You Gotta Hear This: New Music from The Grascals, Eddie Berman, and More

(Editor’s Note: New for BGS in 2024, each week we’ll share a round up of the best premieres, videos, tracks, and releases from the world of roots music. Welcome to our inaugural edition!)

2024 is off to a roaring start, with exciting single and album releases already stacking up at merely two “new music Fridays” down and fifty to go! This week, BGS readers have enjoyed premieres from artists like The Earls of Leicester performing for a special Behind the Walls session at Newport Folk Festival; Jim Kweskin in a gorgeous duet with his daughter, Fiona; Alice Di Micele covering Tom Petty; a special Out Now video premiere by Lila Blue; and more.

Below, enjoy exclusive premieres you gotta hear from in-demand, veteran bluegrass outfit the Grascals and Portland alt-folk songwriter Eddie Berman, plus we’ll take you back through the entire week of premieres from BGS.

For more new music this fine Friday, don’t forget about the BGS Class of 2024 playlist! We update it every week with new songs just like these.

The Grascals, “Just Let Me Know”

Artist: The Grascals
Hometown: Nashville, Tennessee
Song: “Just Let Me Know”
Release Date: January 12, 2024
Label: Mountain Home Music Company

In Their Words:  “When Jamie [Johnson] brought us ‘Just Let Me Know,’ we immediately knew we wanted to record it and thought it would be perfect for John [Bryan] to sing. It’s really nice to hear a hopeful and positive love song! The peace that comes knowing that you’ll always be someone’s #1 is one thing that gives us stability in a crazy world and we all need the assurance of having a steady, patient commitment in relationships. That’s what this song is all about to me.” – Kristin Scott Benson, banjo

“‘Just Let Me Know’ is really a song about being best friends with the person you fall in love with. I’m a hopeless romantic — more hopeless than romantic — but nonetheless. The Grascals have once again come with the stellar music and vocals and put this over the top for me!” – Darren Nicholson, song co-writer


Eddie Berman, “Anymore”

Artist: Eddie Berman
Hometown: Portland, Oregon
Song: “Anymore”
Album: Signal Fire
Release Date: January 19, 2024
Label: Nettwerk Music Group

In Their Words: “I write these songs semi-stream-of-consciously, so I sometimes have to unpack them a bit myself. I think ‘Anymore’ is from the point of view of someone teetering right on the edge. There’s an unmoored, demented feeling from living in the world today, wading through headlines, 10-second clips, and AI-generated articles. I suppose this song is from my (maybe heightened) perspective of not knowing if I’m seeing things with a kind of terrifying clarity or if I’m utterly delusional. It’s like the line from the famous Yeats poem, ‘The Second Coming:’ ‘The best lack all conviction, while the worst are full of passionate intensity.’ And I’m not really sure which camp I’m in at times.

“Musically, the song started with this Mississippi John Hurt fingerpicking part, and then it really came together with my bandmates. Chris Wabich pulled out this big Celtic hand-drum tambourine thing, and combined with Gabe Davis’ bowed double bass and Gabe Feenberg’s lap steel, the song took on this sort of haunting, mystical feel. We made this whole album totally live during a bizarre, torrential LA rainstorm. It was an especially great vibe for recording this song.” – Eddie Berman


Alice Di Micele, “Square One”

Artist: Alice Di Micele
Song: “Square One”

In Their Words: “I’ve been enamored by Tom Petty’s songwriting for most of my life. The depth and diversity of his catalog is inspiring. Back in 2018, shortly after his passing, my co-producer Bret Levick and I formed a tribute band called Petty Thievery. It has been really fun to rock out to his songs and it gave me a new outlet for playing and singing. I absolutely love being a singer-songwriter, but it’s fun to wear a different hat now and again. I chose this mellower tune for my record, because I was driving home from tour with my drummer the first time I heard it and I had to hit replay six or seven times. I went home and learned it. The theme of starting over really struck a chord in me.” – Alice Di Micele

More here.


Jim Kweskin, “You’re Just In Love”

Artist: Jim Kweskin
Song: “You’re Just In Love” (featuring Fiona Kweskin)

In Their Words: “‘You’re Just In Love’ was written by Irving Berlin, who wrote it for the 1950 Broadway musical Call Me Madam. It’s been recorded many times, but never like this – we do it almost as a folk song. I love the counterpoint, the two different words, and the melodies going on at the same time. Irving Berlin, of course, is a famous American popular music composer. He’s written songs that everybody knows, like ‘God Bless America’ and ‘White Christmas,’ but in fact, he wrote hundreds of hit songs for Broadway musicals, movies, and pop records. He’s one of my favorite composers. And for me, what could be better than a grandfather singing to his granddaughter about what it feels like to be in love?” – Jim Kweskin

More here.


Josh Fortenbery, “Sewing the Same Seam”

Artist: Josh Fortenbery
Song: “Sewing the Same Seam”

In Their Words: “‘Sewing the Same Seam’ is an uptempo existential crisis. Like many songs on No Such Thing as Forever, it indulges in a bit of fatalism while also worrying that I’m capable of more than I admit. I’m a sucker for worst-case scenarios —maybe things won’t get better and not everything turns out alright. And when I linger on those thoughts, it gets easier to convince myself I know what I’m talking about instead. This live take was filmed at a house in Juneau that often hosts songwriters, with the same band that plays on the record.” – Josh Fortenbery

More here.


Frontier Ruckus, “Clarkston Pasture”

Artist: Frontier Ruckus
Song: “Clarkston Pasture”

In Their Words: “There’s a wonderful tension running through the songs on this album that marks a monumental faultline in my life. I wrote half the songs before I met and fell in love with my now-wife Lauren, and the rest in direct response to that life event – trying to make sense of how I got so lucky (see: ‘Mercury Sable’ and ‘First Song for Lauren’).

“‘Clarkston Pasture’ was definitely in the former batch. It’s a dead-of-winter, lonesome-as-hell sort of song, where bachelorhood had lost its luster and I was fantasizing about a brighter future full of love and purpose. That’s why the verses are set in these dismally frigid, Michigan-winter landscapes: Cheering on a bar fight, turning off the furnace so as not to waste the warmth on just myself. Then the choruses flash to the glory of a Michigan summer – cruising through the towns on the Northern edge of metro Detroit where the subdivisions start to dwindle and the fields start to open up. There aren’t many diametric opposites as stark as a Michigan winter and a Michigan summer, and that polarity turned out to be the perfect metaphor for how love changed my world.” – Matthew Milia

More here.


The Earls of Leicester, “Rollin’ In My Sweet Baby’s Arms”

Artist: The Earls of Leicester
Song: “Rollin’ in My Sweet Baby’s Arms”

In Their Words: “The song ‘Rollin’ in My Sweet Baby’s Arms’ has long been a staple in the bluegrass canon. It’s a good, hard driving song about traveling and returning home to the one you love. Down to the details of some of the family members’ occupations. Also there is a slight Romeo and Juliet effect in the line, ‘I know your parents don’t like me.’ Flatt & Scruggs probably had the best version, but it’s a crowd pleaser and works in any situation.” – Jerry Douglas

More here.


Beta Radio, “This One’s Going to Hurt”

Artist: Beta Radio
Song: “This One’s Going to Hurt”

In Their Words: “This is the first song we’ve ever co-written with someone (Henry Brill) and I would’ve never written this song on my own. The main line is so direct and I think a lot of my songwriting is dancing around an idea versus saying it plainly. This time, for this song in particular, it felt more appropriate to be clear and to the point about the message.

“It’s mainly a song about reckoning and about realizing that you can’t stand on a fence for so long. The first line, ‘Unrolling on the road,’ is an idea that expands on that feeling, of being away from your own center, out on the edges of your known reality, on the periphery and not at home.

“‘This One’s Going To Hurt’ is about letting something that’s been making you sick die. Because whenever something dies, then there’s space for something else to be born. But knowing that in that process, suffering and pain will be your companions.

“There are also themes of traveling, which was a big part of writing the record and a big part of my life in general at the time. I did a lot of moving around from place to place.” – Beta Radio

More here.


Charm City Junction, “Roll On John”

Artist: Charm City Junction
Song: “Roll On John”

In Their Words:“I first heard ‘Roll On John’ on an old Mike Seeger recording called Southern Banjo Sounds. His rendition is haunting yet enchanting, like a lot of old-time music. One of the most rewarding parts of playing in Charm City Junction is how each band member brings their own unique approach to roots music. When we first started playing together nearly 10 years ago, we essentially said, ‘Heck with the genre boundaries! Let’s play music we enjoy playing and see where it goes.’ It’s not quite old-time, it’s not quite bluegrass, it’s not quite Irish music. In a sense, it’s all of those, but none of those. We like it that way.

“Fun fact, this performance was captured live in a restored grist mill barn in Baltimore County, just a few miles from where our fiddler, Patrick McAvinue, grew up.” – Brad Kolodner, banjo

More here.


Lila Blue, “Stranger”

Artist: Lila Blue
Song: “Stranger”

In Their Words: “I wrote ‘Stranger’ in the green room 15 minutes before going on as an opener for Kevin Bacon’s band in Lincoln, Nebraska on Father’s Day in 2018 – which sounds like a fever dream when I write it out. Being in the midwest with the Bacon Brothers led to me ingesting a lot of country and folk music on the road and left me with a deep craving to write a tried and true country-folk tune. I wrote it a cappella, and then found the instrumentation a week or so later.

“When I wrote it, I thought I was singing it to an ‘other,’ a figment of someone I hoped could love me and see me. Now looking back, it feels like a letter from my closeted 18 year-old self to who I am now: Still ashamed of so much of themselves, trying to write to the stranger they craved to become. It makes me endlessly happy to sing this song to them every chance I get from the proudly queer, and deeply loved self I am now.

“The video we got to film in Nashville felt like such a beautiful close to the chapter of bringing ‘Stranger’ to the world. With the small and scrappy team at MOXE, and the amazing Elizabeth Olmstead, I feel we got to showcase what that song is about for me; the music and the words, and the creative lineage that got me there. Myself and long-time collaborators Saskia Lane and Phillip Roebuck got to play through ‘Stranger’ on the beautiful land that MOXE is built on. I got to gaze at the studio in the distance as we sang through a song that means the world to me; I couldn’t have asked for more.” – Lila Blue

Read Lila Blue’s Out Now interview here.


Photo Credit: The Grascals by Larry Bunn.

LISTEN: Alice Di Micele, “Square One”

Artist: Alice Di Micele
Hometown: Ashland, Oregon since 1986; Linden, New Jersey as a child
Song: “Square One”
Album: Interpretations Vol 1
Release Date: January 19, 2024
Label: Alice Otter Music

In Their Words: “I’ve been enamored by Tom Petty’s songwriting for most of my life. The depth and diversity of his catalog is inspiring. Back in 2018, shortly after his passing, my co-producer Bret Levick and I formed a tribute band called Petty Thievery. It has been really fun to rock out to his songs and it gave me a new outlet for playing and singing. I absolutely love being a singer-songwriter, but it’s fun to wear a different hat now and again. I chose this mellower tune for my record, because I was driving home from tour with my drummer the first time I heard it and I had to hit replay 6 or 7 times. I went home and learned it. The theme of starting over really struck a chord in me.” – Alice Di Micele

Track Credits:

Alice Di Micele – vocals, acoustic guitars, shaker
Gene Black – electric guitar
Rob Kohler – bass
Bret Levick – backing vocals


Photo Credit: Michelle McAfee

LISTEN: Diane Coll, “I Don’t Know”

Artist: Diane Coll
Hometown: Chicago, Illinois
Song: “I Don’t Know”
Album: Old Ghosts
Release Date: January 16, 2024

In Their Words: “This is a lighthearted song about spiritual surrender and my own internal dialogue of learning to let go. There is great relief in detaching from any outcome. There is great beauty in not knowing what’s around the corner and just simply sitting, watching the river flow.

“I love how Daniel Groover’s drums and Jonny Daly’s guitar solo magnify the playful, nothing-to-lose mindset needed to truly let go of control and trust in the flow of life. It is affirming to me that, although I had not originally planned for ‘I Don’t Know’ to be on the album, the song took on a life of its own and became a no-brainer for inclusion. To surrender control can lead to some happy surprises!” – Diane Coll


Photo Credit: Troy Moore and Diane Coll

WATCH: Onoleigh, “Walls”

Artist: Onoleigh
Hometown: Mahomet, Illinois
Song: “Walls”
Release Date: November 29, 2023

In Their Words: “This song is personal for me. It’s about going through ups and downs throughout childhood and growing up. There were a lot of tough times in my own life where I felt societal or personal pressure to be someone that I wasn’t, and my childhood bedroom was my safe space. It was the place where I could reflect and think about who I was and who I was supposed to become. So, the idea that the walls could hear what I was thinking and could watch me grow up was something that I wanted to write about. I took this to my co-writers John Oates and Nathan Chapman, and we came up with this beautiful song that tells my own personal journey, and I feel like others will be able to relate.” – Onoleigh


Photo Credit: Allister Ann

LISTEN: Benson, “Lay ‘Em Down”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Lay ‘Em Down”
Release Date: November 24, 2023
Label: Mountain Home Music Company

In Their Words: “We love to find songs outside the genre that work with a bluegrass delivery. The hope is that people who have never heard this before will assume it was always intended to be a bluegrass tune.” – Kristin Scott Benson

“‘Lay ‘Em Down’ is such a great reminder of God’s grace and how it’s free for the taking. The world is heavy these days and it’s a gift to be able to lay down our troubles. It’s an encouraging song.” – Wayne Benson

Track Credits:
Wayne Benson – mandolin, bass
Kristin Scott Benson – banjo
Cody Kilby – acoustic guitar
Samantha Snyder – fiddle
Heath Williams – lead vocal
Mickey Harris – harmony vocals


Photo Credit: Sandlin Gaither

LISTEN: Carley Arrowood, “Moondancer”

Artist: Carley Arrowood
Hometown: Newton, North Carolina
Song: “Moondancer”
Release Date: October 27, 2023
Label: Mountain Home Music Company

In Their Words: “‘Moondancer’ tells the story of a Cherokee girl who sneaks out at night and is obsessed with capturing a wild white horse. I started writing it one evening several years ago after looking for arrowheads in my Mamaw’s garden, ironically around this time of year. As that chilly breeze blew, the line, ‘Her longing echoes on the breeze, but it never finds relief,’ just took root in my mind, and the girl’s repetitious, hopeless calling is what shaped the chorus and the rest of the tune. Eventually she learns to just love the horse she names from afar, but the deep longing in her heart still lingers as she realizes Moondancer can never be hers. I’m so grateful to Daniel, Nick, Tabitha, Jeff, and Tony for lending their talents, and to Jim and Clay for producing and mixing what has become one of my favorite tunes on my upcoming record.” – Carley Arrowood

Track Credits:

Carley Arrowood – fiddle, vocal
Daniel Thrailkill – acoustic guitar
Jeff Partin – acoustic bass, Dobro
Nick Dumas – mandolin
Tony Creasman – drums
Tabitha Benedict – banjo


Photo Credit: Laci Mack Photography

LISTEN: Chris Jones & The Night Drivers, “Step Out in the Sunshine”

Artist: Chris Jones & The Night Drivers
Hometown: Nashville, Tennessee
Song: “Step Out in the Sunshine”
Album: Pages In Your Hand
Release Date: October 6, 2023
Label: Mountain Home Music Company

In Their Words: “Ralph Stanley’s early 1970s Clinch Mountain Boys lineup of Roy Lee Centers, Jack Cooke, Curly Ray Cline, Keith Whitley, and Ricky Skaggs was a golden era for his band, in my opinion, and in my mid-teens their music was a major influence on me as I was just getting serious about playing music. The gospel album they did, Cry From the Cross, was and remains my favorite bluegrass gospel album of all time. It inspired my lead singing and guitar playing, and without consciously trying to do it, I learned to sing the baritone harmony part from Jack Cooke.

“I still have and cherish the original LP that I bought when I was around 15, though the jacket is a little battered and my name is written in brown magic marker on the back — because, you know, other kids in high school were likely to try to steal my Ralph Stanley records. I wanted to record a song from the album that I hadn’t heard anyone else do and that hadn’t become a Ralph Stanley standard, and so I was drawn to ‘Step Out in the Sunshine.’ We rearranged it slightly to fit our sound but it remains a tribute to the Stanley original.” – Chris Jones

Track Credits:
Chris Jones – acoustic guitar, lead vocal
Marshall Wilborn – bass
Mark Stoffel – mandolin, harmony vocal
Grace van’t Hof – banjo, harmony vocal


Photo Credit: Sandlin Gaither

LISTEN: Arielle Silver, “Soft On the Shoulder”

Artist: Arielle Silver
Hometown: Finding the answer to that question has been a lifelong quest. My childhood was spent in Florida, NYC, and New Jersey. Boston raised me from late teens through most of my twenties, but I did a few stints in PA, TN, and NC. Something brought me to Los Angeles a while back, and it’s now been my hometown longer than anywhere else. I’m rather attached – and detached – from a lot of places, but I think I love LA and Boston the most.
Song: “Soft On the Shoulder”
Album: Watershed
Release Date: October 6, 2023

In Their Words: “Inspired by the Laurel Canyon music of the ’70s and the cultural activism that came about after the murder of George Floyd, ‘Soft On the Shoulder’ is a song largely about self-culpability. I was reflecting on the place of music amid cultural change and its place in political activism and social engagement. I was also thinking about the ways that I – as a white-presenting woman – have unwittingly participated in systemic wrongs. While initially inspired by thoughts sparked by the BLM movement, this song applies to any personal or cultural circumstance where we are asked to examine our long-held beliefs and consider another person’s perspective.

“Having grown up listening to records, cassettes, and CDs, I am very album-oriented. I felt that ‘Soft On The Shoulder,’ which opens the Watershed album with the words, ‘It starts with a witness…’ and is threaded with the mantra ‘love more, fear less,’ captures the compassion and reflective nature of this entire collection of songs.” – Arielle Silver


Photo Credit: Anabel DFlux

LISTEN: Charlotte Morris, “Wild Child”

Artist: Charlotte Morris
Hometown: Philadelphia, Pennsylvania; now Nashville, Tennessee
Song: “Wild Child”
Album: Wild Child
Release Date: September 29, 2023

In Their Words: “I’ve never been a person who settles – I always find a reason to leave. I have big ambitions; I get anxious staying in one place for too long; I always feel the need to move onto the next job, the next relationship, the next city. Part of that is freeing – it allows me to see the world, try new things and challenge myself. But part of it is debilitating. Never staying in one situation for too long means never sitting with yourself or allowing yourself to grow in peace. I think that ‘Wild Child’ is a classic folk-country song that almost everyone can relate to at some point in their lives. Feeling drawn to one thing, but knowing that another option might be better for you; or perhaps, choosing between multiple amazing options, but knowing that ultimately you need to make a decision. It’s an experience that everyone has been through, and ‘Wild Child’ is an anthem for the folks with choice-paralysis and a fire in their feet.” – Charlotte Morris


Photo Credit: Cody Stallings

LISTEN: The HillBenders, “Take On The World (Give ‘Em Hell!)”

Artist: The HillBenders
Hometown: Springfield, Missouri
Song: “Take On The World (Give ‘Em Hell!)”
Release Date: September 29, 2023

In Their Words: “‘Take On The World (Give ‘Em Hell!)’ embodies the age-old tale of a directionless, troubled soul. We’ve all been there in one way or another. Maybe doing things you ought not be doing just for the excitement of doing it. But then comes along someone that shows you how much more there is to life. It’s almost like you’ve turned into a completely different person after falling in love with them. Like you’re under some sort of spell of theirs. And all of a sudden, all that trouble doesn’t seem as fun anymore. How long it lasts is maybe for another song.” – Mark Cassidy, banjo

“The tune was recorded at Red Rock Studios in Saylorsburg, Pennsylvania, while having a rare day off on tour. Primarily used to record jazz music, the studio had a beautifully organic design nestled in the quiet rural countryside. We asked Jeremey Garrett (of the Infamous Stringdusters) if he would lay some fiddle down on the song and he cut some buttery tracks at his studio, including a twin fiddle part that made the final mix. Jeremy is a great cat and his involvement really elevated the song as a whole. Since adding our new drummer, John Anderson, we have explored all sorts of new musical possibilities — but it was nice to return to our bluegrass roots on this number.” – Jim Rea, guitar


Photo Credit: Robert Crook