The Other 22 Hours: Suzy Bogguss

How does an artist outlast the industry machine to build a career entirely on her own terms? We sit down with GRAMMY-winner, 1989 ACM Top New Female Vocalist, and 1992 CMA Horizon Award recipient Suzy Bogguss to explore the evolution of her 40-year career, which includes platinum records and her 2026 induction as a member of the Grand Ole Opry. Our conversation is an invitation to reconsider what we all value, moving away from the noise of major label machines and toward a philosophy of quality over quantity, independence, and deep community.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

In This Episode:

– Suzy Bogguss
– Matraca Berg
– Jeff Hanna
– Ep 43 – Gretchen Peters
– Patty Loveless
– Ep 46 – Mary Chapin Carpenter
– Capitol Records
– CAA
– Kathy Mattea
– Folk Alliance
– Ep 16 – Rodney Crowell
– Chet Atkins

Go Deeper:

Watch: View this entire conversation on YouTube.
Explore: Find similar conversations in these themed playlists.
Connect: Join the conversation on Instagram.

The Other 22 Hours is hosted by Aaron Shafer-Haiss (producer, mixer, musician) and Michaela Anne (songwriter, artist, creative coach). More about Aaron’s work. More about Michaela Anne’s work.


Produced by Aaron Shafer-Haiss. Original music written, performed and produced by Aaron Shafer-Haiss.

Photo Credit: Doug Crider

The Working Songwriter: Ricky Montgomery

Our guest this week on the Working Songwriter resides in Los Angeles, but spent many of his formative years in St. Louis, Missouri. Ricky Montgomery first built an audience on Vine in his early twenties before releasing his self-titled debut album in 2016. That bedroom pop album was a cult favorite until 2020, when several of its songs exploded on TikTok, leading to a deal with Warner Records.

LISTEN: APPLE • SPOTIFY • LIBSYN • MP3

Montgomery’s singles, “Line Without a Hook” and “Mr. Loverman,” are RIAA-certified platinum and, all told, his catalog has collected more than a billion streams worldwide. That grassroots support has led to headlining tours with stops at the Wiltern in Los Angeles, Irving Plaza in New York City, and the Pageant in St. Louis, to name just a few.

This interview was recorded nearly 18 months ago and has been delayed due to a snafu on my end, but I’m so glad we get to hear it now. I think you’ll very much enjoy hearing about Ricky’s musical journey through his own words.


Photo courtesy of Prelude Press.

Basic Folk: Julian Taylor

One of the things I really enjoyed about interviewing Toronto-born singer-songwriter Julian Taylor is his relationship with the truth. He has a really peaceful attitude towards learning and sharing new information. For example, at the beginning and the end of our interview, there were biographical facts about him that I had gotten wrong in my research. Gently and matter of fact he fact-checked me and we just moved on. It was such a cool example of, “Oh, you’ve got this a bit wrong and it matters that we get it right,” but nothing about that is personal. In an era of misinformation and alternate facts, it feels really grounding to have an hour-long conversation with someone who really cares about getting it right. That shows through in his songs and in his storytelling.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

Julian experienced an eclectic musical upbringing thanks to his classical-and-gospel musician father, his mother’s love of Motown and folk, and wide influences from pop to blues. Oral tradition in his family shaped how he tells a story. Especially on his mother’s side with his Mohawk grandfather, a pastor who told incredible stories. He also discusses being pigeonholed by race and genre. Oftentimes, people will think that he performs a certain type of music because he looks a certain way. He mentions that audiences can be shocked when he pulls out a country song while sporting hair that looks more reggae than Johnny Cash. Taylor discusses his breakthrough 2020 album, The Ridge, he talks about his writing process (often starting with lyrics), and the intent behind his latest release Anthology: Volume Two – including “Hunger,” “Don’t Let ’Em” (with Jim James), “Dedication,” and “Weighing Down” – addressing mental freedom, identity politics, and self-forgiveness.


Photo Credit: Lisa MacIntosh

The Other 22 Hours: Amythyst Kiah

GRAMMY-nominated songwriter Amythyst Kiah has performed with Moby and Billy Strings and is a member of the supergroup Our Native Daughters. She joins us for a startlingly honest look at the “farce of surface-level success.” After a label debut and a whirlwind of global exposure, she found herself “barely hanging on for dear life” amidst the pressure of a rat race industry. We explore her journey to achieve detachment from outcomes, writing for sync licensing as a creative recharge, and the ancient wisdom that helped her trade the self-improvement doom loop for a slower, sustainable creative life.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

In This Episode:

– Amythyst Kiah
– Our Native Daughters
– Brian Eno
– Music for Airports
–
Allison Russell
– Tao Te Ching
– Marcus Aurelius
–  Siddhartha

Go Deeper:

Watch: View this entire conversation on YouTube.
Explore: Find similar conversations in these themed playlists.
Connect: Join the conversation on Instagram.

The Other 22 Hours is hosted by Aaron Shafer-Haiss (producer, mixer, musician) and Michaela Anne (songwriter, artist, creative coach). More about Aaron’s work. More about Michaela Anne’s work.


Produced by Aaron Shafer-Haiss. Original music written, performed and produced by Aaron Shafer-Haiss.

Photo Credit: Kevin King

The Other 22 Hours: James Victore

James Victore is an Emmy Award-winning artist and author whose work is held in the permanent collection of the Louvre and has been exhibited many times at MoMA (NYC). Victore has shaped the visual language of institutions from The New York Times to the City of New York. In this conversation, we explore the spiritual gravity of “staying in the pool” when creativity gets hard, discuss the incubation time of the soul, the environmental and creative toll of our want of ease, and the quiet, daily discipline of living consciously in a world designed to keep us asleep.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

In This Episode:

– James Victore
– Museum of Natural History NYC
– Mr Doodle
– Keith Haring
– Museum of Modern Art (MoMA)
– A League of Their Own

Go Deeper:

Watch: View this entire conversation on YouTube.
Explore: Find similar conversations in these themed playlists.
Connect: Join the conversation on Instagram.

The Other 22 Hours is hosted by Aaron Shafer-Haiss (producer, mixer, musician) and Michaela Anne (songwriter, artist, creative coach). More about Aaron’s work. More about Michaela Anne’s work.


Produced by Aaron Shafer-Haiss. Original music written, performed and produced by Aaron Shafer-Haiss.

Photo Credit: Nick Onken

The Working Songwriter: Fruition

Our guests this week got their start busking on the streets of Portland, Oregon, but it wasn’t long before their popularity pulled them onto the open road. Jay Cobb Anderson and Kellen Asebroek are pivotal and founding members of roots music band Fruition. They have toured with Greensky Bluegrass, the Infamous Stringdusters, Yonder Mountain String Band, and many others and have appeared at iconic festivals such as Telluride Bluegrass Festival, WinterWonderGrass, and the Northwest String Summit.

LISTEN: APPLE • SPOTIFY • LIBSYN • MP3

Fruition’s 2018 release, Watching It All Fall Apart, debuted at #3 on the Billboard Bluegrass Albums Chart. Billboard said, “Fruition have matured into one of America’s most compelling roots acts” while Rolling Stone Country noted, “The trio’s harmonies are as tight as anything coming out of Nashville.” No Depression declared that they’re “a band whose chemistry feels lived-in and wholly authentic.”

I got a chance to catch up with them a while back to hear about their musical journey so far.


Photo Credit: Kaja Sigvalda

Basic Folk: The Mammals

Mike Merenda and Ruth Ungar Merenda have been making music together as the Mammals since 2001, with a little break in 2008 to play as Mike & Ruthy. They’ve been back as the Mammals since 2017 with a couple of great albums, most recently Touch Grass Vol. 1 and Vol. 2. Mike, born and raised in New Hampshire, picked up the banjo after he met fiddler Ruth Ungar. Ruth is the daughter of Jay Ungar, a much-loved folk musician who is best known for his composition, “Ashokan Farewell,” used as the theme tune to the Ken Burns 1990 documentary The Civil War, which you now have playing in your head. Essentially, Ruth grew up surrounded by folk music, which she talked all about on her previous appearance on Basic Folk.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

This time around, we dig into a few of the songs on their double album Touch Grass. There are A LOT to choose from: seventeen tracks in all. It was a four-year project recorded at their Humble Abode studio in the Catskills. The songs offer a mix of socially conscious “daytime” folk-rock and introspective “nighttime” Americana. We get into the gospel influence on “O The Cruelty,” the bare-bones arrangements of “Old Friend,” and keeping the sadness in check with “Doldrums.” They also talk a bit about their home venue, the Ashokan Center, where their musical festival the Hoot takes place. Let it be known that the center has a ton of old farm equipment and no, they do not want any more, so don’t ask them to take it. Thanks, Mike & Ruthy!


Photo Credit: Lead image and vertical alternate image by Wayne Gibbous; square alternate image by Tanya Barricklo.

The Other 22 Hours: S.G. Goodman

Singer-songwriter S.G. Goodman has earned critical acclaim, award nominations, and has worked with legends like Tyler Childers, Jason Isbell, and Jim James of My Morning Jacket. In this episode of the Other 22 Hours, we discuss the grueling physical and mental requirements of “making it.” From working manual labor to stay afloat while not on the road to navigating the complex realities of running a bona fide business, S.G. opens up about scarcity, OCD, and the hard-won wisdom of learning to drive the lawnmower instead of letting it drive you.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

In This Episode:

– SG Goodman
– Mas Tacos
– Madison Cunningham
– Jesse Welles

Go Deeper:

Watch: View this entire conversation on YouTube.
Explore: Find similar conversations in these themed playlists.
Connect: Join the conversation on Instagram.

The Other 22 Hours is hosted by Aaron Shafer-Haiss (producer, mixer, musician) and Michaela Anne (songwriter, artist, creative coach). More about Aaron’s work. More about Michaela Anne’s work.


Produced by Aaron Shafer-Haiss. Original music written, performed and produced by Aaron Shafer-Haiss.

Photo Credit: Ryan Hartley

The Other 22 Hours: Hunter Hayes

Five-time GRAMMY nominee Hunter Hayes has spent his entire life on the national stage, from performing at the White House at age seven to sharing stadium spotlights with the likes of Stevie Wonder and Taylor Swift. Yet, behind the multi-platinum accolades was a realization that his professional development had far outpaced his personal life. In this episode of the Other 22 Hours, we explore the vulnerability of “growing up” in the public eye, the paralyzing fear of not being busy, and how a strict routine can actually provide the ultimate freedom to play. And, we chat about how starting from a place of love is the only viable way to build an artistic career that lasts.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

In This Episode:

– Hunter Hayes
– Dann Huff
– Ep136 – Chely Wright
– Ep 73 – Edwin McCain

Go Deeper:

Watch: View this entire conversation on YouTube.
Explore: Find similar conversations in these themed playlists.
Connect: Join the conversation on Instagram.

The Other 22 Hours is hosted by Aaron Shafer-Haiss (producer, mixer, musician) and Michaela Anne (songwriter, artist, creative coach). More about Aaron’s work. More about Michaela Anne’s work.


Produced by Aaron Shafer-Haiss. Original music written, performed and produced by Aaron Shafer-Haiss.

Photo Credit: Noah Tidmore

The Working Songwriter: Jason Boland

Our guest today on the Working Songwriter hails from Oklahoma and is a foundational contributor to the uniquely American genre of Red Dirt music. Jason Boland released his first album, Pearl Snaps, in 1999 and has been on the road ever since. Nightclub by nightclub, fan by fan, he’s built a devoted national audience.

LISTEN: APPLE • SPOTIFY • LIBSYN • MP3

Boland has toured with Turnpike Troubadours, Cross Canadian Ragweed, Reckless Kelly, and a host of others. He’s recorded for Thirty Tigers and Top Hat Records. He’s appeared at Stagecoach, Luck Reunion, and the MusicFest at Steamboat. Texas Monthly called him “equal parts poet, rebel, and road warrior” and Rolling Stone declared his sound “unpolished, unsparing, and deeply human.”

I got a chance a while back to catch up with Jason and hear about his musical journey so far.


Photo Credit: Cameron L. Gott Photography