Through the windshield of their Ford Transit van, the duo Briscoe drew songwriting inspiration from the Southwestern landscape during a long, meandering road trip after graduating from the University of Texas. However, this trek was more than just a rite of passage, as band members Philip Lupton and Truett Heintzelman were launching their first national tour. In those seemingly endless miles between show dates, they would trade lyrical ideas to flesh out once they got back home to Austin.
Described by the band as “Texas folk-rock,” those cinematic songs have now surfaced on Briscoe’s second album, Heat of July. Produced by Brad Cook and released by ATO Records, the collection is a generally optimistic highway companion set against the backdrop of sunsets somewhere south of Alpine, Texas, long drives to Denver, and Mexican eagles circling overhead.
During a brief break from the road, Briscoe spoke with Good Country about how banjo fits into their sound, discovering bluegrass through YouTube videos, and the John Prine classic that set it all in motion.
I found it interesting that you were writing this album as you were driving around the country. You’re going 80 miles an hour as these songs are coming to you. Can you set the scene of what that looked like?
Philip Lupton: Yeah, that’s a great question. A lot of this record was written on the road just because we were touring hard on our debut album, West of It All. You’re in the van for so many hours a day that you eventually get tired of listening to music, no matter how much you like music. You just need some silence. I think that’s when Truett and I can find a little bit of inspiration. Like, “OK, cut the music.”
“Arizona Shining,” the second song on the record, is very much written as I’m taking in the landscape through the window. You just start to mumble a few things under your breath. And then you hold up your phone and take a little voice memo. You get back home in a couple weeks, you come back to that idea, and then, finally, get to put it to a progression and bring it to life.
When you’re out on tour, coming out of your hotel, and you see that van hooked up to a trailer, does it ever strike you, like, “We’re really out here making this happen”?
PL: Yeah, absolutely it does! There’s this old Hayes Carll song called “I Got a Gig.” I listen to that song and I’m like, “OK, we’re doing it. We’re road dogging it.” We’re staying at the cheap hotels and playing gigs for cash at the door and whatever. We’ve seen a lot of growth and success in a lot of markets, but when you’re taking it all across the country, up into Canada, there’s a lot of those same stories you can experience any time on the road.
The opening song, “Saving Grace,” seems to set a tone for the album. There’s a very positive tone in that song. Is that a fair statement, do you think?
Truett Heintzelman: Super fair, yeah. A lot of this record is written over the last year and a half to two years and one of the big components of that time for both of us is that we both got married. So that’s what we were wanting to convey. We view marriage in a positive light and, God willing, we’ll always view it in a positive light. “Saving Grace” was written about marrying our respective wives.
For me, that song was about meeting my wife and realizing early on, “OK, this feels different and I don’t want this to go away.” We just tried to write as much as we could about our lives and experiences and our time between now and the last record. And, obviously, getting married is something that takes up a lot of your brain, you naturally end up thinking about it a lot.
You’ve got a cool banjo vibe on “Saving Grace” and a couple other songs on the album, too. Philip, what pulled you into the sound of the banjo?
PL: It goes back to learning guitar when I was middle school-age. I just had a desire to learn an instrument that was different and would allow me to jam with my buddies. So, I bought a banjo at a secondhand music store in San Angelo, where I’m from, for like 150 bucks, and I ended up really falling in love with the Avett Brothers. Back in the day, when Truett and I were both learning to play guitar and sing, I’d play the banjo and Truett would play the guitar and we’d cover the Avett Brothers. That was how we fell in love with playing together.
The banjo always had a strong presence. When we started writing, it was almost second nature to incorporate the banjo in some way. If Truett was handling most of the rhythm guitar, I picked up the banjo in lieu of a lead guitar. We just kind of rolled with that, way back when.
You mentioned middle school. Is that around the same time you guys met?
PL: Yeah, I was a year older than Truett in school and we met at summer camp. We just hit it off and we were both learning guitar and both interested in similar music. We saw each other every year after that at camp and became really close in high school. San Angelo is a smaller town and we’d have to go to a major city for any big need, like a big hospital system. So, my family would go to San Antonio quite a bit. I’d get dropped off at Truett’s house and we’d play guitar until my family was ready to go back to San Angelo.
Do you guys remember the first time you sang together?
TH: Oh yeah, that first summer we met at camp, we met on the first day of the session, which was two weeks long. We both brought acoustic guitars, so it was like, “All right. You play, I play.” “What do you like to play?” “Oh, I like that song too.”
We started going back and forth, kind of jamming all throughout that week. At the end of that week, we played “Paradise” by John Prine at our camp talent show, which was really just for us. We joke that I don’t think anyone else in that camp auditorium had any idea what we were saying, but they were just excited that we were singing and we were too.
How did John Prine hit your radar in middle school?
TH: There’s a guy named Joshua Lee Turner who’s in a band called the Other Favorites and he has this YouTube channel, it’s like a gold mine. He’s super talented, an awesome artist, and he and his buddies cover all these incredible songs. I owe watching Joshua Lee Turner on YouTube for a good chunk of the artists and the music that I love. I consume a ton of bluegrass music and a lot of that is because of him. The song “Old Home Place” is one that I fell in love with after watching him. When Philip and I put it together that we both loved him, that served as a blueprint, too, for us to start posting videos on YouTube.
How did you come up with the name Briscoe?
PL: Briscoe was my grandfather’s middle name. I never met that granddad, but I always loved that name. It’s a name that goes back in my family on that side a few generations. It was in consideration for my name before I was born, but my grandma on the other side of the family didn’t like it. I always liked the name and I started Briscoe in San Angelo before we got to UT, just as a name to put music under. I knew someday Truett and I would be able to do it together, so I just chose Briscoe and rolled with it and then we never had any reason to consider changing it. And that was that.
You guys have seen the whole country by now, touring coast to coast. What is it about living in Texas that makes you want to settle there?
TH: I’ll just get this out of the way now – when you’re born in Texas and raised in Texas, you’re just inherently proud of that. So, from the get-go, you probably have an inflated sense of pride to be from Texas. But we’re now at this place where we’ve gotten to see everything in North America, pretty much. There are so many beautiful parts of this country, and of Canada and Mexico. In all these cities, you’re like, “Wow, this is such a great city. It would be fun to live here.” But I have never found a place where I’ve been like, “I would rather live here than where I live in Texas.” This is where our roots are.
Philip, how about you?
PL: The older I get, the more I appreciate Texas’ contribution in the music world on all different levels, and especially this Texas country/outlaw kind of thing. To name a few guys in particular, Jerry Jeff Walker, Guy Clark, Lyle Lovett, and Robert Earl Keen. The more we appreciate them, the more that we want to resemble what they did. No matter what level of popularity or success they achieved as musicians, they never forgot where they were from. We respect those guys a lot for that, and how they blazed their own path.
We are very proud to be part of the greater Texas subgenre of Americana, folk, and country music, and we feel like that’s where we’re always going to want to be.
Photo Credit: Justin Cook
