Tag: Video premiere

You Gotta Hear This: New Music From Tony Trischka, Maoli, and More

Posted on by Justin Hiltner

So much new roots music to enjoy this week! From bluegrass to the Pacific Islands and back again.

Starting us off, artist and songwriter Ryan Dart debuts a new song, “Dirt Road Woman,” combining folk, country, and troubadour styles in a musical tribute to strong, empowered women. Below, Dart explains how the song arrived quickly, “like it downloaded straight from the muse.” For a more tropical, seaside country flair, Maoli – who was born and raised in Hawaii – offers a brand new single today, too. “Some Are Just Better” is a track we’ll be returning to plenty this spring and summer, as it celebrates those good, dreamy days that are almost too perfect to believe.

In bluegrass, Lonesome River Band lean into their moniker with a new track, “There Where the River Rolls Around,” written by their longtime friend and songwriting collaborator Billy Smith. Mild and old-timey with lush low-tuned banjo and a laid-back groove, it’s a song about home, homesickness, and place – all perfect topics for ‘grassy explorations. Banjo great Tony Trischka is on his way to a new album, Earl Jam 2, so he’s dropping off a new music video released earlier this week. “Red River Valley” features Molly Tuttle on lead vocal and guitar with Bronwyn Keith-Hynes, Sam Bush, and Mark Schatz filling out the band. We can’t wait for more from the second round of Earl Jam. And young mandolinist phenom Wyatt Ellis launched a new video this week featuring a bunch of all stars, too. “West Dakota Rose” is a cinematic instrumental tune centered on Ellis’s virtuosic playing and featuring Christopher Henry joining on guitar. In the official music video, Ellis strolls around a cabin porch while picking through the tune with an excellent slate of pickers – and a tasty twin fiddle break.

Meanwhile, the Montvales offer an old-timey track of their own, “Carolina,” out today in anticipation of their upcoming March album, Path of Totality. While it certainly sounds old-timey, this is a song rooted in the present, heels dug in against late stage capitalism and the rampant woes of our current day-to-day. Also, singer-songwriter Jack McKeon gives us a sneak listen at his new song, “Kid Like Me,” a sort of sonic bridge from his last album, Talking to Strangers, to his next – which is set for release in July. Written with Theo MacMillan and inspired partially by Tim O’Brien, the track began much more bluegrassy than it ended up after reaching the studio.

Finally, Minneapolis, Minnesota’s Roe Family Singers speak truth to power and bring each of us into their communities and neighborhoods with a chilling new folk song, “Blacked-Out Ford.” Living in Minneapolis in 2025 and 2026 means living on the frontlines of fascism, kidnappings, and government overreach, with the Roes and their friends watching chilling federal SUVs surveil their streets and neighborhoods, tearing families apart and violating human rights. The Roe Family Singers highlight ICE’s murders and unlawful actions in song, calling us all to join them in action and solidarity.

We always love sharing new music with you all every Friday, but this one is especially high quality. Enjoy! ‘Cause You Gotta Hear This…

Ryan Dart, “Dirt Road Woman”

Artist: Ryan Dart
Hometown: Boulder, Colorado
Song: “Dirt Road Woman”
Album: If Love Don’t Break You
Release Date: February 20, 2026 (single); May 1, 2026 (album)

In Their Words: “I wrote this song about falling in love with a powerful woman and the ‘love bubble’ phase of a relationship – how the outside world just fades away. I know some men may not be comfortable with powerful women, but I think there are plenty of us who are attracted to an empowered, strong woman who also embodies the sacred feminine. It’s incredibly compelling and I wouldn’t want anything else.

“You’ve got to ride the bad horses before you recognize the good ones. I set out to write a love song that felt like a cousin to Jason Isbell’s ‘Cover Me Up’ – something that balances raw, real emotion without ever feeling cheesy. This one came fast, like it downloaded straight from the muse, born of pure feeling. I hope it resonates with listeners the way it does with me.” – Ryan Dart

Wyatt Ellis, “West Dakota Rose”

Artist: Wyatt Ellis
Hometown: Maryville, Tennessee
Song: “West Dakota Rose”
Release Date: February 6, 2026 (single); February 19, 2026 (video)
Label: Knee High Records

In Their Words: “Getting to shoot the music video for ‘West Dakota Rose’ was just one of those days you don’t really forget. The tune already feels like it tells a story without words, so being able to stand in a place that matched that feeling made it even more real. Joseph Cash has directed and filmed all of my music videos so far, and he always makes it an adventure. It’s like showing up not totally sure what kind of wild idea he’s going to have, but somehow it always comes together even better than I could’ve imagined.” – Wyatt Ellis

Performer Credits:
Wyatt Ellis – Mandolin
Christopher Henry – Guitar
Julia Claire Eversole – Bass
Kyle Tuttle – Banjo
Noah Goebel – Fiddle
Christian Ward – Fiddle

Video Credits: Joseph Cash, director, director of photography, editor. Kitt Fresa, gaffer. 

Lonesome River Band, “There Where the River Rolls Around”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “There Where The River Rolls Around”
Release Date: February 20, 2026
Label: Mountain Home Music Company

In Their Words: “We got this song for our long time songwriting friend Billy Smith (‘Hobo Blues,’ ‘Tears In My Tracks,’ ‘Crazy Heart,’ among others). As we listened to the song one late night going down the road in the bus, the arrangement just fell into place and we began working on it. A haunting song about leaving home searching for more and longing to be back. Thanks, Billy!” – Sammy Shelor

“The River [in the song] is Haw River in Rockingham County, North Carolina. I always believed that I would make it big playing music and writing songs in Nashville and go back there. I moved here with my brother Terry (the Grascals) and cousin Alan O’Byrant of the Nashville Bluegrass Band. 52 years later, I’m still here, with three kids from two marriages. But I always wanted to return ‘There Where The River Rolls Around’ and it always touches my heart when I hear it sung. Bless Sammy Shelor and the Lonesome River Band for recording that one and 8 other of my songs, including ‘Crazy Heart’ and ‘Hobo Blues.'” – Billy Smith, songwriter

Track Credits:
Sammy Shelor – Banjo
Jesse Smathers – Acoustic guitar, harmony vocal
Mike Hartgrove – Fiddle
Adam Miller – Mandolin, lead vocal
Kameron Keller – Upright bass
Rod Riley – Electric guitar

Maoli, “Some Are Just Better”

Artist: Maoli
Hometown: Haiku, Maui, Hawaii
Song: “Some Are Just Better”
Album: Maoli Music Overload – MMO 3
Release Date: February 20, 2026 (single)
Label: ONErpm

In Their Words: “I’ve been waiting to release this since the day we wrote it. It was my first time writing in Nashville and I was so excited to collaborate with Mikey Reeves and Rob Snyder. I love the horns, the feel, and the lyrics – I’m so proud of how it all came to life.

“We all have days that stand out – not just good days, but the kind where everything falls into place and just feels right. The kind of day you know you’ll look back on and smile about for years. It’s about capturing that feeling. You can’t relive a day once it’s gone, but music has a way of taking you back – even if it’s just for a few minutes.” – Maoli

Jack McKeon, “Kid Like Me”

Artist: Jack McKeon
Hometown: Chatham, New York
Song: “Kid Like Me”
Album: Every Once in a While
Release Date: February 27, 2026 (single); July 3, 2026 (album)

In Their Words: “‘Kid Like Me’ began its life as the ‘most bluegrass’ sounding song in the bunch before I went into the studio. Written with Theo MacMillan, we talked a lot about parenting, being an older sibling, and trying to make sense of a world that’s always in flux. Theo’s son was about to be born and I was reflecting on watching my younger sister begin to reach adulthood and face real and more challenging problems. Musically, we spent most of the writing session talking about Tim O’Brien and wrote ‘Kid Like Me’ at a faster tempo that we thought would fit with Tim’s Odd Man In era. Once we were in the studio, it was Casey Campbell and Seth Taylor who turned the recording in a more ambient direction, hinging on Casey’s extended mandolin intro that sets the tone for the rest of the song. I wanted to lead my new project off with ‘Kid Like Me’ as it is reminiscent of the sounds and themes of my debut album Talking to Strangers, but breaks new ground for my production as it features Mellotron, drums, and electric guitar as well.” – Jack McKeon

Track Credits:
Jack McKeon – Acoustic guitar, vocal, songwriter, producer
Seth Taylor – Acoustic guitar, electric guitar
Casey Campbell – Mandolin
Vickie Vaughn – Bass
Josh Hunt – Drums
Phillippe Bronchtein – Keys
Melissa Erin – BGVs

The Montvales, “Carolina”

Artist: The Montvales
Hometown: Cincinnati, Ohio
Song: “Carolina”
Album: Path of Totality
Release Date: February 18, 2026 (single); March 20, 2026 (album)
Label: Free Dirt Records

In Their Words: “‘Carolina’ is an old timey song that is firmly situated in late stage capitalism. I called upon the steadfast, rooted sounds of home when I was writing this one. It brings those old sounds forth into this uncertain era and makes a vow: even when there seems to be no path forward, we’ll find a way.” – Sally Buice

Roe Family Singers, “Blacked-Out Ford”

Artist: Roe Family Singers
Hometown: Minneapolis, Minnesota
Song: “Blacked-Out Ford”
Album: Light & Hope & Roses
Release Date: February 2, 2026 (single)

In Their Words: “We wrote ‘Blacked-Out Ford’ about two weeks after Renee Good was murdered by ICE in our Minneapolis streets. Good’s murder, combined with the discovery that ICE is housed about six blocks from our house and has been seen circling our neighborhood, looking for people to abduct… that’s where this song came from. Our area has a large Muslim population, neighbors primarily from India and Pakistan, also Somalia and Ethiopia, so pretty soon every blacked-out SUV started to look like ICE sharks circling, and every parked truck looked like a prelude to a kidnapping. We debuted the song live at a mutual-aid benefit, and the benefit raised a ton of money; the next morning we woke up feeling proud of ourselves and empowered by the fact that we felt like we were using our art to fight the fascists. Then we got the news that Alex Pretti had just been murdered by ICE in our Minneapolis streets.” – Quillan Roe

Track Credits:
Kim Roe – Washboard, vocals
Quillan Roe – Guitar, vocals

Tony Trischka, “Red River Valley” Featuring Molly Tuttle

Artist: Tony Trischka
Hometown: Fair Lawn, New Jersey
Song: “Red River Valley” featuring Molly Tuttle
Album: Earl Jam 2
Release Date: February 18, 2026 (video); March 13, 2026 (album)
Label: Down The Road Records

In Their Words: “I grew up listening to ‘Red River Valley’ and once I found Earl Scruggs and John Hartford playing it in one of their jams, I knew I had to put it on Earl Jam 2. Who better to sing it than Molly Tuttle? I’ve known Molly since she was a teen (when I thought she was just a solid Scruggs-style banjo player) and it’s been a joy seeing her career take off. She has the perfect voice for this tune and with the estimable talents of Bronwyn Keith-Hynes on fiddle, Sam Bush on mandolin, and Mark Schatz on bass, I knew we had something special. When we’d finished recording and I went back to listen to it the next day, I felt it needed just a little bit more of something. So I got in touch with Bronwyn (talk about careers taking off!) and she added beautiful harmony vocals. The very last vocal chorus melts my heart!” – Tony Trischka

Track Credits:
Tony Trischka – Banjo
Molly Tuttle – Guitar, vocals
Bronwyn Keith-Hynes – Fiddle, harmony vocals
Sam Bush – Mandolin
Mark Schatz – Bass

Photo Credit: Tony Trischka by Ali Hasbach; Maoli by Sean McGee.

You Gotta Hear This: New Music From Thomm Jutz, Frank Evans, and More

Posted on by Justin Hiltner

Get ready to enjoy some excellent new roots music – bluegrass, country, blues, and more.

To start us off and get us in a romantic holiday mood, the Bibelhauser Brothers from Kentucky offer their bluegrass rendition of John Prine’s “Glory of True Love.” Releasing, appropriately, on Valentine’s Day, the song reinforces just how well suited Prine originals are to the bluegrass treatment – it doesn’t have to just be “Paradise”! Following up with his own cover of a country classicist, banjo picker Frank Evans pulls together an all-star cast for a live video performance of Roger Miller’s “TJ’s Last Ride.” Evans released the single studio version last week, following it up with Shad Cobb, Thomas Cassell, Mike Bub, and Jimmy Stewart joining him for the excellent live video of the track.

For a bit of gospel, Eighteen Mile releases a new single today, “Living Waters,” showing yet again the deep connections between bluegrass and sacred music. It’s a thoughtful, contemplative, and inspiring breath of fresh air – or, perhaps, a refreshing sip of cool, living waters. Plus, singer-songwriter Thomm Jutz brings us a live performance video of a new bluesy, original track, “Ramblin’ Gamblin’ Blues,” just voice and tender fingerpicked, acoustic blues in duet. Jutz reflects on the undying temptation of such vices and how the low points they often bring can be a vehicle to better things. “Ramblin’ Gamblin’ Blues” heralds Jutz’s upcoming solo album, Ring-A-Bellin’, arriving in April.

To close us out, Nashville honky-tonkin’ staples – and life partners – Hannah Juanita & Mose Wilson have a brand new EP and with it, a video for the title track, “If I Ever Lost You.” Gauzy and retro, Juanita and Wilson put on throwback styles and sounds without it feeling contrived or gratuitous – while all decked out in countrified wedding garb. It makes perfect sense, as they explain, “As we prepare to wed this year, the lyrics hit especially close to home. We drew inspiration from the greats who paved the road: George & Tammy, Loretta & Ernest, Red & Kitty, keeping their timeless storytelling at the core.”

There’s plenty to boot-scoot to below, so get scrolling! You Gotta Hear This…

Bibelhauser Brothers, “Glory Of True Love”

Artist: Bibelhauser Brothers
Hometown: Louisville, Kentucky
Song: “Glory of True Love”
Release Date: February 14, 2026
Label: Common Loon Records

In Their Words: “‘Glory Of True Love’ has been a part of our repertoire during live shows for many years with the Bibelhauser Brothers. It’s a beautiful feeling to ‘grass up’ such a timeless tale of love, written by one of the most prolific songwriters of his generation, John Prine. Recording this single has been a really special way to follow up since dropping our full-length record, Down the Road, including mostly original songs just four months prior, as our band and our signature sound has evolved. This is our first recording featuring Boston, Kentucky, native Turner Hutchens on mandolin, with Jeff Guernsey tracking twin fiddles, Steve Cooley on banjo, Adam on bass, and Aaron singing and playing guitar. We hope you enjoy our own Bibelhauser Brothers spin on this John Prine classic, with more music to come soon!” – Bibelhauser Brothers, Aaron and Adam

Track Credits:
Aaron Bibelhauser – Vocal, guitar
Adam Bibelhauser – Bass
Steve Cooley – Banjo
Turner Hutchens – Mandolin
Jeff Guernsey – Fiddles

Eighteen Mile, “Living Waters”

Artist: Eighteen Mile
Hometown: Upstate South Carolina
Song: “Living Waters”
Release Date: February 13, 2026

In Their Words: “In the Bible, there is a story commonly called the story of the ‘woman at the well.’ In that story, Jesus is talking to a lady who was married five times, likely abused and abandoned in those relationships before eventually becoming an outcast in her society. Jesus, using an analogy, called himself the ‘living water’ and said that she could believe in him and be completely, eternally fulfilled. C.S. Lewis famously said, ‘If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world.’ This song captures the heart behind everything Eighteen Mile does. We want people to experience and find complete fulfillment in Jesus, the ‘Living Waters.'” – Carson Aaron

Track Credits:
Hallie Ritter – Upright bass, harmony vocal
Carson Aaron – Acoustic guitar, harmony vocal
Emily Guy – Lead vocal
Jack Ritter – Acoustic guitar
Savannah Aaron – Fiddle
Andy Leftwich – Mandola
Steve Pettit – Mandolin
Rob Ickes – Resonator guitar

Frank Evans, “TJ’s Last Ride”

Artist: Frank Evans
Hometown: Toronto, Ontario, Canada
Song: “TJ’s Last Ride”
Release Date: February 6, 2026
Label: Englehardt Music Group

In Their Words: “I’ve loved Roger Miller’s music since childhood, from the Robin Hood soundtrack to constant car rides with his greatest hits, which made choosing one of his songs feel natural. ‘TJ’s Last Ride’ stood out for its Hartford-like imagery and the mournful warmth of a Stanley Brothers ballad. In the session, we agreed to keep it simple – the take you hear is almost entirely the third run-through. I was honored to record it with Casey Campbell, Mike Bub, Justin Moses, Shad Cobb, and Jake Stargel.” – Frank Evans

Video Performance Credits:
Frank Evans – Banjo, vocals
Jimmy Stewart – Dobro, vocals
Mike Bub – Bass
Thomas Cassell – Mandolin
Shadd Cobb – Fiddle
Jake Stargel – Guitar

Video Credits:
Videographer – Kyle Horan
Video Editor – Frank Evans

Thomm Jutz, “Ramblin’ Gamblin’ Blues”

Artist: Thomm Jutz
Hometown: Nashville, Tennessee
Song: “Ramblin’ Gamblin’ Blues”
Album: Ring-A-Bellin’
Release Date: February 13, 2026 (single); April 3, 2026 (album)

In Their Words: “Going on the road at 19 was the perfect way to live at the time. No responsibilities but to make it to the next gig. Do what you know how to do and move on. That way of living follows its own archetypal patterns, that’s why it doesn’t matter where you are, you could be going up and down the Mississippi River in 1898 or the damn Autobahn in Germany in 1998.

“There’s always somebody waiting to play another game, frequently with a bottle of booze. For some people, that charm never wears off. It did for me. I got sick of the people I was with, sick of myself for sitting down at the table to play their game.

“As it turned out, that part wasn’t over when I moved to Nashville – as it turned out, it was necessary, so better things could come.” – Thomm Jutz

Hannah Juanita & Mose Wilson, “If I Ever Lost You”

Artist: Hannah Juanita & Mose Wilson
Hometown: Nashville, Tennessee
Song: “If I Ever Lost You”
Album: If I Ever Lost You (EP)
Release Date: February 13, 2026

In Their Words: “‘If I Ever Lost You’ is a love letter to the golden era of country delivered in a classic, heartfelt shuffle. It’s our first co-release and our first duet, built from years of collaboration and crafted as a performance we both get to share on stage. The song speaks from the heart; love is everything when it’s here, and its absence is everything we fear. As we prepare to wed this year, the lyrics hit especially close to home. We drew inspiration from the greats who paved the road: George & Tammy, Loretta & Ernest, Red & Kitty, keeping their timeless storytelling at the core.” – Hannah Juanita & Mose Wilson

Track Credits:
Hannah Juanita – Vocals
Mose Wilson – Guitar, vocals
Jeff Taylor – Piano
Norbert McGettigan III – Bass
Matty Meyer – Drums
Ryan Stigmon – Pedal steel

Photo Credit: Thomm Jutz by Don VanCleave; Frank Evans by Scott Simontacchi.

You Gotta Hear This: New Music From Foy Vance, Rissi Palmer, and More

Posted on by Justin Hiltner

We have new music for you, as always, to herald the end of the week and beginning of the weekend. You Gotta Hear This!

From just outside of Washington, D.C., singer-songwriter Connor Daly releases a new single today, “Echoes of Midnight.” An Americana “fast waltz” with a melancholy tinge, the track is clean but gritty. Daly thinks it’s the best song in his catalog to crank through a loudspeaker, and we agree. A longtime friend of BGS and Good Country now, Rissi Palmer releases her brand new EP Perspectives today, so we’re celebrating by sharing a new song from that collection, “Good to Me.” Written with Shannon Sanders and Hilton Wright II, the song finds Palmer much more assured in what she wants and needs from a life partner than she was in her 20s. (Stay tuned for an upcoming interview with Palmer about the EP, coming next week right here on BGS.)

Also in a country space, roots music renaissance man Jim Lauderdale announced a new upcoming album today, Country Super Hits Volume 2. He certainly has plenty of “super hits” to celebrate; we’re kicking off the countdown to the new LP by sharing “Everybody’s Got A Problem.” There’s a kernel of truth in that hook somewhere, isn’t there? Relatable, charming, and effortlessly traditional country, it’s another Lauderdale banger. Then, from across the Atlantic, Foy Vance launched a brand new, homemade music video earlier this week for “Hi, I’m The Preacher’s Son.” With sonics gleaned from the intersection of folk and outlaw, the song is well matched by the trippy and fun video that combines animation, stop motion, and many other forms and styles into a unique visual journey. His dad was a preacher and fond of a parable; the track and video suit their inspiration perfectly.

Don’t miss Bryan Sutton unveiling another tune from his upcoming duets album, as well. This time he’s partnered with fellow guitar picker Jake Stargel on an acrobatic and oftentimes jaw-dropping rendition of the popular fiddle tune-guitar instrumental “Crazy Creek.” These are two of the most personality-rich players and stylist on six strings, doing what they do best. Each single from the album, From Roots to Branches, has been stellar – this latest outing continues that trend.

There’s plenty to enjoy below! Scroll to listen, ’cause You Gotta Hear This…

Connor Daly, “Echoes of Midnight”

Artist: Connor Daly
Hometown: Ashburn, Virginia
Song: “Echoes of Midnight”
Release Date: February 6, 2026

In Their Words: “As soon as I started writing the first pieces of ‘Echoes of Midnight,’ I knew exactly what kind of production I wanted for the song. Going into the studio with David Dorn at Farmland Studios in Nashville, it didn’t take long for him to understand the vision. Big drums, wide acoustic guitar arrangements, and energy pushing through every line. It’s one of those songs that was clearly meant to be played live and I knew I needed to hear it fully take shape in the studio. Lyrically, ‘Echoes of Midnight’ captures a very now-or-never feeling of young love that has always stood out in my catalog. If I could choose any of my songs to play through a loudspeaker, this would be it.” – Connor Daly

Track Credits:
David Dorn – Keys
Shaun Richardson – Acoustic guitar
Tim Denbo – Electric bass
Dave Racine – Drums
Justin Ostrander – Electric guitar
Connor Daly Steggerda – Songwriter, vocals

Jim Lauderdale, “Everybody’s Got A Problem”

ᐧ

Artist: Jim Lauderdale
Hometown: Troutman, North Carolina
Song: “Everybody’s Got A Problem”
Album: Country Super Hits Volume 2
Release Date: February 6, 2026 (single); March 27, 2026 (album)

In Their Words: “This song relates to the common experience of going through difficult times and that very few of us are immune to that; it’s one thing we all have in common.” – Jim Lauderdale

Rissi Palmer, “Good to Me”

Artist: Rissi Palmer
Hometown: Durham, North Carolina
Song: “Good to Me”
Album: Perspectives (EP)
Release Date: February 6, 2026

In Their Words: “I started this song with Hilton Wright II and completed it with Shannon Sanders (producer of the project). I sat on this chorus for three years, in the midst of a divorce, not sure what I wanted to say. On this side of things, I’m a bit more clear about what I want from a partner. The things that 29-year-old Rissi wanted are very different from what 44-year-old Rissi wants. We had a really good time writing this…” – Rissi Palmer

Bryan Sutton, “Crazy Creek” featuring Jake Stargel

Artist: Bryan Sutton
Hometown: Nashville, Tennessee
Song: “Crazy Creek” featuring Jake Stargel
Album: From Roots to Branches
Release Date: February 6, 2026 (single)
Label: Mountain Home Music Company

In Their Words: “Ever since Jake Stargel came on the scene, I’ve been fascinated and inspired. I think his playing is continually creative and powerful. He was the one that actually suggested ‘Crazy Creek’ and part of my goal with this duets project was just to try to capture musical conversations with my friends. We definitely do that here with ‘Crazy Creek.'” – Bryan Sutton

Foy Vance, “Hi, I’m The Preacher’s Son”

Artist: Foy Vance
Hometown: Bangor, Northern Ireland
Song: “Hi, I’m The Preacher’s Son”
Album: The Wake
Release Date: February 4, 2026 (video); March 13, 2026 (album)
Label: Rounder Records

In Their Words: “Being a preacher, my Dad was fond of a fable. Parables and philosophies poured out of him on a good day. I couldn’t fully appreciate them at the time, but I would learn to cling to the little wisdoms he shared. So much of him has influenced what I do. Seeking ways to say something concisely.

“I’m glad of that influence. I am also glad to be free of any certainty that gives someone the desire to be a preacher. Even if I felt certain about whatever God might be, I reckon the desire to become a preacher should never allow you to become one!” – Foy Vance

Photo Credit: Foy Vance by Gregg Houston; Rissi Palmer by Dire Image.

You Gotta Hear This: New Music From Dailey & Vincent, Lily Meola, and More

Posted on by Justin Hiltner

For a week of wintry weather over much of the U.S., here’s some brand new music to keep you warm.

To kick us off, singer-songwriter Karen Dahlstrom calls on the Milk Carton Kids’ Kenneth Pattengale for a new single, “The Last of My Line.” Finger-picked acoustic guitar scores a contemplative and devastating “hobo song” about lineage, family, and circumstance – and the existential feelings surrounding being the last in your family line. Ohioan alt-Americana trio Oliver Hazard have a new song out today, as well. “Hold On” is infused with folk-rock sounds of the ’70s and built around a catchy guitar riff brought to the band by picker Devin East. It’s one of those songs that just “poured out.”

In bluegrass, country-grass superstars Dailey & Vincent return to their roots as only they could, with a rip-roaring and stratospheric rendition of a classic, “Ruby.” With an all-star cast of players behind them, the duo blazes through the iconic old-time song made popular in bluegrass by the Osborne Brothers. The D&V rendition is spotless; we hope it’s a harbinger of more bluegrass to come from their camp. Plus, Ashby Frank gives the bluegrass treatment to Dave Grohl and the Foo Fighters with “The Pretender.” Out today, it combines style points from both bluegrass and grunge in a deep and lush sonic swirl. Whatever your opinion about what is or is not “no part a nothin’,” the energies of both rock and string band are surprisingly well-matched.

You won’t want to miss Lily Meola’s new song, e8ther. Born in Hawaii, Meola makes modern, crisp country music that’s still rich in rootsy tradition and outlaw textures. “Never Kissed a Cowboy” celebrates that, as she puts it, “chivalry ain’t dead, I guess,” and the fun that can be found when doing a romantic dance with a gentleman instead of, well, a loser. It’s a dreamy country waltz that, while contemporary, seems like it could’ve been plucked from just about any decade in the genre’s history.

There’s certainly plenty to love and enjoy this week! You Gotta Hear This…

Karen Dahlstrom, “The Last of My Line” (featuring Kenneth Pattengale)

Artist: Karen Dahlstrom
Hometown: Brooklyn, New York
Song: “The Last of My Line” featuring Kenneth Pattengale
Album: Love These Days
Release Date: January 29, 2026 (single); March 27, 2026 (album)

In Their Words: “I’d never really thought about having children – I just assumed I would have them someday. But as the years went on, biology and circumstance made the decision for me. In working through my feelings about being – literally – the last of my family line (my dad was an only child, neither I nor my sisters have biological children), this song started to form. In the back of my mind, I held this idea of a simple, Woody Guthrie-style hobo song with a dash of Lyle Lovett’s ‘Family Reserve.’ I wrote the song I needed when I needed it, without any idea of whether it would resonate with anyone else. To my surprise, it’s one of the songs people say they connect with most.” – Karen Dahlstrom

Dailey & Vincent, “Ruby”

Artist: Dailey & Vincent
Hometown: Nashville, Tennessee
Song: “Ruby”
Release Date: January 30, 2026

In Their Words: “We’ve never believed bluegrass had to live in a box, but with ‘Ruby,’ we felt a strong pull to strip things back. It’s a reminder that even as you grow and experiment, you never forget your roots. This song reconnects us with that energy and joy that made us want to do this in the first place.” – Jamie Dailey and Darrin Vincent

Track Credits:
Bryan Sutton – Acoustic guitar
Darrin Vincent – Bass
Russell Carson – Banjo
Andy Leftwich – Fiddle
Dominick Leslie – Mandolin
Jamie Dailey – Vocals

Ashby Frank, “The Pretender”

Artist: Ashby Frank
Hometown: Nashville, Tennessee
Song: “The Pretender”
Release Date: January 30, 2026
Label: Mountain Home Music Company

In Their Words: “Bluegrass and hard rock often have a similar feeling of ‘drive’ to them; I guess it’s no surprise that many pickers that grew up listening to the shredding instrumentals of bluegrass also have a deep appreciation for great rock musicians. I’ve been a fan of Dave Grohl and the Foo Fighters since I was a teenager. I decided to take a giant leap that I’m not sure anyone’s ever made before and cover one of their most iconic songs with a bluegrass-meets-grunge treatment. I really had no idea what the final product would be when I made the decision to record ‘The Pretender,’ but I couldn’t be more proud of what we came up with.” – Ashby Frank

Track Credits:
Ashby Frank – Mandolin, lead vocal, harmony vocal
Seth Taylor – Acoustic guitar
Travis Anderson – Bass
Matt Menefee – Banjo
Tony Creasman – Drums

Oliver Hazard, “Hold On”

Artist: Oliver Hazard
Hometown: Waterville, Ohio
Song: “Hold On”
Release Date: January 30, 2026
Label: Nettwerk Music Group

In Their Words: “‘Hold On’ sounds like home to us. Devin came over one afternoon with a guitar riff he’d just written, and we sat down at the piano and the song just kind of poured out. It felt like the old ’70s records we loved listening to. It felt like growing up where we did – feeling the change of seasons, spending time in the local dives, that urge to leave town, but not wanting to let it go.” – Oliver Hazard

Lily Meola, “Never Kissed a Cowboy”

Artist: Lily Meola
Hometown: Nashville, Tennessee
Song: “Never Kissed A Cowboy”
Release Date: January 30, 2026
Label: Nettwerk Music Group

In Their Words: “My picker really did me dirty for a while, so when I experienced good ol’ fashioned gentleman behavior for the first time, it honestly threw me for a loop. I didn’t know how to receive it. I was like, ‘I can open my own door!?’ Then I started to see it from another perspective: having someone treat you like that is honestly really sweet. It might not be the most logical or efficient way of doing things, but damn, being treated like a princess is kinda fun, and being a gentleman is hot. So this is a love song honoring the men who go the extra mile.” – Lily Meola

Photo Credit: Dailey & Vincent by Greg Roth; Lily Meola by Jo Anna Edmison.

You Gotta Hear This: New Music From Dale Watson, Jonny Fritz, and More

Posted on by Justin Hiltner

You know what would be the perfect way to end the week? A bevy of new roots songs and videos! Well, we have just the thing – and You Gotta Hear This.

To start us off, South Carolina-based husband-and-wife duo Benson – Wayne and Kristin Scott Benson – deliver a brand new instrumental, “Slayton Court.” Inspired by Wayne’s first address when he moved to Nashville 30+ years ago, and their young adult son’s similar journey in the present, it’s a thoughtful and tender tune that’s lyrical and evocative. Their labelmates, Unspoken Tradition, who hail from just up the mountains from Benson, also debuted a new single today, “Rhythm of the Ridge.” Written by North Carolina native Milan Miller, it’s an excellent song built on regionality, community, and the importance of the cultures that birth roots music.

Keep scrolling, though, as there’s plenty to explore. Singer-songwriter Cuchulain offers an adorable, painstaking stop-motion video for his new single, “Flip Turns.” As he puts it, it’s a song for swimmers and/or folks trying to keep their head above water wrapped in smooth and jazzy, alt-Americana sonics. New Jersey singer-songwriter Sean Kiely kicked off 2026 with a brand new track featuring his friend and hero, Kaia Kater. We’re pleased to share a live performance video of “This Is The Year,” a perfect song for starting the new calendar year on the correct foot.

Los Angeles stalwart Jonny Fritz returns to his most recent album, Debbie Downers, to offer all of us a woodwinds version of that critically acclaimed LP coming in April. Today he unveils the first delightful woodwinds version from the reimagined collection, “Tea Man,” featuring clarinets, bass clarinet, flute, and Fritz holding it all together himself. For a dose of old-time, check out “Cheeky F” by George Jackson’s Local Trio. Stemming from the tradition of Texas-style old-time fiddling and melodies, Jackson, his trio-mates, and guest guitarist (and producer) Stash Wyslouch pick through the swinging and acrobatic pizzicato head with “Flight of the Bumblebee” aplomb.

To round out our roundup this week, we get a healthy dose of alliterative outlaw country from Ameripolitan crooner Dale Watson. “Willie, Waylon and Whiskey” brings alt-country, the Bakersfield sound, and psychedelic surf rock together as only Watson could. The track is driving and frenetic, leaning forward in the beat and referencing so many classic lines, melodic hooks, and tracks from his fellow outlaws. Would country be country without self-referential songs? It’s hard to imagine.

From bluegrass and old-time to folk and outlaw, there’s plenty to enjoy this week on BGS. You Gotta Hear This!

Benson, “Slayton Court”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Slayton Court”
Release Date: January 23, 2026
Label: Mountain Home Music Company

In Their Words: “‘Slayton Court’ was the first address that I had when I moved to Nashville, Tennessee, around 1993 with my good buddy Greg Luck. This instrumental is inspired by kind of reflecting on that time when you first gain your independence. For me, I was a young working musician for the first time playing with IIIrd Tyme Out. And you fast forward all these years and now I have a 19-year-old son going through a similar season. We were going to make a slideshow to document those years, especially with his activity as a young angler and going into the world of college fishing. As we made that slideshow it felt like this same melody would serve as great background for that, as well. I hope you guys enjoy ‘Slayton Court.'” – Wayne Benson

Track Credits:
Wayne Benson – Mandolin
Kristin Scott Benson – Banjo
Cody Kilby – Acoustic guitar
Kevin McKinnon – Bass

Cuchulain, “Flip Turns”

Artist: Cuchulain
Hometown: Rock Hill, South Carolina, but currently live in Ithaca, New York. This was recorded in Eugene, Oregon, though, which was our hometown for the past five years.
Song: “Flip Turns”
Album: It’s Always Something
Release Date: January 23, 2026 (single); April 3, 2026 (album)

In Their Words: “‘Flip Turns’ is a song for swimmers, for folks keeping their head above water. Written between swim breaks on summer tour 2024 and recorded live last January 2025, this song was our Tiny Desk Contest submission last year. I’ll be touring East Coast listening rooms in April 2026 to support It’s Always Something, the live in-studio album for which this is the lead single. A stop-motion music video accompanies the single release. The video took me most of fall 2025: I hand-felted the figures, constructed sets, and filmed frame by frame on my phone during my newborn daughter’s nap breaks. Equally at home on a coffee shop playlist or swimming workout playlist, the songs on this album are meant to be photographs of what my Oregon band sounded like at our peak, and love letters to hopeless romantics trying to make sense of this wild world.” – Cuchulain

Track Credits:
Paul Carberry – Bass
Malcolm Orr – Drums
Poom Aempoo – Clarinet
Tom Whaley – Trombone
Cuchulain – Vocals, guitar, songwriter

Video Credits: Video by Cuchulain, color by Ashley Barry.

Jonny Fritz, “Tea Man”

Artist: Jonny Fritz
Hometown: Los Angeles, California
Song: “Tea Man”
Album: Debbie Downers – Woodwinds
Release Date: January 20, 2026 (single); April 3, 2026 (album)
Label: Gar Hole Records

In Their Words: “I love woodwinds and have wanted to make this type of record for as long as I can remember. I’ve had this vision of clarinets playing chicken pickin’-style telecaster solos. Just imagine a Jerry Reed covers album played with clarinets and piccolos. There’s something about the staccato tonguing of a reed instrument that seems to me as enjoyable as playing roadhouse country solos. I’ve never played one, so I don’t know, but I do think about it all the time. I couldn’t be happier to finally hear it out loud and share it with the world.

“The version of this record I brought to Andrew Conrad was very different from what it became. My version was ‘Twinkle Twinkle Little Star’ and he made it into ‘The Star Wars Theme’ (or something like that). He was so clearly overqualified for the job and it made me appreciate him even more.” – Jonny Fritz

Track Credits:
Jonny Fritz – Vocals, songwriter
Christine Tavolacci – Flute
Andrew Conrad – Clarinets
Michael Mull – Clarinets
Brian Walsh – Bass clarinet

George Jackson’s Local Trio, “Cheeky F”

Artist: George Jackson’s Local Trio
Hometown: Originally, Christchurch, New Zealand. Now, Madison, Tennessee
Song: “Cheeky F”
Album: Center Of The Universe
Release Date: January 26, 2026 (single); February 13, 2026 (album)
Label: Adhyâropa Records

In Their Words: “I was inspired by the way Texas-style old-time fiddlers hide all sorts of weird notes on upbeats, so this was a bit of a riff on a Texas-style tune and seeing how many non-chord notes I could hide around the melody on weak beats. Stash took a break from producing in the control room to join us with some driving rhythm guitar, which really helped channel the Texas-style energy. I’m really happy with some of the spontaneous energy that we were able to capture in this take, a real edge-of-your-seat, improvised, studio take.” – George Jackson

Track Credits:
George Jackson – Fiddle
Frank Evans – Banjo
Eli Broxham – Double bass
Stash Wyslouch – Guitar

Sean Kiely, “This Is The Year” Featuring Kaia Kater

Artist: Sean Kiely
Hometown: Jersey City, New Jersey
Song: “This Is the Year” featuring Kaia Kater
Release Date: January 1, 2026
Label: Multiple Logo

In Their Words: “I’ve been working on a new record since the fall and I was thrilled that Kaia Kater joined us on ‘This Is the Year’ singing and playing banjo. She elevated the tune so much, both in the vocal and in the groove of the banjo with the band. It came together really naturally and quickly, so we decided to release it on New Year’s Day, even as the rest of the album is still taking shape.

“I have a long list of favorite things about my friend and hero Kaia, but two in particular are her songwriting and her posture as a performer – the self-possession and power that’s just so right-there in everything she sings. They’re qualities I’m reaching for, so having her bring that craft to something I wrote was so rad.

“This video from the afternoon of New Year’s Eve is actually the first time we ever played the tune just as a duo and I gotta say it was no less exciting (and fun) to sit and pick ‘This Is the Year’ on Kaia’s couch just the two of us.” – Sean Kiely

Unspoken Tradition, “Rhythm of the Ridge”

Artist: Unspoken Tradition
Hometown: Western North Carolina
Song: “Rhythm of the Ridge”
Release Date: January 23, 2026
Label: Mountain Home Music Company

In Their Words: “The first time I heard the demo of ‘Rhythm of the Ridge,’ I realized it was as deeply meaningful for me as it was for Milan [Miller]. I grew up in an immigrant family and straddling two worlds. The mountains of Appalachia are where I found the inspiration to write my American story. It feels timely to tell a story of grounding ideals and identity in a time where external forces attempt to rend us further away from each other. Just as the culture of my family’s home is written on their hearts long after they left it, so too is the ‘Rhythm of the Ridge’ on my own.” – Sav Sankaran

“Although it wasn’t my original intention when I began writing ‘Rhythm of the Ridge,’ the song quickly took on a deeply personal narrative as the lines started falling into place. I left the mountains of North Carolina for Nashville almost 30 years ago, yet home is a melody that follows you long after you leave it – a rhythm in your bones and blood that quietly keeps time. This isn’t a song about longing or looking back; it leans into a sense of place that steadies you and guides you through new endeavors and experiences. Fully adept at honoring the traditions of bluegrass while championing material that feels fresh and forward-thinking, Unspoken Tradition has become one of my favorite bands to emerge in the genre over the past decade, and I am beyond thrilled that they’re adding ‘Rhythm of the Ridge’ to their stellar catalog.” – Milan Miller, songwriter

Track Credits:
Audie McGinnis – Acoustic guitar, harmony vocal
Sav Sankaran – Upright bass, lead vocal
Tim Gardner – Fiddle, harmony vocal
Ty Gilpin – Mandolin
Zane McGinnis – Banjo

Dale Watson, “Willie, Waylon and Whiskey”

Artist: Dale Watson
Hometown: Austin, Texas
Song: “Willie, Waylon and Whiskey”
Album: Unwanted
Release Date: January 23, 2026 (single); April 24, 2026 (album)
Label: 40 Below Records

In Their Words: “This song was written on stage in San Antonio at the Lonesome Rose Bar. Inspired by a large man standing in front of me all night because he was wearing a shirt that simply said ‘Willie Waylon and Whiskey.’ I asked if it was a band name or a song name and he just said, ‘No, I just saw it in Walmart and liked it.’ Well, I liked it, too, so I wrote the song on the spot. I knew it would be a keeper when by the second time the chorus came around the entire crowd was singing it with me.” – Dale Watson

Track Credits:
Don Pawlak – Steel
Manny Pagan – Drums
Zack Sapunor – Bass
Dale Watson – Vocals, guitars, songwriter
Matt Hubbard – Keys

Photo Credit: Dale Watson by Jacob Blinkenstaff; Jonny Fritz by Bobbi Rich.

You Gotta Hear This: New Music From Sweet Petunia, Big Richard, and More

Posted on by Justin Hiltner

Your weekly dose of new music is here! You Gotta Hear This.

We’ve got a couple of brand new music videos, leading off with Big Richard absolutely smashing a David Olney song, “Millionaire.” To say the track is apropos for this moment in time would be a laughable understatement. The string band/bluegrass supergroup give it their signature impassioned treatment, with energy, conviction, and musicality. Their new music video for the just-released single was shot in and around Salt Lake City. Plus, Boston-based alt-folk duo Sweet Petunia bring us a new music video, as well. Their new, stark indie folk track “Grub” is set to a delightful animated, stop-motion, hand-drawn music video. The song explores identity, embodiment, beauty, and pain, and holds space for solidarity for trans and gender-nonconforming folks.

You’ll also find a music video for Michael Haney’s new cover of a Bruce Springsteen song, “Brilliant Disguise,” rich in Americana rock ‘n’ roll. Haney knew he wanted to record the number because of how it “speaks directly to the heart of the human condition.” Singer-songwriter Kirby Lyle picks up the same mantle on the title track for his brand new EP, Change Is Hard. It’s also a song of solidarity and community, because who is going to save us if we don’t save us? But we are going to save us.

It’s a lovely collection of tracks this week highlighting community, togetherness, and how roots music is built upon both. We hope you enjoy, cause we think You Gotta Hear This!

Big Richard, “Millionaire”

Artist: Big Richard
Hometown: Denver, Colorado
Song: “Millionaire”
Album: Pet
Release Date: January 13, 2026 (single); February 6, 2026 (album)
Label: Signature Sounds

In Their Words: “‘Millionaire’ is a song about the greed and corruption of the rich written by David Olney, originally released in 1991. It is still wildly topical nearly 35 years later, although it might be time to change ‘millionaire’ to ‘billionaire’ at this point.

“We added this song to our setlist just after the inauguration last year and it has become one of the most emotionally charged moments in our sets. For us, this song is a unifying message, because regardless of which side of the line you voted on, we are all on the same side in the great class war. All of us are at the mercy of a very few, who only have their own best interests in mind, and who would never dismantle the systems that hold them in their places of power. It’s up to us to join with our neighbors and tear it down, from the joke that is the insurance industry to the politicians that are openly bought and controlled by corporations.

“We filmed the music video in Salt Lake City, where local fans will recognize many of the landmarks, which include the state capitol building, the offices of the LDS (who currently own more real estate than any other entity in the world), and the fuel refineries that choke the air of that beautiful city.

“We sing this old song with a lot of hope in dark days like these. Our species is brilliant, and more than capable of solving the problems that we have, if we would put the money in the right pockets and put limits on the folks that choose to hoard it.” – Dr. Joy Adams

Video Credit: Wonderstone Films

Michael Haney, “Brilliant Disguise”

Artist: Michael Haney
Hometown: Originally from Columbia, South Carolina; now living in Nashville, Tennessee
Song: “Brilliant Disguise”
Release Date: January 23, 2026
Label: Rock Ridge Music

In Their Words: “I chose to record ‘Brilliant Disguise’ by Bruce Springsteen as an up-tempo rock version, because I’ve always been drawn to the tension and truth in that song. It’s one of his most well-known pieces from a transitional period in his life, and I think it speaks directly to the heart of the human condition — that universal experience of hiding parts of ourselves, even from those we love most. The more you sit with it, the more you realize the song captures something even deeper: how often we don’t truly know who we are in the first place. We walk through life trying to piece together our identities, yet we still build masks on top of that uncertainty — sometimes to protect ourselves, sometimes because we’re afraid of being seen, and sometimes for reasons we don’t fully understand.

“I liked the idea of doing late-’80s Springsteen as if mid-to-late-’70s Springsteen had taken it on, with that raw, energetic edge that defined his early sound. Reimagining it that way let me lean into the emotional conflict at the center of the song — the push and pull between authenticity and self-deception — while giving it the kind of drive that felt truer to my own voice. It’s not a song that’s been covered often, which made it feel like the perfect addition to my catalog: both as a tribute to his songwriting and as a reflection of where I am personally right now, navigating my own questions about identity, honesty, and the parts of ourselves we choose — or struggle — to reveal.” – Michael Haney

Track Credits:
Michael Haney – Vocals
Ben Jackson – Drums, percussion, keys, Hammond B3 organ
Luis Espaillat – Bass
Brian Fechino – Acoustic guitar, electric guitar
Brad Sample – Electric guitar
Kaleb Thomas Jones – BGVs

Kirby Lyle, “Change Is Hard”

Artist: Kirby Lyle
Hometown: Nashville, Tennessee
Song: “Change Is Hard”
Album: Change Is Hard (EP)
Release Date: January 16, 2026

In Their Words: “‘Who’s gonna save us if we don’t save us?’ That’s the line. We are. Us. You and me. Right here in the moment. Every time I play ‘Change Is Hard,’ my soul activates! I’m so full of gratitude that the heart has an infinite capacity when it’s shared, because I can’t express this feeling alone. The music commands a full choir and joyful ruckus of players to lift it up to megaphone level. When the audience engages, our positive energy is ubiquitous! The hope is simple: inspiration toward progress – personal and societal. It’s on us. Be moved. Get better. Make each other better. Together.” – Kirby Lyle

Track Credits:
Kirby Lyle – Lead vocals, guitar, auxiliary percussion, songwriter, background vocals
Kyle Tuttle – Banjo
Keyboard – Jacob Merlin
Erika Nalow – Saxophones
Jordan Perlson – Drums
Background Vocalists: Maya de Vitry, Kyle Tuttle, Ethan Jodziewicz, Anthony Saddic, Brenna, Dana Baker, Emory Major, Noelle McFarland, Rachel Isabella, Sean Donovan, Kimberly Albertson, Laura Stack

Sweet Petunia, “Grub”

Artist: Sweet Petunia
Hometown: Boston, Massachusetts
Song: “Grub”
Album: Foggy Mountain Mental Breakdown
Release Date: January 13, 2026 (single); March 13, 2026 (album)
Label: Righteous Babe

In Their Words: “‘Grub’ is a song about my experience of being trans and the beauty and the pain that come with it. The song came to me almost completely at once. Most of the first verse came out in one fell swoop as you hear it today, but the second verse was inspired by a video of beautiful baby birds crowded into a small nest. I was so jealous of how close and happy they looked — a perfect opposite to reflect the isolation and sense of otherness that I explore in the first half of the song. Maddy and I then spent two hours just playing it over and over and over again until we finally found the perfect duet of banjo and vocals to support the song.

“I feel so lucky to have been able to share this song with so many other trans people through years of performing it live and hear how they connect to it within the context of their own experiences. It feels particularly special to be putting ‘Grub’ out in a time where our rights and lives as trans people are being put in harm’s way in a much more visible way than in the past few years.” – Mairead Guy

Video Credit: Riley Halliday

Photo Credit: Sweet Petunia by JJ Gonson; Big Richard by Rett Rogers.

You Gotta Hear This: New Music From Aaron Burdett, Trey Hedrick, and More

Posted on by Justin Hiltner

Happy New Year! We’re so excited to bring you our first collection of new music and videos for 2026. We’ve missed you over the past few weeks and, well, You Gotta Hear This…

Kicking us off, our old friend Joshua Britt returns with a new artist project, The Boy The Earth Sings To, and an official video for an original song, “Eyes Of God.” Falling on the continuum between gospel, sacred, and contemporary Christian roots music, the lush alt-folk track is built around the inspiration of a new mandola, tying the tone wood used to build the instrument to the forested visuals of the video. Meanwhile, Western North Carolina-based singer-songwriter Aaron Burdett unveils a new single, “Arthur’s Last Dance,” which pays tribute to folk dancer Arthur Grimes and his final performances at MerleFest before his retirement. It’s driving modern bluegrass appropriately perfect for flatfooting, clogging, and polishing those floorboards.

Then, from just up the mountains, Lonesome River Band also bring their first new single of 2026, “Bernadette,” written by Bob and Ginger Minner. Below, Bob offers his perspective on writing the tune, which he and his wife immediately imagined LRB recording, as soon as they had finished writing it. If you like crooked contemporary bluegrass that’s steeped in old-time mountain music – with a slightly dark, modal tinge – you’ll love this one.

Let’s continue up the mountains now, across Virginia and West Virginia to southeastern Ohio, where we’ll find the music of singer-songwriter Trey Hedrick and this new track, “Shoestring,” which features Tim O’Brien. It’s a testament to Hedrick’s grandpa, his relocation of the family to Ohio, and the way life, love, work, and place are passed down generation to generation.

Rounding out our collection this week, it’s a premiere we published elsewhere on the site this morning, as well. Celebrating his upcoming collaborative album, guitarist Bryan Sutton launches a hilarious and entertaining animated music video for “The Devil Went Down to Deep Gap” featuring Billy Strings, Del McCoury, and more. It’s a delightful reimagining of Charlie Daniels’ “The Devil Went Down to Georgia” that tells a fantastic version of Doc Watson’s origin story, pitting Doc’s style of picking against shredding metal electric guitars played by Sutton and Strings. You won’t want to miss this masterpiece of country, bluegrass, and flatpicking storytelling.

What a great way to kick off the year, right? There’s plenty to hear, love, and enjoy below. You Gotta Hear This!

The Boy The Earth Sings To, “Eyes of God”

Artist: The Boy The Earth Sings To
Hometown: Franklin, Kentucky
Song: “Eyes Of God”
Album: The Quiet Voice Of God
Release Date: November 7, 2025

In Their Words: “Years ago, my band played a show with Sierra Hull in Montana and that’s where she introduced me to mandolin builder Bruce Weber. Visiting his shop was unforgettable – an old schoolhouse where one room was filled with raw, uncarved slabs of wood that he would walk across, knocking on each piece, saying, ‘They all sound different, but some of them sing.’ It felt like he was listening for the mandolin already inside the wood, the way Michelangelo spoke about finding David inside the marble. Bruce built an octave mandolin for me that became the backbone of this album and while I was writing it I came across another Weber mandola. The first night I brought it home, I picked it up and wrote ‘Eyes Of God’ in one pass, as if the words and melody were already waiting inside that piece of wood. My favorite art has always felt more like discovery than invention.

“For the video I was inspired by time I spent in Bolzano, Italy, reading about the singing trees in the high altitude mountain forest – God placing the best wood high in the mountains, starved for air instead of down in the village. A reminder to me that making something great always requires adventure.” – Joshua Britt

Track Credits:
Joshua Britt – Vocals, mandola, other instruments, songwriter
Matt Menefee – Banjo
Neilson Hubbard – Drums
Colter Britt – Harmony vocals
Sarah Drake – Harmony vocals

Video Credits: Filmed on location in the Colorado Rockies.
Directed by Joshua Britt and Quincy Britt.

Aaron Burdett, “Arthur’s Last Dance”

Artist: Aaron Burdett
Hometown: Saluda, North Carolina
Song: “Arthur’s Last Dance”
Release Date: January 9, 2026
Label: Organic Records

In Their Words: “I was first introduced to Arthur Grimes when I lived in Boone, NC, in the ’90s. He’d materialize now and then at many shows I was playing or attending over the years. So when I played a set at MerleFest 2024 with Steep Canyon Rangers and heard that Arthur was going to be there with Old Crow Medicine Show – to do his last dance before largely retiring – my interest was piqued. After our set, I was checking out other performances and, sure enough, got to see Arthur doing his thing on the Watson stage one last time. It was an event that deserved a few songwriting notes. Those notes I took that night are what turned into this song commemorating Arthur’s long career dancing with any and every band or performer who came through the High Country of NC over the past 50 years or so.” – Aaron Burdett

Track Credits:
Aaron Burdett – Lead vocal, acoustic guitar
Kristin Scott Benson – Banjo
Carley Arrowood – Fiddle
Tristan Scroggins – Mandolin
Jon Weisberger – Upright bass
Wendy Hickman – Harmony vocal
Travis Book – Harmony vocal

Trey Hedrick, “Shoestring” (featuring Tim O’Brien)

Artist: Trey Hedrick
Hometown: Wilkesville, Ohio
Song: “Shoestring” featuring Tim O’Brien
Album: Sing, Appalachia
Release Date: January 7, 2026 (single); February 18, 2026 (album)

In Their Words: “‘Shoestring’ is a song about my Papaw, who was an incredible singer and multi-instrumentalist and the engine to the musical life of my immediate and extended family. Through him I came to the writers and songs that I still call on frequently in my own writings. Pap grew up in Parsons, West Virginia, and when work dried up or, more likely, after a need to move on after his brother Skip died in a mining accident, he moved north to southern Ohio. A move that anchored the geography of our family to southern Ohio after many generations in West Virginia and Kentucky. I didn’t try and likely couldn’t have written ‘Shoestring’ from any perspective other than reverent grandson, intentionally setting aside any precise detail. ‘Shoestring’ is about place, love, work, and life passed down, intentionally or not. I was honored to have Tim O’Brien sing and play fiddle on the track – Tim’s music has been an inspiration and has long meant a great deal to me.” – Trey Hedrick

Track Credits:
Trey Hedrick – Lead vocals, acoustic guitar, songwriter
Tim O’Brien – Lead and background vocals, fiddle
Maya de Vitry – Background vocals
John Mailander – Fiddle
Ethan Ballinger – Mandolin
Frank Evans – Banjo
Phillipe Bronchtein – Pedal steel
Jamie Dick – Drums
Rhees Williams – Bass

Lonesome River Band, “Bernadette”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Bernadette”
Release Date: January 9, 2026
Label: Mountain Home Music Company

In Their Words: “My wife Ginger and I write a lot of songs together and sometimes the ideas come from the strangest of places. ‘Bernadette’ came from when one of Ginger’s favorite authors, Shawn Inmon, who asked his fans to offer up unique women’s names to be used in his next novel. We were driving around and joking about names like Ethel, Maude, Calry, etc., and I just blurted out ‘How ’bout Bernadette?’ And out of nowhere I sang that name and first line. We got home and sat down and we wrote it in no time. It just fell out, so to speak. Plus, I always wanted to use the word ‘trifling’ in a song, so it seemed fitting for a woman like Bernadette in the story. We did a guitar and vocal demo of it and I sent it right to my buddy Jesse Smathers, because LRB was who we heard in our heads doing it as we wrote it. Thanks to LRB for cutting this one, we’re honored.” – Bob Minner, songwriter

Track Credits:
Sammy Shelor – Banjo
Jesse Smathers – Acoustic guitar, lead vocal, harmony vocal
Mike Hartgrove – Fiddle
Adam Miller – Mandolin
Kameron Keller – Upright bass
Rod Riley – Electric guitar
Bob & Ginger Minner – Songwriters

Bryan Sutton, “Devil Went Down to Deep Gap” with Billy Strings

Artist: Bryan Sutton with Billy Strings
Hometown: Nashville, Tennessee
Song: “The Devil Went Down to Deep Gap”
Album: From Roots to Branches
Release Date: January 9, 2026 (single/video)
Label: Mountain Home Music Company

In Their Words: “It was listening to Charlie Daniels’ original ‘The Devil Went Down to Georgia’ with my youngest daughter, Lily. She has very eclectic and broad musical tastes. I’ve loved sharing music with her and checking out what she has discovered. We found some other covers of the original and one that stuck with me was Jerry Reed’s interpretation, where he makes Johnny a guitarist instead of a fiddler. I have been working on a duets record for some time, collecting recordings here and there with my pals, and knew I wanted to do something different with Billy, as he and I have a whole record of duet playing.

“Billy and I also share a love for heavy metal. I was trying to think of a way he and I could do something connected to this duets project that would allow us to play acoustic and electric. It all kind of came together when I realized this song would allow for that. The Doc [Watson] origin story came about thinking how to make this not just a cover, but more personal and fun. It’s also another subtle tribute to Doc, who would oftentimes change or add lyrics to a song in order to make it fit for him. I fashioned the story, made a little demo, and sent it to Billy. He was into it and we were off.” – Bryan Sutton

Read more here. 

Photo Credit: Aaron Burdett by Sandlin Gaither; Trey Hedrick by Chris Heidl.

WATCH: Bryan Sutton, “The Devil Went Down to Deep Gap” with Billy Strings

Posted on by Justin Hiltner

Artist: Bryan Sutton with Billy Strings
Hometown: Nashville, Tennessee
Song: “The Devil Went Down to Deep Gap”
Album: From Roots to Branches
Release Date: January 9, 2026 (single/video)
Label: Mountain Home Music Company

In Their Words: How do you see Doc’s playing influencing both yours and Billy’s?

“I think beyond the specific influence of Doc’s guitar playing that informs most every note Billy or I may play, I know that we both are students of Doc’s complete artistry. To say Doc is just the most influential flatpicker ever is limiting. He brought so much to the table in his honest and emotional singing, his song choices and writing, banjo and harmonica playing, and Travis-style fingerpicking. He was not comfortable being labeled or limited within a specific genre. His onstage persona was true to him. Without being a ‘showman,’ he was informational when the song needed it and willing to share whatever emotion he might be experiencing. It’s also important to note that Doc and Merle’s duo playing has been a huge part of the overall focus for things Billy and I have done together. I know for both Billy and I, Doc provides a lifetime of inspiration, influence, and learning.”

How do you pay tribute to that in this song and video?

“First and foremost, this is kind of a silly or fun thing, along with being a somewhat serious tribute to Doc Watson. I wanted to use the song to have fun with the guitar shredding and good versus evil battle, but also imagine an origin story of how Arthel Watson could have become the ‘Doc’ we all have loved. Maybe it’s a gospel song in the way that Doc, even and especially in his blindness, can ‘see’ through the Devil’s lies. Ultimately, Doc carries his triumphant message to the world, and influences us all with wonderful and heartfelt music.”

It sounds like you had this concept before talking with Billy about it. How did the concept and song come to be, from start to finish?

“It was listening to Charlie Daniels’ original ‘The Devil Went Down to Georgia’ with my youngest daughter, Lily. She has very eclectic and broad musical tastes. I’ve loved sharing music with her and checking out what she has discovered. We found some other covers of the original and one that stuck with me was Jerry Reed’s interpretation, where he makes Johnny a guitarist instead of a fiddler. I have been working on a duets record for some time, collecting recordings here and there with my pals, and knew I wanted to do something different with Billy, as he and I have a whole record of duet playing.

“Billy and I also share a love for heavy metal. I was trying to think of a way he and I could do something connected to this duets project that would allow us to play acoustic and electric. It all kind of came together when I realized this song would allow for that. The Doc origin story came about thinking how to make this not just a cover, but more personal and fun. It’s also another subtle tribute to Doc, who would oftentimes change or add lyrics to a song in order to make it fit for him. I fashioned the story, made a little demo, and sent it to Billy. He was into it and we were off.

“I feel fortunate that Del was into playing the Devil. I also am so happy to have T. Michael Coleman and Sam Bush on the track, who played many years on the road and studio with Doc. My pal Jerry Roe, who is Jerry Reed’s grandson, plays the drums, connecting to the Reed version that inspired me. Once I had the concept and demo for the song, I knew it had to be an animated video and discovered Pat Bradley of Springshoe Animation. It was wonderful working with him to take what had been in my head and be able to visualize it. Ultimately, all this came about a little piece at a time, and I’m so happy to share it with the world.” – Bryan Sutton

Track Credits:
Bryan Sutton – Acoustic guitar, electric guitar, vocal
Billy Strings – Acoustic guitar, electric guitar, vocal
Del McCoury – Vocal
T. Michael Coleman – Electric bass, harmony vocal
Sam Bush – Mandolin
Jerry Roe – Drums

Video Credits: Animation by Pat Bradley, Springshoe Animation.

Lead image courtesy of the artist.

You Gotta Hear This: New Music From Ber, Pert Near Sandstone, and More

Posted on by Justin Hiltner

Somehow it’s December and we’ve already reached our final collection of new roots music, songs, and videos for 2025. It’s been a year absolutely packed with essential new music that you gotta hear, hasn’t it? We think this final roundup is the perfect way to go out, as we look ahead to plenty more fresh tracks to share in 2026.

First, mandolinist Jesse Appelman previews the first single from his upcoming debut solo album. “Glacier Song” is sung from the perspective of the titular glacier, examining the inevitability of time and change with bluegrass trappings and tasteful dashes of old-time from his talent-stacked ensemble. Texan singer-songwriter Dustin Brown calls on fellow Texan Billy Hartman and Nashville-based Rachel Cole for his new track, “Ballerina.” Out next week, it’s a simple, stripped-down, and twangy arrangement for a song about yet another tale as old as time: a love triangle between two people and their freedom.

Also, Kara Arena draws inspiration from the Hindu deity Hanuman for a new single, “Whose Face Is On Your Heart.” A harbinger for her upcoming EP, which is set for release in January 2026, the vibey modern folk number finds the singer-songwriter considering the concept of our loved ones leaving indelible marks on our hearts while wrapped in cinematic strings. From Toronto, Meredith Moon returns to her just-released September album, From Here to the Sea, to share a brand new performance video for “Poseidon.” She’s accompanied by Tony Allen, Rachel Melas, and Mikey Shakes as they play the song down at Compass Records’ Hillbilly Central studio. “Poseidon” is about rising above the tumult of toxicity and negativity and choosing your own heart.

To conclude, we take a trip to Minneapolis and St. Paul, Minnesota, to catch new singles debuted this week by both Ber and Pert Near Sandstone, two acts from the incredibly music-rich Twin Cities. Today, Ber announced her upcoming new album, Good, Like It Should Be, set for release in early April 2026. The lead single from that project, “Book Cover,” is about the deeper meaning and understanding that can be hidden inside ourselves and is found in the delicious sonic territory where country, indie, and pop overlap. You can easily picture the song on mainstream country radio and an indie-pop playlist, too.

Pert Near Sandstone, for their part, lean into Irish folk and Celtic sounds with accordion, tenor banjo, and a shout-along, pub-ready lyric. “Side by Side” is about perseverance and rising above interpersonal challenges together. With resonant accordion and banjo tremolos, you’ll feel like you’re huddled up with the band in the corner of a cozy pub jamming along.

There’s plenty to hear and enjoy below. Thanks for sharing a year’s worth of new music with us! We’ll see you in 2026 right here for more premieres, but for now… You Gotta Hear This!

Jesse Appelman, “Glacier Song”

Artist: Jesse Appelman
Hometown: Oakland, California
Song: “Glacier Song”
Album: Where We Go
Release Date: December 12, 2025 (single); February 20, 2026 (album)

In Their Words: “This song might not make much sense until you realize that it’s sung from the first-person perspective of a glacier – and what better inanimate object could there be to explore the inevitability of time and change? Written one of my oldest friends, Will Fourt, the crooked and circular structure was a perfect vehicle for this ensemble to weave the spontaneous and lush whirlwind of melody that ends the track. The refrain, ‘I don’t know where we go,’ here an expression of uncertainty, gave rise to the album title, reworked as a statement of intent: Where We Go.” – Jesse Appelman

Track Credits:
Jesse Appelman – Mandolin, vocals
Sami Braman – Fiddle
Allison de Groot – Clawhammer banjo
Emily Mann – Bass, harmony vocals
Eli West – Guitar, harmony vocals

Kara Arena, “Whose Face Is On Your Heart”


(Click to listen)

Artist: Kara Arena
Hometown: New York, New York
Song: “Whose Face Is On Your Heart”
Album: Whose Face Is On Your Heart (EP)
Release Date: December 5, 2025 (single); January 2026 (EP)

In Their Words: “‘Whose Face Is On Your Heart’ was born after I encountered the story of Hanuman, the Hindu deity. What truly distinguishes Hanuman is his deep devotion to his Lord, Rama and Devi Sita. When his loyalty comes into question, Hanuman says, ‘Every inch of my body has Rama in it. My heart and soul are made of Rama.’ When doubt of his love persists, he tears open his chest to reveal images of Rama and Sita glowing within his heart. When writing this song, I thought about what it would be like if our hearts were branded with the ones we love most. We wear their faces like a badge of honor. And when love leaves, do those sketches become scars?” – Kara Arena

Track Credits:
Kara Arena – Vocals, guitar, songwriter
Michael Lepore – Piano
Brett Bass – Upright, electric bass
Matt Bent – Drums, percussion
Mae Roney – Violin
Rachel Rice – Cello
Joe Cilento – Electric guitar, keys

Ber, “Book Cover”

Artist: Ber
Hometown: Minneapolis, Minnesota
Song: “Book Cover”
Album: Good, Like It Should Be
Release Date: December 5, 2025 (single); April 3, 2026 (album)
Label: Nettwerk Music Group

In Their Words: “I wrote ‘Book Cover’ last year over a cup of tea with my friend Corey Sanders, who at the time was consoling me as I was feeling very overlooked and invisible as a small, independent artist and writer in the music industry. At its surface, ‘Book Cover’ is about heartache and longing to be known for what’s inside, to be given a shot by someone not based on your looks or appearance, but because of the person you are. In its bones I’ve personally found deeper meaning— ‘Book Cover’ is a sweet reminder to myself to know your worth and acknowledge what you bring to the table. It’s one of my favorite songs from my forthcoming album, and I hope you like it!” – Ber

Dustin Brown, “Ballerina” (with Billy Hartman, Rachel Cole)

Artist: Dustin Brown, Billy Hartman, Rachel Cole
Hometown: Moody, Texas (Dustin); Texas (Billy); Nashville, Tennessee (Rachel)
Song: “Ballerina”
Release Date: December 12, 2025
Label: New Usual Records

In Their Words: “Writing a song can be as complex as the characters in it. Some fall out on the table, but this one definitely reflects its process as much as its meaning. The turmoil behind the writing of this song influenced its jaded undertones. It’s a tale as old as time, a love triangle between two souls and freedom. A dilemma of one’s resolve and another’s yearning.” – Dustin Brown

Meredith Moon, “Poseidon”

Artist: Meredith Moon
Hometown: Toronto, Ontario, Canada
Song: “Poseidon”
Album: From Here to the Sea
Release Date: December 2, 2025 (video); September 12, 2025 (album)
Label: Compass Records

In Their Words: “‘Poseidon’ was written during a pretty tumultuous time in my life, juggling priorities and in the end choosing my heart over all else. I felt the weight of the negativity inflicted on me by the toxic situations I’d left recently and ‘Poseidon’ was about re-instilling my own power and safety, like surrounding myself by an orb of protection.” – Meredith Moon

Performance Credits:
Meredith Moon – Guitar, vocals
Tony Allen – Fiddle
Rachel Melas – Bass
Mikey Shakes – Drums

Video Credit: Filmed at Compass Studios by Emma McCoury.

Pert Near Sandstone, “Side by Side”

Artist: Pert Near Sandstone
Hometown: Minneapolis / Saint Paul, Minnesota
Song: “Side by Side”
Album: Side by Side
Release Date: December 3, 2025 (single); February 27, 2026 (album)

In Their Words: “I originally started writing ‘Side by Side’ about my relationship with my wife and us pushing through challenging times. However, as the song came together, I realized the message of perseverance applied equally to the band and the challenges we go through together as professional musicians touring on the road. The music is traditional Irish-folk inspired, featuring wonderful accordionist Patrick Harison and Nate Sipe on Irish tenor banjo. I sing the lead along with full band group vocals and harmonies, which add to that real pub anthem sound. While in the recording studio we pulled the title ‘Side by Side’ from the lyrics which eventually became a rallying cry and decided it would be a fitting name for the new album.” – J Lenz

Track Credits:
J Lenz – Acoustic Guitar, vocals, songwriter
Kevin Kniebel – Clawhammer banjo, vocals
Nate Sipe – Mandolin, tenor banjo, vocals
Justin Bruhn – Upright bass, vocals
Patrick Harison – Accordion

Photo Credit: Ber by Tom Thornton; Pert Near Sandstone by Tony Nelson.

You Gotta Hear This: The Lone Bellow, Laurie Lewis, and More

Posted on by Justin Hiltner

Ready for another batch of new songs and videos? Great! ‘Cause You Gotta Hear This.

It’s a roundup full of friendship and interpersonal connections this week. First up, Americana rockers Chamomile & Whiskey bring a new video for “Friends Are Falling Out.” In the vein of classic, folky alt-rock sounds, the track and video explore the fragility of relationships with a deep groove, distortion, and fiddle and banjo. But keep scrolling, as you’ll also find singer-songwriter Kim Moberg’s testament to the all-too-rare true friend with her new track, “I’ll Always Be A Friend.” The jangly modern folk number was born from Moberg’s desire to communicate to her old and new friends how important they are to her. The paeans to friendship continue with a new video from old-time/folk duo Paper Wings, who debuted their new single “Fumblin” earlier this week. It’s a double-guitar track about awkwardness, eagerness, and how we all stumble through life and through relationships.

There’s still more to enjoy elsewhere in our collection, too. Bluegrass icon Laurie Lewis has announced her upcoming 2026 album, O California! with a new video for “Look Down That Lonesome Road.” Lewis took the mournful ballad, wrote new verses, and set the lyric to a jammy, driving bluegrass tune that drips with her signature sounds. Plus, fiddler Andy Leftwich calls on his pal, guitarist Cody Kilby, to trade licks on a new original fiddle tune he’s just released called “Old Hickory.” You might never guess he first wrote the melody on guitar.

You won’t want to miss “The Doldrums” from New York Americana string band The Mammals. They’ve just dropped an animated video for the track from their recent project, Touch Grass, Vol. 1. The song might just be a cure for its own namesake; it’s a perfect selection to take with us into the often doldrums-heavy winter months. Finally, don’t miss a brand new single from iconic folk trio The Lone Bellow. Today they announced their upcoming record, which will release in February 2026 and was recorded in Muscle Shoals, Alabama. “You Were Living” finds the band with an expansive, resplendent sound that certainly sounds like The Lone Bellow, but steeped in the Shoals.

There’s plenty to find and enjoy in our conglomeration of new music. Scroll on for more. You Gotta Hear This!

Chamomile & Whiskey, “Friends Are Falling Out”

Artist: Chamomile & Whiskey
Hometown: Charlottesville, Virginia
Song: “Friends Are Falling Out”
Release Date: November 19, 2025

In Their Words: “I wrote the line ‘that broken heart might just catch a break’ after meeting up with a friend of mine. She had regaled me with her latest story in a long line of bad relationships. I live in Charlottesville, which isn’t very big, and we’ve got plenty of small-town drama. The song kind of came out of some of that and the fragility of friendships. I finished writing it just before we celebrated 1,000 shows as a band.

“In preparation for the show, Marie and I did an in-studio performance at WNRN, a station we’ve long had a good relationship with. I thought it would be fun to try a brand new song. A few days later they told me that NPR Music had shared the video as their live song of the day. We felt like it must have some juice and we decided to record it ASAP. We all liked the mysterious, Southern Gothic aesthetic that we felt in the studio. Critter added the banjo on top of fiddles before laying down a glass slide part on the guitar. Marie and I grew up in Nelson County and that first Old Crow Medicine Show record, O.C.M.S., was huge in our circles and reminds me of driving around those beautiful backroads as a teenager. To have Critter put his signature sound on one of our songs was special and felt full circle.” – Koda Kerl

Track Credits:
Koda Kerl – Guitar, lead vocals, songwriter
Marie Borgman – Fiddle, backing vocals
Bobby St. Ours – Fiddle, backing vocals
Brian Gregory – Bass, backing vocals
Critter Fuqua – Banjo, slide guitar, backing vocals
Jesse Fiske – Baritone guitar, backing vocals
Drew Kimball – Electric guitar
Stuart Gunter – Drums

Video Credits: Directed by Johnny Saint Ours and Jenny Carhartt. Filmed at Dürty Nelly’s Pub 

Andy Leftwich, “Old Hickory”

Artist: Andy Leftwich
Hometown: Carthage, Tennessee
Song: “Old Hickory”
Release Date: November 21, 2025
Label: Mountain Home Music Company

In Their Words: “Every once in a while, you sit down with your instrument, a melody just falls out, and within a few minutes you have a fun, catchy melody! This is exactly what happened to me with this song. Even though it’s a fiddle tune, I actually wrote it on my guitar. After a few small changes to the melody, I finally landed on something that flowed well under the fingers – not only for the fiddle, but the lead guitar part as well. I was honored to have my good friend, Cody Kilby, take the lead guitar on this one! It’s so much fun to play and was named after ‘Old Hickory,’ a town near where I live.” – Andy Leftwich

Track Credits:
Andy Leftwich – Fiddle, mandolin
Byron House – Upright bass
Cody Kilby – Acoustic guitar
Matt Menefee – Banjo

Laurie Lewis, “Look Down That Lonesome Road”

Artist: Laurie Lewis
Hometown: Berkeley, California
Song: “Look Down That Lonesome Road”
Album: O California!
Release Date: November 21, 2026 (single/video); February 13, 2026 (album)

In Their Words: “I have been playing around with this song since I heard Gaither Carlton sing it decades ago as a mournful ballad. I love it that way, but it seemed to me that sometimes parting needn’t be so sad, if you know you get to meet again (maybe at a festival next year). I started writing verses for it and when I got up to about eight or ten, I decided it was time to get serious. I love the loose arc of the story and the way the band responds to it. We winnowed down the verses to the essentials, leaving the others for the extended jam version.” – Laurie Lewis

Track Credits:
Laurie Lewis – Lead vocals, acoustic guitar
Brandon Godman – Fiddle
George Guthrie – Banjo, harmony vocal
Hasee Ciaccio – Double bass, harmony vocal

Video Credits: Produced and directed by Bria Light. Recorded at the Strawberry Music Festival in Grass Valley, CA.

The Lone Bellow, “You Were Leaving”

Artist: The Lone Bellow
Hometown: Nashville, Tennessee
Song: “You Were Leaving”
Album: What a Time to Be Alive
Release Date: November 21, 2025 (single); February 13, 2026 (album)
Label: Thirty Tigers

In Their Words: “‘You Were Leaving’ is a song about the fleeting, transient nature of life. For us, the song is deeply personal, but it also feels universal. It invites people to find their own story in it, what it means to say goodbye, and what stays with us long after the leaving.” – The Lone Bellow

The Mammals, “The Doldrums”

Artist: The Mammals
Hometown: West Hurley, New York
Song: “The Doldrums”
Album: Touch Grass, Vol 1
Release Date: November 1, 2025
Label: Humble Abode Music

In Their Words: “I wrote ‘The Doldrums’ during a stretch of isolation when joy felt out of reach and time moved so strangely. ‘Why do the good times go so fast? Why do the doldrums linger and last?’ We tend to remember the hardest part of the day when we lay down to sleep, but this song reminds me to appreciate every amazing moment. I’m grateful this recording sounds triumphant and energized – like an anthem to shake out of a low vibration and shine a bright light into the future. For all who listen, may music and friendship help carry you through the next windless day. The Mammals have your back.” – Ruth Ungar

Track Credits:
Ruth Ungar – Vocals, guitar, songwriter
Mike Merenda – Guitars, banjo, vocals
Brandon Morrison – Bass, vocals
Will Bryant – Keys, vocals
Tim Morrison – Drums

Video Credits: Animated and Directed by Anne Beal. 

Kim Moberg, “I’ll Always Be A Friend”

Artist: Kim Moberg
Hometown: Cape Cod, Massachusetts, the traditional territory of the Indigenous Nauset and Wampanoag Nations
Song: “I’ll Always Be A Friend”
Album: All That Really Matters
Release Date: January 30, 2026 (album)

In Their Words: “As an artist who grew up listening to the amazing singer-songwriters of the 1970s, Carole King’s ‘You’ve Got A Friend’ is embedded in my heart. I love that her song and its message about connection, support, and loyalty have endured all of these many years. I was a military ‘brat’ who attended 10 different schools in 12 years, so growing up I never lived in one place long enough to be part of a friend group or a clique. I was always ‘the new kid’ who was never included. The rare true friend meant more than gold to me.

“‘I’ll Always Be A Friend’ was born from my desire to share how important the friends in my life have been and how equally important the new friends I get to connect with through performing are to me. In these uncertain and trying times, community and friendship are paramount. (And Libra loyalty lives strong in this song!)” – Kim Moberg

Track Credits:
Kim Moberg – Lead vocal, acoustic guitar
Jon Evans – Bass, tenor guitar, drums, percussion, Fender Rhodes, harmony vocals

Paper Wings, “Fumblin”

Artist: Paper Wings
Hometown: Nashville, Tennessee
Song: “Fumblin”
Release Date: November 18, 2025 (single/video)

In Their Words: “‘Fumblin’ is about friendship and watching one another stumble and fumble through the joys and trials of life. We wrote this one together in the backyard in a sort of trance state, describing scenes from our lives. It’s definitely a romanticization of awkwardness and our eagerness to connect as a species despite inevitable failure at times. We played double guitars on this one which we’ve been having fun doing lately. It’s the first track in the world of ours that I recorded and mixed in my studio in Nashville, so that’s quite exciting as well. We have a lot more music coming from this space, so look out!” – Wila Frank

Video Credits: Filmed by Sami Braman, edited by Wila Frank.

Photo Credit: The Lone Bellow by Debbie Ewing; Laurie Lewis and band by Dawn Kish.