WATCH: Old Crow Medicine Show, “Quarantined”

Artist: Old Crow Medicine Show
Hometown: Nashville, Tennessee
Song: “Quarantined”
Release Date: May 15, 2020

In Their Words: “Hey Bluegrass Situation friends, the Old Crows are wishing you all health and wellness this spring. We’ve been going a little stir-crazy here in Nashville as of late, but thankfully the healing power of music has been particularly strong and the band and I have felt some deep cleansing thanks to new songs and projects. The latest is a tune written and recorded under self quarantine, with a little homespun video that embraces the crazy homeschool dad feeling so pervasive around my house. So… sit back, put on your face mask, and pucker up!” — Ketch Secor, Old Crow Medicine Show


 

LISTEN: Ben de la Cour, “Shadow Land”

Artist: Ben de la Cour
Hometown: Nashville, Tennessee
Song: “Shadow Land”
Album: Shadow Land
Release Date: May 15, 2020
Label: Flour Sack Cape Records

In Their Words:

“Everyone carries a shadow, and the less it is embodied in the individual’s conscious life, the blacker and denser it is.”
— Carl Jung

“All the things we have rejected and pushed deep down into our collective unconscious have risen like leviathans from the deep to destroy us. What we once thought was reality has been transformed into an unrecognizable inversion of what once was. But it was always this way. We couldn’t see it before, but now that we can, we’re all just strangers in this Shadow Land.” — Ben de la Cour


Photo credit: Neilson Hubbard

LISTEN: Mary McGuinness, “Farewell”

Artist: Mary McGuinness
Hometown: Long Island, New York
Song: “Farewell”
Album: Prodigal
Release Date: May 8, 2020
Label: DesertStrandMusic

In Their Words: “’Farewell’ came out of a period of time when I lost a lot of people around me. Especially the death of one good friend hit me hard, and I wrote this song about him. We’ve all realized during these challenging times how quickly life can change. And how precious every moment truly is.” — Mary McGuinness


Photo credit: Mackenzie Breeden

LISTEN: Gretchen Peters, “Leavin’ Kentucky”

Artist: Gretchen Peters
Hometown: Nashville, Tennessee
Song: “Leavin’ Kentucky”
Album: The Night You Wrote That Song: The Songs of Mickey Newbury
Release Date: May 15, 2020
Label: Scarlet Letter Records

In Their Words: “This song was one of the first ones of Mickey’s I ever heard, and the line ‘the road down to Nashville’s like crystal and stone’ is what hooked me. That a country song could wring as much poetry out of a line about asphalt still floors me. This is a song about the agony of love — not just heartbreak, but a hurt so deep that you wish you could cut it out of yourself (‘take a .44 pistol to me’). That was something Newbury did better than anyone — pure pain. We wanted it to feel loose and a little ragged, like a track The Band would’ve cut.” — Gretchen Peters


Photo credit: Gina Binkley

WATCH: Courtney Marie Andrews, “Burlap String”

Artist: Courtney Marie Andrews
Hometown: Phoenix, Arizona
Song: “Burlap String”
Album: Old Flowers
Release Date: July 24, 2020
Label: Fat Possum Records

In Their Words: “More than a decade ago, I would travel from my home in Phoenix, Arizona, to a quirky little historic Mexican border town in the southeastern hills of Arizona called Bisbee. In Bisbee, all the musicians play in old saloons, making a small but honest living off of tip jars. This special place became my haven as an artist. The entire town is ripe with characters and creativity. During my visits there, I befriended a local musician couple, whose moniker was Nowhere Man and a Whiskey Girl. They became my DIY musician mentors, being fifteen years older than me, and showing me it was possible to pay rent off of playing music. I adored them, and we did lots of shows together throughout my early twenties.

“About five years ago now, they both died unexpectedly within twenty-four hours of each other. Losing them was a devastating blow. They were a large part of the Arizonan community. I still go back to Bisbee often, as it’s where my heart belongs in many ways. During one of my visits a couple years ago, I discovered a special place called Young Blood Hill. It’s a hike to a sacred and rocky peak, littered with catholic influenced memorials, shrines and crosses. It turned out to be a place where many of my personal revelations happened, so naturally I chose to shoot the album cover for Old Flowers there.

“Unknowingly, while shooting the album cover under the last full moon of the decade, Nowhere Man and a Whiskey Girl’s memorial ended up in many of the press shots. When showing them to someone in town, they remarked how sweet it was that Amy and Derrick made it into those photos. It came as a beautiful gift and surprise, for I was unaware it was their memorial at the time. With that gift, I decided to shoot my music video for ‘Burlap String’ on Young Blood Hill. By the end of the video, I am placing flowers on Derrick and Amy’s memorial, as a way of reckoning with their loss and each loss we grieve throughout our lifetime. Though this song was written for one of the great loves of my own lifetime, I wish to place flowers on heartbreak’s memorial as well.” — Courtney Marie Andrews


Photo credit: Sam Stenson

BGS 5+5: Sarah Siskind

Artist: Sarah Siskind
Hometown: Brevard, North Carolina
Latest album: Modern Appalachia

Which artist has influenced you the most … and how?

I would say my biggest overall influence is The Story, which was an alt-folk duo out of Cambridge, Massachusetts in the ‘90s consisting of Jonatha Brooke and Jennifer Kimball. My dad used to bring cassettes home from the library of albums he would read reviews about and pass along ones to me he thought I’d like.

At the time I was way into Indigo Girls and Tracy Chapman (about age 13 or so), so when he first gave me Grace in Gravity by The Story, it unnerved me a little. But, then I woke up one morning and had to listen to it on repeat or I thought I’d die! So I listened to it on repeat. For years. The songs on that album are ingrained in me now. Dissonant harmonies. Bold chord changes. Strong female perspectives.

What’s your favorite memory from being on stage?

My favorite memory on-stage is when Bonnie Raitt asked me to sing “Angel From Montgomery” with her as a duet for the first time… and then after… she handed her guitar to me and said, “Play one of yours.” I’ll never forget that feeling. I felt like I was flying.

What rituals do you have, either in the studio or before a show?

The most effective ritual for me is to straight up pray. I ask God for peace of mind and for blessings over every note that comes out of my mouth. For Him to guide the show and for me to be a vessel. I also do some floor stretches if I can. When I toured with Paul Brady, I had a mix on my phone I would listen to before every show and it was Snatum Kaur, Lauryn Hill, and Mahalia Jackson; I would do stretches as I sang along.

Which elements of nature do you spend the most time with and how do those impact your work?

Water, definitely. The county where I live in North Carolina has the most waterfalls per capita in the country. However, I absolutely love rivers. When I’m really stuck, or having a rough day, I go to either the Davidson or French Broad River in Brevard, North Carolina, and trail run or just sit and pontificate. Watching the movement of water brings me back to center. The sound even more so. It reminds me how ultimately small we are in the big picture and that this vast earth was created through suffering way bigger than mine.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I love this question. I’m a closet chef. If I could have dinner with any musician, I would have a big southern meal of pulled pork, greens, and pintos with Danny Barnes.


Photo credit: Brian Boskind

WATCH: Mumford & Sons, “Forever (Garage Version)”

Artist: Mumford & Sons
Hometown: London, England
Song: “Forever (Garage Version)”
Release Date: May 8, 2020

Editor’s Note: The demo recording heard in this video was performed almost completely live and rediscovered while going through some of the band’s recording archives during the coronavirus lockdown.

In Their Words: “Back in 2013, off the back of touring Sigh No More and Babel we decided we needed to take a bit of a break from the road, catch our breath and regroup. The first time we really hung out to make music together was after a couple months living our lives, and it was in the back garden of a friend’s house deep in Brooklyn. That friend was Aaron Dessner from The National and he had a built a studio in the garage in his garden. Between catching up, eating burritos, and having a couple of drinks, we messed around a bit with some new song ideas. This was one of those moments.

“Many of the songs that began in that garden ended up on Wilder Mind, whereas the later version of this song we saved for Delta. We just thought it’d be fun to share the journey that these songs go on sometimes. Hope everyone is staying safe x” — Mumford & Sons


Photo credit: Gavin Batty

MIXTAPE: Mike McKenna Jr.’s Canadian Dream

We have some very chill vibes happening north of the border, so I’ve put together a playlist of my current isolation favourites, with a focus on the music scene here in my adopted home of Montreal. This is not a who’s who of club bangers or country twangers, although there’s a time and a place for both. Instead it’s my special collection of laid-back, Canadian, genre-fluid, slow afternoon-drive royalty. — Mike McKenna Jr.

Foxwarren – “Sunset Canyon”

I’ve been into this song somethin’ fierce lately so it’s at the top of the list, and it honestly makes me want to melt into my couch just hearing it now. If an ice cream sandwich started a band it would probably sound like Foxwarren, and no I don’t have any idea what I mean by that.

Deadhorse Beats – “Inglaterra”

When I first met Patrick Wade (AKA Dead Horse Beats) here in Montreal, through the small but tight-knit Nova Scotia community, we seemed to have skipped over the fact we were both musicians. Turns out he had some really fresh tracks up his sleeve, eventually showcased in his 2019 record Inglaterra, and since it dropped I’ve had it on repeat.

Hanorah – “Saturn Return”

One night I went out to meet a friend at a local dive bar, who told me she’d be singing backup for this artist named Hanorah. The bar was an absolute pile of trash, but as the music started this confident, natural voice cut through the nonsense… it was holiness.

Leif Vollebekk – “Elegy”

Another true Montreal gem, Leif is a piano and chill mastermind, with several other great songs from this album worth mentioning like “Vancouver Time” and “Into the Ether.” His music has a simple beauty and “Elegy” was a must include, or me getting stoned and making a playlist didn’t happen.

Buffy Sainte-Marie – “Helpless”

“Helpless” may have been written by Neil Young and first recorded by both Crazy Horse and Crosby, Stills, Nash & Young, but there is something raw and badass about Buffy’s 1971 rendition. She’s an icon, and this throwback has a little je ne sais quoi that I connected with as soon as it hit my ears.

Bahamas – “Lost In The Light”

The first time I heard Toronto-born songwriter Afie Jurvanen’s “Lost In The Light,” I was lost on a documentary binge, and it stood out while watching a short-doc about a guy from Nova Scotia living on a sailboat and cruising around the Caribbean. The melody cemented that image into my head; the clear turquoise water, the fresh fish, the freedom, the cool pocket knife… funny how vividly a great song can transport us somewhere.

Rosier – “Vie peníble”

This pastel-adorned, traditional turned indie band has strong roots in the folk music community here in Quebec, and it shows subtly throughout their youthful dream-pop songs à la française. My own newest release At the Edge of the World features two members of Rosier, so yes you’re right that I’m very biased, but unapologetically so.

Colter Wall – “Kate McCannon”

We’re deep into the session so we needed a dark horse, and “Kate McCannon” is not only an epic and old school tale, but my sister’s name happens to be Kate. So it sounds a hell of a lot like Kate McKenna to me sometimes when it’s on in the background, and then I have to stop whatever I’m doing and plan to avenge her death at the hand of this s.o.b. prairie boy. But honestly this song is captivating, vivid storytelling and I’m into it big time. Respect!

Andy Shauf – “The Magician”

The opening track to Andy Shauf’s 2016 record, The Party, sets the tone for an album written by an incredibly observational songwriter, and entirely about one awkward, eventful night. He’s the only artist to be featured twice on this list, and deservedly so, since he also happens to be the lead singer of Foxwarren.

City and Colour – “Sleeping Sickness”

This song reminds me of driving across Canada for the first time a few years ago, passing by fields and endless trees and more lakes than you could imagine. Although it doesn’t say in the title, “Sleeping Sickness” includes a guest spot by the late Gord Downie of the Tragically Hip, which makes this one a bit more special.

Geneviève Racette – “Magnetic Love”

My good friend, and a truly exceptional songwriter in both French and English, Geneviève Racette got some serious national attention last year after releasing her album No Water, No Flowers. It’s no accident that I placed this one right after City and Colour, since it was upon hearing her new track “Parachute” that lead singer Dallas Green became incredibly vocal about how strong of a record this truly was.

Jon Bryant – “Paradise”

People from my home in the Canadian Maritimes love to champion someone as our own, and even though Jon Bryant has relocated to the West Coast we know he’s a bluenosin’ Nova Scotian. “Paradise” is my favourite track from his new record, Cult Classic, and it demonstrates that he’s absorbed a lot of that laid-back, free-spirit energy BC is known for.

Mike McKenna Jr. – “At the Edge of the World”

It was suggested, maybe even encouraged, that I include at least one of my own songs, so I chose the single and title-track from my just released 8-song album, At the Edge of the World. It features some lush, dreamy production courtesy of Victoria, BC’s Quinn Bachand (Brishen, Kittel & Co., Rosier), and a ’70s-inspired, harmony laden, pedal-steel infused backing band.

Les Louanges – “La nuit est une panthère”

Yesterday I asked my bandmate Colin Savoie-Levac (Rosier, the Duhks) if he wanted to throw something into the mix that he’s really into right now. His pick was this sweaty, sexy number from Quebec’s indie pop powerhouse, Les Louanges, and I wasn’t disappointed!

Rose Cousins – “Freedom”

A live video recording of “Freedom” is what originally pulled me into a deep Rose Cousins wormhole, but the studio version is such a dramatic, powerful and universal piece of work. My natural conclusion is she’ll go down as one of our greats.

Mac DeMarco – “This Old Dog”

This song has been in a few of my playlists lately, as it’s strange but smooth lull makes me feel like I’m floating on a druggy cloud. Although I know “Chamber of Reflection” or something from his outstanding 2014 album Salad Days might be an easy crowd-pleaser, I really like the stripped-down, tight, melodic nature of “This Old Dog.”

Wild Rivers – “Thinkin ‘Bout Love”

I’ve been following the trajectory of this band for a while now, ever since we’d both entered a national song contest and I came across their soulful, catchy pop song “No Ribbons.” It was released under a different name, but when they launched into the mainstream as Wild Rivers and dropped “Thinkin ‘Bout Love,” I wasn’t surprised to see them selling-out shows and thriving.

The Sheepdogs – “The One You Belong To”

Trying to remember where I was when I first heard the Sheepdogs, but the memory is smothered by a thick cloud of smoke. The retro, soulful, southern-rockish band out of Saskatoon hits my nostalgia buttons with a Woodstock-esque punch, making this jam a perfect way to finish off my list!


Photo credit: Elena Samuel

WATCH: Anya Hinkle, “Road of the Winds”

Artist: Anya Hinkle
Hometown: Asheville, North Carolina
Song: “Road of the Winds”
Label: Organic Records

In Their Words: “We are constantly moving closer toward our own homeland, a place we sense is there, somewhere, if we can just pay attention and listen closely to our inner voice. It takes tremendous courage and faith to believe that we can grow to become the person we were meant to be, doing the work we are meant to be doing. We are embarking on a great journey with each sunrise, with each day we are alive. This song helps me feel free to move ahead in new directions with boldness and conviction even though I don’t exactly know where it will all lead. But once you leave the shore you are committed to the journey – there is no turning back.” — Anya Hinkle


Photo credit: Rose Kaz

The String – Katie Pruitt

Katie Pruitt has been known as a phenom ready for big things in Nashville for a few years now. With patience and enough maturity to get the music exactly as she intended, Pruitt has now made her debut on Rounder Records.


LISTEN: APPLE PODCASTS

The album Expectations is a bold, ambitious, and succulent collection, and vividly honest as well, with songs documenting a difficult journey from a conservative family in Georgia to a proud gay woman in Music City. This is a 25-year-old singer, songwriter, and guitarist poised for big things. Also in the hour, the journey of Arkansas born fiddler Jenee Fleenor. She was named CMA Musician of the Year and she’s releasing her first recordings of her own music after years supporting others.