WATCH: The Quebe Sisters, “Pierce the Blue”

Artist: The Quebe Sisters
Hometown: Dallas, Texas
Song: “Pierce the Blue”
Album: The Quebe Sisters
Release Date: September 20, 2019

In Their Words: “This album represents several ‘firsts’ for us, and it captures a new phase and the start of a new direction for our sound. In many ways the process of making this album felt like starting over; deconstructing what we knew about music and then trying to put it back together again. Making and producing this album was a very collaborative effort where we sought to diversify our sound using our same instrumentation. It features solos from everyone in the band as well as originals, including ‘Pierce the Blue.’ This song has two parallel themes running through it. It’s about a difficult season of our lives we went through, and it’s also about universal pain we all feel that brings about our longing for reconciliation, change, and a better tomorrow.” — The Quebe Sisters


Photo Credit: Katherine Chiu + Bill Stipp

Che Apalache, “24 de marzo (Día de la Memoria)”

Though it’s largely viewed as a music by and for Appalachian and southern white Americans, bluegrass is a genre born of a much more complicated, harlequin heritage — as is the case for most American cultural touchstones. The U.S.A. is a melting pot country and bluegrass is melting pot music. As such, it takes on touches, overtones, and undertones of many other folk traditions with ease. Musicmakers from around the world, from Eastern Europe to Japan to South America, have for many years fashioned string bands that begin with the skeletal structure of American roots music — banjos, fiddles, mandolins, and so on — and expand into incredibly imaginative realms informed by their own cultures, backgrounds, stories, sights, and sounds.

One such band helping to further this global potential for bluegrass is Che Apalache. An Argentina-based bluegrass and old-time quartet, the group (with members from Mexico, North Carolina, and Argentina) covers a vast musical space that includes barn-burning picking, soulful, gospel-tinged vocals, and composed, cinematic arrangements with touches of chamber music and the virtuosity of formal training. One standout song from their brand new, Béla Fleck-produced album, Rearrange My Heart, is “24 de marzo (Día de la Memoria),” an instrumental tango written by fiddler Joe Troop based on experiences of banjo player Pau Barjau’s family members.

The tune commemorates victims of an Argentinian dictatorship that was backed by the United States. Día de la Memoria por la Verdad y la Justicia is a holiday observed each year in Argentina on March 24, the anniversary of the coup of 1976. The bluegrass instrumentation doesn’t feel clunky or out of place utilizing the musical vocabularies of Central and South America in this context. Rather, it reinforces the fact that our communities — musical and otherwise — are strengthened by the experiences of others. And, it reminds us that there are so many more stories ready to be told by bluegrass bands, if we’re ready to hear them.

LISTEN: Songs from the Road Band, “Any Highway”

Artist: Songs from the Road Band
Hometown: Asheville, North Carolina
Song: “Any Highway”
Album: Waiting on a Ride
Release Date: July 31, 2019
Label: Lucks Dumpy Toad Records

In Their Words: “‘Any Highway’ is a song about the one that got away! It’s set out west in a desert town. Its relevancy is timeless. It was written by Darren Nicholson of Balsam Range fame and Charles R Humphrey III. We made it the first track on our new album because it introduces the themes of change, transition, travel, and nostalgia. Those threads are woven throughout the album and seem to tie this batch of songs together as one cohesive project.” — Songs from the Road Band


Photo credit: Keith Wright

LISTEN: Che Apalache, “Rearrange My Heart”

Artist: Che Apalache
Hometown: Buenos Aires, Argentina
Song: “Rearrange My Heart”
Album: Rearrange My Heart
Release Date: August 9, 2019
Label: Free Dirt Records

In Their Words: “The first part of this song is the result of attending a Moravian church as a child and singing Bach chorales. Just fiddle and voices is a cool concept, reminds me of the organ. I wrote the second part at a late-night party in Buenos Aires, singing as I banged on a doumbek. Turns out it is in 9/8. This song has a ton of influences: Rajasthani folk, British Isles ballad singing, bluegrass, pop. It’s the kind of mystical world music I feel directly results from a deep respect for all folk music traditions while using one as your guiding light, in our case bluegrass.” — Joe Troop, Che Apalache


Photo credit: Mauro Milanich and Andrés Corbo

The Show On The Road – The Slocan Ramblers

This week, Z. speaks with The Slocan Ramblers. This fearless, fleet-fingered string band is adventurously advancing the high lonesome sound of bluegrass to great acclaim, and not from the states where it’s known best, but in a lakeside folk hotbed that has become a cosmopolitan music mecca of Canada — Toronto.

LISTEN: APPLE PODCASTS • MP3

Their newest string odyssey, Queen City Jubilee — featuring a lovable zombie on its painted cover — was recently nominated for a Juno Award for traditional roots album. Make sure you stick around to hear the band doing a musical experiment where Z. asks them to each musically respond to a slightly offensive Cards Against Humanity prompt.

LISTEN: Lisa Bastoni, “Walk a Little Closer” (Feat. Lula Wiles)

Artist: Lisa Bastoni
Hometown: Boston, Massachusetts
Song: “Walk a Little Closer” (featuring Lula Wiles)
Album: How We Want to Live
Release Date: September 20, 2019

In Their Words: “One day a couple of winters ago, Sean Staples (How We Want to Live‘s producer) and I were writing at my kitchen table and he said, ‘Well, maybe they don’t all have to be devastating.’ Which I thought was an excellent point. We wrote this in 45 minutes, based on a Lynda Barry-inspired writing exercise around the word ‘adore.’ It was refreshing to write something so lighthearted, just a simple bluegrass song that tells the story of a first date. The first time I played it out was at a little bar in Cambridge, with Isa Burke on fiddle and harmony. That was the seed of the new album — to record locally, with some of my favorite musicians and people. I’m so happy to have Isa, as well as Eleanor Buckland and Mali Obomsawin (aka Lula Wiles) playing on this track!
Lisa Bastoni


Photo credit: Love and Perry Photography and Film

Blue Ox Music Festival 2019 in Photographs

String bands of all sorts from all across the country descended upon Blue Ox Music Festival and Eau Claire, Wisconsin last week for three days of music in the backwoods — and the rain! BGS partnered with Blue Ox and Jamgrass TV to broadcast nearly 20 sets from the festival’s main stage online for thousands of fans around the world. But, if you did not have the good fortune to be on site for the goings-on and if you didn’t get a chance to tune in to the livestreams, don’t fret. You can check out what you missed with our photo recap — while you make plans to join us in 2020!


Lede photo: Ty Helbach

Blue Ox Music Festival: Six Reasons to Go

As I have attended Blue Ox Music Festival each of the past three years, I have found it’s about both the music and the people who love the music. A lot of folks come from isolated rural areas or spread-out small towns, so spending a weekend with so many like-minded, friendly, and positive music lovers is a refreshing and special feeling. There’s a strong sense of community — that’s what keeps bringing me back.

Blue Ox Music Festival 2019 will be held June 13-15 at Whispering Pines Campground in Eau Claire, Wisconsin. Here are six reasons to go.

 

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1. The Mornings
A short stroll through the campground in the morning really shows the best in people. You’re sure to have more than a handful of strangers greet you cheerily or invite you into their campsite for coffee and conversation. Additionally, the festival offers yoga every morning — it’s a great place to wake your body up in the morning, limber up before the long day, and meet new folks.

 

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2. Friends of Friends
Blue Ox is a meeting point for music lovers from all around the Midwest. You’re bound to run into a friend, a friend of a friend, or maybe even a long-lost relative. The festival is a beautiful representation of how music brings people together.

 

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3. Diverse Sounds
The lineup draws from a very diverse variety of genres and styles. There’s truly something for everyone, from Deadheads and alt-country lovers to traditional bluegrassers and funky folks. If you were to walk around the grounds and asking passersby which act they’re most excited about you might hear dozens of different answers. It’s really special to see so many fans of so many different styles all in one place.

 

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4. Emerging Talent
Sure, there will be plenty of names on the bill that you already recognize, but one of the finest features of a music festival is discovery — discovery of new bands and sounds from near and far. Like Armchair Boogie, an eclectic group from Madison, Wisconsin. They offer a totally unique and original cocktail of sounds from rockabilly to funk to bluegrass and beyond. The guys recently began recording their sophomore album, What Does Time Care?, so be on the lookout for some new tunes soon.

The Lil Smokies played the Blue Ox side stage in 2018 and the crowd nearly doubled in size over the course of their set. They combine incredible technique and heaps of talent with extremely well-crafted songwriting. It’s really easy to get hooked on their music.

The Wooks are a string band made up of five absolute shredders who blur the lines between traditional bluegrass, honky-tonk, jam bands, and more. This is their first year at Blue Ox and you won’t want to miss them.

 

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5. The Backwoods Stage
Twelve hours of music every day can make it easy to forget about (or be too worn out for!) the Backwoods Stage. It’s the place where all the beautiful late-night weirdness happens. You might find Billy Strings jamming a few tunes with Horseshoes & Hand Grenades, or Jeff Austin picking a few with The Travelin’ McCourys. There’s no telling what might go down, but it’s sure to be a highlight.

6. The Jams
Blue Ox jams — whether on the main stage, during late-night, around the parking lot or the campground — are unique in that you’ll hear everything from The Rolling Stones to John Hartford, and Andy Statman to Hank Williams over the course of an hour or so. Most Blue Ox folks are totally open-minded, which makes for some very cool and unique jams. It’s an event that really does have a little something for all roots music fans out there.

Don’t forget to follow along across BGS social media channels this week as well for special on-site coverage from Blue Ox. Even if you can’t make it to the festival, you can watch key sets from the weekend on BGS.com via JamgrassTV.


Photo credit: Scott Kunkel

LISTEN: Chain Station, “Half Full”

Artist: Chain Station
Hometown: Denver, Colorado
Song: “Half Full”
Album: Backroads
Release Date: May 3, 2019

In Their Words: “‘Half Full’ is a laid-back, feel-good bluegrass song that’s all about positivity, living the good life and finding the light on the darkest days. ‘Half Full’ was inspired by my father, Pat Pickett, whose humor and energy were, and are, a comfort to everyone he met. This song is a celebration, so raise your glasses and…keep your glass half full!” — Jon Pickett, bassist, Chain Station


Photo credit: Johnny Brewers

BGS 5+5: Songs From The Road Band

Artist: Songs From The Road Band
Hometown: Asheville, North Carolina
Latest Album: Road to Nowhere

Answers by Charles R. Humphreys III

What was the first moment that you knew you wanted to be a musician?

Oddly enough the first moment that I knew I wanted to be a musician was when I was watching Low Country Boil Bluegrass Band from South Carolina perform at The Cave, which was a dive bar in Chapel Hill, North Carolina, in 1995. The band was actually more of a jam band that covered Grateful Dead and New Riders of The Purple Sage songs from the best I could tell. At the time I was not a performing musician but was definitely a diehard music lover. When I felt how much joy this tiny band was bringing me in an empty bar I decided that was what I wanted to be able to do for other people. At that moment I decided to devote my life to learning to play music and write songs.

What’s the toughest time you ever had writing a song?

The toughest time I ever had writing a song that I actually like occurred while writing the title track to Songs From The Road Band’s third studio album Traveling Show. The goal was to write an anthem for a traveling acoustic musician. This co-write with Jonathan Byrd was a struggle until he suggested we look within and write about true life experiences. Then after several months of editing, the material was whittled into a song that made us proud.

What rituals do you have, either in the studio or before a show?

Songs From The Road Band’s pre-show rituals are not incredibly unique, but they do exist! We typically meet in private 5 or 10 minutes before the set to go over song order and transitions. A major goal for the group is to create a musical show that flows. Unlike most bands in our genre, we strive not to talk or emcee at all. We then all join our fists in the middle and yell out something inspiring usually related to Team America World Police. “Do it for your country, Gary!”

Which elements of nature do you spend the most time with and how do those impact your work?

Mountains and hiking trails are the elements of nature that I spend the most time with. Being an ultrarunner means I’m often running mountain trails in distances that extend beyond the marathon length of 26.2 miles. The Bartram Trail which stretches from North Carolina to Georgia is the longest trail I’ve ever traversed continuously without stopping for sleep. The trail traces naturalist William Bartram’s traverse through Appalachia and the Southeast. He encountered Native Americans and many species of animals and plants that had never before been documented prior to 1773. His journey took four years and led him to publish his journal, Bartram Travels. I was able to cover approximately 120 some miles of his trek in 42 hours. Images from these mountains and trails often appear in songwriting like in Song From The Road Band’s recording of “Silk and Lace” on the Traveling Show album.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

My dream pairing of a meal and a musician would be a good ole oyster roast with the The Grateful Dead. Ideally it would be the line up from 1977 or 1989 doing an acoustic set as I think that would pair well with the oyster roast vibe. Hopefully the shucking tables would have crackers, butter, horseradish, and hot sauce. I love the “sters” slightly steamed or raw, but the best part of the experience would be sharing the meal with friends new and old. I guess the current touring line up of The Dead including John Mayer would still be a decent experience.


Photo credit: Ken Voltz