You Have to Hear Tray Wellington Band Cover Kid Cudi

It’s that time, when music writers everywhere are thinking and writing about the best of the year’s music, blurbing away for year-end round ups. (Speaking of, our BGS year-end picks will be unveiled next week.) While it’s right to view ranking, commodifying, and objectifying music with a degree of skepticism, there is certainly something constructive and generative about reflecting on the songs, albums, and performances that have stuck with us throughout a year. It’s especially illuminating when certain music immediately jumps out from the rest, requiring no particular organization or intention to be a constant presence throughout a year or to be remembered among the cream of the crop.

Tray Wellington Band’s cover of Kid Cudi’s “Pursuit of Happiness” is one such song. When the group performed it earlier this year at FWAAMFest in Texas, it wasn’t the first time I had heard their rendition, but it was the first time I noticed an audience hearing it themselves for the first time. I was struck by the reactions, in a non-bluegrass audience they varied from utter shock to outright glee – even other bands and artists on the lineup were beside themselves, as Tray Wellington Band laid out their one-of-a-kind cover of such a recognizable melody. Later this year, I saw TWB perform again at Earl Scruggs Music Festival in Tryon, North Carolina, and yet again, down the road a handful of weeks later at IBMA’s Bluegrass Live! festival and conference in Raleigh. Each time, regardless of the audience’s starting point or their baseline understanding of bluegrass, of the banjo, of cover songs such as this, “Pursuit of Happiness” would generate electricity in the crowd.

There’s a reason why hearing a North Carolina-born, Raleigh-based (via east Tennessee) Scruggs-style banjo player’s take on “Pursuit of Happiness” reminds of Reno & Smiley performing Johnny Cash and Elvis hits and Flatt & Scruggs recording buckets of Bob Dylan songs. This is a tradition in bluegrass as old as the genre itself. Executed as artfully as this, it has the potential to bring countless new fans of string band music into the fold. That “Pursuit of Happiness” retains its impact, no matter the audience – thanks, in large part, to this band’s remarkable musicality as an ensemble – at bluegrass festivals, African American music festivals, or even in Earl Scruggs’ home county, speaks to that ineffable quality of this music that we all hold so dear. Sometimes, a bluegrass song just grabs you and it won’t let go. “Pursuit of Happiness” is destined to grab more than its own share of ears, and Tray Wellington and band deserve it and then some, for bringing this track to the world.


 

LISTEN: Grain Thief, “Tangled up in Blue” (Live)

Artist: Grain Thief
Hometown: Boston, Massachusetts
Song: “Tangled up in Blue”
Album: Ain’t Hungover Yet
Release Date: November 19, 2022
Label: Plow Man Records

In Their Words: “‘Tangled up in Blue’ has become one of our favorite songs to play live. Fast, very fun to sing, and everybody loves this song! I never made any attempt to learn the lyrics; I just realized one day (after having listened to every known version of the song for years) that I knew all the words. If you can manage to remember an opus like ‘Tangled,’ you are pretty much duty bound to play it. On this particular day at Podunk Bluegrass Festival it was about a thousand degrees Fahrenheit during our first set, which may explain some of the vocal outbursts caught on this recording.” — Patrick Mulroy, Grain Thief

GrainThief · Tangled Up In Blue

Photo Credit: Matt Gardner

LISTEN: Becky Buller, “Millworker” (James Taylor Cover)

Artist: Becky Buller (With Andrea Zonn and Dan Tyminski)
Hometown: St. James, Minnesota
Song: “Millworker” (James Taylor cover)
Release Date: August 19, 2022
Label: Dark Shadow Recording

In Their Words: “JT is a conjurer of spirits with his words and wistful melody. As I sing, I’m possessed of this woman, looking through her eyes at those work-worn hands. I feel the regret that gnaws at her. I taste the bitter desperation of her situation, how she’s all but given in to cold, leaden resignation that hers is a life wasted. We’re both ensnared by the paths we’ve chosen. How could we know where their whims would lead? Are we doomed to ‘the machine’ for the rest of our lives?

“It’s always a treat to create in studio with my killer road band: Ned Luberecki, banjo; Daniel “The Hulk” Hardin, bass; Wes Lee, mandolin; and Jake Eddy, guitar. I was especially thrilled that Andrea Zonn and Dan Tyminski agreed to add their beautiful harmonies. They are both heroes of mine. Andrea lent her lovely voice and fiddling to my Little Bird album in 2003, coincidentally the same year she joined JT’s All-Star Band. I’ve been enraptured by Dan Tyminski’s voice since his Lonesome River Band days. Mercy, that man can sing!! This was my first time getting to collaborate with Dan, but keep your ears on! There’s more music headed your way soon.” — Becky Buller


Photo Credit: Jason Myers

LISTEN: Mamma’s Marmalade, “Dirty Work” (Steely Dan Cover)

Artist: Mamma’s Marmalade
Hometown: Worcester, Massachusetts
Song: “Dirty Work”
Album: Fakin’ It: Covers Deserving of Coverage
Release Date: September 16, 2022

In Their Words: “We chose Steely Dan as an artist to explore because they changed pop-rock music so much. They were pioneers of songcraft on par with the Beatles and Bill Monroe, and as musicians that strive to innovate within our genre, we were excited to see how our sound would mix with the writing of Donald Fagen and Walter Becker. This was our first opportunity to bring drums into our sound and Karl Helander knocked it out in about two takes. He has incredible sensitivity and groove, which is essential to working with stringed instruments. Eli Salus-Kleiner put the finishing touches on with the Wurlitzer (because you have to have Wurli on this track; non-negotiable!), and our engineer Andy Cass stepped in to guest on bass. The whole experience was very relaxed, letting the arrangement unfold organically in the live room. Mitch’s vocal performance captured that ’70s approach really well; gentle, expressive and melodic. Listeners can probably hear how much fun we were having while making this one.” — Lily Sexton, Mamma’s Marmalade

Mammas Marmalade · Dirty Work

Photo Credit: Jamie Gouger

WATCH: Caroline Jones & The Trenwiths, “If I Needed You”

Artist: Caroline Jones & The Trenwiths
Hometown: South Florida
Song: “If I Needed You” (from The Raglan Sessions)
Label: Independent / Mailboat Records

In Their Words: “I spent most of last year making my sophomore album in New Zealand. While there, I was fortunate enough to meet The Trenwiths, a Kiwi bluegrass band, who became great collaborators and even better friends. Before I returned to America this spring, we set up a bunch of hay bales and recording equipment on a friend’s farm in Raglan, New Zealand, to capture us jamming on some of our favorite country/bluegrass classics and a few originals. The Raglan Sessions is the result. I have always loved the song ‘If I Needed You.’ Emmylou Harris is one of my favorite country voices, so I gravitate towards her and Don Williams’ duet version. Keith Pereira, a NZ country singer-songwriter, is also featured in this particular performance.” — Caroline Jones


Photo credit: Laura Tait

WATCH: Billy Strings and Sierra Hull Cover Post Malone’s “Circles”

In the wake of his 2020 Streaming Strings tour, Billy Strings shared clips from the tour’s various performance nights across multiple Nashville venues. This particular release is a special one, as Sierra Hull joined Billy and the band for a feature at the Brooklyn Bowl. The song? Bluegrass staple, “Circles” by Post Malone. Or at least they make it seem as if “Circles” was always a bluegrass tune.

In this cooler-than-life cover, Strings sees beyond the gap that divides bluegrass and pop music, connecting his affinity for the spacey to Post Malone’s contemplative vibe. On paper, it seems like a very unusual comparison, but a deeper look might reveal that the mood of Malone’s recording of “Circles” is similar in many ways to the moods of “While I’m Waiting Here” or “Away from the Mire” by Strings. With Malone’s recent country covers going semi-viral (plus rumors of a country double album and social media evidence of a developing friendship between him and Strings), the combination actually makes a lot of sense – besides just being damn cool.

In concert, Billy, his band, and Sierra Hull are able to pull “Circles” off with conviction.


Photo credits: Billy Strings by Emma Delevante; Sierra Hull by Gina Binkley.

The String Cheese Incident Salute Tony Rice on This ‘Manzanita’ Favorite

The amount of love and respect that has poured out of the music community around the country and the globe for the loss of Tony Rice has been breathtaking to say the least. The breadth of Rice’s legacy cannot be understated as he pioneered not only the guitar’s role in a bluegrass band, but also created a new sound previously unexplored by acoustic musicians. A seminal flatpicker, his touch, timing, and taste are unmatched to this day, and there’s the separate matter of his beautifully rich voice. Here at BGS, we’ve shared Tony Rice memories and stories from the likes of Ricky Skaggs, Todd Phillips & Robbie Fulks, Sam Bush, Jerry Douglas, and David Grisman, and many others.

The latest contributors to our collective debt of gratitude to Tony is the String Cheese Incident, collaborating virtually to cover “Old Train,” the lead track on what many consider his magnum opus, Manzanita. The String Cheese Incident is known for being a genre-bending group, but founding member Bill Nershi had this to say about their bluegrass roots and Rice’s artistry: “Tony Rice’s guitar playing shaped a generation of musicians. His impeccable tone, taste, and timing were unmatched and highly regarded by players and listeners alike. We are very fortunate to have so many great recordings of his life’s work. If you haven’t had the pleasure of hearing him perform, check out The Tony Rice Unit and David Grisman Quintet albums. I recommend you start with Manzanita. We’ll never forget you, Tony!”

Watch the String Cheese Incident perform “Old Train:”


Photo credit: Scott McCormick

Remember When Dolly Parton Took a Bluegrass “Shine” to This Rock Anthem?

The queen of country music is celebrating a milestone birthday on January 19. Her majesty, Dolly Parton, turns 75 this year, and to celebrate the music that has won awards and our hearts alike, we’re deep-diving back to the distant year of 2001. Like Dolly herself, “Shine” comes from a record that was born in mid-January — one that features a little bit of everything, from original compositions and old traditionals to cleverly reimagined cover tunes like this one. That diverse album, Little Sparrow, earned a pair of Grammy nominations and a win for her vocal performance on “Shine.”

Although this 1993 rock radio staple was originally recorded by Collective Soul and written by its lead singer Ed Roland, Dolly and the all-star backing band in the video give the song a fresh breath of bluegrass energy and acoustic attitude. It’s a seemingly unlikely cover, yet Parton pulls a unique bluegrass diamond out of what seems like a through-and-through rock and roll song. Upon Little Sparrow’s release in 2001, Parton stated, “I’ve been trying to think of how I can sing it without all the rock stuff; it sounds spiritual and all that, and the melody lent itself well to some bluegrass harmonies. I figured we’d kick it around and if it didn’t work, we wouldn’t put it on. But it worked out great.”

As unbelievable as it may be, here is the TL;DR: Dolly won a Grammy for a cover of a Collective Soul hit. Watch the music video below and enjoy our Essential Dolly Parton Playlist in honor of her 75th birthday!


 

WATCH: Tina Adair, “Eighteen Wheels and a Dozen Roses”

Artist: Tina Adair
Hometown: Haleyville, Alabama
Single: “Eighteen Wheels and a Dozen Roses”
Release Date: October 30, 2020
Label: EMG – Engelhardt Music Group

In Their Words: “I have loved this song and been singing it since I was a little girl. I always thought this would make a good bluegrass song and wanted to record it for some time now. So when I joined the EMG team, Adam Englehardt, Glen Duncan and I met to go through material for the album. I brought this song in and they loved the idea of doing a bluegrass version. Once it was all finished, we all looked at each other and almost at the same time said, ‘This should be the first single!’ To me, this is a song about the never-ending love story and about hope and happiness.” — Tina Adair


Photo credit: John Dorton

WATCH: Jeff Cramer and The Wooden Sound, “Aimless Love”

Artist: Jeff Cramer and The Wooden Sound (Emma Rose, Dylan McCarthy, Dave Pailet)
Hometown: Denver, Colorado
Song: “Aimless Love” (John Prine cover)
Album: The Shed Sessions
Release Date: November 20, 2020

In Their Words: “I dreamt up ‘the shed’ late last year — a backyard DIY project fueled by a desire to provide space and community within Colorado’s incredible songwriter scene — which, as luck would have it, I finished building at the end of February this year. During the pandemic, it has become my office and writing space, and it ultimately brought me to a vision for a video series of live-recorded new, old, and cover songs with my new band, The Wooden Sound. I’m excited to be releasing seven videos and tracks from the The Shed Sessions over the next two weeks, starting with a cover of John Prine’s ‘Aimless Love’ here.

Aimless Love was my first John Prine record, and while it might not be amongst his most prominent, the title track especially has become one of my favorites. Maybe it was discovering it as a teenager — as a small fry kid in a Midwestern town — that caused me to feel a special closeness to it. John Prine was able to add a sense of warmth and humor to the messiest of human conditions and somehow make it personal to everyone (including me) in the process. I also vividly remember playing Aimless Love under the full moon in my backyard in Denver the moment we learned that he had passed. It felt appropriate to release this video as my little tribute to him.” — Jeff Cramer


Photo credit: Payden Widner