LISTEN: Elijah Ocean, “Honky Tonk Hole”

Artist: Elijah Ocean
Hometown: Nashville, Tennessee
Song: “Honky Tonk Hole”
Album: Born Blue
Release Date: July 23, 2021

In Their Words: “‘Honky Tonk Hole’ is about a guy who has seen better days and whose big dreams have all gone up in smoke. Now he spends all his time drinking and playing country music in bars. Not entirely sure why he’s complaining about it, though. Seems kinda fun and not a bad life. It’s a high-energy shuffle about falling into a rut but also kind of loving it.” — Elijah Ocean


Photo credit: Wolfe & Von

LISTEN: Kashena Sampson, “Hello Darkness”

Artist: Kashena Sampson
Hometown: Nashville, TN
Song: “Hello Darkness”
Album: Time Machine
Release Date: September 10, 2021
Label: New Moon Records

In Their Words: “This is a cover song by the Dutch rock band, Shocking Blue. I asked my best friend if she could choose one song for me to cover which one would she choose, it was this. I love Shocking Blue and I think it’s a great song and I connect to the lyrics, especially with what I was going through at that time in my life. To me, this song carries the message of yearning for someone who you cannot be with. It goes along with what a lot of the songs on this record are about. My struggles with codependency, fantasizing in relationships and thinking someone outside of me was the answer to my problems. It is a very heavy feeling when you think that someone else can fix you and you find out that they are not the answer. A good portion of the songs on this record are about a relationship I had with someone I cared for very much, who had gotten into some trouble and was incarcerated. I went into rescue mode and believed I had to save them in order to be ok.” — Kashena Sampson


Photo credit: Laura Partain

WATCH: Erik Stucky, “Heaven Only Knows”

Artist: Erik Stucky
Hometown: Nashville, Tennessee
Song: “Heaven Only Knows”
Album: Good Vibrations
Release Date: August 6, 2021
Label: Binasaur Records

In Their Words: “This song is one of my favorites on the album. It brings a bit of depth and intensity to the concept of Good Vibrations. Specifically, there are things we can do with our time to improve this situation: ‘Heaven only knows what is possible, if we love ourselves like we are capable.’ This has a bit of a double meaning in that love for others is only possible to the extent that we love our individual selves. We are all one, and when we further love our individual self we simultaneously extend that love for the greater whole… humanity, the world, the universe, the never-ending consciousness. Amen.” — Erik Stucky


Photo credit: Chad Krash

WATCH: Charlie Worsham, “Half Drunk”

Artist: Charlie Worsham
Hometown: Grenada, Mississippi
Song: “Half Drunk”
Album: Sugarcane EP
Release Date: July 16, 2021
Label: Warner Music Nashville

In Their Words: “‘Half Drunk’ tells the story of the first time I told my wife I loved her. I’d just been fired by my publisher and my manager had quit management that week, but I was singing that day in one of my favorite rooms in all the world, the Station Inn. Powered by Yazoo Pale Ale, applause, and a sense that this girl I was crazy about might just be more special and more permanent than the whole music industry thing, I turned to Kristen, said those three magic words, and she said ‘I love you too.’ I hope this song inspires a lot of drunken making out and maybe a few last-time-saying-I-love-you-for-the-first-time moments.” — Charlie Worsham


Photo credit: Jason Myers

BGS 5+5: Gabe Dixon

Artist: Gabe Dixon
Hometown: Nashville, Tennessee
Latest Album: Lay It On Me

What was the first moment that you knew you wanted to be a musician?

I think I was 11. I already loved music and had been taking piano lessons for a few years, but that summer, I went with my parents to see a music festival in downtown Nashville, and I watched a set by Béla Fleck & The Flecktones — the original group, with Béla, Victor Wooten, Future Man, and Howard Levy. Until then, I had no idea that people could be that good at playing their instruments. They were so virtuosic and fun, and the crowd loved it so much. Later that evening, I remember standing in the front yard of our house in Sylvan Park, looking up at the sky and thinking, “I want to be a musician when I grow up.”

What rituals do you have, either in the studio or before a show?

I’m not a very religious person, but before I go on stage, I always take a moment to be grateful and to ask God to work through me so that something bigger than me — love, joy, goodness, light — will shine through me and into the hearts and minds of the people I’m playing for. Sometimes I do that in the studio too. But the stakes feel higher in a live setting, so I’m looking for all the help I can get!

What’s the toughest time you ever had writing a song?

For a handful of years, I was a “staff writer” at a publishing company, and the most difficult songwriting sessions were the “blind date” country sessions they set up for me — you walk in the room, meet the other person, and your job is to write a song for “the country market.” Often you’re just hoping some big country star will cut it, and you’ll make some money, and they almost never do. Those sessions often became an exercise in putting limitations on what I wrote in hopes that it would be what some generic country singer would like. I often heard, “That line makes him sound like a wimp. Jason Aldean would never sing that.” Or, “We can’t put that chord in there, it’s too fancy-sounding.” Some people are really good at that kind of writing, but for me it was pretty soul-crushing. The only songs of mine that country artists ever ended up wanting to record were ones that I wrote for my own albums. So I mostly just write for myself now.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

It happens more than I mean for it to. The classic writing advice is to “write what you know,” but, to a certain extent you can’t help it. Even when you are trying to write from someone else’s perspective. I did this with my song “All Will Be Well,” “All Will Be Well/even after all the promises you’ve broken to yourself” and also with “Flow Like Wine.” “Why the furrow upon your brow / I see beauty between the lines / oh love, don’t you worry about our love / Let love flow like wine” were written for my wife, but when I really examine it, I realize I was probably writing to myself too.

If you had to write a mission statement for your career, what would it be?

Bring forth compassion, love, and peace through music.


Photo credit: Shervin Lainez

WATCH: Gabriel Kelley, “Hard in America”

Artist: Gabriel Kelley
Hometown: Nashville, Tennesee
Song: “Hard in America”
Release Date: July 2, 2021
Label: Epidemic Sound

In Their Words: “‘Hard in America’ was written as a reflection of the commonality between us all as Americans, both within our hardships and our joys. As we have spent the last almost two years dealing with an almost unmanageable amount of hardship and uncertainty, my goal with this song was to find some form of hope and solace in spaces that remind us we are all the same, all one family in unison. I sat down alone at the piano early one morning towards the end of quarantine with not even the slightest hint of an idea of a song. I just sat down to feel the keys for a little while… to discover what I was feeling underneath. Early mornings with instruments somehow always take me on that journey.

“After being off the road for so long, I had become less tied to my own rooted identity as this traveling/touring artist. This slower pace of life had almost forced me, in a way, to reconnect myself to a deeper aspect of who I was and still am. I went further and further into this common space of the simple human condition. We all need love, we all need hope, we all need a little grace. We all need a smile from time to time. This song fell out in about the time it took to play it down. That’s only happened a few times in my life and when they do they are special to me. It’s like it had been marinating in me without my knowing for the last year and a half and then just jumped out. It’s always been very easy for me to connect with my own material but something about this song made me feel connected to everyone in this beautiful and crooked country.” — Gabriel Kelley


Photo credit: Sunny Davis

Artist of the Month: Tim O’Brien

Tim O’Brien is putting his best foot forward with He Walked On, a new collection of eight originals and five carefully chosen covers. Through his music he shares his worldview, by channeling significant figures like Thomas Jefferson and Sally Hemings, Congressman John Lewis, and John Prine. The topics on this self-produced record may be heavy, yet O’Brien believes that the music offers an opening for reflection.

“When you sing something, it kind of sneaks in, in that music is a powerful medium,” he says. “It’s a language that’s mysterious on its own — it tugs on the emotions. It grabs people’s attention in a certain way and prepares them to hear things, and music kind of draws people together.” O’Brien wrote the album’s lead single, “I Breathe In,” which BGS proudly premiered in May. He relied on longtime band members like Mike Bub on bass, Pete Abbott on drums, and fiancée Jan Fabricius on vocals to round out the record.

“The project is about what you need to do to survive in America,” he told BGS. “We all need a roof over our head and something to eat, of course, but we also need love. I’ve been grateful to have Jan beside me during the pandemic. The song stresses the need to take things one step or one breath at a time, and to keep those you love close as you do so.”

O’Brien’s own journey has carried him from his birthplace in West Virginia, through the Colorado bluegrass scene, and ultimately to Nashville, where he’s been a key figure in the roots music community since the ’90s. In some ways, He Walked On reads like a map, with distinctive songs like “Five Miles In and One Mile Down,” about the Upper Big Branch Mine disaster in West Virginia in 2010. (The banjo adds some serious mood to this narrative, too.) In addition, “El Comedor” was written with Fabricius after they joined a grassroots humanitarian effort to provide water and food to immigrants at the border near Tucson, Arizona.

“You talk about the music, where would we be in America if we didn’t have this mix of people from Africa and Europe and Native Americans,” he says. “We’re family, but we’re estranged, and we’ve never learned to be family in so many ways. And it’s crazy, and we’re still suffering from that. If you read James Baldwin — America’s insane. And until we figure out how to actually deal with reality here, we’re just going to stay insane.”

With a multi-tasking musician like Tim O’Brien, who plays mandolin, fiddle, guitar, mandola, and mandocello on this record, his creative path could carry him almost anywhere. And his comic timing is impeccable on songs like “Nervous” and “See You at the Funeral.” Until he brings us on his next adventure, let’s enjoy a few songs from He Walked On, mixed in with some classics, on our BGS Essentials playlist. Read part one of our Artist of the Month interview here. Read part two here.


Photo credit: Michael Lewis

LISTEN: Hush Kids, “Weatherman”

Artist: Hush Kids (Jill Andrews & Peter Groenwald)
Hometown: Nashville, Tennessee
Song: “Weatherman”
Album: Weatherman EP
Release Date: September 24, 2021

In Their Words: “During the spring of 2020, when we were in lockdown, it rained, poured really, for days, maybe even weeks. My husband Jerred has lived most of his adult life in dry arid places and he wasn’t used to it. He would look outside almost every day, saddened by the dark sky and soggy earth. He would say, ‘This place just never stops. It’s like a rain forest.’ I always like to put a silver lining on things so my response was usually something like, ‘I guess that’s why it’s so green and beautiful here.’ But the sunless days can take their toll on the best of us, and I could tell that he was feeling down as the rainy days and tumultuous weather wore on.

“All of this was on my mind that day last spring when I got together with Ian [Fitchuk, the duo’s producer] and Peter to write for the next Hush Kids record. We sat on Ian’s back porch and caught up for a long time, enjoying being in each other’s presence so much because it had been a while since we’d last seen each other. This one came easily to us and I think we all cried a little when we were writing it. I’m so happy that we can share it with you guys today! I hope that your days are sunny even when the rain is pouring down.” — Jill Andrews

“This was the first song I had written in person for maybe eight months. We were on a porch, it felt kind of weird, but we trusted each other. Jill said she had an idea, and I believe she sang what is now the first line of the song. I tend to have a look on my face when I think something is amazing, and it actually looks like I’m disgusted… food, art, music… it’s more of a look of disbelief that something can be that good. That’s how I looked when Jill shared this idea with us.” — Peter Groenwald


Photo credit: Nathan Zucker

WATCH: Tré Burt, “Sweet Misery”

Artist: Tré Burt
Hometown: Sacramento, California
Song: “Sweet Misery”
Album: You, Yeah, You
Release Date: August 27, 2021
Label: Oh Boy Records

In Their Words: “To me, the chords sound melancholic but also have this really sweet and playful quality about it but also like that innocence is being hounded by some utterly miserable force of nature. When I was writing this song, I already knew what the chords would say if they could talk, so the lyrics reflect that. Sometimes songs can feel like it’s something hung up in a museum, meant to be observed behind a velvet rope from 10 feet away. My songs are as much yours as they are mine. I wanted to try and show that.” — Tré Burt


Photo credit: Allan Baker

LISTEN: Lake and Lyndale, “Crooked Path”

Artist: Lake and Lyndale
Hometown: Nashville, Tennessee
Song: “Crooked Path”
Album: In the Nude Vol. 1
Release Date: June 25, 2021

In Their Words: “‘Crooked Path’ came to me during a period where I was holding onto a lot of guilt and self-doubt. While I don’t think that your past is something to run from, I also know it’s not healthy to live there. We had just moved to Nashville and this new chapter of life beginning made me realize how important it was to let go of the missteps from the last chapter — so I put them into a song. ‘I took a crooked path to get to the sun / it’s my crooked path that straightened me up.’ This song is for anyone who may need a reminder to embrace every part of the journey.” — Channing Marie, Lake and Lyndale


Photo credit: Kallyn Lagro