LISTEN: The Way Down Wanderers, “Everything’s Made Out of Sand”

Artist: The Way Down Wanderers
Hometown: Peoria, Illinois
Song: “Everything’s Made Out of Sand”
Album: More Like Tomorrow
Release Date: September 10, 2021
Label: Soundly Music

In Their Words: “‘Everything’s Made Out of Sand’ was written to create a dialogue on the temporary nature of all things: one day everything here will to turn to dust. I was inspired in the writing process while struggling to feel like I was using my short time here wisely. Humans are connected by our perception of time and the understanding of our own mortality. Through this mutual connection that we share as neighbors, I feel that a certain amount of accountability exists between us to try and live our best life for each other. We captured this tune with the band belting and stomping into a single antique microphone. By recording the song in just one take, it is set aside from the rest of the album and meant to capture the idea behind the track itself in a sonic way: we have a short time to live the most impactful and fulfilling life we can, so let’s try our best.” – Collin Krauss, The Way Down Wanderers


Photo credit: Keith Cotton

Harmonics with Beth Behrs: Time for Some Music Recommendations

Let’s face it: times are pretty dark right now — but what else is new? Harmonics was born out of a love for music and its healing powers, and we are once again turning towards art to pull us through. Today, Beth is joined by Amy Reitnouer Jacobs — our very own BGS co-founder and executive producer of Harmonics — who shares with us the fruits of her curatorial labor in the form of her top albums getting her through the summer: from heart-wrenching yet uplifting folk songs by Allison Russell, to the vibey, Don Henley-esque sounds of John Mayer’s recent release, on through to ’70s Japanese pop, and stopping everywhere in between.

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Allison Russell – Outside Child

BGS readers will be familiar with this first pick. We’ve long sang the praises of Allison Russell (she was our Artist of the Month for May of this year) and when asked their favorite albums of the year, essentially every member of the BGS team chose her solo debut Outside Child. This is a very special record — for so many reasons — that you do not want to miss. And your listening experience will only be enhanced by learning the context in which it was written. Russell shared her painful story with us back in Season 1 of Harmonics, then came back and breathed uplifting hope into that story through the beautiful music of Outside Child.

Dante Elephante – Mid-Century Modern Romance

This album has been Amy’s weekend soundtrack for some time now. Throw this record on first-thing Saturday morning, and you, too, will be grooving, coffee in hand, in no time.

Tony Joe White – Smoke from the Chimney

This posthumous album from Tony Joe White features vocals from acoustic demos the roots legend recorded shortly before his passing, brought to their full potential through the lush arrangements and editing magic of Dan Auerbach.

Valerie June – The Moon And Stars: Prescriptions For Dreamers

Fall into the weird and wonderful world of Valerie June through the intricately layered yet completely raw and vulnerable musical journey of her latest album. Don’t try to define this album — just allow yourself to get wrapped up in whatever it is.

John Mayer – Sob Rock

While Amy has admittedly not dug into any John Mayer album since his 2001 debut Room for Squares, her love for the newly coined “Bistro Vibes” aesthetic (read into this y’all, and just trust us…) has led her to Mayer’s latest summer release: a more-than-likely pandemic-fueled nostalgic nod to the sounds of the ’80s a la Don Henley, Dire Straits, Steve Winwood, and Phil Collins, paired with songwriting that taps into the isolation and despair we’ve felt for the past year and a half.

Yellow Magic Orchestra – Yellow Magic Orchestra

The experimental nature and endlessly chill vibes of Japanese pop of the ’70s and ’80s make for the perfect summer soundtrack, and the traceable influence on today’s indie music is fascinating. Bonus points if you can listen on vinyl, as the depths of these recordings are all the more rewarding and delicious in this format.

Sara Watkins – Under the Pepper Tree

While the beautiful Under the Pepper Tree — a collection of lovely lullabies, both original and classic favorites — was recorded and released for Watkins’ small daughter, we, as adults, have been unable to take it off of repeat since its March release. While some may laugh at the idea of being so enamored with a “children’s record,” we dare them to experience the comfort of Watkins’ magical collection — especially amidst the tumultuous year we’ve had — and not fall in love. She pulls out what is so beautiful and lasting about these songs, and what makes us connect with and feel through them.


Listen and subscribe to Harmonics through all podcast platforms and follow Harmonics and Beth Behrs on Instagram for series updates!

WATCH: Tim Easton, “Speed Limit”

Artist: Tim Easton
Hometown: Nashville, Tennessee
Song: “Speed Limit”
Album: You Don’t Really Know Me
Release Date: Aug 27, 2021
Label: Black Mesa Records

In Their Words: “My friend Tree Butcher said the opening line in a sentence and I just wrote it down. It became a song very quickly and it’s the first tune where my daughter helped sort out some lyrics as well. Both my mother and father make an appearance in this one, so the family theme is established further. This is a healing song that is played with a lot of energy to remind you to slow down. The chorus lyric ‘when the pain of staying the same outweighs the strain of making changes’ is an inner rhyme sequence of pain, stay, same, weigh, strain, make, and change — seven rhymes in just 13 words. This is something I learned from listening to hip-hop, or something I was reminded of by listening to hip-hop. ‘The worst enemy I ever had is the one inside my head’ is a notion I got from the poet Gregory Corso who said that the worst critic he ever had was himself.” — Tim Easton


Photo credit: Robby Kline

LISTEN: The Chuck Wagon Gang, “Two Gardens”

Artist: The Chuck Wagon Gang
Hometown: The current members are pretty scattered, but the Chuck Wagon Gang originated in Fort Worth, Texas
Song: “Two Gardens”
Album: Radio Days
Release Date: August 13, 2021
Label: Mountain Home Music Company

In Their Words: “We’ve had many fans request a recording from our old radio show. We’re so happy to finally be able to grant that request. We’ve put several old songs from the 1940s that we deem a deeper dive into the Chuck Wagon Gang archives. But there are also a few newer songs like ‘Two Gardens’ on this latest recording. We received the demo for ‘Two Gardens’ and I remember not being able to get the tune out of my head. Put that together with amazing lyrics and I believe we have a song fans will truly be blessed by!” — Shaye Smith, The Chuck Wagon Gang


Photo credit: Clay Lisenby for The L House Photography

LISTEN: The Isaacs, “Turn! Turn! Turn!”

Artist: The Isaacs
Hometown: Hendersonville, Tennessee
Song: “Turn! Turn! Turn!”
Album: The American Face
Release Date: August 13, 2021
Label: House of Isaacs

In Their Words: “When selecting cover songs for our project, The American Face, one of my first suggestions was the song ‘Turn! Turn! Turn!’ Growing up in New York City in the ’60s, I was a big folk music fan. I had a folk album out on Columbia Records in 1968, so I followed so much of that scene. The song was taken from Ecclesiastes 3:1-8 and seemed like such an appropriate song for nowadays. It was written by Pete Seeger in 1959 and released in 1965 by the Byrds. Once my family and I listened to the song, we just knew we had to record it. We wanted to do the song with The Isaacs feel to it. So, we tried to build the song with harmonies throughout the lyrics. It certainly brought back so many memories to me personally… living through the music era in the ’60s, which was such a turning point in history. An exciting time in many ways.” — Lily Isaacs


Photo credit: Frederick Breedon

WATCH: Suzie Ungerleider, “Baby Blues”

Artist: Suzie Ungerleider
Hometown: Vancouver, BC
Song: “Baby Blues”
Album: My Name is Suzie Ungerleider
Release Date: August 13, 2021
Label: MVKA

In Their Words: “‘Baby Blues’ is inspired by the idea that we all carry little movies in our minds about things that have scarred us in our childhoods. They replay in our heads and whisper in our ears and affect how we see the world so profoundly for the rest of our lives. They make maps in our brains that tie us forever to that geography of the past. The song is set on the country roads in Ontario, Canada, where there literally is a place called Fallowfield. Rolling hills and farmland and falling down barns dot the landscape. It’s beautiful and haunting all at once.” — Suzie Ungerleider


Photo credit: Stephen Drover

With Clawhammer Banjo, Gregory Alan Isakov Covers the Lumineers

Happy birthday, Dualtone Records! The Nashville-based indie music label is celebrating a tremendous milestone this year, commemorating the 20 years they’ve been in the business of bringing us beautiful albums from an array of classic Americana, folk, and indie artists. To mark the occasion, they have issued a compilation album cleverly titled Amerikinda: 20 Years of Dualtone. The album features many of Dualtone’s artists from the past and the present performing each other’s songs in a whimsical, jovial tribute to the work and achievements of the beloved record company. Upon announcing the album in April, the label released vice versa recordings by Gregory Alan Isakov and the Lumineers, each performing a song written and made famous by the other.

Isakov and the Lumineers are just two of the artists on Amerikinda; they share the liner notes with powerhouse names like Shakey Graves, Langhorne Slim, Drew & Ellie Holcomb, and more. In the video below, hear Isakov’s ghostly rendition of the introspective Lumineers number, “Salt and the Sea.” (The Lumineers also contribute a cover of Isakov’s “Caves.”)

“The Lumineers have been our friends and local comrades here in Colorado for years, and when Wes sent me the premaster of their last record, I was instantly drawn into every song,” Isakov said. “The song ‘Salt and the Sea’ particularly spoke to me, lyrically, along with that haunting melody. I collaborated with my bandmate Steve Varney to pluck out Jeremiah’s piano part with clawhammer banjo. What a beautiful song. I hope we did it justice.”

Upon the album reveal, Isakov added, “Not only are they incredibly good at table tennis, Dualtone is an astounding team of humans. I had never worked with a label before, other than my own label, and it’s been an absolute pleasure teaming up with Dualtone. They are such a hardworking, collaborative, kind-hearted group, and it’s an honor to be a part of their 20th anniversary compilation.”

Label co-founder and CEO Scott Robinson says, “From the very start, we’ve tried to build this safe, encouraging space for artists to experiment and create, and it’s just so cool to see how deeply these bands have connected with each other and to hear the influences and friendships that stretch across the whole history of the label. At the end of the day, there’s something special about the energy of Dualtone, and it’s not because of me or Paul [Roper, President/Partner] or any other individual. It’s because of the way that everyone, artists and staff alike, come together as a community.”


Photo credit: Rebecca Caridad

The BGS Radio Hour – Episode 214

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, we bring you a modern classic instrumental bluegrass tune, new music from Tim O’Brien, and much more! Remember to check back every week for a new episode of the BGS Radio Hour.

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Amanda Anne Platt & The Honeycutters – “New York”

“New York” a song Amanda Anne Platt wrote about leaving the house that she grew up in, and kind of saying goodbye to that younger version of herself. We recently premiered a video for the track.


Rachel Sumner – “Lose My Love”

Singer-songwriter Rachel Sumner first wrote and recorded “Lose My Love” for the bluegrass group Twisted Pine, but now that she’s branched out as a solo artist she decided to reclaim and reimagine the tune in this new context.

Cameron Knowler – “Done Gone”

“Done Gone” is something like a mission statement for musician Cameron Knowler’s album, Places of Consequence. It’s an example of how he examines fiddle music thoughtfully and renders it meditatively — while paying homage to his hero Norman Blake, too.

Aaron Burdett – “Hard Hand”

We sat down with singer-songwriter Aaron Burdett for a 5+5 — that’s five questions and five songs — about his inspirations, his mission statement, and more.

Brad Reid – “Northumberland Shores”

For Cape Breton fiddler Brad Reid, “Northumberland Shores” has become almost a meditation, bringing a sense of calm and grounding while symbolizing Reid’s Scottish ancestors’ journey to America.

Son Volt – “Living in the USA”

This song didn’t start out as an homage to Springsteen’s “Born in the USA” or Neil Young’s “Rockin in the Free World,” but in retrospect Son Volt see the track as a nod to both — while questioning the mythology of the American dream.

Tim O’Brien – “I Breathe In”

Tim O’Brien’s latest album, He Walked On, explores the many realities and histories of what it means to be American. With his well-known ability to tell a story through song he shares intimate and intriguing tales that reflect on the political turmoil of the past few years through both modern and historical lenses. O’Brien was our Artist of the Month for July of this year, and we spoke to him in a two-part interview.

John Reischman – Salt Spring

Mandolinist John Reischman wrote a modern classic instrumental tune, “Salt Spring,” which is now available for the first time digitally and streaming. The track features a roster of young pickers who grew up playing the song in jams and on stage.

Margo Cilker – “Tehachapi”

Singer-songwriter Margo Cilker didn’t write “Tehachapi” to be an exuberant song, but it certainly became one — both in her live shows and on her upcoming, Sera Cahoone-produced album, Pohorylle.

Pat Byrne – “I Woulda Done It For You”

The quirky, upbeat energy of the latest single from Austin-based Irish singer-songwriter Pat Byrne belies the song’s tragic content, which is all about a breakup and a plea for one more chance.

Grayson Jenkins – “Mockingbird”

Grayson Jenkins wrote “Mockingbird” inspired by a noisy, singing songbird and a recent break-up: “When a bird was chirping nonstop by my van while I was trying to sleep. I couldn’t get it to leave, kind of like her memory.”

Tylor & the Train Robbers – “Lemonade”

Everyone has heard the saying, “When life gives you lemons, make lemonade.” Tylor & the Train Robbers turn this phrase on its head, because when you don’t find a way to bring some good out of the bad, you’re just stuck with the same old lemons.


Photos: (L to R) Rachel Sumner by Hannah Cohen; Margo Cilker by Matthew W. Kennelly; John Reischman, courtesy of the artist.

WATCH: Charlie Parr, “Last of the Better Days Ahead”

Artist: Charlie Parr
Hometown: Duluth, Minnesota
Song: “Last of the Better Days Ahead”
Album: Last of the Better Days Ahead
Release Date: July 30, 2021
Label: Smithsonian Folkways

In Their Words:Last of the Better Days Ahead is a way for me to refer to the times I’m living in. I’m getting on in years, experiencing a shift in perspective that was once described by my mom as ‘a time when we turn from gazing into the future to gazing back at the past, as if we’re adrift in the current, slowly turning around.’ Some songs came from meditations on the fact that the portion of our brain devoted to memory is also the portion responsible for imagination, and what that entails for the collected experiences that we refer to as our lives. Other songs are cultivated primarily from the imagination, but also contain memories of what may be a real landscape, or at least one inspired by vivid dreaming.” — Charlie Parr


Photo credit: Shelly Mosman

WATCH: Alexa Wildish, “The Well”

Artist: Alexa Wildish
Hometown: Nashville, Tennessee
Song: “The Well”
Album: Alexa Wildish

In Their Words: “‘The Well’ was originally written years ago, then released in 2020 on my eponymous EP, and it was not until this year that I fully lived its meaning. This video was filmed in Lake Atitlán, Guatemala. The pristine beauty and undeniably loud earth presence helped me to see myself more lucidly than ever before. It seems as if the surrounding volcanic energy erupted from me all that I was unwilling and too afraid to see, and then the water offered me grace in return in its loving reflection. The footage was captured over a few days of adventuring and playing with the elements. We collected video during a torrential downpour, parts of it at 5 in the morning when no one was on the lake other than a few local fishers, and the rest tucked away in the deep parts of the forest. My gratitude for this land and the way it brought me back home to myself will forever be imprinted on my heart.” — Alexa Wildish


Photo credit: Jacob Blumberg