WATCH: Jenner Fox, “Buffalo”

Artist: Jenner Fox
Hometown: Sisters, Oregon
Song: “Buffalo”
Album: Planet I’m From
Release Date: September 18, 2021

In Their Words: “‘Buffalo’ is the story of Rio. He and I worked together for years as river guides in Patagonia, Chile. Rio is a seasonal worker earning just enough each summer to come back and work another season, with each passing year his body showing more wear and tear. ‘Buffalo’ voices Rio’s dream to someday retire to a buffalo ranch at the foot of the ocean. It’s a song about growing old with dignity. The animated music video is a collaboration with acclaimed filmmaker Benjamin Boult and is a take on what creativity was able to look like during the pandemic. We asked several visual artists to each draw a scene on digital art programs. Their art is transformed into a series of time-lapse images — from sketches to full color — all drawn as the artists listened to the words and music of ‘Buffalo.'” — Jenner Fox


Photo Credit: Josh Chang

MIXTAPE: Jeremy Garrett’s Melting Pot of Influential Music

My mind has been concentrated on making music for my latest record, Wanderer’s Compass. I let Wanderer’s Compass be a collection of as many influences in music I’ve had as possible. I’ve been playing long enough that I used to learn my fiddle parts from an LP and move the needle back to catch the solo parts. Then of course over time, with the advent of the internet, the influence highway, so to speak, became much wider. I’ve always thought it is hard to put music in a box, since it is art, even though I essentially understand the reason for genres. To me the whole point of art is to let all of your influences and experiences be the palette in which to create your vision. This playlist is really fun for me to listen to, and I hope you enjoy it as well. — Jeremy Garrett

Dire Straits – “Where Do You Think You’re Going?”

This song was off a record that I heard early on in my life and the soul that Mark Knopfler brought to this song continues to influence me to this day.

Larry Sparks – “Blue Virginia Blues”

Larry is a master of song delivery, selection, singing, and incredibly soulful guitar playing that is old school, yet crosses any boundaries from that world into the new because art like that knows no bounds.

Tony Rice – “Urge for Going”

From the album Native American, this track is the epitome of how to produce a song to pull all of the essence from it for the listener to hear. Any bluegrass musician can tell you that Tony Rice is the man to listen to for song production, not to mention his unmatched guitar skills.

Jeremy Garrett – “Wishing Well”

“Wishing Well” is an original and on this track I stretch way out on the fiddle for a jam.

David Grisman – “Fish Scale”

David is one of the best and truest musicians of our time. This is a one-of-a-kind song from a one-of-a-kind artist, David Grisman. I particularly love Tony Rice’s playing on this track.

The Stanley Brothers – “The Lonesome River”

This is one of history’s most eerie and interesting sounding bluegrass duos. Their songs and the way they sing them are my personal favorite sounds of the traditional bluegrass era.

Strength in Numbers – “Blue Men of the Sahara”

This ensemble was one of the most creative in acoustic music. This particular song showcases what happens when you marry music stylings from around the globe, and Mark O’Connor rips a fiddle like nobody’s business.

Merle Haggard and Willie Nelson – “Pancho and Lefty”

This cut is pure magic if you ask me. I love everything about it, from the wacky-sounding synth stuff to the magic that Haggard brings when he comes in for his verse. Sends chills up my spine.

George Jones – “Choices”

There may not be any better country singing than this right here.

Jimi Hendrix – “Red House”

There is perhaps no one more inspiring to a musician who wants to tap into soul and vibe. Hendrix is the one who paved the way for all of us in that regard.

Deep Forest – “Sing with the Birds”

This music was an indicator for me at an early age that I loved world music and the technology that continues to evolve to help create some of it. This is programming at its finest and it’s flowing with creativity.

Jeremy Garrett – “Nevermind”

This is a Dennis Lloyd cover that I love to perform. Dennis is an Israeli pop artist. It’s a culmination of my bluegrass chops on fiddle, guitar, mandolin, along with effects, experimentation, and programmed beats.


Photo credit: J.Mimna Photography

WATCH: Side Pony, “Bad Ideas”

Artist: Side Pony
Hometown: Nashville, Tennessee
Song: “Bad Ideas”
Album: Lucky Break
Release Date: October 8, 2021
Label: Mule Kick Records

In Their Words: “This tune was actually inspired by a person in our life who had nothing but poor suggestions to offer us and it’s a discussion as to whether the fallout is worth it. But it morphed into a celebration of our own bad ideas, which are decidedly more fun. Except our latest bad idea, which was to make our own Laverne & Shirley-esque sitcom for the music video collaboration with East Nashville filmmaker Scot Sax.” — Alice Wallace, Side Pony

“Yeah, that’s one song I’m glad we got out of idea land and into tangible form. Getting those impulses down on paper and embedded in an Alt-C rock stomp can be better than embedding them into your personal life. If you can’t beat your bad ideas, join ’em!” — Caitlin Cannon, Side Pony


Photo credit: Adrienne Isom

WATCH: The New Acoustic Collective, “Old Gray Coat” Feat. Wyatt Rice

Artist: The New Acoustic Collective
Hometown: San Jose/San Francisco Bay Area
Song: “Old Gray Coat” Featuring Wyatt Rice
Album: Art of Acoustics
Release Date: September 20, 2021

In Their Words: “Tony Rice’s ‘Old Gray Coat’ has a special place in The NAC’s repertoire. This specific project came about when artistic director of Bay Area nonprofit Music in Place, Aaron Lington, contacted us and wanted to include us in the list of amazing musicians featured in a remotely-filmed music video production during the COVID-19 pandemic. I began to give Aaron some suggestions on song ideas and he really enjoyed ‘Old Gray Coat’ by Tony Rice. I thought if The NAC was going to record ‘Old Gray Coat,’ I’d like to feature a special guest, Tony’s brother Wyatt Rice. To have the opportunity to collaborate closely with both our NAC members and Wyatt Rice as a special guest was a dream come true!

“The fun and challenging part of this project was that it was all distanced and used with a click track, which started with me tracking my rhythm guitar part. Afterwards, Wyatt recorded his parts and then The NAC featuring Alonso Sanchez (double bass), David Boyden (fiddle), and Nathaniel Grohmann (cello) layered their parts and solos from there. Overall, the creative partnership between The NAC and Wyatt Rice was particularly rewarding and we are all grateful to work with him along with Music in Place, a nonprofit with an amazing mission!” — Jason Keiser, The New Acoustic Collective


Photo credit: Music in Place

WATCH: Aisha Badru, “The Way Back Home”

Artist: Aisha Badru
Hometown: Orlando, Florida
Song: “The Way Back Home”
Album: The Way Back Home EP
Release Date: December 3, 2021
Label: Nettwerk Records

In Their Words: “During my early 20s, I left home, pursed my wildest dreams, traveled the world, and made decisions with my heart that allowed me to experience the fullness of life. This freedom allowed me to become the person I am today. ‘The Way Back Home’ is written from the perspective of someone who understands that in order for one to be whole, they have to go on a self-exploration journey alone. This song explores non-possessiveness in relationships. It embodies a confidence that allows our loved ones to grow without the fear of losing them.” — Aisha Badru


Photo credit: Jeffery Trapani

WATCH: Chris Coole, “My Name Is Lie”

Artist: Chris Coole
Hometown: Toronto, Ontario
Song: “My Name Is Lie”
Release Date: August 13, 2021

In Their Words: “I guess this song is a banjo-y meditation on the post-truth era we seem so hopelessly bogged down in. It’s sung from the perspective of the lie itself. I was inspired by the Dock Boggs song, ‘A Conversation With Death’ or ‘O Death,’ where death is given a voice. So, if a lie could talk, ‘My Name Is Lie’ is what I imagine it might be saying in today’s world. I’m not sure how obvious it is, but the last two verses deal with the Pandora’s box that is social media and how it has allowed lies to access ‘light speed’ so to speak.” — Chris Coole


Photo credit: Tyler Knight

BGS 5+5: Mike and the Moonpies

Artist: Mike and the Moonpies
Hometown: Austin, Texas
Latest Album: One to Grow On
Personal nicknames: The Moonpies

All answers by Mike Harmeier

Which artist has influenced you the most … and how?

It would be impossible for me to narrow it down to just one artist. Early on, I was heavily influenced by George Strait and ’80s/’90s country artists, in general. I really thought that was the path I would take — a very commercial approach to country music. I would later gain a new perspective when I started listening to more songwriters like Guy Clark and John Prine. It was then that I wanted to add more depth and sincerity to my music. When I moved to Austin in 2002, I started to get more into the art of record making and that process was heavily influenced by bands like Wilco and Radiohead. Lately, I’ve kind of melded all that into an approach that’s more along the lines of Jerry Jeff Walker. Freewheeling records with thoughtful lyrics and just having fun playing music with my friends.

What’s your favorite memory from being on stage?

I’ve had countless moments that stick out in my memory from being on stage. Most of them include our artist friends joining us on stage. From the big jams we usually host at Mile 0 Fest in Key West, to our encores with the opening bands joining us for a cover song to end the night. Most recently, Jerry Jeff Walker’s son Django joined us on stage in Alpine, Texas, for our rendition of “London Homesick Blues.” It’s a song written and performed by Gary P. Nunn and made famous on Jerry Jeff’s Viva Terlingua record. We cut it in London at Abbey Road Studios for our Cheap Silver and Solid Country Gold record. That was a very special moment and felt like a culmination of a lot of things for us. You never know who will join you or when, and that excitement always makes for a memorable show.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I’ve always found a lot of inspiration in film. Especially when that film uses the right music for a particular scene. I can’t tell you how many times I’ve hit pause on a movie to write a song. Some songs can take on a whole new meaning when you put them behind the right scene or character and I will sometimes use those character’s emotions to inspire a new subject to write about. I’ve written quite a few songs just off one line I heard in a movie or TV show.

What’s the toughest time you ever had writing a song?

I actually had a lot of tough moments writing songs for this record. I had more time than normal to write and rewrite these songs. There were countless edits and rewrites and versions of the songs that we just scrapped and then started over. While I think these are some of the best songs I’ve written, it really took much longer to get to a place where I was happy with them. I think if you spend too much time on one thought it can be a dangerous game to play. I’m still learning when to put the pen down and be satisfied with what came naturally. It’s a fine line.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I think I have subconsciously done this a lot with many songs in our catalogue. Not until this record have I made the conscious decision to write from a character’s perspective. While I was experiencing or have experienced a lot of the feelings and virtues of the character on this album, I tried to take myself out of it as much as I could. I wanted to broaden the scope and viewpoint beyond my own personal experience so I strayed away from talking too much about road life or really much to do with my personal experience with my work as a musician. I wanted to project a world view from the perspective of an everyday nine-to-fiver and play with how that intersected in my own personal experience. While there is a lot of myself in these songs, I think it translates to the everyman in a very relatable and accessible way. At least to anyone that works hard to get where they want to be.


Photo credit: Lyza Renee Photography

WATCH: Tim Easton, “Speed Limit”

Artist: Tim Easton
Hometown: Nashville, Tennessee
Song: “Speed Limit”
Album: You Don’t Really Know Me
Release Date: Aug 27, 2021
Label: Black Mesa Records

In Their Words: “My friend Tree Butcher said the opening line in a sentence and I just wrote it down. It became a song very quickly and it’s the first tune where my daughter helped sort out some lyrics as well. Both my mother and father make an appearance in this one, so the family theme is established further. This is a healing song that is played with a lot of energy to remind you to slow down. The chorus lyric ‘when the pain of staying the same outweighs the strain of making changes’ is an inner rhyme sequence of pain, stay, same, weigh, strain, make, and change — seven rhymes in just 13 words. This is something I learned from listening to hip-hop, or something I was reminded of by listening to hip-hop. ‘The worst enemy I ever had is the one inside my head’ is a notion I got from the poet Gregory Corso who said that the worst critic he ever had was himself.” — Tim Easton


Photo credit: Robby Kline

WATCH: Alexa Rose, “Big Sky”

Artist: Alexa Rose
Hometown: Black Mountain, North Carolina
Song: “Big Sky”
Album: Headwaters
Release Date: September 17, 2021
Label: Big Legal Mess Records

In Their Words: “‘Big Sky’ was filmed in Joshua Tree, California, with a crew led by three incredible women. I was in LA with my manager and a camcorder, planning to make a home video for the song when we crossed paths with videographer Sydney Taylor and stylist Emma Sauer. We only had one day in LA, and we shot the video just an hour after meeting them. These women showed up with such empowering energy to help me create something adventurous and lighthearted. The whole experience felt reflective of the serendipity of traveling and the spirit of the song.” — Alexa Rose


Photo credit: Sydney Irene

LISTEN: Robert Plant & Alison Krauss, “Can’t Let Go”

Artists: Robert Plant & Alison Krauss
Song: “Can’t Let Go”
Album: Raise the Roof
Release Date: November 19, 2021
Label: Rounder Records

In Their Words: “We wanted it to move. We brought other people in, other personalities within the band, and coming back together again in the studio brought a new intimacy to the harmonies.” — Alison Krauss

“You hear something and you go ‘Man, listen to that song, we got to sing that song!’ It’s a vacation, really — the perfect place to go that you least expected to find.” — Robert Plant

Editor’s Note: Plant and Krauss’ 2007 album, Raising Sand, won six Grammy Awards. Like its predecessor, Raise The Roof was produced by T Bone Burnett, and features twelve new recordings of songs by legends and unsung heroes including Merle Haggard, Allen Toussaint, The Everly Brothers, Anne Briggs, Geeshie Wiley, Bert Jansch and more. The collection also includes a Plant-Burnett original, “High and Lonesome,” and “Can’t Let Go,” written by Randy Weeks and first recorded by Lucinda Williams.


Photo credit: Frank Melfi