BGS 5+5: Bill and the Belles

Artist: Bill and the Belles
Hometown: Johnson City, Tennessee
Latest Album: Happy Again
Personal Nicknames: I renamed myself Spike (inspired by the bulldog with a spiked collar in Heathcliff) in the first grade and all the kids called me Spike for a few months. That was a big win. — Kris Truelsen

My name can be tricky for people (it’s like Kahlúa, but “kuh-LEE-uh”) and nicknames weren’t much of a thing until Game of Thrones came out and Khaleesi happened. — Kalia Yeagle

Which artist has influenced you the most … and how?

It’s a no brainer: Jimmie Rodgers. He’s been one of our main inspirations for years. His effortless skill in combining the sounds of the blues, jazz, and country will forever be inspiring. My favorite songs from Jimmie are the syrupy love ballads with strings and horns that lean towards being straight pop music of the time like “The Hills of Tennessee” or “Miss the Mississippi and You.” Brilliant stuff. Though I still sing many of his songs, more than ever I use his music as inspiration to break rules and to find the courage to make something unique, not tied to genre or emulating somebody else, but rather trying to be original. — Kris

Jimmie Rodgers was a huge influence on this band. More broadly, that big field of “early country music” (or whatever else you want to call it) is so full of genre-busting sounds and earnest musical experiments. Forming this band, we were very inspired by the folks that used what they had in creative ways, and worked with real fervor. — Kalia

What’s your favorite memory from being on stage?

A little over six years ago at the opening of the Birthplace of Country Music Museum in Bristol, Virginia, we shot the pilot episode of Farm and Fun Time, the PBS television show we host. At sound check I stood at the side of the stage and watched Ralph Stanley sing the entirety of “O Death” in an empty theater. It was literally just me, the sound engineer Josh, and Ralph Stanley in this tiny 100-seat theater. It was absolute magic. — Kris

Similarly, another impactful not-quite-on-stage moment for me was when we shot an audience-less Farm and Fun Time from Kris’s front porch during the pandemic. This was early on enough that folks were still figuring out how to get the most out of livestreams, but late enough that we were all feeling scared about what the pandemic meant for our families and communities, and what it meant for our relationship with live music. Sitting on Kris’s front porch listening to local legend Ed Snodderly sing his songs smacked me good, right in the heart. It had been months since I’d experienced live music, and I don’t think I’ve ever felt so grateful and moved. — Kalia

What other art forms — literature, film, dance, painting, etc. — inform your music?

I’m informed by art that says what it means, and simple, impactful works that don’t feel overwrought. That’s because my head’s a pretty busy place, and I sometimes struggle to distill my thoughts and emotions. I also think that artists can see art everywhere, so yes of course a beautiful piece of writing or gut-wrenching brushstroke can stir up the feels. And so can the chalk drawings neighbor kids make, the way this lampshade shoots light up the wall, or the angles this broom maker created when they gathered the bristles. I’m a pretty emotion-full person, but there have been periods of time when making music was just a motion and not emotion. I’m working on treating music-making more like those little moments of surprising beauty, by staying present and approaching things more playfully. — Kalia

What’s the toughest time you ever had writing a song?

Well, a lot of songs end up in the trash after being reworked to death, but I’m getting better at knowing when to move on and putting less pressure on myself to produce, which inevitably makes the work I do finish stronger. The toughest song I’ve ever written that successfully saw the light of day was probably a jingle I wrote for the regionally beloved soda pop company Dr. Enuf. It’s an herbal, lemon-lime sort of thing like Kentucky’s Ale-8. People in East Tennessee lose their minds for “the Dr.” Not to mention it’s got vitamins. It took me ages to get the jingle honed in just right, but when I did I really nailed it. The hook goes “It’s the lemon-in’, lime-a-nin’, rich in vitamin, original pick me up.” I’ve written over 50 jingles and this one is undoubtedly my favorite. — Kris

If you had to write a mission statement for your career, what would it be?

Write songs that defy boundaries, keep evolving, have faith, and quit working so damn hard all the time. — Kris

Ask, “How is your work serving others? How is it serving you?” And always celebrate growth and abundance. — Kalia


Photo credit: Billie Wheeler

LISTEN: Graber Gryass, “Your Body’s Border”

Artist: Graber Gryass
Hometown: Memphis, Tennessee
Song: “Your Body’s Border”
Album: Spaceman’s Wonderbox
Release Date: May 21, 2021
Label: Outer Orbits

In Their Words: “‘Your Body’s Border’ is a meditation on boundaries in song. From the pensive bouzouki that opens the tune to the first couplet, ‘you’re as old as the crow, fresh as an embryo,’ one can tell this song isn’t supposed to make linear sense and acts more like poetry than storytelling. The voyage is one of discovery — and the discovery is about the joys of being in love, working through stereotypes and clichés (‘if you get sweet and sour with me’), the lengths we go to find love, the transitory nature of national identity, and the repurposing of influence (notice the John Donne homage, ‘my love, my new found land’). Fiddle, banjo, mandolin, two guitars, bouzouki, and upright all play it cool, rather than hot as expected, letting the song take center stage.” — Graber Gryass


Photo credit: Eric Brice Swartz

LISTEN: The Steel Woods, “Baby Slow Down”

Artist: The Steel Woods
Hometown: Nashville, Tennessee
Song: “Baby Slow Down”
Album: All of Your Stones
Release Date: May 14, 2021
Label: Woods Music/Thirty Tigers

In Their Words: “‘Baby Slow Down’ is a song written from the perspective of a mother whose child has lost his or her way. She can see the path of the thing she loves most is getting rocky, so to speak, and knows she must intervene. Rowdy would tell the story of the car wreck he had one night headed home from a show the two of us had played about an hour outside of Nashville. It had been snowing and the roads were slick so when his mom told him, ‘baby, slow down’ the following day, he said, ‘I wasn’t even speeding,’ to which she replied, ‘No, in life, in everything, just slow down.’ I think too many times parents can see their kids heading down a path of destruction and never say anything in fear of rejection and resentment. I, for one, am glad that’s not the kind of parents I had, and I know Rowdy would say the same for his.” — Wes Bayliss, The Steel Woods


Photo credit: Derek Stanley

Allison Russell, Gentle Spirit and Whimsical Style

I met Allison Russell briefly several years ago during AmericanaFest here in Nashville, Tennessee. Years later on a masked up photoshoot with Yola during the COVID pandemic, I talked with this wonderful friend of Yola’s who introduced herself as Alli. We talked off and on during the shoot and had a wonderful time, only towards the end realizing that we did indeed meet before. That’s the funny thing about masks, I guess!

This particular shoot was the second one we had together within several months. Alli has since become a wonderful friend, and beyond her own ferocious talent and musicalities, she’s a gentle and whimsical spirit. We met in downtown Nashville this spring for our friends at BGS. Enjoy!Laura Partain


Allison Russell, wearing a dress designed and purchased from Kenyan American-owned Kings and Queens Boutique in Madison, Tennessee.


Allison in her custom Fort Lonesome jacket, which was gifted to her during the 2019 Newport Folk Fest, where she performed with Our Native Daughters.


Once again, wearing the dress designed and purchased from Kings and Queens Boutique.


Allison wears a shiny, rainbow jumpsuit she scored from a local thrift shop in Nashville, Tennessee.

(Editor’s note: Explore more of our Artist of the Month coverage on Allison Russell here.)


All photos by Laura Partain

LISTEN: Sean McConnell, “Price of Love”

Artist: Sean McConnell
Hometown: Nashville, Tennessee
Song: “Price of Love”
Album: A Horrible Beautiful Dream
Release Date: August 6, 2021
Label: Soundly Music

In Their Words: “‘Price of Love’ is a direct result of a conversation I had with my mother on the phone one day while was driving on tour. I was missing my wife and little girl back at home. We talked about the price your heart pays for giving itself fully to someone. It’s scary, you know? Scary that something could happen to them. That something will eventually happen to all of us. But yet, most of us decide to risk that. To take the jump. To give up your heart completely. It’s heavy shit.” — Sean McConnell


Photo credit: Alexa King

BGS 5+5: Zach Schmidt

Artist: Zach Schmidt
Hometown: Nashville, Tennessee
Latest Album: Raise a Banner
Personal nicknames (or rejected band names): Schmidty is kind of a birthright when your last name is Schmidt, you are going to be called it whether you like it or not.

Which artist has influenced you the most … and how?

If I have to pick just one, without a doubt I would say Guy Clark. I have loved his music as long as I can remember. Sometimes I feel like it has always been a part of me. Every time I listen to him I hear something I have never heard before. The songs tend to evolve over time for me. Over the years I have studied his words in written form, learned his songs, and listened countless times. I don’t think I could ever get tired of listening to Guy Clark and his music has absolutely changed my world in a dramatic way.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I try to draw inspiration from everything that I encounter but literature and film certainly inspire my writing in a significant way. The song “I Can’t Dance” from this album was written right after I saw the movie Manchester by the Sea. I won’t try and spoil it for people who have not seen it, but the house fire scene absolutely wrecked me when I saw it. Facing loss and working through it is something we all can relate to, especially after a year like 2020 and the way that movie portrayed the protagonist was so beautifully heartbreaking.

What’s the toughest time you ever had writing a song?

I think when I try to co-write with someone I don’t know very well. That is something I didn’t know anything about when I moved to Nashville and something I reluctantly tried. Trying to force out a song for the sake of time or a sense of accomplishment is brutal. These days I don’t mind writing with friends but I always need some time to work into my own creative flow.

Which elements of nature do you spend the most time with and how do those impact your work?

I will make any excuse to spend some alone time with Mother Earth. Being alone out in the woods is one of the best ways to clear your head. I love to hike and mountain bike any chance that I can. I also find myself digging through the trash and recycling a fair amount to sort what belongs where. We have to take good care of this place.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Since I was talking about Guy Clark earlier I will stay with him. As he says in “Lone Star Hotel”: “Give me greasy enchiladas and a beer to wash it down.”


Photo credit: Curtis Wayne Millard

WATCH: Annie Moses Band, “In My Grandpa’s Pulpit”

Artist: Annie Moses Band
Hometown: Nashville, Tennessee
Song: “In My Grandpa’s Pulpit”
Album: Tales From My Grandpa’s Pulpit
Release Date: April 16, 2021
Label: Gaither Music Group

In Their Words: “My grandpa was a larger-than-life man. His life was the backdrop for the project, Tales From My Grandpa’s Pulpit. D. Riley Donica was a crack shot, expert horseman, bush pilot, armchair historian, a deputy sheriff, and the preacher at the same mountain church for 50 years. He grew up in a place riddled with violence. He lived through the murder of his father and, many years later, his stepfather. In the prime of his life he was responsible for having a sheriff brought to the area to help with the issues of crime. The sheriff was murdered within a week, leaving behind a widow and three young children. There was an eye witness to the murder, but no one would testify out of fear. The killer was a known quantity and hired by a crime boss that ran all manner of illegal filth between four states — Arkansas, Oklahoma, Louisiana, and Texas. Their headquarters was a place called Dogpatch and it sat right where these four states met and only a couple of miles from my grandpa’s brand new church house.

“So Grandpa picked a fight with the bad guys by writing in his weekly newsletter and preaching against the silence and cowardice of the community that allowed a safe haven for these murderers. One week later the new church house was burned to the ground. The close of this story involves a few steely-eyed, Clint Eastwood-style confrontations, the Oklahoma Bureau of Investigation and the murderer being convicted and put in prison, because my grandpa was courageous. Through the years he became known as a minister of the gospel who taught with his Bible on top of the pulpit and his gun on the shelf below. He frequently and famously said, ‘It ain’t right to do nothing when something ought to be done.’ The song ‘In My Grandpa’s Pulpit’ is a snapshot of his story.” — Annie Dupre


Photo credit: David Bean

LISTEN: Stephen Flatt, “White County Shine”

Artist: Stephen Flatt
Hometown: Nashville, Tennessee
Song: “White County Shine”
Album: Cumberland Bones
Release Date: April 16, 2021
Label: Flatt Family Music

In Their Words: “My grandparents and great-grandparents resided in White County, Tennessee, specifically Sparta. My great-uncle Lester Flatt and his family also lived in White County/Sparta, not far from my great-grandparents (his brother and sister-in-law). They were a close family and often worked odd jobs together, like working at the sawmill, before Lester struck out as a musician. I doubt Lester was involved in any of the moonshine activities that might have occurred on my side of the family tree, so I’d hate to drag his name into that. Lester was a staunch teetotaler, probably partly due to witnessing the effects of alcohol on friends and family members.

“Although ‘White County Shine’ is a semi-fictional account, it is a very real reflection of my family, my grandfather, the very real mountain moonshine culture, and the potential byproducts that come along with that dark spot of the mountain lifestyle. When the song says, ‘He lost all his money, but he never lost his high,’ that’s real and raw and it’s about my grandfather. I would venture to say that although the song is upbeat and jovial, it probably brings up some bad scars for my dad and my uncles when they hear it. I thought about this as really a generational thing, with generational impacts.

“I went camping with my cousin once on Bon Air Mountain, and he brought a jar of moonshine. When he woke up the next morning, he took a big pull off the shine and exclaimed, ‘You gotta have a shot before breakfast!’ Later, I wrote ‘White County Shine’ with the lyric ‘a shot before breakfast will always do you right’ in the chorus. This song features some of my friends and bluegrass greats, with Charlie Cushman on banjo, Deanie Richardson on fiddle, Justin Clark on mandolin, Steve Hinson on Dobro, Kenny Vaughan on the flattop, and Ronnie Bowman adding some amazing harmony. The song is a fun and entertaining romp!” – Stephen Flatt


Photo credit: Flatt Family Music

WATCH: Elizabeth King, “Living in the Last Days”

Artist: Elizabeth King
Hometown: Memphis, Tennessee
Song: “Living in the Last Days”
Album: Living in the Last Days
Release Date: April 2, 2021
Label: Bible & Tire Recording Co.

In Their Words: “There’s so much going on now that you wake up in the morning time and all you hear is something going wrong, you know. It’s affecting your children. People know they wrong but they think it’s right. How is it that a mother can hit a child in the streets and don’t even stop to think. It set my mind back, like in the Bible days, like when the lady went to sleep and killed her child and stole the other lady’s baby. It just let you know that time is getting shorter and shorter every day. If you notice the weather, it look like even the storms are mad. There’s just so many of them. There used to be a storm every now and then. Now, just look like it’s in a hurry to get it over with. I know I’m living in my last days. God already gave me my promise. Every day with him, it just gets sweeter.” — Elizabeth King


Photo courtesy of Nick Loss Eaton Media

LISTEN: The Alex Leach Band, “The Turntable”

Artist: The Alex Leach Band
Hometown: Jacksboro, Tennessee
Song: “The Turntable”
Album: I’m The Happiest When I’m Moving
Release Date: March 26, 2021
Label: Mountain Home Music Company

In Their Words: “‘The Turntable’ is a song I wrote while on a layover at the Houston Airport. I was thinking about both of my grandfathers who taught me about music as they played songs for me on a turntable when I was a little boy. I’ll never forget those days and how I felt when the vintage music started flowing out of that turntable.” — Alex Leach


Photo credit: Sandlin Gaither