Musical Alchemy with Rachel Baiman on The Travis Book Happy Hour

(Editor’s Note: Singer-songwriter and multi-instrumentalist Rachel Baiman is also a BGS contributor. View her author archive here.)

Rachel Baiman’s indie-folk and Americana vibe – rooted in Chicago and rich with fiddle tunes – unfolds as she shares her transition to singer-songwriter. Influences ranging from Courtney Barnett to John Hartford and other roots music make their way into her live performances. Rachel is part of a generational scene in Nashville that I’ve been watching with awe for the last five to 10 years. A unique voice, multi-talented and articulate, she’s not afraid to sing and speak what’s on her mind. She writes semi-regularly for BGS, shining some light into the darker corners of the music industry, addressing inequality, and challenging all of us – creators and fans – to do better, dig deeper, and expect more. In this episode we discussed everything from climate change concerns to hopes for a more equitable future. We had a great time on the happy hour and I’m sure you’ll dig it.

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This episode was recorded live at 185 King St. in Brevard, North Carolina, on August 8, 2023. Huge thanks to Rachel Baiman and Riley Calcagno.

Timestamps:

0:06 – Soundbyte
0:57 – Introduction
2:09 – Bill K. introduction
2:57 – Travis introduction
3:33 – On “Bad Debt”
4:52 – “Bad Debt”
9:52 – “Shame”
12:35 – On Mullets
14:24 – “She Don’t Know What to Sing About Anymore”
18:18 – “When You Bloom (Colorado)”
22:25 – “Won’t You Come and Sing for Me”
26:10 – Interview
43:45 – “Twin Fiddles”
47:30 – “Bitter”
51:15 – “In Tall Buildings”
54:53 – Outro


Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.


Photo Credit: Natia Cinco

Basic Folk: Jobi Riccio Is an Outdoor Kid

Jobi Riccio has only begun to scratch the surface of what they have to offer on their debut album, Whiplash. The songwriting is centered around self-discovery and mourning past lives, laid alongside super smart country and pop melodies. Our hero grew up an outdoor kid amongst the woods of Red Rocks Parks and Amphitheatre in Colorado. A strong bluegrass community encircled her playing from a very young age, in a way that encouraged her to pursue music as a career. She spent time in Boston attending Berklee College of Music nestled in the folk community centered around the historic venue, Club Passim. Then March 2020 hit.

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Jobi left her new community and found herself back in her childhood bedroom. She was “wrestling with all the complications of finding herself and her place in the world while letting go of her childhood and the sense of grounding that came with it.” Eventually, they made their way to Asheville, North Carolina to work on Whiplash. In the studio, she took her time making the album and discovered that, indeed, she had a strong sense of vision for the music. The trust of her collaborators allowed her to trust in herself and create an album that is turning heads and making Jobi Riccio one of the most exciting young songwriters of 2023. I loved talking to them about their origin, time in Boston and their continuing musical journey. Can’t wait for you to hear her new album!


Photo Credit: Monica Murray

Basic Folk: Billy Keane on Curiosity, Luck, & Drive

Curiosity, luck, and drive are three words that revolve around singer-songwriter Billy Keane. He was born with all three traits and they are the hallmark of his music, especially his new album Oh, These Days. The seven song cycle was written during the pandemic and right after some very big life changes: He got divorced, quit alcohol and split with his band, The Whiskey Treaty Roadshow. Billy approached his healing process with an extreme curiosity and a need for simple living. For the last several years, he’s been cultivating a simple space to ignite creativity in the Western Massachusetts town of Lenox, where he owns land and a small cottage.

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In our conversation, Billy talks about his roots in spirituality and his early devotion to music. Keane was born in Australia while his father was working as a minister there. The family moved to Connecticut when he was two years old. He left his hometown at 18 for college, but then left for Seattle to work in commercial deep-sea diving. From there, he made his way to Western Mass, where he found himself working at James Taylor’s studio. James and his wife Kim quickly realized that Billy was a talented musician and turned into key figures and big-time supporters. Oh, These Days, Billy’s second album, is truly a meditation on the human experience met with an insatiable love for life and rebirth.


Photo Credit: Dylan Law Photography

The Travis Book Happy Hour: Andy Falco (Infamous Stringdusters)

Full disclosure; I’ve played music and stood closer to Andy Falco onstage more than anyone over the last 15 years, maybe ever. As the guitarist for our band The Infamous Stringdusters, he continues to redefine acoustic guitar, blending bluegrass, blues, funk, and rock & roll in a style that defines the sound of the Dusters. His guitar is the most important part of the band. In 2021 he released a solo record, Will of the Way, and in 2023 we released the first volume of our tribute to Jerry Garcia on Americana Vibes. Kind, humorous, focused, and grateful, Andy Falco is a living legend and an absolute treasure.

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This episode was recorded live at The Grey Eagle in Asheville, North Carolina, on August 25, 2021. Huge thanks to Andy Falco.

Timestamps:

0:06 – Soundbyte
0:40 – Introduction
1:56 – “The Thrill Is Gone” / Bill Introduction
3:14 – “Rise Sun”
6:41 – “All the Same”
13:16 – Interview
35:36 – “Holy Rover”
40:24 – “Wings Upon Your Feet”
44:18 – Interview
53:10 – “Birdsong”
1:03:32 – “Stones Unturned”
1:08:19 – Outro


Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.


Photo Credit: George Trent Grogan

Basic Folk: Folklore Forensics With Alice Gerrard

Bluegrass hero and former weird kid Alice Gerrard strongly believes that traditional music is connected to everyday life. She has said: “When you listen to traditional music you have such a sense of this connectedness of this person’s life. It comes out of the earth.” She was first exposed to folk music while attending Antioch College. Jeremy Foster (her boyfriend at the time, who would become her first husband) introduced her to The Harry Smith Anthology of American Folk Music. Upon listening, she became hooked and more drawn to lonesome and rough folk songs versus pristine vocalists. That mentality of keeping her performance untarnished and imperfect has followed her ever since.

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After she and Jeremy moved to Washington D.C., she became acquainted with Hazel Dickens. She considered Hazel a mentor figure and studied her musicality. The two would record four albums together as the seminal duo Hazel Dickens and Alice Gerrard. The two did not speak for many years after they split in the late ’70s. The breakup was messy and hard for both, particularly Hazel. Years later, they reconciled and would perform and were close until Hazel’s death in 2011. Nowadays, Alice, who lives in Durham, North Carolina, has begun digitizing her huge photo archive for a book as well as performing with younger generations of traditional musicians. People like Tatiana Hargreaves, Reed Stutz and Phil Cook are regulars on her stage. They also contribute to her new album, Sun to Sun. Alice digs in talking about her unorthodox parenting style (which is no secret), imperfectionism, appreciating memory and the fantastic new record.


Photo Credit: Libby Rodenbough

Basic Folk: Tré Burt

This week we have a Basic Folk hero returning to the pod! Tré Burt is back today, going track by track through his new album, Traffic Fiction. I am a longtime fan of Tré’s music, and this new release on Oh Boy Records is my favorite of his records so far. It combines what fans have come to love about Tré’s writing and unmistakable vocal performances with a new infusion of soul and Motown-inspired styles. The soulful grooves of Traffic Fiction are souvenirs of Tré’s close relationship with his grandfather, who recently passed away. Tré recalls listening to his pops’ favorite records and invites us into his family’s musical lineage.

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The heart of the album are field recordings that Tré made of his grandfather while he was still alive. Just two people, talking about music, talking about life, encouraging one another. The simple moments that mean the most when somebody is gone. And they give us insight into one of the greatest triumphs of Traffic Fiction, which is the transformation of melancholy into dancing. You can’t help but move your body when you hear this music, even as Tré deals with profound loss. He reminds us that being an Important Artist is not incompatible with having fun. And isn’t that what great Black artists do? Tell you the story of a tragedy in a way that somehow makes you feel joyful?


Photo Credit: Justin Hughes

The Travis Book Happy Hour: Jim Lauderdale

I’ve shared the stage with Jim Lauderdale many times over the years and have always enjoyed his approach and attitude. Funny, self-effacing, eager to entertain, Jim’s a gem and the most prolific songwriter and recording artist I know. I was honored that he agreed to join me for the happy hour and I couldn’t wait to edit this show and release it.

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This episode was recorded live at The Grey Eagle in Asheville, North Carolina on November 30th, 2022. Huge thanks to Jim Lauderdale, Mike Ashworth, and Matt Smith.

Timestamps:

00:06 – Soundbyte
00:33 – Introduction
02:11 – “Rise Sun”
05:54 – Introducing Jim Lauderdale
07:33 – Interview 1
23:08 – “Patchwork River”
28:02 – “Planet of Love”
32:58 – Introducing “Friends Again”
35:28 – “Friends Again”
38:05 – Interview 2
51:20 – “The King of Broken Hearts”
54:30 – Introducing “The Opportunity to Help Somebody Through It”
56:35 – “The Opportunity to Help Somebody Through It”
1:02:22 – “That Kind of Life (That Kind of Day)”
1:06:10 – Outro


Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.


Photo Credit: Scott Simontacchi

Basic Folk: Antje Duvekot

Antje Duvekot confronts trauma with a newfound wisdom and fierceness on her new record, My New Wild West, her best in her 20-plus year career produced by her friend, Mark Erelli. To put it plainly, Antje, who moved to America from Germany at age 13, had a really rough time as a teenager. She was transplanted to a totally new universe with a new language she barely understood with unsupportive and abusive parents. She soothed herself with music, her first love. She sang and played guitar very quietly, which has translated to the musician she has become. Her voice can be soft, childlike and playful, but it can also be strong and deep. The control is incredible. Not to mention, this woman’s observation of the world is profound. In each song, she creates worlds that come to life with her poignant lyricism. It’s arresting and always unexpected.

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This interview was different for me in that Antje and I have known each other for over two decades. That’s happened before on Basic Folk, but it feels like our careers started on the exact same day and we’ve grown together in this messy business. The story is that we met at Club Passim (maybe it was a Gillian Welch tribute night, and thanks to Matt Smith) in Cambridge, Massachusetts, around 2002. It took one song and I was floored. She gave me her CD, I took it, and played it over and over on the WERS Coffeehouse (the morning folk show). Every Coffeehouse DJ knew how to spell her name and would expect to field calls every time we played her music. That just doesn’t happen anymore; it was right at the end of an era when radio could do that. From there, Antje’s career took shape. I’ll be forever grateful to her for that experience. It really felt like radio at its best: connecting a community with something really needed in an organic way. It’s good to get back together in our conversation. Please excuse me if I’m a little too casual in this one!


Photo Credit: Jeff Fasano

Basic Folk Debate Club: Your Career vs. Your Soul

Welcome to Folk Debate Club, our occasional crossover series with fellow folk-pod Why We Write! Today, to discuss Your Career vs. Your Soul, we welcome our panel of guests: music journalist and Why We Write host, Kim Ruehl, Isa Burke (Lula Wiles, Aoife O’Donovan), musician and Basic Folk guest host Lizzie No, yours truly, Cindy Howes, boss of Basic Folk and a very warm welcome to Kenneth Pattengale and Joey Ryan of The Milk Carton Kids.

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I’d like to think that the act of “selling out” ebbs and flows with the passing of time. As the earning power of the folk musician changes, so does the allowance of what is perceived as abandoning your principles for the almighty dollar. That doesn’t mean that it always feels great. Choices musicians have to make to further their careers can be exhausting and detrimental to their art. How do you strike that balance at the intersection of art and commerce in the folk music world?


Photo Credit: Sam Kassirer (Isa Burke); John Gillespie (Lizzie No); Rich Amory (Kim Ruehl); David McClister (The Milk Carton Kids)

Basic Folk: Jenny Owen Youngs

Podcaster, Number One hit songwriter, human and dog mother, gay icon Jenny Owen Youngs returns with her first full length album since 2012! In the last decade plus, Jenny has experienced a wild ride of changes like divorce, extreme grief, moving across the country, remarrying, etc. Her main project — while not writing, recording and touring — is hosting podcasts like the very successful Buffering The Vampire Slayer alongside her ex-wife, Kristin Russo (a Buffy The Vampire Slayer rewatch pod, which is now an X-Files rewatch show called The Ex-Files). She also has songwriting credits for Panic! At the Disco, Pitbull, Ingrid Michaelson and Brett Dennen, thanks to her deal with Dan Wilson (Semisonic and epic co-writer) and his publishing company.

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JOY’s new album Avalanche covers a lot of hard topics (see earlier: divorce, grief, moving, remarrying) and was produced by angel human Josh Kaufman (Taylor Swift, The National, The Hold Steady, Josh Ritter, and so on). Jenny has always been an artist who is not afraid to show her whole self: good and the bad. Case in point: She described the inspiration for her very first breakthrough song, “Fuck Was I,” as “horrible, horrible, horrible decision making,” adding it was “just your classic love gone wrong hell.” Never one to back down from a fight, Jenny’s approaching these songs with honesty, bravery and her biting sense of humor. It’s cliché to say that talking to Jenny is a JOY, but it’s a cliché for a reason. Thanks Jenny!


Photo Credit: Lisa Czech