his 2021 release, Shall We Hope, that also features Irish singer Maura O’Connell.

Susan Werner – “To Be There”

Like many, Susan Werner is currently hoping for better times. And better times is what this Carter Family-inspired number is all about.


Photo credit: (L to R) Tony Trischka by Zoe Trischka; Shemekia Copeland by Mike White; Leyla McCalla by Rush Jagoe.

The Show On The Road – David Bromberg

This week, The Show On The Road features living folk-blues legend and underground guitar icon David Bromberg.


LISTEN: APPLE PODCASTS • MP3

Host Z. Lupetin got to speak with the now 74-year-old Bromberg in a hotel room before the pandemic shutdown, prior to Bromberg playing a show at the El Rey Theatre in Los Angeles back in February, 2020.

Coming out of the fertile Greenwich Village scene on the heels of Bob Dylan, Ramblin Jack Elliot and other shaggy troubadour-storytellers, Bromberg’s encyclopedic knowledge of American songwriting traditions made him a coffee house wunderkind who refused to be pigeonholed in one genre. By the age of thirty, Bromberg was the go-to guitarist for Dylan, Willie Nelson, John Prine and Ringo Starr, and he could be found jamming at dinner parties with George Harrison.

A man of many interests and talents, Bromberg actually stepped away from performing for nearly two decades at the height of his notoriety, moving to Chicago to learn how to build and then appraise violins. He became obsessed with identifying the best instruments just by sight, and even opened a respected instrument shop in Wilmington, Delaware called David Bromberg Fine Violins.

He returned after twenty two years off the road with the triumphant and Grammy-nominated Try Me One More Time in 2006, and has assembled an energetic band of friends that continues to join him on his new, high energy offerings.

Bromberg’s muscular and ever genre-bending 2020 release, Big Road pays homage to his heroes like Charlie Rich and 1930’s bluesman Tommy Johnson, but also injects heavy doses of swampy rock, horn-heavy funk, and good-humored, folk storytelling along the way.

Stick around to the end of the episode to hear him play a new acoustic tune called “Buddy Brown’s Blues.”


LISTEN: Steep Canyon Rangers with Asheville Symphony, “Radio”

Artist: Steep Canyon Rangers with Asheville Symphony
Song: “Radio”
Album: Be Still Moses
Release Date: March 6, 2020
Label: Yep Roc Records

In Their Words: “We’ve been lucky to perform these songs with some great conductors over the last few years, but the opportunity to record them with our hometown symphony and the combination of [producer] Michael Selverne and [arranger] Michael Bearden was too good to pass up. They brought the arrangements to life and helped reimagine some of our older tunes. We’re so grateful for everyone’s efforts in making it happen. To hear the power and sweep of a full symphony behind these songs is truly amazing.” — Graham Sharp, Steep Canyon Rangers

“It was such a cool yet unusual experience to work as a band on a collection of songs we’ve recorded over the years and have performed live hundreds of times, by adding the ASO and producer Michael Selverne. This brought the songs to a new place with an entirely new life and sound. We also recorded with the band in a truly live setting to capture the energy of the performance.” — Woody Platt, Steep Canyon Rangers


Photo credit: David Simchock