WATCH: Lily B Moonflower, “Midnight Song”

Artist: Lily B Moonflower
Hometown: Lawrence, Kansas
Song: “Midnight Song”
Album: Moonflower
Release Date: February 12, 2021
Label: Lost Cowgirl Records

In Their Words: “I was inspired to write this after many nights of dancing barefoot on the honky-tonk floor. After the live music was over, the neon lights were humming and I was humming along to their song. This created a dream state of mind where I started to form the idea for the song and the whimsical music video that goes along with it. The collaboration for the music video came together seamlessly and I think it’s very open to interpretation, but from my point of view, it’s representative of the magic that is created when community comes together through music and love.” — Lily B Moonflower


Photo credit: John Knepper Photography

LISTEN: David Quinn, “Letting Go”

Artist: David Quinn
Hometown: Woodridge, Illinois
Song: “Letting Go”
Album: Letting Go
Release Date: October 23, 2020

In Their Words: “The song ‘Letting Go’ is what really got the whole record going for me. It put everything in perspective about what I was trying to say with the album. It all started with that opening line, ‘I’m letting go of everything that’s holding me down.’ I was dealing with a bunch of things at the moment, and I just needed to let it all go. I had a headache for about six months straight, and I reference that in the song: ‘My head, it hurts/Lord you know I’m spinnin’ around.’

“I was also being pulled in a million different directions in my personal life and with music. After the first record, I felt a little pigeonholed by a specific genre, when for me, I’m just making country music the way I hear it. I was tired of even considering those things when I was making music, or any decision with my life. I think we spend far too much time trying to make other people happy, and I decided I am through with it, even if that means getting rid of people or things in your life that hold you back; that’s where that song came from. The song allowed me to put it on paper, and release it from my mind, and it turned into a major theme on the record.” — David Quinn


Photo credit: Jess Myers

LISTEN: The Nude Party, “Nashville Record Co.”

Artist: The Nude Party
Hometown: Livingston Manor, New York
Song: “Nashville Record Co.”
Album: Midnight Manor
Release date: October 2, 2020
Label: New West Records

In Their Words: “‘Nashville Record Company’ comes from a conversation I had with my mom, when I was home in North Carolina for the holidays. I was very broke, telling her about the music industry, all the players in it and how it works. She suggested that if things got too down and out, maybe I could just switch sides. Become an A&R guy or something. I was strumming my guitar later that day, thinking about it. This song is the thought-dream that fell out.” — Patton Magee, The Nude Party


Photo credit: Bryan Derballa

LISTEN: Victoria Bailey, “Tennessee”

Artist: Victoria Bailey
Song: “Tennessee”
Album: Jesus, Red Wine & Patsy Cline
Release Date: September 18, 2020
Label: Rock Ridge Music

In Their Words: “I first heard Johnny Cash’s rendition of this Rick Scott song while driving through snowy Tennessee a few winters back. I was heading down toward Leiper’s Fork in my little rental car, stopping all along the road to pet horses and listening to all my favorite country legends along the way. This song really sums up how I feel about the South and Tennessee as a whole. I love the little pleasures in life that Tennesseeans hold near and dear: family traditions and small town simplicities.

“My favorite verse in the song is, ‘We got a cabin in the country / And a creek that rolls nearby / And a dog that won’t even bark at a firefly.’ That’s exactly what I saw all around me exploring Tennessee on that trip — just a lot of pure joy and friendly folks! Recording this song was SO much fun. My band fell in love with the lyrics as much as I did. We tried to stay pretty true to the sound of Cash’s recording, but we sprinkled a little bit of our own sound into it as well. It was such an honor recording this song, especially because it represents a state I have come to love oh so very much!” — Victoria Bailey


Photo credit: Stefanie Vinsel Johnson

WATCH: Jeremy Ivey, “Things Could Get Much Worse”

Artist: Jeremy Ivey
Hometown: Nashville, Tennessee
Song: “Things Could Get Much Worse”
Album: Waiting Out The Storm
Release Date: October 9, 2020
Label: ANTI-

In Their Words: “I don’t write a whole lot of positive songs, but I try to have one per record at least. So this my positive message for the world. These are the good old days no matter how bad they seem. Just remember, life could suck a lot more. This song was written in about ten minutes, this is our first take in the studio and the video was shot in a couple hours. All in the moment and off the cuff, the way it should be! Also, watch out for Elon, I don’t trust that guy.” — Jeremy Ivey


Photo credit: Alysse Gafkjen

LISTEN: Mandy Barnett, “A Fool Such as I”

Artist: Mandy Barnett
Hometown: Crossville, Tennessee
Song: “A Fool Such as I”
Album: A Nashville Songbook
Release Date: August 21, 2020
Label: Melody Place LLC

In Their Words: “The first time I heard “A Fool Such as I,” I was just a kid. Baillie & the Boys had a big hit on it on the ‘80s. Later on, I became familiar with some of the other great versions by Hank Snow and Elvis Presley. Every year we would play the after party at the BMI Awards and would always include this iconic Nashville song in our set list.” — Mandy Barnett


Photo credit: Jiro Schneider

LISTEN: Kenny Roby, “Silver Moon (For Neal)”

Artist: Kenny Roby
Hometown: Raleigh, North Carolina
Song: “Silver Moon (For Neal)”
Album: The Reservoir
Release Date: August 7, 2020
Label: Royal Potato Family

In Their Words: “I had the idea for this song the night after the memorial show for my friend Neal Casal at The Capitol Theatre in Port Chester, New York, in September of last year. Dave Schools, who was taking the helm as producer for The Reservoir in Neal’s place, and I were standing outside the venue with other friends and performers, and he said, ‘Look at that moon!’ It was a giant bright silver crescent. We all just stood there and gawked at it. A beautiful sight at the end of a beautiful but heartbreaking night. Late the next night in the hotel I thought of the idea for the chorus. And the following morning as Dave and I stood waiting for a taxi to take us back to the city, I had the idea for the first verse. It was about the gathering in tribute to our friend and us singing the old gospel song ‘Farther Along’ together for the encore.

“Six days later I came back from South Carolina to New York to sort of pick up the pieces and start recording the new record. Before heading up to Woodstock, I was walking around New York City alone early one morning and thinking about Neal and other friends when the idea for the second verse came to me. I went back to our friend Gary’s apartment where Neal’s 1952 Gibson SJ-45 was. I quickly scribbled the new lyrics down and grabbed Neal’s guitar and made a demo of the song to send to Dave and Gary. Oddly enough I also finished the verses to ‘I’m Gonna Love Again’ that morning, which I had started the day before, and demoed it on Neal’s guitar. So the only two songs that I wrote after Neal’s death were written in the same week, finished on the same morning, and demoed on his guitar.” — Kenny Roby


Photo credit: Gary Waldman

WATCH: Karen Jonas, “Pink Leather Boots”

Artist: Karen Jonas
Hometown: Fredericksburg, Virginia
Song: “Pink Leather Boots”
Album: The Southwest Sky and Other Dreams
Release Date: Aug 28, 2020
Label: Yellow Brick Records

In Their Words: “Guitarist Tim Bray and I were driving from Austin to Santa Fe when I first scribbled some notes for ‘Pink Leather Boots.’ I had my boots up on the dash and was marveling at the space — the sheer acreage of Texas leaves room for all kinds of ghosts to hang around. There are old cars in the side yard, old houses crumbling beside new ones. We don’t have that kind of space on the East Coast, we have to build up instead of out. I thought out loud, ‘Who lives here with all these ghosts? What do they do? Are they happy?’ (I’m a hoot on long drives).

“We passed a neon sign that proudly announced ‘Dancing Girls!’ I pictured the scene there — an ambitious trucker falls in love and daydreams a future with this Dancing Girl, only to drive off into the sunset empty-handed. He drops that dream like the rusted car in the side yard, driving on to newer, shinier, perhaps more accessible dreams. On to whatever comes next. Sometimes, just dreaming is enough to fill the time.

“All of this contemplation simmered into a colorful story on top of a dusty shuffle, with Tim’s rockabilly-inspired Gretsch licks and Seth Morrissey’s thumping upright bass. Somehow strawberry milk got involved, and this feverishly fast-paced love-story-that-never-was unfolds like a big rig rolling down the unforgiving highway. Animator Matt Rasch captured the scene vividly in this fun, quirky video, complete with our starry-eyed hero and a herd of pink cows.” — Karen Jonas


Photo by Amber Renée Photography with art by Print Jazz

LISTEN: Philippe Bronchtein, “I’ll Let the Steel Do the Crying”

Artist: Philippe Bronchtein
Hometown: Nashville, Tennessee
Song: “I’ll Let the Steel Do the Crying”
Release Date: June 5th, 2020

In Their Words: “I wrote ‘I’ll Let the Steel Do the Crying’ shortly after relocating to Nashville. I was putting in marathon practice sessions on my steel guitar, so it was always on my mind. While commiserating on the phone with an old friend, I made the joke in passing that I didn’t have to cry as long as I had my pedal steel to do it for me. He lit up and said, ‘That’s a song.’ I finished writing it that night. It features my good friend Asa Brosius on the pedal steel.” — Philippe Bronchtein

Philippe Bronchtein · I’ll Let The Steel Do The Crying

Photo credit: Monica Murray

LISTEN: Cold Chocolate, “Gone”

Artist: Cold Chocolate
Hometown: Boston, Massachusetts
Song: “Gone”
Album: Down the Line
Release Date: June 26, 2020

In Their Words: “‘Gone’ was the last track we wrote for the album and will be the final track on it. Of all the songs off the new record it actually has the most similar of a vibe to our previous recordings, tapping into that high-energy bluegrass feel that we love. But we really ended up fusing a lot of genres within this short song, stretching from bluegrass and hillbilly country to disco funk. The song started out in rehearsals as an upbeat country groove with some simple, cheeky lyrics, and we immediately gravitated toward its playfulness. When we brought it into the studio, Sam Kassirer, who played keys on the record, threw this cool gospel organ on top which heightened the intrigue of the song tenfold. We’re delighted by how it all came together and psyched for its release!” — Ethan Robbins and Ariel Bernstein, Cold Chocolate

Cold Chocolate · Gone

Photo courtesy of Cold Chocolate