Harmonics with Beth Behrs: Fiona Prine

This week on Harmonics, we kick off our Americana April series with a conversation with Fiona Prine, President of Nashville’s Oh Boy Records, and wife and former manager of the late great songwriter John Prine.

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Fiona and Beth talk about John’s recent posthumous Grammy wins (and Fiona’s experience accepting the award on his behalf) as well as their love story, mental health, growing up in Ireland, her work with non-profit Thistle Farms, and so much more.

Fiona is undoubtedly a well-respected figure in the Nashville community in her own right: As a role model in the music business, as an activist, in fostering community, and in her loving spirit, and as an extremely successful manager and industry professional. She has also been able to keep the spirit of John’s incredible legacy alive a year after his passing.


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LISTEN: Bridget Rian, “Trailer Park Cemetery”

Artist: Bridget Rian
Hometown: Long Island, New York; currently residing in Nashville, Tennessee
Song: “Trailer Park Cemetery”
Album: Talking to Ghosts (EP)
Release Date: July 9, 2021

In Their Words: “While driving through rural Florida on a road trip, I saw the trailer park cemetery that inspired this song. Something about how death was so close to the living was fascinating to me. At the time I was also reading a book that mentioned kids meeting in a cemetery to party and it reminded me of my reckless teenage years. ‘Trailer Park Cemetery’ is much more a commentary on life than it is death. It’s about how I want to be close to the living and don’t want to miss out on opportunities, even in death. I think I have this fear of being forgotten, of not making a difference with my life, and this song was a way to kind of express that.” — Bridget Rian


Photo credit: Libby Danforth

BGS 5+5: Giri Peters

Artist: Giri Peters
Hometown: Nashville, Tennessee
Latest Single: “Fallin'”

Which artist has influenced you the most … and how?

I am inspired by so many amazing musicians, but if I had to choose one it would be John Mayer. It is super inspiring for me to see someone who incorporates a hint of blues and folk music in their style become one of the world’s biggest artists. It is not often where you find people of his caliber carrying on the sounds of authentic music and incorporating it into their own songwriting and musical style. I also love the way he uses his instrumentation in his songwriting, and that is something I aspire to do as well. In my mind, he is one of the greatest guitar players alive. While his songs aren’t all super complex he succeeds at creating hits with simple soulful music. He does just enough to get the point across. I also love watching him blur the genre boundaries within the mainstream music industry, and that is something that I think about often too because I am inspired by so many different musical styles.

What’s your favorite memory from being on stage?

My favorite live performance I have done was a Ted X showcase at the Schermerhorn Symphony Hall here in Nashville. Even though that performance was a couple years ago, and I have improved so much musically since then, it was such a special memory. I had gone to the symphonies ever since I was 2 years old. I remember one time going to the Schermerhorn to watch the symphony perform, and after I got to meet some of the players. I was always in awe of that stage, and I never would’ve imagined getting to play it some day. I had gone to see Punch Brothers and some other amazing acts perform on that stage when I was a little older. For me, when I got on stage I was so nervous just knowing that this was the exact same stage I had idolized since I was around 4. It was an amazing show that I will never forget, and it gave me inspiration to keep going knowing that I was able to make a dream come true.

What was the first moment that you knew you wanted to be a musician?

I have been a music lover ever since I was born. I moved to Nashville when I was 4 years old, and I started taking violin lessons as soon as we moved. I then picked up mandolin, and later the guitar. I eventually moved away from classical music and I have been experimenting with different styles ever since. Only recently have I felt like I truly found my sound and style. Most of the music I write is within the folk/Americana genre with influences from other styles and sounds. I was around 4 or 5 when I first started going to concerts and as soon as I watched amazing artists, I knew that I was going to be a musician. My mind to this day has never changed. It was only when I started getting older, and when I began venturing into different styles such as bluegrass that I decided I wanted to be a touring musician. Someday I hope to tour the world with my guitar and my violin, and share my songwriting across the globe.

If you had to write a mission statement for your career, what would it be?

There was one time a few years ago when I was getting down about wanting to be a musician. At the time there were many problems going on within the world, and I wanted to do something about it. I felt like my life would be useless unless I could help the world, and leave a mark somehow. At the time, I was lost regarding how I was going to do that with my music, but right around that same time I discovered songwriting. Ever since that day, I decided I would write about real world problems, and that when I didn’t write directly about world issues, I would use my music as a platform to do my part in making this world a better place. Even though I am still at the beginning of my journey in doing that, I will never lose sight of that vision. My songwriting is also my way of coping with life and the experiences I go through. Often I find that many other people feel the same way or have been through similar experiences. It is so amazing to me how songwriting has the ability to connect everyone no matter who they are, where they live, what they believe, or what they look like; and I believe that it is the greatest tool we can use to help connect human civilization.

Which elements of nature do you spend the most time with and how do those impact your work?

I love the sun. Light gives me so much inspiration and happiness. There is something so inspirational about watching the sunrise and the sunset everyday. For me it never gets old. Especially while watching the sunset, I have found that I create my best work. It is a small reminder of how beautiful the world is out there, and it is hard to remember that nowadays because most of us have been stuck in our homes for more than a year. I love writing songs during the sunset, and I get the perfect view of it everyday from my room. I always try to get as much writing or recording done while the sunset is happening simply because it brings out the best artist in me.


Photo credit: Uma Peters

The Show on the Road – Caroline Spence

This week on The Show On The Road, we feature a conversation with an admired and sharp-witted singer-songwriter in the fertile Nashville Americana scene, Caroline Spence.


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A sought-after lyricist who mines her own vulnerabilities and lovelorn past to tell delicately crafted story-songs, Caroline Spence’s voice seems to always hover angelically above the page, bringing to mind new-wave country pop heroine Alison Krauss or her vocal hero, Emmylou Harris.

Growing up in Charlottesville, VA daydreaming to Harris’ signature twangy honey-toned records like Wrecking Ball, Spence admittedly was a bit starstruck when the silver-maned lady herself came on board to sing harmonies on the title track of Spence’s newest LP, Mint Condition. It quickly became a critic’s darling and an Americana radio staple nationwide.

As a conversationalist, she usually leads with cheerful southern modesty, but beginning with her 2015 debut, Somehow, Spence wasn’t afraid to push at country music’s guy-centric boundaries. She brought aboard a talented group of genre-defining collaborators like blue-eyed soul hero Anderson East and pop-folk favorite Erin Rae to give the songs new heft. Her follow-up Spades And Roses brought more lush atmospherics to her yearning acoustic stories, elevating the clear-eyed feminine power behind emotive songs like “Heart Of Somebody.”

While Spence will tell you she is just furthering the empowered spirit of roots songwriter pioneers who came before her, during this time of high anxiety, her deeply felt love songs like “Sit Here and Love Me” and “Slow Dancer” seem especially fitting, touching on her bouts of depression and her inability to connect with the ones who are trying to help her through.

Sometimes sad songs truly do make people happy, and if you’re feeling a bit low, maybe pop on her newest single “The Choir,” about finding your people when you need them most.


Photo credit: Angelina Castillo

WATCH: Billy Strings and Sierra Hull Cover Post Malone’s “Circles”

In the wake of his 2020 Streaming Strings tour, Billy Strings shared clips from the tour’s various performance nights across multiple Nashville venues. This particular release is a special one, as Sierra Hull joined Billy and the band for a feature at the Brooklyn Bowl. The song? Bluegrass staple, “Circles” by Post Malone. Or at least they make it seem as if “Circles” was always a bluegrass tune.

In this cooler-than-life cover, Strings sees beyond the gap that divides bluegrass and pop music, connecting his affinity for the spacey to Post Malone’s contemplative vibe. On paper, it seems like a very unusual comparison, but a deeper look might reveal that the mood of Malone’s recording of “Circles” is similar in many ways to the moods of “While I’m Waiting Here” or “Away from the Mire” by Strings. With Malone’s recent country covers going semi-viral (plus rumors of a country double album and social media evidence of a developing friendship between him and Strings), the combination actually makes a lot of sense – besides just being damn cool.

In concert, Billy, his band, and Sierra Hull are able to pull “Circles” off with conviction.


Photo credits: Billy Strings by Emma Delevante; Sierra Hull by Gina Binkley.

LISTEN: Korby Lenker, “All in My Head”

Artist: Korby Lenker
Hometown: East Nashville
Song: “All in My Head”
Album: Man in the Maroon
Release Date: May 21, 2021
Label: Grind Ethos

In Their Words: “‘All in My Head’ is the first track on my 8th studio album, Man in the Maroon. It’s about a depressed person who entertains the idea that maybe there’s a different perspective out there. I wrote it last spring over several nights while jogging through my neighborhood in East Nashville. The outings happened to coincide with the Nashville 8 o’clock howl, a typically quirky East Nash neo-tradition where for the first several months of the pandemic, people would stand out on their porch every night at 8 and just go crazy. I heard the howling, in the distance mostly, before I ever knew what it was, and after a few nights, I started joining in. Just yelling at the top of my lungs. Purging that threatening despair that seemed to be everywhere, inside and out. Later, when I was recording the song, I posted on social media, asking if anyone knew who started it. In no time I was sitting over coffee with the founder herself. She put me in touch with some of the howlers… if you listen closely, after the bridge you can hear a few of the more choice examples of the East Nashville 8 o’clock howl.” — Korby Lenker

https://soundcloud.com/user-747568408/all-in-my-head/s-Hjv7RcuUYYF?in=user-747568408/sets/man-in-the-maroon//s-0dkClBhP9E3


Photo credit: David McClister

LISTEN: Ray Stevens, “Ruby / Ruby Baby”

Artist: Ray Stevens
Hometown: Clarkdale, Georgia
Song: “Ruby / Ruby Baby”
Album: Melancholy Fescue (High Class Bluegrass)
Release Date: March 26, 2021
Label: Curb Records

In Their Words: “I’ve been working in my recording studio for the last few years recording songs that I’ve heard all through my life. These new recordings are the ‘soundtrack of my life,’ so to speak. I had a great time making these records and I hope others will enjoy them too. … Taking classic hits like ‘Ruby’ and ‘Ruby Baby’ and putting them together in a different way is really fun for me. It shows that a great song holds on to its greatness no matter how you serve it up. Bluegrass-style takes some songs to another level of enjoyment. I love this process, and I think lots of other people probably like it too. I really hope so!” — Ray Stevens


Photo credit: Angela Talley

LISTEN: Helena Rose, “What’s Killing You Is Killing Me”

Artist: Helena Rose
Hometown: Waynesville, North Carolina
Song: “What’s Killing You Is Killing Me”
Album: Girls Like Me EP
Release Date: March 26, 2021

In Their Words: “Several years ago, I desperately wanted to tell someone in my family how I felt about their addiction, but couldn’t find the right words to say to get my message across. So I wrote a song about it with Deanna Walker and Rick Beresford in Nashville. Not only did I hope it would help my own situation, but I was also hoping it would help others who have friends or family members struggling with addiction. It is a very truthful song about the self-destruction that can happen on both sides, but also has a hopeful tone to signify that there can be a light at the end of the tunnel. I want people to know that they aren’t alone in this struggle and give them the right words to say.” — Helena Rose


Photo credit: Nico Humby

LISTEN: Todd Snider, “Turn Me Loose (I’ll Never Be the Same)”

Artist: Todd Snider
Hometown: East Nashville, Tennessee
Single: “Turn Me Loose (I’ll Never Be the Same)”
Album: First Agnostic Church of Hope and Wonder
Release Date: April 23, 2021
Label: Aimless Records / Thirty Tigers

In Their Words: “if you listen to jerry jeff walker’s a man must carry on record, right before he plays ‘sea cruise,’ he yells to his band ‘turn me loose, i’ll never be the same.’ and as soon as i heard it i knew the same was true of myself. i am still totally certain of it. for better or worse, bragging or complaining, it is what is. but what if it isn’t what it is? at first this was going to be for a girl in chattanooga but she was too young for me. so i changed it, it was the right thing to do. trust me, I’m a reverend. i started over by calling jerry jeff and asking him why he yelled that. he said it was something rodeo cowboys yelled when they were ready. when I think a song is ready it’s because it feels like it has a rock I can put my foot on when I sing. so i yelled put your foot on the rock, asked the cosmos to hook me up, and the next thing you know ol’ jed’s a millionaire.” — Todd Snider


Photo Credit: Stacie Huckeba

LISTEN: Claire Kelly, “Sitting Still”

Artist: Claire Kelly
Hometown: Cary, Illinois; Milwaukee, Wisconsin; Nashville, Tennessee
Song: “Sitting Still”
Album: The Scenic Route
Release Date: March 19, 2021

In Their Words: “‘Sitting Still’ was the first song I wrote when the world came to a screeching halt in March of 2020. When the pandemic hit, I hid out with a few Nashville friends on a farmhouse in Tullahoma, Tennessee, to wait out the storm so to speak. We took the days easy out there on the farm: fishing, reading, writing, driving the old Ford truck around the property. Even though our tours had been cancelled and jobs had been lost, we tried to embrace the gift of time we’d be given and find some peace in slowing down.” — Claire Kelly


Photo credit: Jorie Struck