The Grammy Awards have revealed their nominees, and the American Roots Music ballot is especially diverse this year. Take a look at nominations for the 2022 show, which will air January 31 from Los Angeles on CBS. (See the full list.)
Best American Roots Performance
Jon Batiste – “Cry” Billy Strings – “Love and Regret” The Blind Boys of Alabama and Béla Fleck – “I Wish I Knew How It Would Feel to be Free” Brandy Clark Featuring Brandi Carlile – “Same Devil” Allison Russell – “Nightflyer”
Best American Roots Song
Rhiannon Giddens, Francesco Turrisi – “Avalon” Valerie June Featuring Carla Thomas – “Call Me a Fool” Jon Batiste – “Cry” Yola – “Diamond Studded Shoes” Allison Russell – Nightflyer
Best Americana Album
Jackson Browne – Downhill From Everywhere John Hiatt with the Jerry Douglas Band – Leftover Feelings Los Lobos – Native Sons Allison Russell – Outside Child Yola – Stand for Myself
Best Bluegrass Album
Billy Strings – Renewal Béla Fleck – My Bluegrass Heart The Infamous Stringdusters – A Tribute to Bill Monroe Sturgill Simpson – Cuttin’ Grass Vol. 1 (Butcher Shoppe Sessions) Rhonda Vincent – Music Is What I See
Best Traditional Blues Album
Elvin Bishop and Charlie Musselwhite – 100 Years of Blues Blues Traveler – Traveler’s Blues Cedric Burnside – I Be Trying Guy Davis – Be Ready When I Call You Kim Wilson – Take Me Back
Best Contemporary Blues Album
The Black Keys Featuring Eric Deaton and Kenny Brown – Delta Kream Joe Bonamassa – Royal Tea Shemekia Copeland – Uncivil War Steve Cropper – Fire It Up Christone “Kingfish” Ingram – 662
Best Folk Album
Mary Chapin Carpenter – One Night Lonely (Live) Tyler Childers – Long Violent History Madison Cunningham – Wednesday (Extended Edition) Rhiannon Giddens with Francesco Turrisi – They’re Calling Me Home Sarah Jarosz – Blue Heron Suite
Best Regional Roots Music Album
Sean Ardoin and Kreole Rock and Soul – Live in New Orleans! Big Chief Monk Boudreaux – Bloodstains and Teardrops Cha Wa – My People Corey Ledet Zydaco – Corey Ledet Zydaco Kalani Pe’a – Kau Ka Pe’a
Photo of Allison Russell: Marc Baptiste Photo of Tyler Childers: David McClister Photo of Rhiannon Giddens and Francesco Turrisi: Karen Cox
Welcome to the BGS Radio Hour! Since 2017, the weekly show has been a recap of all the great music, new and old, featured on BGS. This week, we bring you old bluegrass newly recorded by the Infamous Stringdusters, music from our Artist of the Month, Peggy Seeger, and so much more! Remember to check back every Monday for a new episode of the BGS Radio Hour.
Always in the forefront of progressive bluegrass and jamgrass, the Infamous Stringdusters (originally Nashville, now spread around the US) continue to provide fans with great records. Their upcoming release is no exception: A Tribute to Bill Monroe is their take on the music of the father of bluegrass, done in pure ‘Dusters style. The full record drops in May, but BGS was lucky enough to premiere this first single!
Celebrating their upcoming Calla Lily (available April 16), Adam and David Moss of the Brother Brothers joined us on a recent 5+5. We talked John Hartford, writing music for dance, and the inspirations and songwriting techniques behind these two brothers and their new album.
Austin-based Johnny Chops brings us a song this week from his upcoming Yours, Mine and the Truth EP. This song pretty much fell out of the sky and onto Chops’ paper in his writing room one morning. The video continues to tell the story of the song, building a dark and bleak vibe through dramatic and abandoned filming locations.
Sinner Friends don’t just sound like vintage bluegrass: they record like it too, down to just a few microphones, no editing, everything done right then and there. Recorded and released by Bigtone Records, the result is on par with those early bluegrass recordings that defined the genre. This week, they bring us a song from their newly released Sinner Friends Miss You (The Quarantine EP).
For 2021’s Folk Alliance International and SXSW conferences, BGS teamed up with Yamaha to film performances from some of the artists we’re most excited about. Our first segment is from none other than Keb’ Mo’, playing a Yamaha FGX5 – modeled after the vintage FG180, Keb’s first guitar which he unfortunately lost in the Nashville flood of 2010. Aren’t we all just waiting on the medicine man these days? Keb’ performs two songs for us, “Every Morning” and “The Action.”
Gina Furtado brings us the “magic fire” of the banjo on this new single, finding the sound that first made her fall in love with the instrument. It’s the latest single in an exciting and excellent batch from Furtado and Mountain Home Music Company, produced by banjo phenom Kristin Scott Benson, and accompanied by Drew Matulich, Wayne Benson, and siblings Malia and Lu Furtado.
From Grand Rapids, Michigan, Ervin Stellars joined us on a 5+5 last week – that is, 5 questions, 5 songs. We talked everything from Wes Anderson and the Coen Brothers to waves and mountains. And let’s not forget his new album, Nothing to Prove.
Known for her work with Fruition, Mimi Naja recently dropped Nothing Has Changed, her first solo release since 2014. We caught up with Najato talk about songwriting, inspirations, and a dream meal pairing of Thai with Khruangbin.
Peggy Seeger is our Artist of the Month for April here at BGS! Her just-released First Farewell is a goodbye to recording and the road, but she is not leaving that lineage behind. Coming from a musical family including the likes of Pete and Mike Seeger, the traditional continues, as Seeger enlists her sons Neill and Callum MacColl on the new album. Stay tuned all month long where we’ll be featuring Peggy Seeger!
Alex Leach has been adored by the Eastern Tennessee bluegrass community since he first started appearing at the WDVX radio station in Knoxville as a small child. Through the years, he’s played with Ralph Stanley, hosts a weekly show on WDVX, and now has his newest endeavor, The Alex Leach Band, who just released their latest album (produced by Jim Lauderdale), I’m the Happiest When I’m Moving.
Acoustic Syndicate has been making music in Western North Carolina’s jamband scene for over two decades, but their latest studio endeavor is the first in seven years. “Sunny” is a promising first release with Organic Records, the band joined by Brian Felix on piano and Lyndsay Pruett on violin.
Memphis-based Elizabeth King brings us this deeply thought number this week from her latest album of the same title. “Living in the Last Days” is about the trouble that so casually surrounds our current days, and King sings about it with a lot of conviction. The song should inspire us all to look a little more closely at what surrounds us, and what we can do to make this world a better place for all.
“White Line Fever” was a hit for Merle Haggard in the 60s, but had never been cut as a bluegrass song. That is, until Alison Brown and Bobby Osborne got a hold of it. One thing leading to another, and Jeff Tweedy wrote a second verse about Bobby (being the voice of Rocky Top) and his 60 years on the road as a musician. Mixing all of this with some A-list bluegrass musicians like Sierra Hull and Stuart Duncan, well… this is the result! As Brown says, “it was hard to believe the song hadn’t been a bluegrass standard all along.”
Joseph Boudreaux Jr, vocalist for Cha Wa, teaches us about ‘ancestral recall’ with this song, a phenomenon where people consciously or subconsciously draw on the experiences and lives of their ancestors to perpetuate a certain lifestyle or culture. “‘My People’ reminds us that no matter who you are — rich or poor, big or small — we’re all in this together as humans,” Boudreaux told BGS. “Cause one day we gon’ all be in the same boat.”
Photos: (L to R) Keb’ Mo’; Gina Furtado by Sandlin Gaither; Peggy Seeger by Vicki Sharp
Artist:Cha Wa Hometown: New Orleans, Louisiana Song: “My People” Album:My People Release Date: April 2, 2021 Label: Single Lock Records
In Their Words: “The message I am trying to send with the ‘My People’ music video is based on ancestral recall. This is a phenomenon where people consciously or subconsciously draw on the experiences and lives of their ancestors to perpetuate a certain lifestyle or culture. I am also trying to give the viewer an idea of the different spirits that dominate New Orleans. These are represented by the various elements of New Orleans culture shown, such as the Skull and Bone Gang, the Mardi Gras Indians, and the brass band.
“In this video, I juxtapose the origin story of the Mardi Gras Indians with the present day representation of our Black and Native American hybrid culture. Historically, many Black people who escaped slavery in South Louisiana were taken in, guided to safety, and hidden from slavecatchers by sovereign Native American tribes. From the natives, they acquired new customs, language, and dress, and meshed them with African masking traditions. This not only provided immediate freedom from captivity for the people who escaped, but also would eventually provide an avenue for the Black people of New Orleans to feel free on carnival day despite not being allowed to participate in the official Mardi Gras celebrations. (Read more below the player.)
“Brass bands in New Orleans also represent freedom, as they are the centerpiece of second lines. Second lines are long parades that involve high-energy dancing and music, free of cost to anyone who wants to show up. They happen every Sunday, and for many people, no matter how terrible their week might have been, second lines provide a space where they can dance, rejoice in the music, forget about their troubles for a little bit, and feel free. This is a tradition that dates back to the days of the drum circles at Congo Square, where only in New Orleans, Black enslaved people were allowed to play drums, sing, and dance however they wanted.
“The Skull and Bone Gang’s purpose is to warn people of impending danger to their lives. The idea is that they are there to remind people to lead a good and safe life, or they will be the next to die. What better spirit is there to relay the message than a dead man walking? All of these spirits, plus many more are constantly working in New Orleans to make it what it is. Mardi Gras day is just when they all come out to play.” — Aurelien Barnes, video producer/vocalist, Cha Wa
“In a society that is divided by so many things, ‘My People’ reminds us that no matter who you are — rich or poor, big or small — we’re all in this together as humans. Cause one day we gon’ all be in the same boat.” — Joseph Boudreaux Jr, vocalist, Cha Wa
Photo credit: Zach Smith
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