Tag: 5+5

BGS 5+5: Marc Scibilia

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Artist: Marc Scibilia
Hometown: New York/Nashville
Latest Album: Seed of Joy

Which artist has influenced you the most … and how?

I would say Paul Simon. His lyrics are so perfect. His music is so joyful. It’s complex to create, but so easy to listen to.

What’s your favorite memory from being on stage?

The first time I played my song “Summer Clothes” live after it was released as a single. There is a lyric that says, ‘They built a new casino and they called it Little Reno, but the blinking sign’s got a busted light says Welcome to eno…’ On a whim I paused on the word ‘eno’ and the whole crowd sang it. They got the joke. It’s a good feeling when you put a lot of time into a lyric and the audience gets exactly what you were trying to do.

What other art forms — literature, film, dance, painting, etc, — inform your music?

Film would be the most direct correlation. I can’t help when I watch a Terrence Malick movie to hear melodies and lyrics. He is such an amazing director. One of his latest films, A Hidden Life, really challenged me creatively while I was finishing the album. It really encompassed all that, in my view, art can be about. The human condition.

What’s the toughest time you ever had writing a song?

Some songs come really easy, a few hours and done. Others I have mulled over and rewritten over the course of a few years. Now having a daughter… most songs are hard to write, because there’s so much going on in our house. I need concentration to really get the best out that time.

What rituals do you have, either in the studio or before a show?

In the studio I have a pretty extensive day planner. I plot out my entire day, review my big goals in life and a few other points. I can easily blow a day on Instagram, which usually just leads to anxiety, jealousy, and a sad, lost feeling. So if I have a grid I can avoid that stuff.

Photo credit: Sean Hagwell

BGS 5+5: Alison Brown

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Artist: Alison Brown
Hometown: La Jolla, California
Latest album: The Song of the Banjo
Personal nicknames (or rejected band names): Mom (currently trending)

From the Artist: “‘Here Comes the Sun’ is a song I’ve loved for years. But I never thought about playing it on the banjo until I was inspired by stories of hospitals playing it over their PA systems to encourage staff and patients in their battle against COVID. As I started working on it I realized that the tune has a lot in common rhythmically and harmonically with ‘Águas de Março’ (‘Waters of March’), a Tom Jobim classic that’s one of my favorite melodies and recordings. So I put the two together and came up with this mash-up — setting the low banjo against a tapestry of piano and jazz flute.” — Alison Brown

What was the first moment that you knew you wanted to be a musician?

I didn’t become a musician in one lightning rod moment. It was really more a series of baby steps. When I was really getting into the banjo in the late ’70s there weren’t a lot of successful role models that pointed the way to how you could make a career as an instrumentalist. As much as I loved playing the banjo I really thought it would be a hobby that I would talk about at cocktail parties in my real life as a doctor, lawyer, or another respectable white collar professional. As it happened, I had to spend several years as an investment banker before I got up the nerve to try being a banjo player.

What’s your favorite memory from being on stage?

I have so many great memories it’s hard to pick just one. Collaborating with a skratji band on stage at the Opera House in Paramaribo, Suriname, during a State Department tour is one that has stayed with me. Guesting on Brandi Carlile’s collaboration set with the First Ladies of Bluegrass at the Newport Folk Festival last summer with Dolly Parton singing “9 to 5” is definitely another. Playing on the Banjo Stage at Hardly Strictly Bluegrass in front of a crowd that reaches all the way down Speedway Meadows never fails to blow me away and is one that always validates my decision to leave my investment banking job in San Francisco’s financial district to play the banjo.

If you had to write a mission statement for your career, what would it be?

Since launching Compass Records 25 years ago, my career has had two parallel tracks: one as an artist and the other as the co-founder of a roots-based indie label. When Garry West and I started the label in 1995, literally at the kitchen table, we felt there was a keen need in the market for a record company that was run by musicians. We were driven by the idea that our perspective gained from years of touring would position Compass uniquely in the market. Our goal was to create an artist friendly home for other artists; at the time I was halfway into a multi-album contract with Vanguard Records. Garry and I were, and are still, extremely passionate about discovering new artists and helping to bring their music to a wider audience.

Over the past two and a half decades, we’ve had a chance to help further the careers of an amazing roster of artists across the roots music spectrum and also have had the privilege of carrying the torch forward for some great label imprints through catalog acquisitions. One thing that I didn’t really anticipate when we started Compass was how running a label would inform my own creativity as an artist and producer. Knowing the challenges in the market has been very much of a double-edged sword: sometimes it makes it difficult to get motivated to create new music but, at the end of the day, having a handle on current challenges and opportunities on the business side has made it more natural for me to create music with specific target results in mind.

What rituals do you have, either in the studio or before a show?

For me, studio = food:) When I’m producing, or leading a session, I like to arrive with warm scones or banana bread to start the morning and then make sure there’s a kitchen full of interesting snacks on hand throughout the day. I know it’s not great for the waistline, but for me it adds to the fun of the creative process. I’m also a fan of having slow TV, sound off, running on the monitor in the control room. When I was producing Special Consensus’ record Chicago Barn Dance, we had a Norwegian winter train journey from Oslo to Bergen on a loop while we worked and it complemented our musical journey in a perfect way.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Hmmm, perhaps not your typical banjo player’s dream, but how about a simple dinner with Tom Jobim on a garden terrace in La Jolla, California, overlooking the Cove and a menu that includes Jacques Pepin’s roast chicken, haricots verts, and a bottle of Cakebread Chardonnay?

Photo credit: Stacie Huckeba.
“Here Comes the Sun” credits: Low Banjo: Alison Brown; Piano: Chris Walters; Flute: John Ragusa; Bass: Garry West; Drums and Percussion: Jordan Perlson

BGS 5+5: Madison Cunningham

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Artist: Madison Cunningham
Hometown: Orange County, Califoria
Album: Wednesday EP

“I challenged myself at the beginning of last year to learn and post a cover song every week as a way to stay inspired both in writing and performing. What started as a fun prompt cracked something open in me and stayed for good, freeing me up in the areas I tend to be too cautious in. After weeks and weeks of this, I decided to release four of these songs as an EP of interpretations, in hopes that they would bring comfort to people in the same way they for did me during this painful year.” — Madison Cunningham

Which artist has influenced you the most … and how?

It’s hard to give credit to only one as so many artists helped me along in different phases of my life. But if there’s one artist that encompasses all forms of my deepest interests, which is singing, playing, and writing, it has to be Joni Mitchell. She taught me how to sing and how to be a free thinker. Her music cracked me open as a young shy writer.

What’s your favorite memory from being on stage?

I was in Aspen, Colorado, last year opening for Amos Lee. I’m not quite sure if it was the elevation or the drunk audience, but it holds the record for being one of the most comfortable and freeing shows that I’ve played to date. For me, if there’s one small accident or interruption during the tuning portion of a performance, it makes me feel right at home. The conversation is the fun of it and makes the music feel invincible. Without it, I feel like I opened the door to the wrong apartment.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I think the only answer to this question is to eat some sort of red pasta with red wine, while sitting across from Joni Mitchell underneath a New York veranda. Ideally at sunset. But the truth is, I’d jump at any chance, at any hour, to have such a meal.

What’s the toughest time you ever had writing a song?

Probably when writing “Something to Believe In.” It’s quite possibly my favorite song that I’ve written, but cost me most of my hair. I sat on the chorus, and verses one and two, for about six months. And on the day I decided to finish it, I was pounding my fist against the floor and standing on my head trying to come up with verse three. Even after I finished it, I wasn’t convinced this song was for me to sing. So I gave it to a friend and then ended up recording it myself later.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I think every character is some three-dimensional form of myself. The only way you can write sincerely about someone is by relating to them, and you really only have your own experience to go by. Writing from a character’s perspective also gives you a kind of bravery to write about yourself, freeing you up to say things you’d normally feel was too forward. It’s an “I’m only the messenger” sort of a thing.

Photo credit: Claire Vogel

BGS 5+5: Raye Zaragoza

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Artist: Raye Zaragoza
Hometown: Greenwich Village, Manhattan, NYC
Latest album: Woman In Color (Rebel River Records)
Personal nicknames (or rejected band names): Ray was my nickname for my whole life. My full name is Rayanna. I added the e when I started playing music!

What’s your favorite memory from being on stage?

My favorite memory of being on stage was when I was in the third grade and I was performing “I Can Do That” from A Chorus Line in my school’s talent show. I had my tap shoes on and everything. But I had what was probably bronchitis. I hardly had a voice and had a terrible cough. I guess my parents thought I was still ok to perform! I gargled salt water every five minutes while I waited for my turn. I got on stage and could barely get any of the song out. It was just low muffled coughs and groans and then tap dance breaks. I asked my friend how I sounded after and she said, “It was pretty bad.” Since then, I have never really had stage fright, and don’t really stress when I have to perform sick. I conquered bombing a set very early on in my stage career. I am so grateful for that!

What rituals do you have, either in the studio or before a show?

I love rituals. Before a show, I always stretch, which feels funny because I just stand there and play guitar and sing! I am not doing any dance moves or anything like that, haha. But when I was a kid, going on stage meant that I was dancing, so I feel like something is wrong if I don’t stretch before going on stage. I also always drink hot water before a show (even in the summer) and say a little prayer and land acknowledgment with my crew.

What was the first moment that you knew you wanted to be a musician?

I was always music obsessed as a kid. I always had headphones on and thought songwriting was the absolute coolest thing anyone could do. But I knew I wanted to be a career musician at my first real gig. I played House of Blues (restaurant stage) in Hollywood when I was 19 (2012). It was one of those “pay to play”-type deals that I my roll my eyes at so deeply now. I ended up selling the place out with all of my co-workers from my hostess job and got up there to play the four original songs I had written to date and some covers. It was the first time I played my own songs for people at a real performance. I had this crazy feeling during the first song. I felt like I was on the best drug trip ever. I felt happier than I’d ever felt in my life. It was a magical feeling and I’ve never stopped chasing it since.

If you had to write a mission statement for your career, what would it be?

Be the role model you wish you had as a kid. Make your ancestors proud. But don’t take yourself too seriously.

Which elements of nature do you spend the most time with and how do those impact your work?

I moved to Long Beach, California, in January and have recently become obsessed with swimming in the ocean. I honestly had very little exposure to nature as a kid growing up in New York City. Central Park was my nature. I now live three blocks from the ocean and go almost every day. The ocean calms and grounds me. It brings me to that grounded place where I can create best. And on the other extreme, I love the desert. The desert and ocean both make me feel so small and alone in a way that inspires me to create.

Photo credit: Jimmy Hines

BGS 5+5: Lera Lynn

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Artist: Lera Lynn
Hometown: Nashville, Tennessee
Latest album: On My Own

What other art forms — literature, film, dance, painting, etc — inform your music?

I think everything we consume ends up informing our art. It’s difficult for me to pinpoint any one art form that influences me, but I did use the act of painting with intention while making my new record, On My Own. Because I was working completely alone on the record, I desperately needed some method for gaining perspective, so I kept my easel set up in the room where I was recording and would bounce back and forth between the two mediums. Where I would reach a roadblock with one, I would move to the other.

What was the first moment that you knew you wanted to be a musician?

Music was always a big part of life for me growing up. If there wasn’t a record or the radio blasting, someone was playing guitar or keyboards and singing. I, however, had always planned on becoming an astronaut until one fateful day as a 10-year-old, when I learned that my eyesight was too poor for me to ever be accepted into the space program. I happened to be watching Star Search minutes after that disappointing realization and distinctly remember thinking, “Oh well, I’ll just do that.” It wasn’t until a couple of years later, playing violin in the school orchestra that I understood, for the first time, the hypnotic power of playing music with and for others and I was hooked.

What’s the toughest time you ever had writing a song?

I once spent 10 months working on a song, because someone I shared the song with suggested that the chorus wasn’t strong enough. I must’ve written six or eight different choruses and ultimately decided that the original chorus was the one. The song is called “Fade Into the Black.”

What rituals do you have, either in the studio or before a show?

My rituals are pretty different for live shows vs. studio work. I have to be pretty straight before getting on stage. I sing the old jazz standard “Lover Man” for its vocal range as a warmup and just before going on stage I get pumped up by yelling like I’m at a drag race. In the studio, a good buzz goes a long way for getting inside the song and tracking vocals.

If you had to write a mission statement for your career, what would it be?

Let art guide the process and decisions, not the prospect of money or success. Maintain autonomy by nurturing meaningful engagement with fans; let them be the guide and support system. And finally, trust your gut!!

Photo credit: Alysse Gafkjen

BGS 5+5: Larry Keel

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Artist: Larry Keel
Hometown: Lexington, Virginia for the past 24 years.
Latest album: American Dream, out November 6, 2020
Personal nicknames (or rejected band names): My wife and I call each other “Ange” (pronounced “Aynge” with a long “a”) other nicknames are “Doghead” and “Late-night Man.”

What’s your favorite memory from being on stage?

My favorite memory is standing next to two of my heroes that I had studied all my life up to that point, and getting to collaborate and share in the music we made together on stage… I’m speaking of Tony Rice and Vassar Clements, during a period in my career when both of these iconic musicians played regularly in my band. Other major moments I cherish and will never forget are playing with Little Feat in Jamaica on a beach in Negril, playing Carnegie Hall in New York, playing Red Rocks Amphitheatre, and getting to play live music with my wife and my brother all throughout my career.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I truly love to paint! Bob Ross got to me early in my childhood, and he’s still all up in my soul. I paint with watercolors, markers, pens, anything when I feel the urge. I guess poetry also influences my music, because I lean on that literary form for my songwriting. And I’m currently getting more into designing a meal and preparing the food, then plating it artistically.

What was the first moment that you knew you wanted to be a musician?

I knew I had to be a musician when I was little and I started paying more attention to my father and older brother playing (they both played guitar, my father also played banjo and sang). I loved watching them have such a good time and I could see how everyone playing music with them or listening to them all enjoyed it so much. Then, when I was 7, my brother bought me a guitar, helped me get started with chords and positions, and I never set the instrument down…I was hooked from then on.

If you had to write a mission statement for your career, what would it be?

The mission is to let the art take me and everyone listening on a journey together, to get us all on the same page for the time we’re connecting through the music. If I had to give myself or a budding musician advice, I’d say be ready to work HARD. Do your music and your business your own way. Let your own instincts and your own style guide your decisions. I’m a big believer in “march to the beat of your own drum…” and, be frugal and be kind.

Which elements of nature do you spend the most time with and how do those impact your work?

I spend lots of time in the garden, right here at my home. It’s such a zen feeling to plant seeds, nurture them, watch them grow and then enjoy the fruits and veggies of mine and my wife’s labor. Fishing and being on any water is another zen-like activity that keeps me grounded. All in all, I try to spend as much time as possible in nature, because it charges up my “feel-good” and gives me a connection to something timeless and eternal. I’m always trying to tap that genuine energy when I write and play music. That’s the goal.

Photo credit: Lyric Photography

BGS 5+5: Cordovas

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Artist: Cordovas
Hometown: Nashville, Tennessee
Album: Destiny Hotel

Answers by Joe Firstman, Toby Weaver, and Lucca Soria of Cordovas

What was the first moment that you knew you wanted to be a musician?

I always felt like I was an artist or working towards being one. So all I had to do was do it, not “become it.” — JF

I was around 7-8 years old and swinging on the swing set in elementary school. I was thinking about a song that I liked and at that time I had the feelings that I would like to play that song for people. I watched my dad and his friends play music as a child but it was at that moment I decided I would like to get a guitar and learn how to play. — TW

Feeling that feeling of “we’re doing something” as a kid in my friend’s basement trying to play some songs together. — LS

Which elements of nature do you spend the most time with and how do those impact your work?

We spend a lot of time in the desert in Baja. Most of our mornings at the beach waiting for the surf. Checking the waves. Feelin’ the desert. Waiting for songs. Sunsets are also magnificent. There’s a lot of power and the light is changing. — JF

Which artist has influenced you the most … and how?

As far as living artists go, it would be Roy Bookbinder as he has personally learned from the great masters of the blues and has his own interpretation of their works as he performs them and written songs in that style. I got to meet Roy at a guitar clinic in 1998 and it was very inspiring. — TW

Bob Dylan and Grateful Dead. Hearing how Dylan writes made me want to emulate that. The Dead are like lifelong teachers, I learn something about playing music every time I listen to them. – LS

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

This is a writing technique. When we insert the word “I” into the sentence, the line, and the composition takes on an entirely new feel and tone. To make things universal often times we use the term “you” when we mean “I,” but I found that usually these are interchangeable in that the story would not suffer either way we did it. It could be a subtle thing, but being aware of the power of “I” is important. There used to be this drunk acting coach at the bar I went to in Hollywood, La Poubelle. He would always try to get everyone to have a conversation without using the word I. — JF

What other art forms — literature, film, dance, painting, etc. — inform your music?

Lately, I have been reading spiritual guides and literature that feeds the mind and soul as well as biographies and autobiographies. The concepts outlined in these works have contributed to the lyrics I have written for our Destiny Hotel album, specifically the ego. — TW

As a teenager I was shown the work of Whitman and Ginsberg by a great teacher who explained that vein of American poetry. That exposure definitely fueled the writer fire. — LS

Photo Credit: Joseph Ross

BGS 5+5: Northcote

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Artist name: Northcote (Matt Goud)
Hometown: Carlyle, Saskatchewan, Canada
Latest album: Let Me Roar (out October 23, 2020)
Personal nicknames (or rejected band names): Matt, Big Cat, Coat

Which artist has influenced you the most … and how?

I was playing solo shows in cafes while in a full-time hardcore band, that’s how it started for me. When the band broke up I moved out west and during that first year of playing solo I would cover Gillian Welch, Chuck Ragan/Hot Water Music and Brian Fallon/The Gaslight Anthem songs in my set. I remember learning Petty and Springsteen songs to fill my set for when I was singing in tourist bars. You can play “The Waiting” and “Dancing in the Dark” for a long time on a Monday night to help nudge along a three-hour set. The artist that has influenced me the most in the last ten years is Dave Hause. He has taken me on the road many times and I have got to see his energy and passion for the job. He plays with the urgency and respect that it could all go away and I admired that because he was/is right. Gillian Welch is the songwriter I come back to the most often and whose records I feel most at home with. John Moreland in the last bunch of years is like that for me as well. Finally, I was in grade 5 or 6 when Shania Twain’s hit songs began to come out and I did perform them lip-synching in school.

What’s your favorite memory from being on stage?

It must have been 2010 or so, maybe earlier. I was playing on my first release as Northcote and was out east in Saint John, New Brunswick. It is a small city and I think I’ve only been back once since. It’s near Fredericton where we usually stop on tour. The venue that day had an alley entrance with brick walls on either side of the alley. The room had a low ceiling and seemed like a small abandoned store. I remember there were things left behind on the floor like folks had left in a hurry. The walls were white and blue like sky. I don’t remember if there was a PA or not. We were packed in the place about 25 of us singing along as I played through my first EP and the singalongs were quite loud. I was surprised and I felt lost and at home all at once. At that time everyone present was a beginner and we were all just giving it an honest try and that is a very sacred place to be in my opinion.

What other art forms — literature, film, dance, painting, etc. — inform your music?

Before bringing my attention to working as a musician I was studying at a religious college training to be a minister. Over the years the sense of poetry from scripture has stuck with me. I’ve gone from the poems of Thomas Merton to Rumi to listening to Ram Dass then back full circle now. In my twenties I explored more angular and art house influences which are still refreshing at times, but less influential these days. I think my answer is religious devotional writing? My god. For more context, my recent influences are Lovecraft Country (TV), Anderson .Paak’s album Ventura, and Miley Cyrus’ “Slide Away.” The two books open on my desk are Teachings of the Christian Mystics and Thich Nhat Hanh’s How to Connect.

What rituals do you have, either in the studio or before a show?

When we were making Let Me Roar, each morning before I took a shower I would put on the album Trance Friendz by Ólafur Arnalds and Nils Frahm. After that I went to the yoga mat to do some work then made coffee and had a few cigarettes. We had boiled eggs most mornings with bagels. After the work day we made dinner together in the kitchenette and watched the hockey playoffs or a lesser-known horror film. During one film the lead character ate a chicken wing out of the fridge after finding a deceased person. The character said, “Honey garlic, I love it.” From then on in the studio, after describing something we would say, “I love it” in honor of the horror film character.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I was invited to perform at the Alianait Arts Festival in Iqaluit, Nunavut, a few years back. I wasn’t feeling very good those days and the opportunity to go up North was a bright light for me and is a precious memory that I will never forget. One night up North there was a dinner party hosted by folks in the community. There was a spread of local food and I can’t remember what all was served, but I tried some and enjoyed the warmth and hospitality. There was boxed wine on the rocks and we saw the evening sun. One of those nights some people from the festival invited me to a hall where musicians from the festival were sitting in a circle singing and laughing and telling stories. Since that trip up to play the festival, my wife and I have moved, I quit drinking, we made the new Northcote record and I found meaningful work at my day job in Victoria.

https://open.spotify.com/playlist/6Ha8VdD55SEGNJcKWiUAhM?si=IkUWvU1GR6OGDOnMt8ul1g

Photo credit: Matt Postal

BGS 5+5: Cut Worms

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Artist: Cut Worms (Max Clarke)
Hometown: Cleveland, Ohio
Latest Album: Nobody Lives Here Anymore

Which artist has influenced you the most … and how?

It’s a perhaps predictable or trite answer, but if I had to choose a single entity, I guess I’d say The Beatles or Dylan — either one, respectfully. They both just covered so much ground and have such a wide breadth of material and cultural scope that it’s hard for me to really see or hear anything — contemporary or otherwise in the time since they’ve existed — that doesn’t have some part of their influence in it. Usually whether the artist knows it or not, there’s some influence there. Even people that hate them.

What’s your favorite memory from being on stage?

I don’t know that I have a single favorite memory. When a show is going well, it’s great and it doesn’t get much better. It’s a place you can reach at different points in time where you’re kind of just floating there and this thing is happening. It’s really more about being in that moment. It doesn’t quite stick around in a memory.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I would say film, TV, and books. Those are the main mediums through which I experience good stories. To me it’s all about the stories and narrative styles and touching on some kind of feeling. What someone (who I can’t recall at the moment) referred to in poetry as being “the words behind words.”

What was the first moment that you knew you wanted to be a musician?

I don’t know that there was ever a single moment, but at some point I realized music was able to transport me in a way that other things could not. It seemed like a worthwhile endeavor to try to figure out how to do that. I am still trying.

What’s the toughest time you ever had writing a song?

All of them. It’s hard work I tell you.

Photo credit: Caroline Gohlke

BGS 5+5: The Band of Heathens

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Artist: Ed Jurdi of The Band of Heathens
Hometown: Asheville, North Carolina; band’s hometown is Austin, Texas
Latest album: Stranger
Band Nicknames: The Hand of Beathens

What’s your favorite memory from being on stage?

At the Americana Awards a few years back. I remember being on stage at the Ryman Auditorium and looking around and realizing that I was performing with a bunch of my heroes. Delbert McClinton, Emmylou Harris, John Hiatt and Sam Bush, to name just a few. It truly was a full circle moment for sure.

What other art forms — literature, film, dance, painting, etc — inform your music?

In short they all do. I have always been in awe of painters who can really create a world with their colors and imagery. I find myself being really inspired by the impressionistic painters and the way they use light to offer a unique and different perspective on things that can be somewhat mundane.

What rituals do you have, either in the studio or before a show?

I don’t have any real set rituals, but I generally like to hang around the gig and sing some songs either by myself, or with whoever else is hanging out. It’s a good way to warm up and it’s a fun way to get the group vibes in a positive space.

If you had to write a mission statement for your career, what would it be?

Follow the muse. Lead with your art and expression and figure out how to make the business part of the career work in service of the creativity. I can happily say that has always been the case.

Which elements of nature do you spend the most time with and how do those impact your work?

I live in Asheville, North Carolina, so I spend the most time in the mountains and the forests that surround us. I love being able to hike way out into the woods and find a vista where I can see both the great scope of things, but also hear the rustling of the leaves and the wind blowing through the tops of the trees. In those moments of solitude I find my mind is incredibly clear and clean, which is almost always when ideas begin to present themselves almost out of nowhere.

Photo credit: Jason Quigley