The 2nd Annual Earl Scruggs Music Festival was held over Labor Day weekend at the Tryon International Equestrian Center just outside of Tryon, North Carolina, in Mill Spring. The gorgeous festival grounds, nestled in the foothills of the Blue Ridge Mountains, were the perfect setting for the sunny and warm event, featuring glamorous cabins, manicured campsites, brick-and-mortar restaurants and shops, horse-jumping demonstrations, workshops and two stages chocked full of bluegrass, old-time and roots music. The festival is a partnership between Tryon International, roots radio station WNCW and the Earl Scruggs Center just down the road in Shelby, North Carolina, the county seat of Cleveland County – Scruggs’ ancestral home. Over four days, the event showcased the broad, varied and lasting influence Scruggs and his playing have had on American roots music as a whole, especially in North Carolina.
BGS returned to ESMF for its second year, once again sponsoring the very special, fan favorite Earl Scruggs Revue tribute set, hosted by Tony Trischka – and his band, Michael Daves and Jared Engel. Listeners and fans packed the plaza surrounding the Foggy Mountain gazebo stage to hear Trischka and many special guests – such as Della Mae, Michael Cleveland, I Draw Slow, Twisted Pine, Tray Wellington, Greensky Bluegrass, Jerry Douglas and more – pay tribute to Earl’s and his son’s groundbreaking and innovative group, the Earl Scruggs Revue, and their Live! From Austin City Limits album.
Enjoy a collection of photos from the Earl Scruggs Music Festival below and make plans to attend the 3rd Annual edition of this first-class event in 2024 – the dates are set and tickets are already on sale for the August 30 to September 1, 2024 edition of ESMF!
Flint Hill Stage photo by Reagan Ibach
Horse jumping demonstrations were held daily at the festival, held at the Tryon International Equestrian Center. Photo by Rette Solomon.
Earl Scruggs Music Festival host Jerry Douglas on the main stage. Photo by Cora Wagoner
Sister Sadie perform on the Flint Hill Stage. Photo by Cora Wagoner
Deanie Richardson, fiddler and band leader of Sister Sadie, on the Flint Hill Stage. Photo by Cora Wagoner.
The Infamous Stringdusters perform with Jerry Douglas during their headline set. Photo by Cora Wagoner.
Tryon International's Silo Bar, festively lit. Photo by Eli Johnson
Del McCoury smiles during his headline set on the Flint Hill Stage at Earl Scruggs Music Festival. Photo by Cora Wagoner.
Greensky Bluegrass on the Flint Hill Stage for their headline set. By Eli Johnson
Jake Blount and band step off the stage to perform among the crowd when technical difficulties interrupted the beginning of their set. Photo by Cora Wagoner
Della Mae cover Bob Dylan's "I Shall Be Released" during the Earl Scruggs Revue set. Photo by Eli Johnson
Tony Trischka and Tray Wellington perform "Earl's Breakdown" during the Earl Scruggs Revue tribute set. Photo by Cora Wagoner.
Tony Trischka embraces Kathleen Parks of Twisted Pine during the BGS-sponsored Earl Scruggs Revue tribute set. Photo by Eli Johnson
Della Mae and Michael Cleveland join Tony Trischka and band during the Earl Scruggs Revue set. Photo by Eli Johnson
Anh Phung of Twisted Pine with Michael Cleveland at the Earl Scruggs Revue tribute. Photo by Cora Wagoner.
Paul Hoffman of Greensky Bluegrass and Jerry Douglas perform during the Earl Scruggs Revue tribute show. Photo by Cora Wagoner
Twisted Pine perform on the Foggy Mountain Stage. Photo by Cora Wagoner
Della Mae performed a main stage set at Earl Scruggs Music Festival. Photo by Cora Wagoner.
Della Mae's rousing late night set on the Foggy Mountain stage, complete with an appearance by BGS managing editor Justin Hiltner on banjo. Photo by Eli Johnson
Rissi Palmer on the Flint Hill Stage by Rette Solomon.
Zoe & Cloyd on the Foggy Mountain Stage by Eli Johnson
Emmylou Harris joined by many special guests during her set to close out the festival. Photo by Cora Wagoner.
Brooke Aldridge, Rissi Palmer, and Darin Aldridge sing background vocals with Emmylou Harris. Photo by Cora Wagoner.
Emmylou Harris shines and sparkles on the Flint Hill Stage. Photo by Cora Wagoner.
Photos courtesy of Earl Scruggs Music Festival. Lead image credit: Devon Fails All other photos:Reagan Ibach, Eli Johnson, Rette Solomon, and Cora Wagoner.
It’s been a busy summer for Dierks Bentley and Molly Tuttle, as the former crisscrosses the country on his Gravel & Gold tour and the latter has released her critically-acclaimed album, City of Gold, with her band Golden Highway. With Bentley’s well-known love of bluegrass – he’s been a regular at the World Famous Station Inn in Nashville for decades and his 2010 bluegrass album, Up on the Ridge, featured many of our favorite grassers – and the golden similarities between Tuttle’s and Bentley’s brands at the moment, this match-up feels more than apropos.
“We were so lucky to have Molly and her awesome band be part of several shows on our summer tour,” Bentley says. “We had shared the stage before at the Station Inn, so taking the show on the road seemed like the next logical step! Not only do they put on a killer show, but they are super fun to hang with off stage as well.”
Dierks Bentley, Molly Tuttle, Charlie Worsham, and more rehearse back stage at the Station Inn.
The love, appreciation, and admiration Bentley and his band have for bluegrass is nearly unmatched in country and it’s obvious that admiration – for Tuttle & Golden Highway, too – is mutual. “We introduced [Golden Highway] to pickleball and cold plunges,” Bentley continues, “and of course to our fans every night, some of who had never listened to bluegrass music. For Molly Tuttle to be those fans’ first experience with bluegrass was really an honor for me. We made some new bluegrass fans for life!”
For their part, Tuttle and band have spent the last couple of years on the road building a show that feels equally at home at bluegrass festivals, rock clubs, mid-sized theaters, and even full-scale, multi-artist arena shows – like the Gravel & Gold tour. The energy they bring with them every time they step on stage feels right at home in a lineup with Bentley et. al. The enjoyment shared by all is palpable in these exclusive photographs by Zach Belcher.
“I loved going out on the road with Dierks Bentley this summer,” Tuttle says. “His kind and welcoming personality shines through in his show and everything he does. I’m a big fan of his music and especially love his bluegrass material so it was a thrill to jump up on stage with him and his killer band each night for an acoustic portion of the set! Watching him play was like seeing a masterclass in putting on a great show that the audience will take with them forever and I’m so grateful for the ways Dierks spotlighted us and bluegrass music as a whole to his crowds.”
Enjoy this collection of photographs from Bentley’s and Tuttle’s appearances together, and don’t miss their Gravel & Gold and Road to El Dorado tours as they continue through the end of summer and into the fall.
More Station Inn green room rehearsing with Molly Tuttle, Charlie Worsham, Dierks Bentley, Ben Helson and Cassady Feasby.Molly Tuttle & Golden Highway join Dierks Bentley and band on stage.Dierks Bentley and very special guest, his eldest daughter, Evie.Molly Tuttle joins Dierks Bentley on stage in Cleveland, Ohio.(Front row) Ben Helson, Molly Tuttle, and Dierks Bentley in Cleveland, Ohio.Dierks BentleyDierks BentleyMolly Tuttle & Golden Highway with Dierks Bentley on stage near gold country in Corning, California.Dierks Bentley in Corning, California.
(Editor’s Note: Charlie Mars takes BGS readers on a photographic, first-person tour of his gorgeous Yalobusha County, Mississippi home.)
A few years ago I finally got a dog. He’s a Cane Corso mastiff named Kudzu. He’s kind of a handful, so I started looking to move out into the country to give us both a little space. My brother found a finished-out quonset hut on 43 acres for sale in Yalobusha County, Mississippi. It was built on one of the highest points in the county and you can see for 20 miles from the back door. Kudzu liked the view. I bought it and moved in.
My new album, Times Have Changed [out October 6, 2023], was written on this guitar. I’ve played every show for 15 years on that Gibson Hummingbird. In a transient world, it’s nice to have well made things that work. I toured with REM once, and at the last show Peter Buck told me I had to go to Morocco. He was one of my heroes, so I went straight there from Denmark after wrapping up the tour. I bought that red rug in a Marrakech market and had it shipped to the Memphis airport. Kudzu chewed a hole in it. I saw Peter Buck in Austin a year later and told him I went…”What? I’ve never been there,” he said.
My grandfather, Charles Mars, was in the Army Air Corp in World War II. He taught me my first notes on the piano. He was a great tap dancer. As a boy, he would take the train from Meridian, Mississippi, to New Orleans, tap dance all day for tips, and take the train home in the evening. I was fortunate enough to spend a great deal of time with him the few weeks before he died. That watch was beside his bed when he passed. Times have changed.
Eating something I’ve cared for and grown just hits differently. I planted my first rose bush this year. It’s nice to have a little living color in the house.
My brother, Chad Mars, is a painter. This is one of his first paintings he ever did. It’s of a pumpkin patch in the courtyard of the Episcopal Church in Oxford, Mississippi. I hope I make it through that light at the end of that tunnel one day.
I bought this bag 20 years ago from my friend Mark, who works at Hinton and Hinton on the Oxford, Mississippi, town square. I’ve traveled with it to every show since. It’s an old doctor’s bag made by Trafalgar. I love that damn bag.
I bought a Husky toolbox to use as my kitchen island. Kudzu likes to park it on the concrete floor and watch out for intruders.
I drove a 15-passenger van for many years. I played a show in Austin one night and used the cash to buy that dresser. It was a really fancy store. I told them I was paying cash and taking it with me. “We only take cash if you have exact change, and we normally ship,” he said. It fit in the back of the van with half an inch to spare.
I had a big night in Vegas many years ago. I came home and bought that Steinway upright piano. I wrote the songs “Country Home” and “Silver Dollar” from the new album on that black beauty. It’s been an inspiration. Quonset huts don’t have a lot of storage, so the Husky tool boxes come in real handy.
My property was clear cut about 4 years ago. Things have started to grow back. They left enough trees to leave the place looking pretty. I think they left the ugly trees they didn’t have much use for. I like the ugly trees.
I played the El Cosmico festival in Marfa, Texas, one year. My friend Liz Lambert payed me 300 dollars. There was a girl there selling t-shirts and she used that bench to display the shirts. I asked her if the bench was for sale. She said she’d made it and it was her first piece of furniture she’d ever made. I gave her my 300 bucks and she shipped it to me in Mississippi. I love how simple and sturdy it is.
I bought that Bang and Olufson stereo in 1997 in Atlanta. It still works like the day I bought it. I remember when the attendant waved his hand in front of it and the glass doors opened… I was sold.
We filmed the video for my latest single, “Country Home,” in one take at my quonset hut home. Some of my neighbors came over and made cameos in it. Brock rode a three-wheeler, Earl rode a side-by-side, and Eric rocked the tractor. I don’t know where I’d be without my neighbors.
In the title track, “Times Have Changed,” the chorus says: “What happened to no sir, yes ma’am, looking folks in the eye? To family and the good Lord and thanking him every night? / I ain’t saying I wanted things to stay the same… but man times have changed.” In the country, things change in harmony with nature. Life is hard, and the reward comes from making it through the hard times. I don’t just know my neighbors, I need them. It’s a different rhythm. All of the songs on my new album come from that different rhythm. I’m grateful to be singing a new song about old ways.
The bluegrass community is collectively grieving two major losses as both Jesse McReynolds and Bobby Osborne – two revered and iconic Bluegrass Hall of Fame-inducted mandolinists and Grand Ole Opry members who helmed first-generation bluegrass bands with their brothers – have passed on. McReynolds, who was 94, died on Friday, June 23 at his home in Nashville with his wife, Joy, at his side; Osborne’s death was announced on social media early Tuesday, June 27 – he was 91. Both pickers were two of the sole survivors of bluegrass’s first generation. They leave enormous musical legacies that will live on, surely into infinity.
In 2017, the Bluegrass Situation team had the incredible honor of inviting Bobby Osborne to join our super jam at the world-famous Bonnaroo music festival in Manchester, Tennessee. To our delight, he said yes.
BGS co-founder Ed Helms and Bobby Osborne
Over more than ten years of creating and holding space for roots music in our industry, there are so many moments of which we are so proud. But one of the most memorable and meaningful BGS achievements from the past decade was hearing 20,000+ audience members and fans, packed into That Tent, roar unfathomably loud for the iconoclastic voice that made a hit of “Rocky Top” – and so many others.
That day, Bobby seemed to bask in the limelight. He was kind, down-to-earth, approachable, and seemed genuinely tickled at the fanfare and excitement that orbited him and his sharp, technicolor suit and sparkly hat. After a storied career that landed him and his brother, Sonny, in so many widely variable musical contexts, from the obscure to the mainstream, Bobby was perfectly at home at Bonnaroo. His audience knew it, and they ate it up. We all did.
Bobby Osborne with Casey Campbell (background) and Mike Barnett (foreground)
In light of his passing, the entire BGS team is holding gratitude for his kindness, generosity, and, most of all, for his music. Rest in peace to one of the most important and impactful first generation bluegrass music makers, Bobby Osborne.
We hope you’ll enjoy these back stage and performance photos, shot by Elli Lauren Photography, from Bonnaroo 2017 and the BGS Super Jam at That Tent.
Bobby Osborne, Paul Hoffman, Ed Helms, and members of Greensky Bluegrass and Bryan Sutton’s house band.
Lillie Mae and Bobby Osborne share a laugh on stage prior to their duet.
Bobby OsborneEd Helms, Casey Campbell, Bobby Osborne, and others
Bobby Osborne and Casey Campbell (background)
Bobby Osborne closes his 2017 Bonnaroo appearance with a bow and a tip of his hat.
Bob Weir and Wolf Brothers turned their Nashville gig into a tornado relief concert and, yes, we are grateful for it. On Saturday night, Weir welcomed many special guests to the Ryman Auditorium stage, including Frankie Ballard, Jamey Johnson, Buddy Miller, Margo Price, and Mickey Raphael.
On Saturday, November 2, community-minded music fans from all across Southern California gathered at the Palace Theatre in Los Angeles for Back 2 School. The variety show, presented by Kensington Presents, the D’Addario Foundation, and BGS, benefited the D’Addario Foundation’s important work supporting music programs in underserved schools and communities. John C. Reilly, Jim James, Mandy Moore, Garfunkel & Oates, and many others took to the stage with our five-star house band — helmed by the Watkins Family Hour and Mike Viola — to share music, songs, and laughter to bolster the cause.
If you didn’t have the good fortune to be in attendance on Saturday night, check out the magic of Back 2 School (thanks in no small part to our stellar drum line) right here on BGS. Good news, too: You can give to the D’Addario Foundation at any time, wherever you are. Donate here.
A great night, a great cause.
Photo by Ellie Lauren Photography
All smiles -- and oh so much fun -- during pre-show run throughs.
Photo by Ellie Lauren Photography
(L to R:) Ted Poor, Blake Mills, and Mike Viola.
Photo by Ellie Lauren Photography
A simply stunning room.
Photo by Harrison Pearl Photography
Suzanne D'Addario Brouder of D'Addario and the D'Addario Foundation speaks about the important work of funding music programs in schools and communities.
Photo by Ellie Lauren Photography
LP takes the stage!
Photo by Harrison Pearl Photography
These two. The best house band leaders anywhere. Sean and Sara Watkins.
Photo by Ellie Lauren Photography
Blake Mills (foreground), Mike Viola.
Photo by Ellie Lauren Photography
John C. Reilly takes a quiet moment backstage.
Photo by Ellie Lauren Photography
Jim James himself.
Photo by Ellie Lauren Photography
Alan Hampton on bass,
Photo by Harrison Pearl Photography
Langhorne Slim serenades the Palace Theatre crowd.
Photo by Ellie Lauren Photography
LP brings it to a rapt crowd.
Photo by Ellie Lauren Photography
The ever hilarious Garfunkel & Oates!
Photo by Ellie Lauren Photography
THE Mandy Moore, y'all.
Photo by Ellie Lauren Photography
Every show needs a surprise guest. For Back 2 School, that was David Garza!
Photo by Harrison Pearl Photography
Langhorne Slim in his dressing room.
Photo by Ellie Lauren Photography
Jim James bringing a number home.
Photo by Ellie Lauren Photography
A soon-to-be hug we'd like to make a group hug, for sure.
Photo by Ellie Lauren Photography
What a group!
Photo by Ellie Lauren Photography
The hang backstage was 10/10.
Photo by Ellie Lauren Photography
Garfunkel & Oates.
Photo by Harrison Pearl Photography
It is "Back 2 School," after all. The evening would not have been complete without a drum line.
Photo by Ellie Lauren Photography
David Garza shows everyone how it's done. ("It" being guitar solo acrobatics, of course!)
Photo by Ellie Lauren Photography
Our valiant drum line warms up backstage.
Photo by Harrison Pearl Photography
Only YOU can help fund music programs in schools and communities. - John C. Reilly, in this photo probably.
Photo by Harrison Pearl Photography
Mandy Moore, once again.
Photo by Harrison Pearl Photography
Pinch us, we must have been dreaming of the best band ever.
Photo by Harrison Pearl Photography
What a night. On behalf of Kensington Presents, the D'Addario Foundation, and BGS we'd like to thank everyone who made it possible!
Photo by Harrison Pearl Photography
Photos by Elli Lauren Photography and Harrison Pearl Photography as noted. Lead photo: Harrison Pearl Photography
Newport Folk Festival has always played host to singular, incomparable, once-in-a-lifetime musical moments. As you read this you can almost certainly think of at least a handful of examples, right off the top of your head. This year carried on that tradition and then some, displaying absolute magic across the festival’s four stages over the course of the weekend. Too many headline-worthy moments were sprinkled throughout, but BGS photographer Daniel Jackson was on hand to capture this folk and roots lightning in a bottle — from the performance debut of super supergroup The Highwomen to celebrating 80 years of Mavis Staples to surprise guests that make being green and looking cheap seem easy and effortless.
Perhaps the most meaningful take away from the festival, though, was not its star-studded stages, but its mantra — a timely reminder in this particular global moment: Be present. Be kind. Be open. Be together. Folk music, in all of its forms, carves out just such a space to allow for this togetherness. See it for yourself in these photographs from Newport Folk Fest 2019.
Black Belt Eagle Scout (aka Katherine Paul)
Parker Millsap
Devon Gilfillian rocks out.
Courtney Marie Andrews
British singer/songwriter Yola's first Newport Folk Festival.
Mountain Man
Kacey Musgraves and the best dressed band in roots music.
Erin Rae performed as part of the set, The Future is Female.
Amy Ray (of the Indigo Girls)
The debut appearance of supergroup The Highwomen with guest Yola, singing their original, eponymous song.
Hozier
J.S. Ondara
The Highwomen and special guest, Sheryl Crow.
Maggie Rogers dancing it out.
An adoring crowd -- and if couldn't be among them, you certainly wished you were!
Lukas Nelson
Molly Tuttle and Bonnie Paine
Judy Collins joins Brandi Carlile during The Collaboration.
Adia Victoria wowed with her "Southern Gothic" blues.
The well-deserved headline of Newport's Saturday night -- a surprise appearance by Dolly Parton herself.
Madison Cunningham
Linda Perry joined The Collaboration as well. Can you guess what she sang?
Mavis Staples, 80 years and still going strong, with Hozier.
The Newport Folk Fest mood, right here.
Trey Anastasio
The festivals best-known banjo player -- and perhaps the only surprise guest to rival Dolly -- Kermit the Frog made an appearance Sunday night.
(L to R:) Allison Russell, Rhiannon Giddens, Leyla McCalla, and Amythyst Kiah are Our Native Daughters.
The cutting edge of flatpicking's future: Billy Strings and Molly Tuttle played a duo set on Sunday.
Amanda Shires brings in the next generation of performers with her daughter, Mercy.
Another Newport Folk Festival in the books for the legendary Ramblin' Jack Elliott.
Alynda Segarra (of Hurray for the Riff Raff) with Brandi Carlile
Dolly Parton and Brandi Carlile share a smile.
Robin Pecknold (Fleet Foxes)
Jim James and Kermit the Frog duet on "The Rainbow Connection" -- 40 years since its release.
Dolly leads the all-female, all-badass grand finale for The Collaboration in a jaw-dropping rendition of "9 to 5."
We’ve loved Texas’ Old Settler’s Music Festival for years now, with their carefully curated lineups steeped in roots and peppered with bluegrass, folk, and Americana. We even filmed a handful of Sitch Sessions (with Earls of Leicester, Sierra Hull, the Hillbenders, and David Ramirez) on site a few years back. This year, BGS photographer Daniel Jackson was on hand to capture all of the Old Settler’s magic so that you can relive last week’s festival in photographs.
By all accounts, Luck Reunion may be the single best day of SXSW and this year they outdid themselves once again. BGS photographer Daniel Jackson was on hand through the seas of western wear and clouds of pot smoke, in the pit and behind the scenes, shooting stage photos and portraits, capturing the one-of-a-kind vibe and stellar lineup of Luck.
Brandy Zdan
Sunny War
Courtney Marie Andrews
Angie McMahon
Cedric Burnside and a captivated crowd.
Dylan LeBlanc et. al.
Mountain Man on stage.
Chawaband's rowdy Second Line.
Yola, Britain's country-soul goddess.
The Cactus Blossoms photobombed by Willie's iconic bus.
Steve Earle
Mountain Man
Shakey Graves works the crowd.
Lola Kirke
Low Cut Connie
Jade Jackson
Illuminatti Hotties
Daddy Long Legs
An angel among us, Mavis Staples.
Lukas Nelson
The man himself, Willie Nelson.
Mavis Staples & Friends bringing down the house.
All photos by Daniel Jackson
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