Tag: 5+5

BGS 5+5: Liz Longley

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Artist: Liz Longley
Hometown: Nashville, Tennessee
Latest album: Funeral For My Past

What was the first moment that you knew you wanted to be a musician?

I grew up in and around music. I was young when I started dreaming of being a singer, but I truly had no idea what it entailed. Despite being shy and introverted, I would sing solos in the middle school choir. At fourteen, I started writing my own music. When I first played an original song, I got a standing ovation from my high school body. That’s a powerful moment for a kid. I knew then that music was what I wanted to do with my life.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

When it’s about me, I sing it from my perspective. It’s harder for me to connect to it when I’m hiding in character. But, I usually have one or two songs per record written from another person’s perspective. Getting outside of my own story and my own perspective can be very liberating. On my latest record, “Long Distance” was not written about my life specifically. Using lyrics to basically design a set in which to tell a story is a great exercise in creativity.

Which artist has influenced you the most … and how?

Joni Mitchell is always my answer to that question. I was listening to Blue non-stop as I started writing my own music. Listening to Blue taught me that if you have a great song, you don’t need to dress it up much. A great song, a beautiful voice and a guitar still get me every time.

What’s your favorite memory from being on stage?

After ten straight years of touring, I have been lucky to experience so many wonderful things on stage. As far as favorite shows go, I’d probably choose one of the last shows I played pre-COVID. It was February and I was headlining The Bluebird Cafe here in Nashville, Tennessee. The show was an intimate celebration, packed with people I love who flew in from all around the country. That night kicked off a whole weekend spent with twenty Kickstarter donors who made Funeral For My Past possible. It was the kind of togetherness that I really miss these days.

What rituals do you have, either in the studio or before a show?

A good little vocal warm-up always calms me down and helps me prepare for shows/singing in the studio. The one I do now involves blowing into a straw that is in a cup of water. It’s not annoying at all for anyone who has to hear it. 😉

Photo credit: Kate Rentz

BGS 5+5: Elliott BROOD

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Artist: Elliott BROOD
Hometown: Windsor, Ontario
Latest album: Keeper

Answers provided by Casey Laforet

What was the first moment that you knew you wanted to be a musician?

I’m not sure there was ever really a moment for me, to be honest. I started playing guitar in high school (because of Nirvana like so many other kids of that time) I always liked playing, but I never really considered a career at it as a viable option. I’m still not sure that it is! For the first few years of the band as a duo, it was all just for fun and we both worked full time jobs. Things started taking off for us and we had to leave full time work to tour. I think I knew it was going to be a career on our first tour of Europe. That made it all seem very pro.

What’s the toughest time you ever had writing a song?

Some songs seem to just fall out of you and others are definitely harder to pull out of the air or wherever the ideas come from. The song “Northern Air” was a tough one as it involves the death of a friend. The song (chords, melody, etc.) was already written as a breakup song called “Goodbye” about an ex-girlfriend with different lyrics, but at some point it mutated into “Northern Air” which is the story of an annual camping trip taken to visit the memorial spot of a very dear friend. Twenty years ago we brought a mailbox (which was involved in the car accident that killed him) up into the forest in northern Ontario. Over the last 20 years we’ve gone up there to visit him. It took a while to get everything right with that song because of the personal subject matter. I agonized over it probably more than any other song thus far anyways…

What rituals do you have, either in the studio or before a show?

It kind of depends on the show. One thing I don’t do is eat within 2-3 hours of a show. I play better when I’m hungry. I usually take a post-soundcheck walk for about an hour to check out whatever town we’re in. A lot of times I’ll go find some random bar and grab a drink and hang with some locals for an hour. Those can be fun and informative times. I actually bought a folding bike I’d like to use someday if touring ever comes back.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

That’s a pretty good question. I can guarantee it would be a Mexican restaurant, that’s for sure. It goes Mexican, Vietnamese, Italian in my book. As for the musician, my number one would be Levon Helm. He’s probably my biggest musical hero. I’ve read and watched everything there is to read and watch about the man and he just seems fascinating to me both as a musician and just as a person. I had the opportunity to see “The Ramble” at his farm in Woodstock the year before he died. Garth Hudson was the special guest that night. That was the coolest thing I’ve ever seen. Tequila and tacos with Levon would be my pick.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I think I do that a lot. I think we always try to be as universal as possible. We like to leave it up to the listener. I definitely draw from my own life and experiences but it’s never direct. A lot of times a song may seem biographical but is actually put together from a lot of unrelated experiences. We’re more of a storytelling band. I’ve always loved that kind of songwriting like from The Band or Dylan or Neil, just being able to become different characters and be their voice. That’s always the goal in our book even if the songs are personal ones.

 

BGS 5+5: Native Harrow

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Artist: Native Harrow (Devin Tuel and Stephen Harms)
Hometown: Just outside of Philadelphia
Latest album: Closeness
Personal nicknames (or rejected band names): A good band name we didn’t use is “Tuel & Harms.” As for personal nicknames, well, those are secret and too embarrassing to share.

Answers provided by Devin Tuel

Which artist has influenced you the most … and how?

Though I could list about 50 artists, I feel the most honest answer is Neil Young. I used to listen to Live at Massey Hall while I rode the M1 bus up and down First Avenue from my college to the Lower East Side. Listening not just to the brilliant songs and guitar playing, but also to the way he held attention, to the way he tuned, to his grumbling, and his storytelling. I was transfixed by that record.

I grew up listening to Neil. My Dad is a huge fan. He took me to see him perform when I was young and I remember being on the edge of my seat the entire show, mouth agape. I felt so electric after seeing that. And thru the many years of my own career I have looked to him for inspiration, for guts when I can’t find mine, and for a “What would Neil do?” approach to difficult situations. He seems to have a reverence for nature that I share and I have always felt he could appreciate an open field just as I do.

What’s your favorite memory from being on stage?

This past year and much of 2019 we have been in the UK more than the States supporting our release of Happier Now with Loose. We have played in so many beautiful spaces and met many wonderful people. These are some of our favorite memories of touring to date. And in January we played a sold-out show at Paper Dress Vintage in London during the Americana UK Fest, and as I was singing the opening notes of our first song, “Can’t Go On Like This,” I realized there were people in the audience singing along with me. If any musician ever says they don’t care about that, they’re lying. It’s the most special, heartwarming, exciting thing ever. Someone loves your song enough that they want to sing with you. That’s the best.

What other art forms — literature, film, dance, painting, etc — inform your music?

I grew up dancing — I was a ballerina with a Pennsylvania-based ballet company for about 13 years. So since a very young age I have been exposed to theatre life and the world of the performing arts. I still find seeing ballet so moving I often end up in tears. The classical music I grew up dancing to feels deeply rooted in my muscles and bones. It is so evocative of human emotion and passion and can take your spirit on such a journey. I think that is something we are always trying to achieve with our albums. We want to take you on a journey where the listener is transported away for a while and when the last notes ring out, you are slightly changed by what you’ve just experienced.

Certainly poetry has long been an art form that I have drawn inspiration from. I am deeply connected to nature and thus very moved by the poetry of the natural world — Whitman, Wordsworth, Frost, Keats, etc.

Which elements of nature do you spend the most time with and how do those impact your work?

Stephen and I take two walks daily that wind up and down the rolling hills near our home, past fields of sweet grass and hay, dense forest, and old farm houses. Whether the sun is shining or grey clouds and rain accompany us, it’s so necessary to turn off and just be in nature. I am always making a reference to the weather, the season, or birds on several songs on each album we’ve made. The song “Turn Turn” on Closeness begins with “Turn, turn, watch the weeks go by, moving slowly ‘cross the field ‘til the grass is greener….”

I have written poetry for over a decade and almost all of it is nature-based! There is endless inspiration and it is ever-changing, full of life and full of mystery.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Hardly ever! I am honest when it is about me. Which for better or for worse has kept our songs raw and truthful. The best material I have to draw from is that which is stirring in my own heart and before my own eyes. So I try to tell it honestly and rarely rely on fiction to save my face.

Photo credit: Parri Thomas

BGS 5+5: Blitzen Trapper

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Artist: Blitzen Trapper
Hometown: Portland, Oregon
Latest album: Holy Smokes Future Jokes
Release Date: September 25, 2020

Answers provided by Eric Earley

Which artist has influenced you the most … and how?

Michael Stipe was my favorite songwriter as a kid, his lyrics were so strange and uncanny. I’m thinking of Reckoning and Murmur, some of the most anachronistic lyrical content ever. There were no lyric sheets or online lookups back then so I was always trying to figure out what he was saying. His songs always had the feeling of a riddle or a magical text, the imagery was dreamlike and over the years I’ve tried to emulate that in certain ways. Tom Waits was a large influence later in my twenties, his bizarre comical lyrical storytelling and character voices were inspiring, I’m thinking of Rain Dogs in particular.

What’s your favorite memory from being on stage?

There isn’t any favorite, lots of weird amazing ones for sure, playing “Heard It Thru the Grapevine” with Stephen Malkmus trading weird, collapsing solos with Stephen as he made up the words because we were too lazy to learn the lyrics. I think we were in Cleveland, but I could be wrong. Playing Big Star’s “Feel” with Jody Stephens on drums and Mike Mills on backing vocals in Austin, Texas, that was surreal.

What other art forms — literature, film, dance, painting, etc — inform your music?

Most of my favorite songs have literary origins, whether it’s a particular Cormac McCarthy novel like Blood Meridian (“Black River Killer”) or a general religious text like the Bardo Thodol (the new record is based largely on this book). Biblical imagery has made its way into countless songs I’ve written as a result of childhood influences and pervasive cultural resonances. I’ve also started writing a lot of songs from reading specific poets, using their wordplay to inspire different turns of phrase. Seamus Heaney, Mary Oliver, to name a couple, I’ve also used Finnegan’s Wake and Gravity’s Rainbow to generate wordplay and imagery.

What was the first moment that you knew you wanted to be a musician?

I’ve been playing music since I was a child, so being a musician was never really a choice. I didn’t think of it as a career for a long time. I went to college for physics and math, studied painting, learned classical fingerstyle, became a sous chef. Finally in my late twenties I decided to drop everything and play music, mostly because all the songs I was writing were keeping me up at night, but I didn’t have any vision for the business part of it. Spent seven years playing unattended shows in Portland. Got a record deal off a random song on Myspace and suddenly was touring and making money.

If you had to write a mission statement for your career, what would it be?

Experimentation is the only way to realize the vision of reality you want to hear, so never grow static in style or voice, always move forward, never sit still sonically. Don’t write angry, only from a place of emptiness without sentimentality, nostalgia without regret. Don’t try to please anyone, only follow your instincts.

Photo credit: Jason Quigley

BGS 5+5: Wood & Wire

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Artist: Wood & Wire
Hometown: Austin, Texas
Latest album: No Matter Where It Goes From Here

Answers by Tony Kamel and Billy Bright

Which elements of nature do you spend the most time with and how do those impact your work?

Water, for sure. I mean there’s so many metaphors available there. When writing I tend to lean towards the rivers, but it’s all the same water. We are all just part of the water cycle. — BB

Growing up on the Gulf Coast, the ocean has always been a consistent theme in my writing. I essentially learned to swim in the Gulf of Mexico. A lot of unique characters down there that are easy to tell stories about and put them into song. “John” on the new record is about a friend of mine that split time in Galveston as an artist and Alaska as a salmon fisherman. — TK

What other art forms — literature, film, dance, painting, etc. — inform your music?

Stand-up comedians and the way they work material out on stage. Maybe they don’t inform the music itself, but certainly the idea of putting your art out there, trying things out, adjusting to the audience, making yourself vulnerable, and developing swagger and confidence (especially) when things are going south. Being comfortable being uncomfortable is quite the asset and the best stand-up comedians have that mastered. Recently I’ve listened to all of Tig Notaro’s recorded material. She’s absolutely brilliant. There’s a video of her on Conan where she just pushes around a stool because it makes a funny noise… sounds ridiculous. It is. You should watch it. — TK

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Music and food do pair well. Like if you’re eating a meal and there’s music in the background, or a band, that can be dreamy. Musicians and meals, not as dreamy. Too frequently, they’ll disappear when the bill comes, or are checking their Instagram page the whole meal. All that aside, Trevor has been talking about Sonoran Dogs in Tucson and we have never been able to check that box. So I’d have to say Sonoran Dogs with Trevor Smith. — BB

Definitely Sonoran Dogs in Tucson with Trevor Smith… or maybe Machaca at Lucy’s Cafe in Kings X in El Paso, Texas, with Billy Bright. Oh wait…..I’ve checked that box and it was every bit as dreamy as I could have imagined. (see “My Hometown” on the new record for El Paso references). — TK

What was the first moment that you knew you wanted to be a musician?

I knew from about 10 years old I wanted to create. I didn’t know I wanted to make it the way I (tried to) make a living until I was working a sales job and it came down to doing one or the other full-time. At this point, no matter what I do for living, it’ll have to be on my own terms. Like my bandmates, I’ve never been good at doing what I’m told — and that certainly isn’t getting better with age. — TK

My first band ‘practice’ ca. 1987. But those moments happen all the time. I still want to be a musician someday. I fell down the acoustic music hole for good when I saw The Bad Livers live in 1992. First time I ever saw a banjo played in real life, or ever, like that. — BB

How often do you hide behind a character in a song or use “you” when it’s actually “I”?

I’m not an intentional songwriter, they just come out sometimes and sometimes end up being recorded. I can’t think of a single song I’ve written where I doesn’t mean I. I should try that though. So should you…. — BB

Agreed. I’m not super intentional either. Kinda speaks to the relationship I have with songwriting. I don’t always enjoy it — it’s not always fun. For me personally, if I’m not feeling creative, or I’m not inspired, I don’t even try. It comes in waves. When the wave comes, I really buckle down, let it flow however it comes out, and ride it to the bitter end. And by I, I mean you. — TK

Photo credit: Alison Narro

BGS 5+5: Grant-Lee Phillips

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Artist: Grant-Lee Phillips
Hometown: Nashville, Tennessee
Latest album: Lightning, Show Us Your Stuff
Personal nicknames (or rejected band names): Pistol, Ranchero

Which artist has influenced you the most … and how?

Neil Young I suppose. His music hit me at just the right time. I had been playing guitar for two years when I first heard “Down by the River” and “Cortez the Killer.” I was 16. My ears were wide open. Young’s songs spoke to me like no other. He was also the first singer I saw in concert. All alone, with a rack of acoustic guitars, an upright piano on one side of the stage, a grand on the other, a pump organ. I was mesmerized.

What was the first moment that you knew you wanted to be a musician?

My family loved music. Hee Haw was a big one. We never missed a show. My grandma loved Elvis and Johnny Cash. The excitement I felt when Roy Clark played “Orange Blossom Special” or “Foggy Mountain Breakdown” on the electric guitar, I wanted to feel that all the time. The TV show Austin City Limits introduced me to Lightning Hopkins, John Prine and Tom Waits. I recall those moments like yesterday.

What’s the toughest time you ever had writing a song?

The hardest prolonged period of song wrestling was back in the ‘90s after Grant Lee Buffalo had put out a few albums. The pressure was on to deliver. The question was, deliver what to whom? I did my best to put all that noise out of my head. You can go from dancing on a ledge like Buster Keaton one minute to vertigo the next. Thankfully I had come across the film director Andrei Tarkovsky’s defiant book Sculpting in Light and that became a temporary manifesto.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I paint a great deal these days. Landscapes and still life. It slows me down and demands another degree of focus. Composition involves strategic thinking but there’s a wild side to painting. I like that balance. It gives me insight to making music.

Which elements of nature do you spend the most time with and how do those impact your work?

Tennessee is one of the greenest states in the country. I’m never so in tune with my own spirit as when I surrounded by elms and oaks. During this pandemic our family has made a point to take a drive every day. We drive through the country, roll down the windows and breathe some fresh air. One of my other rituals involves drawing. Every day I set aside 20-30 minutes to sketch. I have notebooks full of trees, landscapes in the works. Trees, clouds — that’s my sanctuary. Some of these images find their way into my lyrics, which is just another way of painting a picture.

Photo credit: Denise Siegel-Phillips

BGS 5+5: Zephaniah OHora

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Artist: Zephaniah OHora
Hometown: Brooklyn, New York
Latest album: Listening to the Music
Personal nicknames (or rejected band names): Zeph

What was the first moment that you knew you wanted to be a musician?

I must have been 5 or 6 years old the first time I saw a Zildjian cymbal. A drummer named Ed Nicholas who played in the house band on Sundays at the church I grew up in preferred that brand. I was drawn to it because it had a big Z on it. I thought he was just the coolest. He always wore a pressed shirt tucked in and a nice pair of slacks. He had that hip easygoing, cool jazz drummer presence about him, and that’s when I decided that music was it.

What’s your favorite memory from being on stage?

One of the more recent memories on stage is when I performed at Neal Casal’s ‘There’s a Reward’ Memorial show at The Capitol Theatre in Port Chester, N.Y. It’s a stage that so many incredible bands and artists have performed on. Legendary shows that have gone down in history. And it’s a beautiful old theatre. So thinking about all those people who’d been on that stage and singing a tune to honor my friend Neal in front of a packed house was really something else.

What’s the toughest time you ever had writing a song? I’ve had a few tough times.

Some songs just can’t be written down fast enough. And other songs you labor over for weeks or months. In most recent memory is the song “All American Singer” off my new record. It was to me one of the most important songs I’ve written. There’s a couple ways to interpret that tune and it was important to me that it said what I felt needed to be said. Unlike a righteous Twitter post that you often see these days, it’s a recorded song. There’s no way to delete it or alter your ideas. It’s permanent. So it was important to make sure my thoughts were coherent within the song.

Which elements of nature do you spend the most time with and how do those impact your work?

I haven’t been spending a lot of time in nature. Sadly. I live in New York City so nature is scarce. However I am around an incredible amount of architectural history and beauty. There’s so much to see here, and so much you could walk right past and never pay any mind to. And then one day you finally stop to admire something you’ve passed by many times and realize there are so many stories within that building or space. I think that’s also simultaneously an analogy for life. I’m always trying to tap into some collective shared experience in my writing. I think architecture is a reflection or expression of human experiences and history so it directly shapes my work.

If you had to write a mission statement for your career, what would it be?

The mission I’m on is to create those moments in music live or recorded when you get chills or feel as though the narrator in the song is singing about your own life experience. It’s a lofty goal and one that’s pursued by many. That’s part of my greater goal of connecting with people and understanding my own unique experience in this life. And music is a great vehicle for that.

Photo credit: Jammi York

BGS 5+5: Stephen Mougin

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Artist: Stephen Mougin
Hometown: Ashfield, Massachusetts
Latest album: Ordinary Soul
Personal nicknames (or rejected band names): Mojo

What’s your favorite memory from being on stage?

2006 was my first trip to Telluride with the Sam Bush Band. It was all “larger than life” from the ride in, to the amazing town, to the incredible lineup, to the unbelievable stage/sound/light crew. I remember walking out on stage (which is quite tall), getting set up, then looking out at the mountains just as the sun was setting. It was so breathtaking and surreal that I didn’t even notice the audience for at least three or four songs. Telluride is a special place and Planet Bluegrass makes it even better!

What other art forms — literature, film, dance, painting, etc — inform your music?

I was interested in shooting some interview videos for our record label so I purchased my first DSLR, learned about photography exposure, lighting, etc. and began my journey as a videographer. I really enjoy street, landscape, and architectural photography while I’m out on tour as a method to practice, and it makes for nice memories when I’m home. Our videography has grown to include music videos which I direct, shoot, and edit. There’s so much similarity between video light/color and audio frequencies/instruments, I feel like my visual understanding has informed my audio engineering and overall musicality.

Which elements of nature do you spend the most time with and how do those impact your work?

My pal Thayer Washer (a Nashville musician who toured with Connie & Babe and the Backwoods Boys in his younger years) wanted to take me bass fishing as a thank you for working on a project for him. Little did I know it would remain a fun, calming hobby, pushed forward with the addition of a jon boat and trolling motor. When I fish, I don’t think about ANYTHING other than where to cast, which lure, what rod technique to use, and where they might be. It is a necessary brain cleanse. I’m a workaholic and I often feel guilty for taking a few hours to go, but feel so much better when I do.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

My two favorite singers are Frank Sinatra and Lester Flatt. I’d love to share a meal with both of them (can you imagine THAT conversation?) and I’d picture it as some sort of surf-and-turf involving large shrimp, a slab of steak, and a baked potato with a large dollop of butter. Though that’s not really my favorite meal, it seems like what those guys might eat (maybe Lester would pass on the shrimp…). We’d chat about memorable gigs and I’d have a thousand questions from vocal delivery to the hardships of touring in their time.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

As a voice teacher, I often encourage students to “get inside the song” by pretending to be the character. Dabbling in musical theater in my youth, followed by my classical voice training, naturally set the footprint for this particular technique. When I sing, I have a movie playing behind my eyeballs which helps me feel the truth in the song (even if it’s not “MY” truth). I’ve spent so much time working on song personalities, there’s really no “ME” in it… except that “I” am the character (if I’m doing my job well). The direct answer to your question lies in the particular songs one chooses to sing!

Photo credit: Elliott Lopes

BGS 5+5: Arlo McKinley

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Artist: Arlo McKinley
Hometown: Norwood, Ohio
Latest Album: Die Midwestern (Oh Boy Records)
Rejected Band Names: Hatchet Wounds, Black Locust Inn, Thousand Dollar Car

Which artist has influenced you the most … and how?

With so many influences I could name, I always go back to Blaze Foley. His ability to put so much feeling and emotion into a simple song without ever taking himself so seriously. He always influenced me in my writing, and has been a reminder to always be myself.

What’s your favorite memory from being on stage?

I would have to say that performing and knowing that one of my heroes, John Prine, had taken the time out of his day in the middle of the week to come see me play would probably top the list. He came to watch the band play at the High Watt in Nashville. That was a night I’ll never forget.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I read a lot when not listening to or writing music. Charles Bukowski, Hunter S. Thompson, Greil Marcus, Ted Chiang and many others. Ted Chiang writes very smart, socially-conscious science fiction that really stands out to me. I highly recommend checking him out if you haven’t already.

What was the first moment that you knew you wanted to be a musician?

That would have to be growing up in the Baptist church. Seeing that music could be so much more to people than just a sound and evoke real emotions in people appealed to me in a way that is hard to put into words. Along with that I grew up constantly surrounded by so many kinds of music that my family would be listening to. Country, punk, bluegrass, folk, metal, hip-hop, etc. It’s the only thing that I ever thought that I should be doing so I’d say the simple answer is, from the moment I discovered music I knew that’s what I wanted to do with my life.

If you had to write a mission statement for your career, what would it be?

It would be to keep pushing myself to grow as a musician, always pushing myself to never create the same album twice. It would be to also keep creating music that people can correlate to their own lives in one way or another.

Photo credit: David McClister

BGS 5+5: Daniel Donato

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Artist: Daniel Donato
Hometown: Spring Hill, Tennessee, an hour south of Nashville.
Latest Album: A Young Man’s Country (August 7, 2020)
Personal Nicknames: DD, sometimes.

What was the first moment that you knew you wanted to be a musician?

I was walking by Legend’s Corner, a bar in Nashville with my father. This was the first day I ever busked on the street, and I made $0. The lead singer was taking a break to pass the tip jug. The bass player called me on stage, over the microphone. “You look like you play guitar,” he said. “I try,” I said! I got on stage, plugged in, and played for two songs that were completely improvised. That was it for me. I knew the stage was my soon to be dojo.

What other art forms inform your music?

Podcasts are big for me. Hence, why I started my own “The Lost Highway.” I think podcasts and jam bands aren’t all that different. What you have is complete improvisation with the instrument of language. Improvisation forces honesty but also unique expression out of your skill with said instrument. A moment in time is created by humans that truly could never happen again. It also is OK if this moment lasts a few hours! That sounds a whole lot like the Grateful Dead. Or a Cosmic Country show!

If you had to write a mission statement for your career, what would it be?

DD’s 3 P’s! Patience. Persistence. Positivity. These fuels are essential to keeping things Cosmic.

What’s the toughest time you ever had writing a song?

Songwriting is day one, each time. A perpetual white belt. Because each song is different. Quite literally, each song is the toughest one to write. Performance, content creation, and guitar playing are not like this at all.

What rituals do you have, either in studio or before a show?

I get as calm as possible. I get stoic. Essentially, view yourself outside of being yourself. This gives you a humbling perspective that allows you to see that everyone is quite on the same level. On stage, it is important for me to keep that in mind, so I can steer the wheel in the way that the audience will get the most out of the experience. It is all about the people. The more calm I am, the better the moment will be for the listeners on the other side of the guitar.

Photo credit: Jason Stoltzfus