Country Stars
Country Songwriters

While every country star knows how to tell a good story, it takes a particular strain of excellence to also be able to write one.

Songwriting is the gravitational center around which Good Country orbits. Lyrics that strike at the oceanic spread of human existence, chords that evoke its sprawling underbelly – the songwriter weaves both words and notes together, using each as a tool to explore the other.

Uniquely attuned to the value in lyrical narrative and authenticity, country music self-selects its fair share of multi-hyphenate talents who, beyond their performative prowess or instrumental skills, have a knack for setting pen to paper. From Willie Nelson to Kacey Musgraves, country carries an extensive lineage of talented songsmiths. The following collection merely scrapes the surface of the best country star songwriters. Unsurprisingly, this list is a tangled web with many superb songwriters covering, popularizing, and collaborating on one another’s songs in true communal country fashion.

Willie Nelson

With over 300 songwriting credits to his name, Willie Nelson is indubitably one of the most prolific songwriters of all time – not just in country. Having written his first poem at the age of six, Nelson has nearly nine decades of steadfast dedication to the craft under his belt. Patsy Cline’s 1961 recording of “Crazy” lifted his songwriting further into the limelight. His pen went on to produce such potency that it helped define an entire new subgenre in the ‘70s— “outlaw country.”

Prized for his rebellious and forthright lyrical attitude, Nelson values raw emotion over placative commercial appeal, ironically earning him one of the most successful careers in country history. Over the years, Nelson has delivered a seemingly endless stream of hits performed by both himself and countless other musical giants, including Loretta Lynn, Merle Haggard, and Dolly Parton, just to name a few.

Bobbie Gentry

Bobbie Gentry is the keeper of a robust legacy of composing and performing. Having written her first song at age 7, Gentry taught herself to play a slew of instruments throughout her youth. When she attended college at UCLA, she began performing her songs out at the occasional nightclub, signing to Capitol Records some years later as an aspiring songwriter. In 1967, Capitol Records released “Ode to Billie Joe,” a song that Gentry had written and recorded herself. Gentry told The Washington Post that despite wanting to write songs for other artists, she only sang “Ode to Billie Joe” herself because it was cheaper than hiring another singer.

Despite her previous obscurity and the song’s dark tenor, “Ode” crept up the charts, surpassing the likes of Aretha Franklin and The Doors until it eventually pushed “All You Need is Love” out of the No. 1 spot. This astronomical success marked only the beginning of an industrious career for Gentry; she would go on to write and perform several other smash hits in addition to becoming the first woman to host a variety show on the BBC. She would later produce, choreograph, and write the music for her own nightclub revue in Las Vegas prior to retiring from show business.

Roger Miller

The King of the Road had range! Roger Miller’s songwriting legacy entailed chart-topping hits he wrote and performed himself, such as (of course) “King of the Road,” “Dang Me,” and “England Swings,” in addition to many that he wrote for other artists, such as “Billy Bayou” for Jim Reeves and Ray Price’s “Invitation to the Blues.”

His imaginative impulse made him uniquely qualified for the projects he took on later in life, including writing the music and lyrics for several songs in the 1973  animated Disney film Robin Hood, in which he also voiced Alan-a-Dale, the film’s rooster narrator. His acting career was even furthered by another musical project – Miller wrote the entire score for Big River, a Broadway musical based on Mark Twain’s The Adventures of Huckleberry Finn. The musical premiered in 1985 and earned a total of seven Tony Awards, including Best Score. Miller even played the part of Pap (Huck Finn’s father) onstage for three months following the original cast member’s departure for Hollywood.

Kacey Musgraves

One of the most influential women in today’s country sphere, Kacey Musgraves has sculpted a name for herself for both her instrumental/vocal prowess and her impactful songwriting capabilities. Her solo catalog is chock-full of compelling songs that explore the “nuances of being a human, alive and experiencing consciousness,” as she told The Cut. The thoughtful universality of her songwriting has attracted a distinguished array of performers, with Musgraves contributing her skills to songs performed and recorded by Martina McBride, Miranda Lambert, and Deana Carter, among others.

Kris Kristofferson

This September marked a year since his passing, but Kris Kristofferson’s legacy continues to burn bright. His songs maintain a rugged, raw quality without sacrificing any of their vibrance. Though Kristofferson only landed one No. 1 hit on Billboard’s Hot Country Songs chart performing his own original material, his songs were platformed by many others featured on this list, including “Help Me Through the Night,” which Sammi Smith, Loretta Lynn and Willie Nelson recorded, and “For the Good Times,” a tune made famous by Ray Price that was later recorded by Dolly Parton, Merle Haggard, Willie Nelson, and more. Kristofferson also penned a fair number of tunes for The Highwaymen, the country supergroup composed of Waylon Jennings, Willie Nelson, Johnny Cash, and Kristofferson himself, including their titular hit, “Highwayman.”

Trisha Yearwood

Author, singer, chef, Food Network television show host – just when we thought Trisha Yearwood had done it all, her 16th studio album, The Mirror, arrived this past July to showcase yet another talent you may not know that she held all along: songwriting. In an interview with Billboard, Yearwood recounts that discouragement during her college years largely held her back from incorporating songwriting into her career over the past three-plus decades. “It made me think I wasn’t a songwriter and I just always downplayed it,” she says.

The Mirror boasts powerful co-writes with many songwriters who’ve contributed to Yearwood’s earlier albums, including Rebecca Lynn Howard (“I Don’t Paint Myself into Corners”) and Maia Sharp (“Standing Out in a Crowd”). Of homing in on her songwriting craft, Yearwood shares, “It was really something that clicked a couple of years ago. I started writing and it was really kind of therapeutic and really evolved naturally out of something I felt like I needed to do and I’m so happy with how it came out.”

Merle Haggard

Widely recognized as one of the most legendary singer-songwriters of the country canon, Merle Haggard was a staunch believer in writing from his own experiences – of which he had many worth writing about. After losing his father at age nine, Haggard wound up in all sorts of trouble, from several stints in juvenile detention to developing a strong hitchhiking and train hopping habit. His rambunctious tendencies followed him into adulthood and eventually landed him in prison after an attempted robbery and subsequent failed jailbreak.

In 1960, Haggard’s life changed forever upon attending a Johnny Cash concert while incarcerated at San Quentin State Prison, which deeply inspired him. Upon his release later that year, Haggard set out to forge his own country career, garnering unspeakable success. From “Workin’ Man’s Blues” (co-written with Roy Edward Burris) to “The Bottle Let Me Down,” many of Haggard’s songs have become perennial classics.

Jimmy Buffett

Of all the narrative-focused songwriters, Jimmy Buffet undoubtedly took the premise of “world-building” the most literally. “Margaritaville,” the hit song which Buffett claimed took him only six minutes to write, has a transcendent legacy. From hotels to casinos to Broadway musicals, Buffett’s profoundly popular songwriting grew an empire. Of course, “Margaritaville” was certainly neither the beginning nor the end of Buffett’s extensive songwriting career; having released 30 albums (8 of which are certified gold and 9 of which are certified platinum or multi-platinum by the RIAA), Buffett was credited on upwards of 350 songs over the course of his life.

Don Gibson

Responsible for the songwriting behind some of the most famous songs in country history, Shelby, North Carolina, native Don Gibson was such a force that he, in fact, penned two of his most influential songs in the same day. “Oh Lonesome Me” and “I Can’t Stop Loving You” – which would go on to be recorded over 700 times by other artists including Ray Charles, Kitty Wells, and Loretta Lynn – were both conceived in a trailer park north of Knoxville, Tennessee, in 1957.

Bonnie Raitt

In addition to being the utter powerhouse musician that she is, Bonnie Raitt also knows her way around some lyrics. Having written most of her own music and with artists like Stevie Nicks and The Chicks covering her songs, Raitt’s songwriting has left an indelible mark on the blues, country, and Americana scenes. She’s known for her thoughtful and emotionally dynamic posture; for instance, her song “Down the Road” was inspired by a New York Times article Raitt read about a prison hospice program. Another, “Just Like That,” earned her a GRAMMY for Song of the Year and was inspired by a news segment featuring two families experiencing either end of an organ donation. Written from heartful depths, Raitt’s lyrics are both inspired and inspiring.

Cam

Best-known for her Grammy-nominated 2015 hit, “Burning House,” Cam (AKA Camaron Ochs) is one of the most prominent songwriters in the contemporary country scene. Another star and composer, in addition to her own four studio albums, Cam has writing credits featured on work from some of the largest industry giants in any genres. She has composed material for artists from Sam Smith to Miley Cyrus and 2024 saw her songwriting, backing vocals, and production lending a hand in several songs off of Beyonce’s chart-topping, culture-shifting country release, Cowboy Carter.

John Hartford

John Hartford’s talents truly knew no bounds. In addition to his multi-instrumental expertise, he was a fleet-footed clogger who could tear up a rug while he played. And he sure did know how to write a song. His most successful songwriting credit, “Gentle on My Mind,” (popularized by Glen Campbell and henceforth covered over and over again) earned him three GRAMMY awards and a listing among BMI’s Top 100 Songs of the Century. With covers from folks like Loretta Lynn, Willie Nelson, Dolly Parton, Merle Haggard, and many more, it’s safe to say Hartford was one of the most respected – and most recorded and most covered – roots songwriters of his time. And of our time, too, as evidenced by this I’m With Her performance of “Long Hot Summer Days,” a Hartford original fiddler Sara Watkins once recorded on her own solo project.

Chris Stapleton

A fav of Good Country and our audience alike, Chris Stapleton has had a tremendously successful performing career in both bluegrass (via The SteelDrivers) and country (as a solo artist). His guitar prowess and smoky vocals aren’t his only claims to fame; even before his rise to stardom, Stapleton had written songs for some of the most commercially successful names in country and beyond. He’s been the pen-power behind songs for industry giants such as Luke Bryan, Kenny Chesney, Darius Rucker, George Strait, Lee Ann Womack, and more. Adele even recognized the potency of Stapleton’s powers back in 2011, having recorded a version of his smash hit SteelDrivers song “If It Hadn’t Been for Love” on a deluxe version of her album 21.

Dolly Parton

They don’t call Dolly Parton the queen of country for nothing! Illustrious and industrious, Parton estimates that she’s composed nearly 3,000 songs in her lifetime, with somewhere around 450 of them recorded. Her ability to world-build through dynamic characters and narratives has set the modern country standard for story-songs, with “Coat of Many Colors,” “9 to 5,” and, of course, “Jolene” being just some of her most chart-topping successes. She’s also written plenty for other artists – think Merle Haggard, Kenny Rodgers, Hank Williams Jr., Waylon Jennings, Emmylou Harris, and Tina Turner, just to name a few. And of course, we’d be remiss not to mention that Parton penned the biggest hit of Whitney Houston’s career!

Darrell Scott

In 2007 Darrell Scott was named the Americana Music Association’s Songwriter of the Year, and this year, 2025, he received a Lifetime Achievement Award from the organization, too. In short, Darrell Scott is a songwriting powerhouse – in addition to his status as one of Nashville’s premiere session musicians.

Similarly to many other artists on this list, albeit with his own stylistic flares, Scott champions the narrative song, writing tunes full of dynamic characters and story arcs that mesmerize. Outside of his own successful solo work, songwriting for others is the bedrock of Scott’s career. Among countless other contributions, Scott wrote the Chicks’ “Long Time Gone” (later to be sampled in Beyoncé’s “Daddy Lessons”), Travis Tritt’s hit song, “It’s a Great Day to Be Alive,” and the ever-relevant “You’ll Never Leave Harlan Alive,” which has been covered by Patty Loveless, Brad Paisley, Chris Stapleton, Kathy Mattea, Luke Combs, and many more.


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Photo Credit: Kelly Christine Sutton

Good Country, Good Community

Editor’s Note: Each issue of Good Country, our co-founder Ed Helms will share a handful of good country artists, albums, and songs direct from his own earphones in Ed’s Picks.

Gospel-infused, blues-inspired “swampgrass” from North Georgia, this Americana duo reminds of the Civil Wars, the SteelDrivers, and the Secret Sisters. Even so, they certainly have a sound all their own. Their new EP, Sweet Southern Summer, arrives August 22.

Read more about the Band Loula in conversation with Dierks Bentley here.


Our old favorite Timmy Ty has done it again! Snipe Hunter is a masterpiece of traditional postmodern Appalachian music. It’s hilarious and heartfelt, entirely unserious and devastating, too. No matter the textures and genres he references in his work, Tyler has always been Good Country (and very bluegrass, too).

Tyler Childers is our Artist of the Month. Dive into our coverage here.


Greensky Bluegrass

Bluegrass and jamgrass fans rejoiced in late July when our longtime pals in Greensky announced their upcoming album, XXV, marking 25 years of this incredibly impactful string band. With the announcement they released “Reverend,” featuring their Michigan compatriot Billy Strings. Here’s to the new album – and to the next 25 years! We can’t wait.


Robert Earl Keen & Friends: Applause for the Cause

The Texas Hill Country floods devastated fertile territory for roots music and Good Country in west Texas in early July. The artistic community has responded en force, quickly assembling quite a few star-studded benefit shows, concerts, and on-the-ground relief efforts.

Robert Earl Keen – together with a host of partners and sponsors – has convened a superlative lineup for just such an event, Applause for the Cause, to be held August 28 in New Braunfels, Texas. Featuring appearances by luminaries such as Tyler Childers, Miranda Lambert, Cody Jinks, Ray Wylie Hubbard, Kelsey Waldon, Jamey Johnson, and many more, the show almost immediately sold out. The good news is you can watch the performances via streaming (Amazon Music, DIRECTV, Veeps) and REK’s YouTube channel. The even better news is you can still donate directly to the Community Foundation of the Texas Hill Country, beneficiaries of the evening, to support the cause.


Trisha Yearwood

Yes, Trisha Yearwood is a country legend of stage and screen, but did you know she’s a stellar songwriter as well? Her brand new album, The Mirror, reflects this fact with 15 tracks all co-written by the Grand Ole Opry member. Plus, the collection features guests like Jim Lauderdale, Charles Kelley, and Hailey Whitters. THIS is Good Country!


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Photo Credits: The Band Loula by Sara Katherine Mills; Tyler Childers by Sam Waxman; Greensky Bluegrass by Dylan Langille; Robert Earl Keen by Emma Delevante; Trisha Yearwood by Russ Harrington.

GC 5+5: Rebecca Lynn Howard

Artist: Rebecca Lynn Howard
Hometown: Salyersville, Kentucky
Latest Album: I’m Not Who You Think I Am (out May 2, 2025)
Personal Nicknames (or rejected band names): My family and friends call me Aunt B

What has been the best advice you’ve received in your career so far?

The best advice I’ve ever received is to tell the truth, no matter how hard, no matter how messy. People don’t connect with perfection, they connect with honesty. When I started writing from that place, everything changed. Music became more than just a craft. It became a way to heal, not just for me but for my fans too.

What’s the toughest time you ever had writing a song?

Honestly, the hardest songs to write are the ones I need to write the most. There was a time after my dad passed away when I couldn’t write at all. Every time I tried, it felt like I was staring into this giant void of grief and I didn’t have the words to make sense of it. Eventually, I stopped trying to force it and just let myself feel everything. When I finally sat down to write again, the song came out in one sitting. It was like the words had been there, waiting for me to be ready.

Which elements of nature do you spend the most time with and how do those impact your work?

Water, hands down! There’s something about being near water, whether it’s the ocean, a river, or even just a hard rain that takes away the noise in my head. It’s where I think the clearest and where my best lyrics come from. It helps me know that everything moves in seasons, especially the hard things.

If you were a color, what shade would you be – and why?

I’d be a deep blue… the kind that’s somewhere between dusk and the ocean just before a storm. That kind of blue is my favorite color cause it holds a lot of depth, beauty, a little bit of sadness, but also an understated kind of strength.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I’d love to sit down to a slow, home-cooked Southern meal. Something warm and comforting, like my mom’s homemade biscuits and honey butter, with a side of conversations about Jesus. And the perfect soundtrack? Probably someone like Johnny Cash or Brandi Carlile. Something raw – and real – and full of stories.


Photo Credit: Allister Ann

Black Writers Shine on Music Row

In 1993, Alice Randall became the first Black female songwriter to pen a #1 country hit (“XXX’s and OOO’s” recorded by Trisha Yearwood). 

Even today, over thirty years later, the representation of Black writers on Music Row is seriously lacking. But that doesn’t diminish the immense talents that have found success in Nashville, both writing for themselves and others. From Shy Carter to Brittney Spencer, here are eight Black songwriters changing the country music scene one song at a time

Alice Randall

Hometown: Detroit, MI

Songwriter, author, and educator Alice Randall is a Harvard grad, a New York Times best-selling novelist, a professor of African American and Diaspora Studies at Vanderbilt University, and was the first Black woman to co-write a number-one country song with Trisha Yearwood’s “XXX’s and OOO’s.” Her songs have been cut by artists like Glen Campbell, Mark O’Connor, Radney Foster, Holly Dunn, and many others.

Alice is a preeminent historian telling the story of the immense and foundational influence of Black people on country music, a narrative largely eclipsed by Nashville’s retelling of the origins of the genre. She recently released a new book called My Black Country, alongside an Oh Boy Records album release of Randall’s songs performed by prominent Black women artists.


Brittney Spencer

Hometown: Baltimore, MD

A fateful viral tweet in 2020 may have brought powerhouse performer and songwriter Brittney Spencer to the spotlight but her phenomenal songwriting and performing talents have positioned her as a key voice in the zeitgeist. Raised in a musical family, she began singing at an early age at her church in Baltimore. She honed her musical abilities on the piano and guitar before moving to Nashville in 2013 to attend MTSU and pursue a career in country music.

Her candid truth-telling pushes boundaries and opens doors that were previously hard to open. She told CBS News, “I don’t know, I’m a plus-size Black girl from Baltimore City, in Nashville doing country music. On paper that sounds weird as hell!”

Her meteoric rise has placed her on stages with some of the all-time greats like Willie Nelson, The Chicks, Reba, and Maren Morris, and appearing on shows like The Today Show, The Late Show, the CMAs, and ACMS.

In January 2024, Spencer released her first full-length album, My Stupid Life, to much critical acclaim. She recently appeared as a guest artist on Beyoncé’s Cowboy Carter album rendition of The Beatles’ “Blackbiird.”


Jamie Moore

Hometown: Muscle Shoals, AL

Three-time Grammy nominee Jamie Moore is a multi-hyphenate embodied. As a producer, songwriter, and multi-instrumentalist, Moore’s rise began soon after arriving in Nashville. As a songwriter, he’s received cuts from artists across many genres like Meghan Trainor, Idina Menzel, Carrie Underwood, TobyMac, Chris Lane, Bren Joy, Blake Shelton, Florida Georgia Line, Tim McGraw, Carly Pearce, and Andy Grammer. He had 2020’s fourth most streamed song of the year with Morgan Wallen’s double platinum number-one, “Chasin’ You.” In 2016, Moore found his song “May We All” at the top of the charts with Florida Georgia Line.

Moore recently testified in front of the Tennessee House Banking and Consumer Affairs Subcommittee on behalf of the Human Artistry Campaign on the importance of protecting human creation in the face of AI developments, which led to the passage of the historic ELVIS Act.


Mickey Guyton

Hometown: Arlington, TX

Raised in Texas, Mickey Guyton began singing and performing at an early age, inspired by a LeAnn Rimes’ performance of “The Star-Spangled Banner.” Her resilient career has been bolstered by her commitment and passion for addressing societal issues and her own, sometimes bumpy, journey to the forefront of country music.

Leaving Texas for California, Guyton spent the early years of her career in Los Angeles before arriving in Nashville in 2011. She signed to Capitol Records and released Unbreakable, her first EP, in 2015 and hit the charts topping out at #34 with her single “Better Than You Left Me.”

Out of the events of the momentous summer of 2020, in the wake of the George Floyd protests and the Black Lives Matter movement, Guyton released “Black Like Me” to much critical acclaim and her first GRAMMY nomination. With a shift to an open and passionate reflection on her experiences with racism and sexism in the country music world, her songwriting and performances launched her to international stardom. She was the first Black woman to host the Academy of Country Music Awards in 2021. In a full circle moment for the performer, Guyton performed “The Star-Spangled Banner” at the 2024 Super Bowl.


Steven Battey

Hometown: Savannah, GA

Along with his brother Carlos, as songwriting duo Jackie Boyz, the Batteys have written and produced songs for artists like Madonna, Justin Bieber, and David Guetta. Raised in Georgia and named after their mother Jackie, the two moved to Los Angeles and together received a GRAMMY Award for 2011’s David Guetta-led remix of Madonna’s “Revolver” and went on to receive many more nominations.

Steven relocated from LA to Nashville in 2014 to pursue a shift to country music, and quickly fell in with country darling Luke Combs. Together, they penned “One Number Away,” which reached Billboard Country Airplay’s number-one spot in 2018 and won Battey ASCAP’s Song of the Year award in 2019.


Reyna Roberts

Hometown: Anchorage, AK

Though born in Alaska, Reyna Roberts’ journey to country music brought her to the American south due to her parents’ military careers. Her childhood passion for performing took the family to California so that Roberts’ could pursue a career in music. She bounced between Nashville and Los Angeles for years, honing her songwriting and performing craft before permanently relocating to Nashville in 2020. It was in Nashville that Roberts quickly became a key figure in the country music scene and a leader in the new generation of Black country artists.

Pianist, songwriter and performer Roberts released her 2020 debut single, “Stompin’ Grounds,” followed by multiple appearances on Monday Night Football. In 2021, Roberts opened for country superstar Jamey Johnson on his 2021 summer tour and shortly thereafter signed a publishing deal with Nashville-based Eclipse Music Group.

In the fall of 2023, Roberts released her debut album Bad Girl Bible, Vol. 1. Alongside Brittney Spencer, Roberts was featured on Beyoncé’s version of The Beatles’ “Blackbiird” on 2024’s Cowboy Carter.


Shy Carter

Hometown: Memphis, TN

Genre defying songwriter, artist and producer Shy Carter was raised between the suburbs of Atlanta and Memphis. Steeped in the music of church and Beale Street and playing saxophone from an early age, Carter was discovered by a talent scout in 2007.

He had his first hit as a songwriter with Rob Thomas’ “Someday” in 2009. He secured his name in the Nashville songwriting lexicon when he penned Sugarland’s infectious bop “Stuck Like Glue” in 2010.

With production, featured artist, and songwriting credits a mile long, including Charlie Puth, Billy Currington, Tim McGraw and Faith Hill, Kane Brown, TobyMac, Jamie Foxx, Keith Urban, and Meghan Trainor, Shy Carter is solidified as a go-to creator in the Nashville country music scene.


Atia 'INK' Boggs

Hometown: Columbus, GA

Grammy-nominated, multi-genre, and multi-hyphenate INK has been on the songwriting scene since 2015. She has collaborated with artists like Tamar Braxton, Monica, Rick Ross, Chris Brown, and Leon Bridges. In 2022, she penned three songs on Beyoncé’s powerhouse album Renaissance, including “Alien Superstar.”

Always rooted in her southern upbringing, INK was a natural call for Beyoncé to collaborate with on Cowboy Carter (which INK revealed was actually completed prior to the release of Renaissance). INK wrote and produced the wildly successful single “16 Carriages.” She also recently penned songs for artists Joy Oladukon and Jennifer Lopez.


Lead Photo: Brittney Spencer by Jimmy Fontaine.

A True Black Country Trailblazer

The year’s most discussed, and in some respects, most controversial LP to date has been Beyoncé’s Cowboy Carter. Its admirers have painted Beyoncé as a trailblazer for Black country artists. They cite her inclusion on the album of both past – like Linda Martell – and contemporary Black country artists, including Rhiannon Giddens, plus the foursome of Brittney Spencer, Reyna Roberts, Tanner Adell, and Tiera Kennedy, all featured on the update of The Beatles classic, “Blackbird” (stylized “Blackbiird”). They also cite Beyoncé’s Texas background as ample proof of her country roots and sincerity.

Others, notably contributors to The Washington Post and The Guardian, have attacked the 27-song project for a variety of sins ranging from overproduction to such emphasis on idiomatic variety that the result to their ears is faceless, forgettable music. Beyoncé herself has repeatedly said “It’s not a country album, it’s a Beyoncé album,” a line that can and has been viewed many different ways.

Still, there’s been a genuine explosion of interest in Black country music the past couple of years prior to the release of Cowboy Carter. It has resulted in a host of attention for artists ranging from Charley Crockett, Mickey Guyton, Miko Marks, Rissi Palmer and Brei Carter to established hitmakers like Darius Rucker and Kane Brown. But there’s one name that stands above all others as a key figure who’s been in the country music trenches over five decades. That’s author and songwriter Alice Randall, a superb novelist and academic. Randall, a Detroit native, made the move to Nashville from Washington, D.C. back in 1983, because she wanted to showcase her skills as a country songwriter and simultaneously wanted to demolish the widely held myth that the music had no links or connection to Black music and zero audience among African Americans.

“Yes, I faced open hostility and overt racism when I began,” Randall told Good Country during a recent interview. “There were plenty of people who looked at me and figured what’s this small Black woman doing here? But I wasn’t going to let that stop me.” Randall spent plenty of time attending songwriters rounds, plus examining and analyzing the songs that were becoming hits. In her book she pays credit to Bob Doyle, who was then a songwriter liaison at ASCAP. Doyle’s Bob Doyle & Associates is the longtime management firm for Garth Brooks. Another of her early Nashville mentors was singer-songwriter Steve Earle, whom she met through Doyle. She cites Earle’s willingness to address personal and social trauma and pain as an influence on her writing style.

Randall earned her first Top 10 country hit in 1987 with the Judy Rodman-recorded “Girls Ride Horses, Too,” which she wrote with Mark D. Sanders. She also launched the publishing company Midsummer Music (which she later sold), with the aim of aiding and developing a community of storytellers. She’d soon enjoy bigger success, becoming one of the first Black women to write a No. 1 country hit, when she and Matraca Berg co-wrote “XXXs and OOOs (An American Girl),” for Trisha Yearwood in 1994. (Donna Summer previously co-wrote Dolly Parton’s “Starting Over Again” in 1980).

Randall was also a writer on Moe Bandy’s top 40 hit, “Many Mansions.” Some other notable Randall milestones include writing the treatment for Reba McEntire’s “Is There Life Out There?” music video, which won an ACM Award and features a Randall cameo. In addition, she wrote and produced the pilot for a primetime drama “XXX’s and OOO’s,” which later aired as a made-for-TV movie on CBS.

But as Randall notes in her book, additional trials can come with success. Randall recounts how after the success of “XXXs and OOOs,” a music publishing executive pressured her into signing a contract before she had time to let her lawyers look at the paperwork. That move eventually led to Randall signing away much of her writer’s share of the song’s profits, an experience she called “part of my graduate school.”

Her new book, My Black Country (and its co-released, eponymous album), nicely combines personal reflection with historical commemoration and cultural examination. It highlights Black country’s finest performers and personalities, while noting that early country music was a far more interracial activity than many realized. “It’s amazing to me how many people don’t realize that Jimmie Rodgers recorded with Louis Armstrong, or that Lil’ Hardin was also involved in that historic recording,” she continues.

Randall cites Hardin as the mother of Black Country, the premier vocalist/harmonica soloist DeFord Bailey as the papa, multi-idiomatic master Ray Charles as the genius child, Charley Pride as Bailey’s side child, and the vocalist and TV/film star Herb Jefferies, also known as the Bronze Buckaroo, as Hardin’s stepchild.

She’s equally passionate about the frequent omission from country music histories and commentary of the contributions of Black cowboys. “I fight for all the Black cowboys who have been erased, all the country and western songs through the years that did not tell those stories,” Randall told Billboard magazine in an earlier interview. “When I wrote songs like ‘Went For a Ride,’ a lot of people did not realize they were Black cowboys I was writing about… but 20 or 30% of all cowboys were Black and brown in the 19th and 20th centuries, so it’s one of the ways that African Americans have contributed so much to the legacy of country music, is through cowboy songs.”

The book also chronicles a further lineage of Black country artists, including the Pointer Sisters and Linda Martell, as well as other artists like Sunny War, Miko Marks, Valerie June, and Rissi Palmer.

With 2024 being a big year for Black country, it’s only fitting that Nashville and the music world at large recognize and celebrate Alice Randall’s achievements. Last month she published the memoir, My Black Country (Simon & Schuster), while an accompanying LP, My Black Country: The Songs Of Alice Randall (Oh Boy Records), was also released.

A pair of sold out events in Music City – a book signing at Parnassus bookstore and a combination celebration/Black Opry concert at the City Winery where contemporary Black country vocalists performed Randall tunes – were just the first events to honor the current Vanderbilt Professor of African American and Diaspora Studies as well as writer-in residence. Randall’s other notable literary feats include The Wind Done Gone, a blistering examination and parody of the book and film, Gone With The Wind.

During Black Music Month in June, Randall will appear at the Smithsonian National Museum of African American History & Culture on June 7, and she’ll return to Nashville on June 15 for another in-person conversation about Blacks and country music.

Randall’s book traces her love for country to a family relocation. While growing up in Detroit, she was also a fan of Motown and even spent some time with Stevie Wonder. But upon moving with her mother to Washington, D.C., country became the dominant music she regularly heard. As a student at Harvard studying both English and American Literature & Language Randall says it was after closely surveying Bobby Bare’s 1976 song, “Dropkick Me Through Jesus (Through the Goalposts of Life),” she really began to understand the depth and breadth of country music storytelling.

That knowledge, along with her excellence as a lyricist and storyteller, resonates throughout the many memorable and unforgettable numbers on the album My Black Country: The Songs Of Alice Randall. The roster of 12 women selected to perform the various tunes features many of today’s finest country stylists. The honor roll includes Ada Victoria’s soaring “Went For a Ride,” Allison Russell’s glorious “Many Mansions,” Rhiannon Giddens’ routinely spectacular rendition of “The Ballad of Sally Anne,” and Rissi Palmer’s poignant performance on “Who’s Minding the Garden.” Randall’s daughter, poet and commentator Caroline Randall Williams, delivers a strong performance on “XXXs and OOOs.”

Randall credits Russell for introducing her to Ebonie Smith, better known for her work as a producer on Sturgill Simpson’s Grammy-winning album, A Sailor’s Guide to Earth.

And it’s no surprise Randall would conclude our interview by weighing in on the Beyoncé LP, herself.

“She’s the only Black woman to achieve those feats [No. 1 country single and album], but I don’t think she’ll be the last,” Randall concludes. “I’m more proud of the fact that there are so many great Black country artists out there, that the Black Opry is getting national attention, and that we’re finally putting to rest that garbage about country only being for white people.”

“In fact, to me, Nashville’s becoming a town for wild women, and for Black women to freely express themselves any way they choose.”


Photo Credit: Alice Randall by Keren Trevino.

The String – Beth Nielsen Chapman

Often when songwriters talk process, we hear the same few nuggets about craft on repeat. Not Nashville Songwriters Hall of Famer Beth Nielsen Chapman, though. She has a deeply considered take on the art form and the personal work and qualities of mindfulness that truly unlock creative potential.

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Chapman’s workshops and lectures are in high demand and coming in 2020 she launches The Song School, a podcast that will include her wisdom and critiques of real songs in real time. Here, she invites host Craig Havighurst into her home studio to talk about her success as an artist and writer for others (Willie Nelson, Tanya Tucker, Faith Hill, Trisha Yearwood, and many more) and how she keeps the flame lit.

MIXTAPE: Kendell Marvel’s Inspiration on the Run

“Listening to music when I run keeps my mind from wandering. It keeps me motivated and helps me keep a pace so I can sweat out whatever evil I got into the night before.” – Kendell Marvel

“Running on Empty” – Jackson Browne
Those days when I don’t really feel like going for a run, all I have to do is put on this tune to get moving. That classic ‘70s feel and the lyric to this song are pure motivation. Hell, look what it did for Forrest Gump.

“Against The Wind” – Bob Seger
There isn’t any other song that feels more open-road than this song. Bob Seger may be the greatest songwriter of our time. This song paints a perfect picture of the wind in your face. It just feels like freedom.

“It Ain’t My Fault” – Brothers Osborne
Not only does this song have the stomp, but the guitar riffs, the B3 and the hand claps! Combined, they all make this the perfect tune to kick it up a notch. The first time I heard this ditty I was sitting around the fire in Lake Creek, Alaska, with John and TJ and they played it acoustic. It blew me away.

“Life in the Fast Lane” – Eagles
From the opening riff of “Life in the Fast Lane” it is pure adrenaline. Southern California ‘70s rock ‘n’ roll had it all. From the great melodies to the even greater lyrics, these guys were head and shoulders above any other bands of that era. Except Petty, of course.

“Wrong Side Of Memphis” – Trisha Yearwood
“Wrong Side Of Memphis,” was written by Matraca Berg and Gary Harrison and sung by the great Trisha Yearwood in the early ‘90s. It has that swampy, gritty feel that fires me up. It’s the perfect mid-tempo for an early morning run.

“Boots On” – Randy Houser
This tune by my buddy Randy Houser is the perfect in your face, barn burner country song to work up a sweat to. His vocals are stellar on everything, but this one is exceptionally good. Not many people can sing like that cat.

“Hippies and Cowboys” – Cody Jinks
This one’s my cooldown tune. After a good 4- or 5-mile run, Jinks’ laid-back retro sound brings the heart rate back down. Badass vocal by a badass dude.

“Fast as You” – Dwight Yoakam
Dwight Yoakam is the king of cool and this song from the get-go gets me going. Pete Anderson’s guitar work and production on this song [make it] everything an uptempo song should be.

“Cocaine Country Dancing” – Paul Cauthen
Good Lord, this song! It’s new to my playlist, but all I gotta do is push play and imagine wild man Paul Cauthen runnin’ up behind me. Immediately I knock a minute off my next mile.

“La Grange” – ZZ Top
“La Grange” is dripping with angst. It either make me wanna fight or run. Since I’m a little older now I better stick to runnin’ with this Little Ol’ Band from Texas blaring in my AirPods.

“I Ain’t Living Long Like This” – Waylon Jennings
The title of this Waylon tune, written by Rodney Crowell, pretty well sums up my reason for running every day. A musician’s lifestyle ain’t always the healthiest lifestyle. So I figure if I wanna hang around this world for a while I better stay in half-assed shape, so this title alone is motivation. Plus, this song just feels so good.

“Mowin’ Down the Roses” – Jamey Johnson
I think Jamey Johnson is a modern-day Willie Nelson. This song has so much grit and cockiness it’s hard not to run with a little swagger when it’s on.

“Runnin’ Down a Dream” – Tom Petty
Well, I saved this one for last because who do you play after Petty? Nobody! “Runnin Down a Dream” is the perfect rock ‘n’ roll song as far as I’m concerned. It’s reckless, it’s rockin’, it’s brilliant, and it makes me feel young. How else do you wanna feel when you’re on a run?


Photo credit: Alysse Gafkjen

STREAM: Hugh Prestwood, ‘I Used to Be the Real Me’

Artist: Hugh Prestwood
Hometown: El Paso, TX
Album: I Used to Be the Real Me
Release Date: November 18
Label: Wildflower Records/Cleopatra Records

In Their Words: "Judy Collins discovered me back around 1978, recorded two of my songs on her Hard Times for Lovers album, and arranged for me to get my first staff songwriter gig. Simply put, she is entirely responsible for me getting my foot in the music biz major league door. It was — and remains — a huge stroke of good fortune. When she got the CD I'd sent, she loved the songs and immediately said she wanted to record some of them herself, and also put out a record of yours truly's on her Wildflower label.

Regarding the 13 songs, four of them have been recorded by other artists: 'The Suit' by Jerry Douglas and James Taylor, 'The Song Remembers When' by Trisha Yearwood, 'April Fool' by Colin Raye, and 'Laura Nadine' by Billy Dean — all wonderful renditions. Most, if not all, pretty much represent my attempts to write great songs without giving much consideration to writing 'hits,' although my basic style always aims at involving a wide audience. I am delighted with, and excited by, this record, and am permanently amazed at my having such remarkable validation and support coming from Judy Collins, a genuine artist whose body of work — recording the Great American Songbook — is peerless." — Hugh Prestwood