Basic Folk is thrilled to interview The Bluegrass Situation’s July 2023 Artist of the Month: Molly Tuttle! Quickly becoming the Bluegrass American Idol, Molly Tuttle’s new album City of Gold is hot off the heels of her Grammy-award winning 2022 record, Crooked Tree, which also got her a nomination in one of the coveted “Big Four” categories: Best New Artist. Aaaaand we know that WE ALL have had eyes on Molly for years, BUT since she’s fully embraced the bluegrass genre on these last new albums, Best New Artist makes a lot of sense. Bluegrass was the music she grew up with in Palo Alto, California, with her guitar-teacher father helping her soak in the vibrant scene. She’s also learning how to take control of the bluegrass narrative by telling her story and sharing her perspective through her new songs.
That rings so true with the new record, City of Gold, co-produced by Tuttle and Dobro-master Jerry Douglas (of Alison Krauss & Union Station fame), mostly co-written with her partner Ketch Secor (of Old Crow Medicine Show) and featuring her crack backing band, Golden Highway. She’s writing bluegrass songs that are fun and insightful at the same time. We get a bluegrass version of Alice In Wonderland, the story of a woman fighting for her bodily autonomy and not to mention that time she married Dave Matthews on a road trip (LOL J/K, but that is a real new song with the real Dave). She digs into her new album as well as finding her own way in the patriarchal world of bluegrass and leveling up about her alopecia, an autoimmune skin disease, causing hair loss. Molly Tuttle is a great hang, an inspiration for us all and has made a fabulous new album, City of Gold. LYLAS, Molly!
Artist:Billy Raffoul Hometown: Leamington, Ontario, Canada Song: “In My Arms” Album:For All These Years Release Date: July 28, 2023 (single); October 20, 2023 (album) Label: Nettwerk Music Group
In Their Words: “‘In My Arms’ is a special one for me, because it’s something I wrote with my brother. For the first half of 2022 I was writing nearly a song every other day getting ready for this album, and there were about two weeks that Peter and I wrote at our place in Nashville. We would get six songs, and ‘In My Arms’ was one of them.
“I wrote it on my ’59 Gibson 335. I’m a lefty who plays right-handed guitars upside down and this song requires me to get pretty high up the neck for some of these chord shapes. Needed something with a double cutaway and the 335 did the trick. There’s no real picking pattern to this one. Just kind of raking into the chords and quite a bit of palm muting. This one was more about the tone, a ’40s tweed deluxe right at its breaking point.
“Playing the guitar upside down can be super inspiring when I’m writing. Having the bass strings on the bottom allows me to use my index, middle, and ring fingers to make some different bass patterns while my thumb plays the melody on the higher strings. These patterns are found all over this new album, particularly in songs like ‘Jim Carrey’ and ‘I Can’t Love You Anymore.’ I’m thrilled about this new album, because it’s the first time all of my influences are rolled into one record. Recording songs has always just been a vehicle to get people in a room together to hear them live, and the dynamic of this album is a good representation of what you’d hear from me in a live setting. I can’t wait to bring these songs to life on stage.” – Billy Raffoul
Artist:The Grascals Hometown: Nashville, Tennessee Song: “I Go” Release Date: July 28, 2023 Label: Mountain Home Music Company
In Their Words: “I sat down at the dinner table with one of my best friends, Darren Nicholson, (I work at a recovery treatment center in Asheville, North Carolina, often and I stay with Darren and his wife while in town) back in February of this year with the intention of writing our first song together. ‘I Go’ is the result of that writing session. The song ‘I Go’ comes from a previous vantage point and paints a picture of a darker time in both of our lives. Since Darren and I are now both in recovery together, we bounced some ideas off of each other from our personal journeys… combined with a little fiction that was easy to create from our past intoxicated minds. I feel like the story we came up with is one of my favorite songs I’ve written to date and I’m really glad that it was with Darren.
“‘I Go’ is a catchy melodic, up-tempo tune with an edgy, dark, true-life subject that many choose to avoid. However, we decided to face it head on and The Grascals took it and made it their own – OUR own. I am so excited to be back in this band and creating music with my friends again, and I’m thankful that we are the ones telling this story.” – Jamie Johnson
On the heels of being awarded IBMA’s Distinguished Achievement Award, the BGS team is excited to announce a few staff changes in our organization that took effect earlier this summer. Our incredible Managing Editor of 4+ years, Craig Shelburne, was recently offered an opportunity for a once-in-a-lifetime project – more details to come – and consequently has had to end his time with BGS. While we miss him dearly, with his unending dedication to and love of roots music, his singular journalistic perspective, and his legendary puns lighting up our lives, we are so thrilled for him in this next chapter of his career and the entire team wishes him the best.
With Shelburne’s departure, we are absolutely delighted to have longtime BGS team member Justin Hiltner back in the fold, now acting as our Managing Editor. Justin Hiltner is a queer and disabled banjo player, songwriter, and music writer known from Peabody Award-winning podcast Dolly Parton’s America. He recently completed a national tour of Broadway’s Tony Award-winning revival of Oklahoma! and played banjo and guitar for a limited run of the musical Bright Star at the Miracle Theatre in Miami. His debut solo album, 1992, was released in December 2022 and was a Best of 2022 selection by NPR Music, Slate, and more. (We covered the project here.) Hiltner has been nominated for Momentum Instrumentalist of the Year, Momentum Industry Involvement, Writer of the Year, and Collaborative Recording of the Year by the International Bluegrass Music Association (IBMA). In 2016 he co-founded Shout & Shine, a showcase, column, and video series celebrating representation and inclusion in bluegrass with BGS before going on to become our social media director and, later, Digital Brand Director. He also helped found – and currently sits on the board – for Bluegrass Pride, a non-profit with a mission of uplifting LGBTQ+ folks in roots music, and recently he served on Folk Alliance International’s Cultural Equity Council.
Lonnie Lee Hood, BGS Social Media Editor
In addition, we’ve also had the joy of recently adding Lonnie Lee Hood to our team as our Social Media Editor. Lonnie is a journalist and writer located in Middle Tennessee. They are currently working on their debut book, Redneck Revolution, with the West Virginia University Press. They live with their potbelly pig and look forward to building a small, sustainable homestead in the mountains.
Former BGS media director and executive assistant Shelby Williamson has also moved into a new position within our staff, stepping into the newly created Creative Director role. Williamson has overseen many aspects of BGS’ outward facing brand over the past handful of years, from our Instagram channel and email newsletter to the ever-expanding BGS Podcast Network, leading production and development of shows such as Harmonics with Beth Behrs and Carolina Calling. As Creative Director, Williamson will oversee a visual branding refresh coming to BGS soon and will also co-edit a new country-geared vertical within the BGS brand with Hiltner, to be announced soon.
Rounding out the BGS staff are co-founder and executive director Amy Reitnouer Jacobs and web and audience development expert Joe Klingl, in addition to our BGS family of contributors, writers, and creatives. Our team is already enjoying this latest evolution of BGS and we’re excited to continue connecting with our community in this new chapter.
It’s halfway through 2023, and Molly Tuttle is having an incredible year. The Grammy-winning artist released her new record — made with her band, Golden Highway — on July 21 via Nonesuch Records. Only days before, Tuttle and Golden Highway were nominated in seven categories at the 34th Annual IBMA Bluegrass Music Awards.
In the middle of her ongoing tour, we caught up with Tuttle and the members of Golden Highway to celebrate her selection as July’s Artist of the Month and to go behind the scenes of making City of Gold. Luckily, it’s easy to make music with friends, and the entire group goes way back. Tuttle says Bronwyn Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass), and Kyle Tuttle (banjo), have been a part of her musical life for years.
“I’ve known everyone in the band since I was in my late teens, early twenties,” Tuttle explains via video call.
Tuttle and Keith-Hynes attended classes and bluegrass jams together at Berklee College of Music. She met Kyle Tuttle (no relation) at around the age of 17 at an IBMA jam, and met Means while she was in Boston with the all-women string band Della Mae. Tuttle says she and Leslie met as kids, when they would both play the same bluegrass festivals.
“When Molly told me what she was planning, and asked me to join the band and told me who else was going to be in it, I was thinking, ‘I’m already friends with all these people. This is gonna be really cool!’” Means said during our group interview.
When it came time to record City of Gold, the group worked with modern roots music icon Ketch Secor of Old Crow Medicine Show on much of the writing. Tuttle says there’s a definite Old Crow influence on the tracklist, which makes sense given “Down Home Dispensary” is a tune on the record originally written for the group best known for hits like “Wagon Wheel.” Tuttle said she initially worried the song was “too Old Crow” for Golden Highway, but is glad it ended up on the record. She and Secor got “into a good groove,” as she puts it, and churned out the tunes for City of Gold in about six months, often while driving in the car or passing around instruments during jam sessions. At least one track, though, was extremely collaborative. Tuttle, Means, Secor and Melody Walker (formerly of Front Country) all had a hand in finishing the tune.
Jerry Douglas, the iconic resonator guitar player who’s worked with almost every name in the bluegrass industry, produced the album. Tuttle said that whereas she had only a few studio days booked for her previous album, Crooked Tree, the group had nearly two weeks of studio time to work with Douglas this time around. When asked what it was like working with the legend, every member of Golden Highway said they’d had a great experience.
“Working with someone who’s a hero, there’s a lot of baggage that comes along with that,” Kyle Tuttle said. “But he’s the kindest dude. He supported us in a really cool way. It wasn’t hard or intimidating or anything like that. I thought it was easy and fun. Every now and then he’d play on a track with us.”
Whether it was encouraging Golden Highway to take breaks or telling funny jokes, the group agreed that Douglas made sure everyone was comfortable and having a good time. Keith-Hynes said Douglas told the band that NASCAR drivers walk slowly to their cars to slow down their nervous systems, encouraging the musicians to do the same on walks between takes.
“Jerry has been a huge musical hero to all of us,” Leslie said. “Getting to spend all that time in the studio was the thrill of a lifetime. We all knew we were in really good hands with him musically going in, but what I didn’t realize was how good of a hang Jerry is. He [was] filling up any moment of dead air with a great story to break the ice.”
On tour, the band’s camaraderie is just as apparent as it is in the studio, or as it was in the group’s music video for “Next Rodeo.” After Tuttle catches her no-good, fictitious cowboy boyfriend cheating, the band collectively decides to kidnap him and give him what for — although, of course, all in good fun. They say they haven’t (yet) had to kidnap anybody on tour, but that doesn’t mean the on-the-road lifestyle isn’t taxing. Kyle Tuttle said he missed a connecting flight the night before the album release show and was up all night driving to make it in time.
“I was checking into the hotel and the sun was already up,” Kyle Tuttle said. “[There was] orange sky and some palm trees. I thought, ‘Damn it’s pretty. I sure wish I was in bed right now.’”
While it’s a good time to be in Golden Highway, it’s also just a great time to be in bluegrass, the group says. All agreed that bluegrass is having a moment, and were happy to report multiple sold-out festivals with lineups that include country, folk, bluegrass, blues, and other roots artists. Means said it’s incredible to see bluegrass acts opening for bigger country artists, because it means the genre is a real selling point.
“I wonder if it’s a backlash to how crazy everything is with technology,” Keith-Hynes thinks aloud. “People want something real. Nothing is more real than people playing acoustic music on acoustic instruments.”
Tuttle said the internet has also really leveled the playing field, making more music accessible to all kinds of fans. Golden Highway has had its own viral moments on TikTok, the short-form video social media app. Earlier this year Tuttle posted a 2022 Halloween clip that has now hit nearly one million views; inspired by a track on the new album, “Alice in the Bluegrass,” the band members are each dressed as a character from Alice in Wonderland, with Tuttle starring as the Queen of Hearts.
“It took people by surprise to see this bluegrass band playing Jefferson Airplane in full Alice in Wonderland dress,” Tuttle said.
As for what’s ahead, the group says they hope to see everyone out on the road. Means shared that the band will announce more dates soon, and that they’ll be touring both coasts after the annual IBMA Bluegrass Music Awards in September. Tuttle and Golden Highway are currently nominated for Entertainer of the Year, Instrumental Group of the Year, Song of the Year and Album of the Year. Tuttle is also nominated for Collaborative Recording of the Year, Female Vocalist of the Year, and Guitar Player of the Year. Bronwyn Keith-Hynes is nominated for Fiddle Player of the Year.
City of Gold can be streamed online wherever you listen to music. Check out more of our Artist of the Month coverage of Molly Tuttle & Golden Highway here and here.
Artist:Tommy Emmanuel Hometown: Nashville, Tennessee Song: “Tennessee Stud” featuring Nitty Gritty Dirt Band Album:Accomplice Two Release Date: April 28, 2023 Label: CGP Sounds
In Their Words: “I’ve always loved this song. I wanted to pay tribute with Nitty Gritty to Doc Watson and the original version that appears on the Will The Circle Be Unbroken album. Jeff Hanna sang on that version with Doc. Jeff and I split the verses up so we could come together on the choruses. It was a very relaxed feeling recording with the Nitty Gritty guys. They know it so well and I loved coming up with little changes in the riffs and chords to try to add my own touch to this classic. I love working with such an iconic band. I see them still giving music their ALL! Their passion for music, good songs, and performing for the fans is all still present when you see them and doesn’t seem like the years have taken their edge at all. More power to Nitty Gritty!” – Tommy Emmanuel
What other art forms — literature, film, dance, painting, etc. — inform your music?
Surfing. It is a wonderful mirror to playing music. It’s the same spiritual exercise, but it’s played out more on the physical plane. It’s spontaneous, super immersive, and requires deep concentration and awareness of your environment. The best wave riding experience is just like a really good jam. And in my best musical moments I feel like I’m gliding across a wave with the same grace.
What rituals do you have, either in the studio or before a show?
Before a show we all do a lot of stretching. I feel like it’s the best way to release stress and tension and get the blood moving, and get your chi meridians all dialed before you make music with everyone. Ten minutes before we go on the green room is a bunch of dudes getting all bendy and weird.
What has been the best advice you’ve received in your career so far?
Some of the best advice I’ve been given is just maintaining a foundation of gratitude. When life gets really challenging or confusing, just putting one foot in front of the other is much simpler when you take a moment to count your blessings. And on a lighter note, another piece of advice that’s stayed with me is one time my friend Ben told me my guitar was too beautiful to have a plastic capo or tuner clipped to the headstock, so since then I always keep those resting on my amp or in my pocket when I’m done using them.
Which elements of nature do you spend the most time with and how do those impact your work?
I spend a lot of time in the ocean and in the sun when I’m home and I feel like that keeps my body pretty relaxed, and I think that keeps a lot of the music I end up writing on the mellow side.
Since food and music go so well together, what is your dream pairing of a meal and a musician?
I think the dream scenario would change depending on the season, but being that it is summer I would love to see Ledward Kaapana playing with a traditional slack key group, with a large serving of sushi and some iced tea and fresh fruit juice.
Artist:The Cleverlys Hometown: Nashville, Tennessee Song: “Creep” Album:Solid Butter Release Date: July 28, 2023 Label: Mountain Home Music Company
In Their Words: “The audience is loving ‘Creep’ in our live show. Starting with the initial recognition of the iconic Radiohead tune and the irony of us doing it — classic. The 3/4 timing gives it a fresh sound and sets it apart from other covers of the song, but the shining moment comes when Haggis sings the bridge. There’s a point, when he hits and holds out the last note, that the audience explodes, sometimes even giving him a standing ovation in the middle of the song. It’s a chill pimple moment for sure.” – Dr. Digger Cleverly
Artist:Hannah Connolly Hometown: Eau Claire, Wisconsin; now Los Angeles, California Song: “Reno” Album:Shadowboxing Release Date: June 23, 2023 (Single)
In Their Words: “‘Reno’ was written with my friend and longtime collaborator, Jordan Ruiz, and is the first song to be released on my second album.
“It’s about the ebb and flow in a relationship and the magnetic pull you feel toward each other through it all. My partner (and now fiancé) Eric is also a musician and tours often. For me this song and the corresponding video were inspired by that long distance, and what it was like early in our relationship when I’d take trips to see him out on the road. There’s something romantic about the time spent en route to see someone you love and it was fun to try to capture that feeling.
“The video was directed by my friend Ryan Neal Cordwell. We had a fun couple of days making it out in the desert outside of Phoenix, Arizona. Ryan also does photography and video for cars and a very generous friend of his let us borrow their vintage BMW to use in the video. It was so fun and I’m really grateful, because I’ve always dreamt of doing a music video with a classic car. We were also lucky to find a small airport in the area where we could film outside of the city. Watching the planes take off at sunset was a highlight of the day and really captured the mood of the song.” – Hannah Connolly
Artist:Davy Knowles Hometown: Isle of Man Song: “Speak Softly, Tread Lightly” Album:If I Should Wander Release Date: August 25, 2023
In Their Words: “I feel the only way to talk about this song is frankly and honestly, as every one of its words is a truth for me.
“I have struggled with depression for a long time, although it’s only in recent history that I’ve accepted that and called it what it is. It was my wife, Amber, who persuaded me to find help and for that (and a million other things), I am so thankful to her. I’m honestly not sure I would be here without her.
“With depression, sometimes it’s hard to look past your own nose so to speak, and to see how the condition may be affecting those closest to you. If and when you do notice, you can then start to feel guilty for feeling the way you do. Thus creating a vicious circle within yourself.
“This song was/is my way of trying to comfort Amber during my struggle, to thank her and to reassure her that she’s perfect the way she is, that this is an internal fight. That I’m the problem, and while I’m learning to navigate it I may need a little extra comforting. It’s also to apologize to her for how this internal fight may materialize on the outside.
“Sounds depressing right? Guess it kind of is. It’s a sad song, written from a loving point of view. Kind of like – ‘Bear with me. You’re perfect, but I’m not right now.'” – Davy Knowles
Photo Credit: Michael Coakes
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