BGS WRAPS: Phoebe Hunt & The Gatherers, “December Again”

Artist: Phoebe Hunt & The Gatherers
Song: “December Again” (single)

In Their Words: “When we made the video for ‘December Again’, all I wanted to do was send it out the very next day. It’s so odd to know a piece of art exists and to not be able to share it. Alas, it was already almost January at that point and I figured it would come around again.

“To be completely honest, I never even thought this song would leave my journal. I love writing and have tons of nameless songs that just pop out and then never see the light of day. But, then something happens that sparks enough creative spirit to write out a chord chart and teach it to the band… Sometimes that part is the hardest because it takes a lot of vulnerability to open up your diary and share it.

“Felt like if we were gonna add to the shuffle of what is played in the airwaves at this time of year, it was important to include everyone, but still honor the profound spiritual connection that is brought out this time of year. Music is that thread. It’s what holds us all together.” — Phoebe Hunt

Steep Canyon Rangers Salute Their State on ‘North Carolina Songbook’

Steep Canyon Rangers have been musical ambassadors of North Carolina for nearly 20 years, and during this year’s set at MerleFest, they presented a wide-ranging performance drawing on their home state’s diverse contributions to American music. That feel-good Sunday afternoon show is now available as an eight-song live album, North Carolina Songbook.

The collection covers inspirations from jazz musician Thelonious Monk, folk/blues hero Elizabeth Cotten, and enduring acoustic legends such as Doc Watson and Flatt & Scruggs. Replying by email, mandolin player Mike Guggino answered these first five questions, with singer/guitarist Woody Platt rounding up the remainder.

BGS: The music of North Carolina can be an overwhelming subject. What was the audition process, so to speak, when it came time to deciding which songs you wanted to include in your set?

Guggino: We all tried to come to the table with songs that we thought might work for the set. We knew we needed not only good songs, but also songs that worked well together to make the set flow. We needed the set to have some diversity, some highs and lows dynamically. We also wanted to feature different members of the band throughout the show.

These songs are familiar, of course, but how much did you rehearse the set list before singing at MerleFest?

We starting working on the tunes a few months before the show. We tried to incorporate many of the tunes into our shows leading up to MerleFest to get an idea of how they worked within the set.

Naturally it’s important to have Doc Watson and Rosa Lee Watson represented. How often did you cross paths with them, and what do you remember most about them?

We all started going to Merlefest in our college years and Doc would perform every year. Seeing him play live was always a highlight of the festival for us. His was some of the first bluegrass/Americana music many of us in the band were ever exposed to. We starting learning many of Doc’s tunes for our shows early on as a band. Many years later, Doc played our festival (Mountain Song Festival) in Brevard. He was one of the nicest musicians I have ever met. It was an honor to meet him and none of us will ever forget that experience!

“Don’t Let Your Deal Go Down” is a bluegrass staple. Do you remember how you all first heard that song?

That was one of the first Flatt & Scruggs tunes we ever heard or tried to learn. I’ve always loved the ragtime-like chord changes in that tune. Also, Earl played it open and the tune is in F major. It definitely gives it a unique sound on the banjo. I think Graham played the heck out of that one on the record!

What were the conversations like as you were deciding what kind of arrangement you wanted to give “Stand by Me”

We all agreed we wanted to feature that beautiful string solo section in the middle. This required a few extra fiddlers to make it happen and it came off so nicely. Woody really sings it with a lot of passion and that is really what makes the song work, in my opinion. We didn’t end up straying too far from the original arrangement in the end. It’s a simple song and we didn’t want to overthink it.

True to its name, “I’ve Endured” has been around a while. What pulled you toward this song?

Platt: This song was a natural fit — not only was Ola Belle Reed a clawhammer banjo player from Grassy Creek in Ashe County, North Carolina, but this song and several of her others have been pulled into the bluegrass genre. We have heard several versions of “I’ve Endured” and we are proud to now have our own.

This album is coming out on vinyl on Record Store Day. Who is the biggest vinyl collector among you?

Everyone in the band has an interest in vinyl and has a nice collection. Without doing an exact count I’d have to say Graham [Sharp, on banjo] is the biggest collector.

“Sweet Baby James” is a highlight of this album. Who is the biggest fan of James Taylor in the band?

James is from Chapel Hill, North Carolina, where the band was originally formed. All of us have connections to his music in some way or another. I’d guess Barrett [Smith, on bass] is the biggest fan. He did a great job channeling James’s vibe and delivery on this version.

North Carolina Songbook provides a chance for you to share part of your state’s musical heritage with the world. What do you hope fans will take away from the experience of listening to this album?

The takeaway is North Carolina’s incredibly rich and diverse musical history! Also, we have recorded nearly 100% of our own original music throughout our career — so it’s fun to show a different side of the band and how we can interpret other songs and deliver them in the SCR style.

What lies ahead for the Steep Canyon Rangers in 2020?

We have a few new projects coming up in 2020. A collaboration with the Asheville Symphony will be released in early 2020. Later in the year we will be releasing a new project of all original SCR material. Other than that we plan to continue to tour and play theaters, clubs, and festivals all over the country and abroad. There will also be some touring with our banjo buddy Steve Martin.


Photo Credit: David Simchock

LISTEN: Ben Krakauer, “Heart Lake”

Artist: Ben Krakauer
Hometown: Black Mountain, North Carolina
Song: “Heart Lake”
Album: Heart Lake
Release Date: December 17, 2019
Label: Blue Hens Music

In Their Words: “I wrote ‘Heart Lake,’ along with the rest of the tunes on this album, with these particular musicians in mind. ‘Heart Lake’ was my attempt at a fiddle tune, which morphed into something different by the time I finished writing it. Like John Hartford’s string band records, it shifts in texture every 16 or 32 bars. It’s named for one of my favorite places, near Mt. Shasta, California. Featuring Duncan Wickel on fiddle, Nick Falk on drums, and Dan Klingsberg on bass.” — Ben Krakauer


Photo credit: Laura Ogburn

WATCH: Che Apalache Tell the Stories of Dreamers

Some songs have a message too important to ignore. In a moving song and poignant video, Argentinian string band Che Apalache tell the story of one immigrant boy and his family residing in North Carolina. By singing of the struggles of one Moises Serrano in “The Dreamer”, Che Apalache share the experience of so many thousands of immigrants living in the U.S.

Serrano is actually a close friend of Che Apalache frontman Joe Troop; having grown up together in North Carolina, the two became fast friends over their shared Appalachian roots and prominent roles as queer activists in a sometimes culturally narrow part of the country. The song is the lead single on Che Apalache’s new Béla Fleck-produced album on Free Dirt Records, Rearrange My Heart. While the song — and video — may be heartbreaking, their message comes at a pivotal time in the history of our country’s government.

If you would like more of this impactful content, Serrano is also the subject of a documentary titled Forbidden: Undocumented and Queer in Rural America. In a time of so much political discord, we are thankful that music can subvert the noise and bind us, one human to another.

Watch “The Dreamer” here on BGS.


Photo credit: Mauro Milanich and Andrés Corbo

WATCH: Mile Twelve, “Whiskey Trail”

Artist: Mile Twelve
Hometown: Boston, Massachusetts
Single: “Whiskey Trail”
Release Date: November 15, 2019
Label: Delores the Taurus Records

In Their Words: “Our bass player Nate brought this energetic Los Lobos song to the band nearly a year ago, and it has slowly but surely become one of our favorites to perform. Even though originally imagined for electric instruments, we think the bluegrass outfit suits the music well. Now we’re excited to be releasing this song as a studio single! To celebrate the premiere we made this live video of our arrangement performed at the Fox Bar & Cocktail Lounge in Nashville, Tennessee, and filmed by the amazing Alex Chaloff. What better place to film a song about hard liquor than this, right?” — David Benedict, Mile Twelve


Photo credit: Kaitlyn Raitz

WATCH: Greensky Bluegrass, “Wish I Didn’t Know”

Artist: Greensky Bluegrass
Hometown: Kalamazoo, MI
Song: “Wish I Didn’t Know”
Album: All for Money
Release Date: January 18th, 2019
Label: Big Blue Zoo Records

In Their Words: “I think the panoramic views inspired our playing and put us in a good mood for a relatively cold video shoot. It was gorgeous up there! We spent about three days hiking up to this spot with all of our gear for this video shoot… it was hard, but really worth it. No, I’m just kidding. We took all of our gear up in the gondola and it was pretty easy. All the folks who work at Squaw Valley were super helpful and awesome. The only hard parts were trying to keep instruments in tune in the cold and changing weather, keeping our hands warm, hearing each other while playing on top of a mountain, and looking cool in puffy coats. That’s all!” — Anders Beck, resonator guitarist

Don’t miss WinterWonderGrass 2020 in Steamboat Springs, CO, Squaw Valley, CA, and Stratton, VT.


Photo credit: Dylan Langille

STREAM: The Infamous Stringdusters, ‘Live From Covington Kentucky’

Artist: The Infamous Stringdusters
Album: Live From Covington Kentucky
Release Date: November 15, 2019
Label: Tape Time Records

In Their Words: “I remember walking off stage that night in Covington, Kentucky and everyone in the band feeling like everything connected. The crowd, the music, the band — all felt like one for the night, and so we decided right then and there to release this show. [I] took the files to my studio and remixed the show, intentionally leaving as much audience in the mix as I could because, as in all our shows, I felt like they were as big a part of the energy as anything else. The goal was to bring the feeling of actually being at the show in to the mix. We believe it succeeded and, hope everyone can feel the love and gratitude we have for our fans in this release.” — Andy Falco, The Infamous Stringdusters


Photo Credit: Tony Hume

LISTEN: Wood & Wire, “Left My Girl Behind”

Artist: Wood & Wire
Hometown: Austin, Texas
Single: “Left My Girl Behind”
Release Date: November 15, 2019
Label: The Next Waltz

In Their Words: “This is a traditional tune that we learned from Levon Helm — one of our favorite artists of all time. It’s also called ‘The Girl I Left Behind.’ Outside of bluegrass, we all have different (maybe even more prominent) musical influences. It’s those collective outside influences that really drive our sound. The result is us writing and playing tunes with grooves and feels that people wouldn’t expect from an ensemble like ours. The way Levon did this tune, with a funky backbeat groove, really speaks to us and it’s just a blast to play.

“It’s always our preference to record as organically as possible, working on vibes and performance. We don’t use a click track and we like to move with each other musically. Out at the bunker with Bruce [Robison], the team, and no computers, that’s the only way it goes down. We’ve been performing this one for a while so it was pretty simple — get in there and play the song like we’ve always played it.”


Photo credit: Spencer Peeples

WATCH: Unspoken Tradition, “Cold Mountain Town”

Artist: Unspoken Tradition
Hometown: Western North Carolina
Song: “Cold Mountain Town”
Album: Myths We Tell Our Young
Label: Mountain Home Music Company

In Their Words: “For the album Myths We Tell Our Young, we explore themes of mountain culture and how it is evolving. There is no better example than Asheville, North Carolina. I’ve lived and played music in this city for over 25 years and watched it change and grow while still holding strong to its rich Appalachian music culture. This song is dedicated to artists that continue to struggle and survive in this ‘Cold Mountain Town.'” — Ty Gilpin, Unspoken Tradition songwriter, mandolin player, and vocalist


Photo credit: Sandlin Gaither

LISTEN: Mike Block, “Walls of Time”

Artist: Mike Block
Hometown: Overland Park, Kansas.
Song: “Walls of Time & Glory in the Meeting House”
Album: Walls of Time
Release Date: November 8, 2019
Label: Bright Shiny Things

In Their Words: “I really enjoyed mashing this bluegrass song up with an old-time fiddle tune. We used sections of the fiddle tune to replace the improvisational breaks in the bluegrass song, and Bruce Molsky even used a special instrument with sympathetic strings to capture an otherworldly sound. He also detuned to play in a different key than usual. My favorite aspect of the arrangement was getting the harmony vocals to toggle back-and-forth between major and minor in the choruses. We tried to give it a dramatic arc by massively re-harmonizing the final chorus before kicking up the tempo for the final fuddle tune break. I hope everyone enjoys this unique approach!” — Mike Block


Photo credit: Michelle Gendreau