Artist:Rachael Kilgour Hometown: Duluth, Minnesota Song: “Dad Worked Hard” Album:My Father Loved Me (produced by Rose Cousins) Release Date: September 22, 2023
In Their Words: “My dad was an ordinary working man: trustworthy and stubborn with calloused hands and an unwieldy appetite. Work as a builder left him exhausted at the end of each day — he fell asleep reading bedtime stories, watching the hockey game, and even eating his own dinner. Thanks to his work ethic and my mother’s careful spending, I had a happy and safe childhood; one purposefully focused on relationships and cooperation in lieu of material success.
“In the final years of his life, dementia forced my dad to rely on others the way we had relied on him, even as he struggled to the end to maintain his independence. His last chapter left me thinking a lot about how we value life and labor. No one could look at my dad’s life and say he didn’t try hard enough, could they? And yet there we were making choices about his care from a place of financial limitation.
“I want to live in a world where every father, every human, can be afforded the very best of care in times of need, no matter who they are or where they went to school or what their particular talents were. Surely we are each worthy.” – Rachael Kilgour
Artist:Ellis Paul Hometown: Charlottesville, Virginia Latest album:55 (available June 9, 2023)
Which artist has influenced you the most … and how?
I can’t say which artist has inspired me “the most,” there’s too many great ones in the generations that came before me and too many new ones popping up as I go. And some of them are unconscious influences. I don’t go to James Taylor or Paul Simon consciously, but they are such a part of my youth and DNA that I know they are there. The Beatles are my go to teachers, as is Bob Dylan, Neil Young, Joni Mitchell. Their entire catalogues. When I listen to them with a magnifying glass, I’m constantly awe struck. They make my humility rise as a dominant emotional state. I’m good at what I do. But the gap between them and me is clear to me – but it is also where my great frontier lies. The best version of me is somewhere out there ahead — in that direction — and I need them as inspiration to explore it. To guide my improvements. So I dissect their music. And thank them. While their songs lie like frogs in the biology class of my mind.
What other art forms — literature, film, dance, painting, etc. — inform your music?
All of it! Everywhere I’m engaged in life can create a song — so I’m constantly on the lookout. I see what I do as a form of literature. There is a reason why Bob Dylan is walking around with a Nobel Prize in Literature. It’s storytelling, poetry, lyricism wrapped in imagery, dressed within melody and colored orchestration. It’s a visual medium in people’s brains as they watch the details unfold in a song while they are listening. So it’s like a movie or a painting. The music is a dance. It’s flowing. It’s a kind of geography.
Everything from a great meal to a great movie can inspire. Anytime I’m stuck, I try to get out and see a film or go to a museum or take a walk. Read a book. Watch how film makers tell their stories. It’s all a deep well to drink from, aren’t we incredibly lucky? I love my job.
What rituals do you have, either in the studio or before a show?
One of the best rituals I have in the studio is working with a grid sheet and stickers to watch the progress I’m making as the album evolves. I put it on the wall so everyone involved can see it. It’s a big piece of paper usually 18” by 24”. The songs are on the left side going down and all the tracks run across the top. After a musician plays their part, I give them a sticker to fill in their square for the song. It helps me project out, to see what’s left to do, and to see how much has been done. It helps to focus my thoughts on the parts left to finish and I can be creatively thinking about how I want the remaining tracks to lie against the ones that are completed. It also makes the musician feel good for some reason. They always love it. The stickers are usually cool, like Wizard of Oz characters. It brings out the first grader in people. They choose which sticker and then find their empty box and fill it with Toto.
If you had to write a mission statement for your career, what would it be?
Mainly— create beauty in every part of your work.
Now, since I’m in my fifties, this would be by making the most of your talent and my skill set. Focus on the writing because that is the part that will be left behind when you part from the earthly side of things. The recordings will tell the story of you in the years to come when your gone. So I’m editing the songs until they shimmer, working more in the studio to get things right and less as a road dog doing shows. I was always writing and recording on the fly. Coming into the studio with a voice torn up by the road. And songs written on airplanes. I’ve got more space now, because I’m established, and can live off of fewer shows. I can’t sing as high or sustain notes the same way, but I have more patience and wisdom now. I’m a better writer for those things. And the best is yet to come.
How often do you hide behind a character in a song or use “you” when it’s actually “me”?
I like character driven songs and usually have a couple on every album. The latest album, 55, has a song from the perspective of a tattooed lady in a circus. I did it as a writing exercise where I was assigning circus characters to my songwriting students. So I had to assume a lot of different things with this song: a woman’s perspective, a time/era perspective – because I felt like it was occurring in the late ’40s – and then someone who is essentially a circus act in a freak show. It was fun to write. Unlike, say a “bearded lady” or conjoined twins, the tattooed performer chose to look as she does. I don’t feel like she is a victim of circumstance in the same way, so the character invites the listener to gaze upon her physique. Circus life can be tough as well, doing show after show, so you sense her boredom. Despite the fact that she is lighting the wick on the big gun of the human cannonball. She’s a bit over it.
Artist:Cordovas Hometown: Nashville, Tennessee Song: “Fallen Angels of Rock ‘n’ Roll” Album:The Rose Of Aces Release Date: June 14, 2023 (song); August 11, 2023 (album) Label: ATO Records
In Their Words: “This is a song about the friends back in the day who didn’t make it. The important part is don’t forget what music does for you. It can make you sad, it can make you happy, it can remind you of a better time. With The Rose Of Aces, we started to catch a flow. We set the songs to the wind. And slowly the figure emerged from the block of clay.” – Joe Firstman
Artist:David James Allen Hometown: Prince Edward County, Ontario, Canada Song: “Holly” Album:By The Summertime Release Date: June 9, 2023 Label: Littleknown Records
In Their Words: “‘Holly’ is a song of drugs, dingey bars, old relationships, and backward priorities. Ultimately, it’s a song about losing an important part of your life to backward priorities, self-destruction, or naiveté, and growing up and confronting yourself in the passage of time. It’s about coming to terms with yourself and what it is you’ve lost, and reflecting on it with regret, sorrow, some nostalgia about it, but also having insight and maturity — a ‘grown-ass-ness’ of realizing things are better off now then they were then.
“In this song, the character is a songwriter who constantly prioritized every relationship they’ve been in after they hit a little success, but it sooner or later backfires. I wanted to write a song about tackling work/life balance and social-party/life balance, and in this case, it’s about a songwriter, because that’s something I know well. I feel like so many different people prioritize and occupy their minds with their work or social lives over personal relationships or family, a decision that may not always be intentional. But it does have a big impact on the ones who are left in the wake of that decision. I’m pretty self-aware of this type of work mindset because I can be a bit of a workaholic with my songwriting and creative work. I get obsessed easily — especially when I’m in the flow. I wear a lot of work hats and now being a new father and family man, I find myself regularly seeking ways to encourage a healthier balance. The social nightlife isn’t as much of a concern to me these days, I tend to enjoy being a bit of a homebody.” – David James Allen
Artist:Cup O’Joe Hometown: County Armagh, Northern Ireland Song: “Weathered & Worn” Album:Why Live Without Release Date: June 16, 2023
In Their Words: “All of us in the band take much inspiration from the areas we have grown up in, especially us three siblings who had spent most of our life in County Armagh, which is labelled the Orchard County of Ireland. So, there really had to be a song on this new album featuring our awe and love of trees.
“This song was written from the viewpoint of someone who is asking how this huge tree outside his window continues to stand firm and grow strong amidst the storms and the many years it has seen come and go. They are glad that its branches have sheltered their grandkids, and likely their great grandkids, but there is still a restlessness, an uneasiness, that someday, they, and it will stand no more. ‘But when I’m gone, we’ll still cry out together shouting, just waiting for the day of truth.’ The quietness and questions go hand in hand, to point us to the greater picture — that we can live in the hope that all things will be made new.” – Tabitha Benedict
Artist:Joh Chase Hometown: Los Angeles, California Song: “Another Lover” Release Date: June 12, 2023 Label: Kill Rock Stars
In Their Words: “This song began in a writing retreat in Washington State back in 2017 and has had many iterations. This version is the ‘acoustic version’ I recorded and mixed at home in the corner of my living room during insomniatic COVID lock-down nights; [it] speaks of the visceral remorse we feel after nurturing and then losing relationships and just wanting to take it all back.” – Joh Chase
I know Jeremy Garrett about as well as anyone else, excepting his wife Connie, of course. We’ve traveled together for 17 years as founding members of The Infamous Stringdusters and spent about a decade sharing a room when we traveled. We affectionately referred to each other as our “road wives.” Beyond being a great songwriter, brilliant fiddle player, and vocalist of the highest order, he has a cutting wit and a steadfast dedication to his art and his craft. I’m grateful to call him a friend and look forward to many more years creating music and traveling with this bluegrass titan.
This podcast is an edited distillation of the full-length happy hour which aired live on April 27, 2021. Huge thanks to Jeremy Garrett and Jon Stickley.
Timestamps:
0:05 – Soundbyte 0:43 – Introduction 1:52 – Live introduction by Bill 2:54 – “Rise Sun” 5:32 – “That’s Someone’s Mother” 8:10 – “Home From the Forest” 12:52 – Introducing Jeremy Garrett 13:50 – Interview 1 19:10 – “I’m Not the Enemy” 23:43 – “I Am Who I Am” 27:15 – Interview 2 45:42 – “Wishing Well” 53:10 – “Windy in Nashville” 56:24 – “A Hard Life Makes a Good Song” 1:00:52 – Outro
Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville, NC.
The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.
Photo Credit: George Trent Grogan, Mountain Trout Photography
Artist:Sarah Morris Hometown: Shoreview, Minnesota Song: “Ruthless” Album:Here’s To You Release Date: May 5, 2023
In Their Words: “‘Ruthless’ was a writing prompt in the summer of 2019. My initial response was the opening line, ‘Your calloused fingers, my calloused heart, I bet you earned your lack of feeling by working hard …’ My husband has calloused hands from building a cabin for our family, I have earned my own calloused fingers from guitar strings over the years – it was an easy image to grab on to. So often my songwriting takes me to deeply domestic moments and this song felt removed from that in a way that was so fun to write (and now to sing). I’ve written many songs about kindness; offering one another healing, a soft place to fall – it was fun to explore the other nooks and crannies of human emotion and character.
“On a late winter run I was listening to the masters of the album and when ‘Ruthless’ came on, I saw all these images – the two people, the sink, the dark background, a sense of kaleidoscope. As soon as I landed back at home, I emailed the amazing team of Sarah and Erik Elstan to ask if they were up to collaborating on a video again. On a blustery April day, we hid in a Minneapolis studio with Michael Gay, some great vintage pieces courtesy of Seven Suns Vintage out of Eau Claire, and shot the video. What a gift to find people who you can share a tangle of run-induced ideas with, and then they create something so fantastic!” – Sarah Morris
Highlighting the confluence of roots music and the mainstream, Railbird Festival welcomed 32 acts from across the rock, folk, and bluegrass spectrum to Lexington, Kentucky on June 3-4.
Boasting headliners Tyler Childers and Zach Bryan, plus Charley Crockett, Whiskey Myers, Nickel Creek and more, a sold-out crowd of 40,000-plus helped kick off festival season with a uniquely “Americana” lineup – drawing attention to this hidden gem of a city.
Set in the heart of Lexington and spread across three massive stages and a spacious lawn at The Infield at Red Mile (usually a horse racing venue and casino), 2023 marked the third year of a festival turning the “horse capital of the world” into roots-music central while celebrating the rich musical history of the area.
Jenny Lewis (R) with Lucius by Nathan Zucker
Day one kicked off with perfect festival weather– meaning it was blazing hot and dry as a bone. That was no worry, however, since Railbird also featured three huge shaded areas, plenty of refreshments (it is bourbon country, after all) and a merciful breeze. From just about anywhere on the grounds, fans could see everything all at once – and that included 2023’s festival-season fashions.
Charley Crockett (L) by Charles Reagan
Indie pop chanteuse Jenny Lewis was an early draw, singing smart tunes about “psycho men” and hypoallergenic puppies – and also welcoming Lucius, the Grammy-nominated duo who became something like the fest’s house band, for a rich duet.
Sheryl Crow by Nathan Zucker
Later on, Charley Crockett herded everyone to the Elkhorn stage for some ballads from a modern day drifting cowboy. And Sheryl Crow showed she could still hang with the kids, even calling for more of them in politics. “I don’t have a lot of hope for people older than me,” the feisty icon said. “But you can bring change.”
Valerie June by Cora Wagoner
Whiskey Myers brought their own gasoline (and a match), firing up a midday crowd with their rowdy roadhouse rock, and while Valerie June won her crowd over with a big smile and songs connected to the Black-folk past, emerging phenom Morgan Wade unleashed the pent up anger of country girls everywhere, sounding like a combination of Courtney Love and Loretta Lynn.
Morgan Wade by Taylor Regulski
Nineties alt-heroes Weezer united the crowd in a full set of fuzzed out awkward-teenager anthems – but also showed where they fit in the roots world, breaking out some old-timey three part harmony – and the day came to a close with breakout superstar Zach Bryan.
Zach Bryan by Charles Reagan
A self-made headliner who still carries the underground spirit, he gathered the whole crowd as the sun went down, doing his best to stay a songwriter who “keeps truth in songs.” Leading a country band with strong Class of ‘89 vibes, he mixed tender-but-edgy confessions with a well-placed vocal growl, and finished the night off in awe of the Railbird crowd, noting he was on the fest’s smallest stage just a few years earlier.
“I’m nervous as shit!” Bryan admitted. “Never in my life did I think I’d be after Weezer or Marcus Mumford.”
Marcus Mumford by Charles Reagan
Day two started off much the same as the first: hot and sunny, but with a marked increase of tow trucks prowling the Red Mile area. Great herds of humanity seem to migrate from one stage to the next, with wide smiles and a rootsier, more-acoustic lineup for them to enjoy. Luckily, the pacing was excellent and there was rarely any conflict over which stage to check out.
Sierra Ferrell by Cora Wagoner
Winchester 49 took over the big stage early, dodging beach balls and blasting their gritty country/rock/soul as they welcomed the crowd back with calls to drink up life (and beer.) Old-school master Sierra Ferrell had everyone dancing a throwback jig, and while Flipturn mixed fiery rock grooves with huge, danceable swells of energy (like EDM on electric guitars), Ricky Skaggs charmed as the fest’s elder statesman, and Kentucky treasure.
Making bluegrass look beyond easy (maybe more like effortless), a “RICKY!” chant soon broke out as parents answered questions from dumbstruck kids, like “Is it just him playing right now?” – once again proving the timeless, ageless wonder of acoustic music.
Nickel Creek by Charles Reagan
Nickel Creek seasoned their simple ingredients with a playful edge, returning for their first tour as a blood-bonded neo-bluegrass trio in quite a few years, while Amos Lee sampled everything from Memphis soul to Bob Marley and a bit of New Orleans funk.
Amos Lee by Taylor Regulski
Town Mountain found a welcome home for its foot-stomping, wild-child alternative-grass over at the covered Burl stage – as did Molly Tuttle (who will surely be on a bigger stage next year) and Charles Wesley Godwin, the West Virginia troubadour who welcomed night-one’s headliner back for a re-energizing duet, late in the festival and just before its biggest draw.
Molly Tuttle by Cora Wagoner
That moment finally came as the deep-red Strawberry Moon rose over Red Mile, with Tyler Childers putting a bold, indie-country cap on an already special event.
Tyler Childers by Charles Reagan
Welcomed to the stage by Lexington Mayor Linda Gorton – who proclaimed June 4, 2023 as Tyler Childers Day – the Lawrence County native arrived carrying the whole state’s roots-music tradition on his small frame, and never put a foot wrong.
Humble as ever and wielding the witty cadence of a carnival barker, he presided over a rabid hometown crowd in a jean jacket and rusty-blond hair, matching a voice that could cut Kentucky limestone with hardscrabble poetry just as sharp.
Tyler Childers by Charles Reagan
Over a two hour set, all of Lexington seemed to sway and sing along, closing the weekend with proudly down-home tracks like “All Your’n.” On the surface, it’s a holler-kid’s rebellious pledge of true love, that’s obvious enough. But in this case, that pledge seemed applicable in other ways – to the fans, to roots music, to Lexington. Perhaps even to the Railbird Music Festival itself.
“I’ll love ya ’til my lungs give out / I ain’t lying,” Childers and his audience sang. “I’m all your’n and you’re all mine.”
Tyler Childers and band by Cora Wagoner
Photos courtesy of Railbird Festival Lead photo credit: Taylor Regulski
Artist:Jacob Sharp Hometown: Los Angeles, California Song: “Other Side” (feat. Aoife O’Donovan) Release Date: May 26, 2023
In Their Words: “I wrote this song in early 2020 when I was finally still enough to wrap my head around some of my emotions buried deepest. This one’s about a friend losing a battle with addiction, what I wish I had said more, and what I’ve been trying to say to all my people since. For me, music is for making and sharing with people. It’s why I love bands and being in Mipso. I talked myself out of releasing my own music so many times over the past few years, but when I realized it made for a good opportunity to collaborate with dear friends for the first time, it started to feel alright. I got the band of my dreams together and we recorded this one, mostly in separate locations in 2021.
“There is an amazing winemaker, Jude Zasadski, who is my neighbor in Mt. Washington – it’s a little oasis in the heart of Los Angeles – and he is someone who constantly inspires me. I love that dude so much. When I got the final mix for this tune, he was one of the first people I shared it with and he had an immediate vision for how we could show some of the fuzzier sides of memory whilst memorializing the preciousness of time and those moments when you feel your feelings again. We strolled around the neighborhood, got burgers and milkshakes, and then set up a projector in our friend’s garage. And one of my favorite filmmakers, Brady Lawrence, has been a friend for over a decade. His art always gets to emotional depth quickly and he was the perfect person to edit this video.” – Jacob Sharp
Photo Credit: Cate Parker Video Credit: Jude Zasadski (director and videographer) and Brady Lawrence (editor)
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