LISTEN: Lizzie Weber, “Blue Wave Bloom”

Artist: Lizzie Weber
Hometown: St. Louis, Missouri
Song: “Blue Wave Bloom”
Album: How Does It Feel EP
Release Date: January 22, 2021

In Their Words: “‘Blue Wave Bloom’ was the last song on the EP that I wrote in isolation during the shutdown. The red tide had just occurred in California and I was in awe of the bright blue colors enveloping the black sea. I began writing the lyrics, positioning the red tide as a metaphor for toxicity in one’s own mind, something that for me, arose with that extreme isolation. It served as my anthem, along with the other two EP songs, for overcoming adversity, reminding myself of my own willpower and strength in the face of any challenge. My hope is that this song resonates with the listener in that very same way, reminding them of their own power and personal strength, and their ability to survive the hardest of times.” — Lizzie Weber


Photo credit: Stephen Gilbert

The BGS Radio Hour – Episode 194

Welcome to the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week we bring you music to provide a fresh start in 2021 and to celebrate the many roots artists nominated for Grammy Awards this year. Remember to check back every Monday for a new episode.

APPLE PODCASTS, SPOTIFY
The John Hartford Fiddle Tune Project – “Little Country Town”

20 years following his death, John Hartford is still being honored by a whole world of roots musicians. The John Hartford Fiddle Tune Project, Vol. 1 just happens to be the most recent, an album of songs Hartford composed but never recorded, only to be found later by his family when sifting through his archival collection. A collaborative recording, this track is performed by Alison Brown and Hawktail (Brittany Haas, Paul Kowert, Jordan Tice, and Dominick Leslie) — and the album is up for a Grammy!

Carl Anderson – “Damn Thing”

From Nashville, Carl Anderson brings us a co-write this week from his upcoming Taking Off and Landing. The single is about vulnerability, forgiving and becoming comfortable with yourself, and embracing your inescapable imperfections.

Luke LeBlanc – “All My Love”

Minnesota-based singer and songwriter Luke LeBlanc brings us a new song this week! From his Better Now EP, “All My Love” is a resurrected voice memo, one that took some time to navigate but is undeniably better with age.

Ben Harper – “Black Beauty”

From the 2020 film Black Boys, Ben Harper brings us a song this week which he composed for the cultural documentary. The film is a timely reckoning on Black, male identity in America, through sports, education, and our broken criminal justice system.

Charley Crockett – “I Can Help”

Frequent visitor of our pages here at BGS, Texas-based Charley Crockett brings us a new single this week from The Next Waltz, Vol. 3. “I Can Help” is a Billy Swan number, one in which recording was not planned, yet somehow nailed in one take by Crockett and his band.

Beta Radio – “Afraid of Love”

From Wilmington, NC, Brent and Ben of Beta Radio bring us the title track from their Afraid of Love EP. The pair sat down with BGS for a 5+5 — that is, five questions and five songs — where we went over influences, how different types of art relate to their music, and the toughest go at songwriting they’ve ever had.

Loretta Lynn – “Coal Miner’s Daughter (Recitation)”

An undeniable legend, Loretta Lynn brings to us this week a mountain-style recitation on her famous song (and film title) “Coal Miner’s Daughter.” The new release commemorates the 50th anniversary of the original song, as well as being part of her upcoming Still Woman Enough — Lynn’s 50th studio album.

Hiss Golden Messenger – “Sanctuary”

Durham’s M.C. Taylor of Hiss Golden Messenger is back with a new single, following 2020’s Terms of Surrender, which is nominated for a Grammy. “Sanctuary” is a reflection on the past year, and the way in which we care for ourselves and those around us. Bidding farewell to John Prine — “Handsome Johnny” — who was lost in the storm of 2020, Taylor finds shelter within it.

The Rough & Tumble – “You’re Not Going Alone”

After the collapse of their family, the Rough & Tumble borrowed a Michigan kitchen and worked through the darkness. But, the Nashville-based-but always on the road duo realized not everything had to be lost, telling BGS, “We have as much right to a family to call our own as the family that won’t call us their own, anymore.”

Chris Pierce – “American Silence”

Silence is perhaps the most detrimental plague to justice. Los Angeles-based Chris Pierce brings us a song this week on silence, striking that if we smile and applaud for people different than us, we are responsible to fight for them too.

Balsam Range – “Rivers, Rains, and Runaway Trains”

No matter how much we prepare in life, there is always someone or something that will catch us by surprise. From Haywood County, NC, Balsam Range brings us a song this week about stumbling, being unable to speak, completely taken by surprise when that someone comes around.

Marcus King – “Wildflowers and Wine”

The great fall of gigs in 2020 hit young performers hard — especially those who had just broken through and had rarely seen momentum, like 24-year-old Marcus King. After his January 2020 release El Dorado, King was poised for a busy year that slowly unraveled, turning his attention to songwriting, drive-in concerts, and a performance on the Tonight Show With Jimmy Fallon. This January, King has reclaimed that momentum with a GRAMMY nomination for El Dorado!

Cole Scheifele – “All the While”

From Boulder, CO, Cole Scheifele brings to us this week a song about chasing what invigorates you. For many, including Scheifele, 2020 was a year to revisit old ideas, providing us with a stagnant, neutral state of stillness, and giving Scheifele the answers to this previously begun, for years unfinished song.

Chris Thomas King – “Hard Time Killing Floor Blues”

2021 celebrates the 20th anniversary of O Brother, Where Art Thou?, the Coen Brothers’ film which ignited a modern revival of roots music. This month, we’re celebrating by making the entire soundtrack our January Artist of the Month, where all month long we’re featuring music from the film. This week’s selection is brought to us by artist Chris Thomas King, aka Tommy Johnson, the blues man that we meet at the crossroads early in the film, just after his soul was sold to the devil.


Photo credit: (L to R) Chris Pierce by Ross Kolton; Ben Harper by Jacob Boll; Charley Crockett by Taylor Grace

WATCH: Jimbo Mathus & Andrew Bird, “Sweet Oblivion”

Artists: Jimbo Mathus & Andrew Bird (former collaborators in Squirrel Nut Zippers)
Song: “Sweet Oblivion”
Album: These 13
Release Date: March 5, 2021
Label: Thirty Tigers

In Their Words: “Up until meeting Jimbo, all my musical heroes were dead. Jimbo was anything but and just oozed musicality of a kind I thought was extinct. Had I not met Jimbo, who knows, but I think my music would have gone on a much more cerebral, complex trajectory. He is an enigma, a walking contradiction: wild yet refined, worldly yet colloquial. He represents his own branch of the American musical tree. It’s been my dream for years now to make this record with Jimbo. Just guitar, fiddle and our very different voices. I wanted to make sure you can really hear him as if for the first time.” — Andrew Bird

“Musically speaking, Andrew challenged me early on. As I had the deep south rural musical upbringing but had yearned to know more of the Chicago and New York scenes of those early days of American popular music. Bird had schooled himself on that, absorbing the European strains of American music and theater, as well as the Chicago-based indigenous albeit transplanted African American musical heritage. It was a true mutual benefit society and we both pursued those goals to a final conclusion. At some point after Andrew had been on the road as Bowl of Fire, he began mutating his music and creating an entirely new form. In other words, he started to become the artist he needed to be at that time and so did I.” — Jimbo Mathus


Photo credit: Reuben Cox

LISTEN: Adam Klein, “Halfway to Heaven”

Artist: Adam Klein
Hometown: Atlanta via Athens, Georgia
Song: “Halfway to Heaven”
Album: Little Tiger: Outtakes from Low Flyin’ Planes
Release Date: January 22, 2021
Label: Cowboy Angel Music

In Their Words: “’Halfway to Heaven’ was originally intended for inclusion on the Low Flyin’ Planes album, but wasn’t actually recorded during those sessions. It was always a key song for me from the collection, and a companion piece to the title track, which also premiered on The Bluegrass Situation. I figured we’d just put it on the opposite side of the record from the song ‘Low Flyin’ Planes,’ but there were such strong thematic strands connecting the two songs that it felt like it served the same purpose. So we decided to kick it down the road a bit, and it’s finally finding a home on this EP of outtakes from Low Flyin’ Planes.

“The track was recorded on a subsequent visit to Dial Back Sound studio and features producer and engineer Bronson Tew (who also mixed and mastered LFP and the outtakes EP) on acoustic and electric guitars, bass, drums, and harmony vocals, and Jay Gonzalez (Drive-By Truckers) on Wurlitzer. As usual, I sang and played acoustic guitar. And I want to highlight Bronson’s role in bringing my songs to life — our musical efforts are a real partnership, and producers like him, who build and shape the sonic landscape of songs and records, deserve more credit than they often receive. ‘Halfway to Heaven’ directly expresses the main themes and questions of Low Flyin’ Planes, as I sought balance between the precarious lifestyle of a touring musician and traveler, in general, and a more settled, domestic life with my then-girlfriend, now wife.” — Adam Klein


Photo credit: Jeff Shipman

WATCH: The Burnt Pines, “Diamonds”

Artist: The Burnt Pines
Hometown: Boston, Massachusetts, USA and Lisbon, Portugal
Song: “Diamonds”
Album: The Burnt Pines
Release Date: January 22, 2021
Label: Adraela Records

In Their Words: “This song offers a bit of a different twist on a typical love song, in that it’s told from the perspective of a faithful and committed partner, in a complicated and difficult relationship, as many relationships are. It’s an aching love song. Through the twists and turns and uncertainties of his relationship with his partner, and dealing with her indecision between wanting both a mutual commitment and a certain freedom that she imagines outside the relationship, he keeps returning to his intense and poignant feelings in the song’s chorus: ‘I bleed apart. Torment in the colorful rain. Diamonds, oh diamonds, I don’t mind getting old for you, babe.’ Love often isn’t easy.” — Aaron Flanders, The Burnt Pines


Photo credit: Rui Major, The Burnt Pines

WATCH: Chris Pierce, “American Silence”

Artist: Chris Pierce
Hometown: Los Angeles, California
Song: “American Silence”
Album: American Silence
Release Date: February 26, 2021

In Their Words: “It’s important to not give up on reaching out to those who have stayed silent for too long about the issues that affect those around us all. Complacency is an addiction that plagues our society. If you smile and applaud for those different than you, be willing to fight for those folks too.” — Chris Pierce


Photo credit: Mathieu Bitton

LISTEN: Carl Anderson, “Damn Thing”

Artist: Carl Anderson
Hometown: Nashville, Tennessee
Song: “Damn Thing”
Album: Taking Off and Landing
Release Date: February 19, 2021

In Their Words: “I wrote ‘Damn Thing’ with my friend Brandy Zdan. Brandy is a talented singer-songwriter and guitarist living here in Nashville. Co-writing generally makes me very anxious but with Brandy it was relaxed and fun. I smoked an enormous joint and we wrote a song. It was what I would consider ‘a good day.’ To me the song is about the vulnerability it takes to be yourself and learning to be comfortable in your own skin. It’s about forgiving yourself and embracing the imperfections that make you unique.” — Carl Anderson


Photo credit: Laura E. Partain

WATCH: Larkin Poe Deliver the Healing Power of the Blues in Paste Session

Blues is alive and well with sister duo Larkin Poe. In December, the pair were featured on Paste Studio on the Road: Nashville, an adapted version of Paste’s normal video concert series from New York City. This installment comes from Instrumenthead Live Studio in Music City and safely presents the roaring, gritty style of Rebecca and Megan Lovell. Although the audience is smaller than their usual draw, Larkin Poe perform the only way they know how: at full blast.

With more time for writing and recording falling into their laps over the course of the last year, Larkin Poe were hard at work, releasing not one, but two full-length studio records in 2020. The most recent, a covers collection called Kindred Spirits, was released on November 20 on Tricki-Woo Records. It comes on the heels of the June release of Self Made Man, which climbed to No. 1 on the Billboard blues chart. Visceral energy, raw emotion, and pure, unadulterated badass-edness jump out of the screen in this Paste session, satisfying the craving if only for a moment, for live entertainment that we’ve been so deprived of this year. Watch the exhilarating duo below.


Photo credit: Bree Marie Fish

Courtney Marie Andrews Delivers ‘Old Flowers’ to Tiny Desk (Home) Concert

Things have been trending straight up professionally for Courtney Marie Andrews, who earned widespread attention for the 2018 album, May Your Kindness Remain, and concluded 2020 with a Grammy nomination for her newest album, Old Flowers. Born from the close of a long-term relationship that left Andrews feeling alone and vulnerable, the album walks through the heartbreak and loneliness that she experienced in a way that is not contrived, but honest and real. In recognition of her accomplishment, she landed a Grammy nomination for Best Americana Album.

About this collection of songs, Andrews said, “Old Flowers is about heartbreak. There are a million records and songs about that, but I did not lie when writing these songs.” Although introspective records like these can be heavy to bear, critics praised the release, calling it triumphant, beautiful, and graceful. (She’s also on our BGS year-end recap.) Hear outstanding songs like “Burlap String,” “It Must Be Someone Else’s Fault,” “If I Told” and “Ships in the Night” from this brilliant and bold writer on NPR’s Tiny Desk (Home) Concert below.


Photo credit: Sam Stenson

WATCH: Ben Harper, “Black Beauty”

Artist: Ben Harper
Hometown: Claremont, California
Song: “Black Beauty” (from the 2020 film, Black Boys)
Release Date: January 12, 2021
Label: ANTI- Records

In Their Words: “It was an honor to have been asked to write a song for this culturally vital documentary,” Harper said. “After watching Black Boys and discussing it in depth with [director] Sonia Lowman, I went immediately to work on composing ‘Black Beauty.’ I am old-school and still love getting players in a room together, so a production of this scale during a pandemic was challenging, with quarantine. I was fortunate that the incredible musicians in my circle have taken it upon themselves to become circumstantial recording engineers, and thanks to modern recording technology and some FaceTime sessions, I was able to work by sending tracks back and forth over the internet.” — Ben Harper


Photo credit: Jacob Boll