LISTEN: Gary Brewer, “Daddy and the Old Oak Tree” (Feat. Dale Ann Bradley)

Artist: Gary Brewer
Hometown: Louisville, Kentucky
Song: “Daddy and the Old Oak Tree” (featuring Dale Ann Bradley)
Album: 40th Anniversary Celebration
Release Date: May 29, 2020
Label: SGM Records

In Their Words: “I’ve always admired Dale Ann’s singing and her ability to capture you in song. I chose the guest artists on 40th Anniversary Celebration because of the connection they had with each song; I chose her for ‘Daddy and the Old Oak Tree’ because of the influence our fathers have had on both of us and how they’ve impacted our lives. I feel that this song really says who we both are and where we came from. We had such a wonderful time in the studio reminiscing. We’ve both played on the same stages over the years, but never had performed together. It was such an honor to have her a part of my 40-year celebration. I hope you enjoy our first collaboration as we share our Kentucky heritage in song.” — Gary Brewer


 

Christian Sedelmyer, “Brain Scan”

If you have happened to spend any amount of time inside an MRI machine (as this writer has), you’ll know it’s not a particularly comfortable experience. Claustrophobia is almost guaranteed, as your body is ushered into a tiny, cramped tube where patients are instructed to lay impossibly still for as long as the gigantic magnet and coils rotate, whine, and grind around your body. If you’re lucky, and your particular imaging orders don’t require otherwise, some MRI machines are equipped with music through magnet-safe earbuds (“What Pandora station would you like to listen to today?”) or, in one rare case for this writer, Netflix was projected through a series of relayed mirrors to allow Parks & Recreation to appear within the machine.

MRI machines are loud, and the noise is not particularly pleasant. Bumping and squealing and repetitive clunks and bangs become like a sound bath, as your brain attempts to make sense of the cavalcade of random noises. Some patients pick out sounds and gibberish syllables from the noise (I often hear “DAD! DAD! DAD! DAD! DAAAAD!”), while others simply let the cacophony wash over them hypnotically. Others cannot help but be swept away by the adrenaline-boosting, horror film-esque atonal soundtrack.

On his brand new solo album, Ravine Palace, Grammy-nominated fiddler Christian Sedelmyer (Jerry Douglas Band, 10 String Symphony) proffers a gorgeous alternative to that soundtrack. “Brain Scan” is a tune that certainly calls to mind the prerequisite din of an MRI machine, but with slippery bowed chromaticisms and Sedelmyer’s signature musical wit — plus a healthy dose of joy, something often suspiciously absent from radiology departments. Andrew Marlin (Mandolin Orange) on mandolin, Eli West (Cahalen Morrison & Eli West) on guitar and clawhammer banjo, and Clint Mullican (also Mandolin Orange) on bass follow along with rapt attention, combining the detail-affixed listening of chamber music with the sly lilt and energy of old-time.

Even while the foursome toys with the dissonant themes of the melody throughout the tune the aesthetics here will always be more palatable, enjoyable, and irresistible than a gigantic piece of magnetic medical equipment — no one is surprised, here — but “Brain Scan” still captures the anxieties, uncertainties, and inevitabilities of such a procedure uncannily. In a package any listener would be happy to encounter, whether through scan-safe earphones or not.

WATCH: Joe Mullins & The Radio Ramblers, “A Folded Flag”

Artist: Joe Mullins & The Radio Ramblers
Hometown: Xenia, Ohio
Song: “A Folded Flag”
Album: For the Record (vinyl LP, limited edition bonus track)
Release Date: May 22, 2020
Label: Billy Blue Records

In Their Words: “We enjoy recognizing veterans from the stage and dedicating a song to remember their sacrifices. With this song though, we also get to remember the family members of those who are no longer with us. Whether a father, son, daughter, brother or sister, every audience contains people who are proud of and thankful for a loved one’s service. Many servicemen and women do not see combat, but those flags are folded up and given to their family in honor of their service every day. JMRR was blessed to sing the song at the Grand Ole Opry last summer, and our friend Mark Brinkman, one of the song’s co-writers, was in the audience. After we did the song, he found he was seated beside a World War II veteran and they both thanked each other!” — Joe Mullins


Photo credit: Amy Richmond

BGS Podcast Roundup // May 22

We’ve got another round of podcasts for you this Friday, with episodes featuring one of the last founding fathers of bluegrass, a delicious Mexican-inspired meal from an award-winning Austin chef (in your home!), a young Nashville phenom’s debut on Rounder Records, and much much more.

Make sure to follow along with the BGS Podcast Network on our social media [Facebook, Twitter, and Instagram] and right here, where we’ll consistently gather our new episodes, as well as some past favorites:

The Shift List – Chef Fermín Núñez (Suerte) – Austin, TX

This week, our first in a series of shows from Austin, Texas, starting off with Fermín Núñez, executive chef of East Austin’s Mexican-inspired restaurant Suerte and Eater Austin’s 2018 chef of the year.

As you’ll soon discover, Chef Fermín is a man with a mission: To create the perfect tortilla, every single day. It’s his attention to detail that has made Suerte one of the most beloved new restaurants in Austin, and Chef Fermín’s love of music is woven into each part of the day, from the making of the masa, to prepping his mise en place, to the entire staff stopping at 4pm to clap to a cover of “Achy Breaky Heart” in Spanish and prepare for the night of service ahead.

Speaking of service, Suerte closed for a few weeks back in early March to regroup and recalibrate as the city of Austin sheltered in place because of the new coronavirus. In mid-March they reemerged with the Suerte Taqueria, providing highlights from Suerte’s menu for takeout — a highlight being the Suadero Taco Meal kit for families to enjoy at home. The kit includes all the ingredients needed to prepare Chef Fermín’s signature dish at home, including confit brisket, avocado crudo, black magic oil, signature tortillas, and sides. In addition to cooking instructions, they rounded out the experience with a video of Chef Fermín cooking along in his own kitchen, and a link to his favorite playlist in an attempt to bring the full Suerte experience into your kitchen.

The kits are still available, so if you live in the Austin area and need some high quality sustenance, head over to Suerteatx.com.


The String – Lilly Hiatt, Gabe Lee

Lilly Hiatt put in a lot of work at the local and regional level, including releasing two albums, before her third, Trinity Lane, met the moment and became a breakout work.

So a lot of ears were lifted toward her 2020 release of Walking Proof, and it was quickly acclaimed as punchy, vivid and memorable. We talk about going on the road with her dad songwriter John Hiatt back in the day, the deserved success of Trinity Lane and new musical directions. Also, a get-acquainted talk with Nashville-born, rocking country songwriter Gabe Lee.


Toy Heart: A Podcast About Bluegrass – Jesse McReynolds

One of the last founding fathers of bluegrass, Jesse McReynold’s story is the story of bluegrass — a music that emerged out of the country, into rural schoolhouses, onto rural radio, finding sponsorship along the way, enmeshing itself into the mainstream of American culture.

McReynolds tells the story of his grandfather, who played in the first recorded country music session, talks about being offered a gig with the Stanley Brothers, serving with the armed forces in Korea and singing alongside Charlie Louvin. He relates hunting down record deals and successes with his brother Jim, starting their own label, being sought out by counter cultural icons like the Grateful Dead and The Doors. Now nearing the age of 91, McReynolds spends some time reflecting as well, on his brother Jim’s death, his own struggles with the Opry, and how he feels about his legacy in the music. This is an icon of American music whose story isn’t often told, and we’re honored to play a part.


The String – Katie Pruitt, Jenee Fleenor

Katie Pruitt has been known as a phenom ready for big things in Nashville for a few years now. With patience and enough maturity to get the music exactly as she intended, Pruitt has now made her debut on Rounder Records.

The album Expectations is a bold, ambitious, and succulent collection, and vividly honest as well, with songs documenting a difficult journey from a conservative family in Georgia to a proud gay woman in Music City. This is a 25-year-old singer, songwriter, and guitarist poised for big things. Also in the hour, the journey of Arkansas born fiddler Jenee Fleenor. She was named CMA Musician of the Year and she’s releasing her first recordings of her own music after years supporting others.


The Show on the Road – Steve Poltz

This week on The Show On The Road, we feature a conversation with a Canadian-born paraparetic prince of pop-folk singers, who has jumped through more gauntlets of the modern music industry than almost anyone in his three plus decades of making records, Steve Poltz.

Poltz first hit the scene with the San Diego-based underground punk-folk favorites The Rugburns, then as an accidental hitmaker and MTV video heartthrob with collaborator and friend Jewel, and then as a wild-haired, two hundred shows a year internationally revered solo act. He’s put out a baker’s dozen of whacked-out, deceptively sensitive, and fearlessly personal albums that have won him devoted audiences from his ancestral home in Nova Scotia to the dance party dives of California to massive festivals across Australia and beyond.

As we are still quite separated during the pandemic, host Z. Lupetin called up Poltz in Nashville to discuss the long and twisty road Poltz has travelled — jumping from his inspired, most-recent album Shine On back to his childhood in swinging Palm Springs (where he met Elvis and Sinatra), to making $100,000 music videos for his ill-fated major label debut in ’98, to nearly dying on stage after substance abuse problems and never-say-no-to-a-gig exhaustion took its toll.

We now find him in a more peaceful, purposeful existence, where he is newly married and enjoying making music at home (government orders!) for the first time in decades.


 

Stay On Your Ass: If Days Still Mean Anything to You, It’s a Long Weekend!

Our plans: GET. OFF. YOUR. ASS. 2020: Nope, lol.

In the past, supporting musicians, writers, and creators meant going out to shows, buying drinks at venues, volunteering at festivals, and so much more. But music fans and supporters around the globe are finding new ways to show up for the folks who supply the soundtracks to our lives.

States and local jurisdictions may be loosening coronavirus lockdown restrictions, but the numbers are still very clear. Memorial Day or not, the healthy, safe choice is to just stay distanced, stay apart, and stay on your ass! We’ll continue to bring you a few of our favorite events, livestreams, and COVID-19 coping resources that we’ve scrolled by on our feeds or found in our inboxes each week until that reality changes.

Did we miss something? (We probably did.) Let us know in the comments or on social media!

Rhiannon Giddens Honors Bill Withers, Aids COVID-19 Relief Efforts

In early May, Rhiannon Giddens released a gem from her vault of B-sides and outtakes. Recorded in what she refers to as a “very un-socially distanced time,” Giddens and co. perform a lively tribute to an icon of American music. The release of this cover and music video celebrate the life and music of Bill Withers, while also portraying life in quarantine and raising funds for Global Giving’s Coronavirus Relief Fund.

Like many of his other hits, Withers’ “Just the Two of Us” has an infectious cheerfulness that, especially when juxtaposed with images of quarantine and sheltering in place, can brighten any day. Giddens explains, “When Bill Withers passed, we suddenly remembered we had made this beautiful [cover]… So whether it’s just the two of us, or just a few of us; whether the lockdown has been for months or it’s about to be lifted; COVID-19 is here for the foreseeable future, and the more we can be alone together now, the better the future will be.” 


Whiskey Sour Happy Hour Concludes

Our month-long online variety show came to a close last night with a surprise bonus episode featuring performances from past WSHH performers like Billy Strings, Valerie June, Rodney Crowell, and more. Last week, for the superjam of our final “official” episode, our cast of pickers pulled off this incredible cover of “The Weight,” a perfect finale for the series.

It’s been an incredible journey building and sharing these shows with all of you over the past few weeks, but the fun isn’t quite over yet. We’ve left all episodes of Whiskey Sour Happy Hour online so we can continue raising money for MusiCares and Direct Relief, two organizations leading the charge with critical support for musicians and front line responders facing this crisis.

Over your Memorial Day weekend, why not binge the whole show, enjoy world-class songs and comedy, and if you can, give a little to support the cause, too? Watch all episodes and donate here.Our friends at Direct Relief have been working ceaselessly since the advent of this pandemic to supply personal protective equipment to front line responders. Watch this brief video that captures the importance and the magnitude of the work they’re accomplishing.


California Bluegrass Association Says to “Turn Your Radio OnLINE”

Founded in 1974, the California Bluegrass Association is one of the oldest and largest bluegrass associations in the world, with over 2,700 members. They produce events throughout the year, including the jewel in their bluegrassy crown, Father’s Day Bluegrass Festival, held every Father’s Day weekend in Grass Valley, CA since just a year after the organization’s inception.

This year, the festival has canceled all in-person programming, asking bluegrass fans in California and around the world to turn their radios “OnLine” to take part in music performances, live interviews, online interaction, and so much more, featuring artists such as Tim O’Brien, Laurie Lewis, Molly Tuttle, Lonesome River Band, Special Consensus, Joe Newberry & April Verch, and others.

The webcasts will be accompanied by an online auction to raise funds for the CBA’s newly announced COVID Artist Relief Fund. Items being auctioned include fine acoustic instruments, books, music lessons, historic bluegrass memorabilia, and items of interest from popular musicians.

Get all of the information, full performance schedules, and more right here.


Music Maker Relief Foundation’s Freight Train Blues 2020

Our friends at the Music Maker Relief Foundation, the Hillsborough, N.C. based nonprofit whose mission is to promote and preserve American musical traditions by partnering directly with elderly musicians, have announced their 2020 music series, Freight Train Blues. The event, which ordinarly takes place at Carrboro Town Commons in Carrboro, NC, will now be broadcasted on Facebook, YouTube, and by WCHL 97.9FM out of Chapel Hill.

Featuring performances from Phil Cook, Mandolin Orange, Thomas Rhyant, and more, Freight Train Blues celebrates the life and legacy of Piedmont blues legend Elizabeth “Libba” Cotten, a pioneer in bluegrass, old-time, and blues and whose songs have left an indelible mark on all of American roots music.

You can tune in all through May and June! Get more information from MMRF here.


Reinventing a Broken Wheel – Frank Conversations, Future Opportunities


BGS co-founder and executive director Amy Reitnouer Jacobs will moderate the sixth session in Folk Alliance International’s “CommUNITY Online” series of sessions and panels on Friday, May 22 at 2pm CDT / 12pm PDT. Joined by David Macias (Thirty Tigers), Erin Benjamin (President/CEO Canadian Live Music Association), Enrique Chi (artist/activist), and Megan West (Facebook/Instagram) this group of industry experts will discuss, identify, and explore opportunities to innovate, pivot, and move the industry along in new directions. We each have a role to play in constructing our “new normal” — from immediate action to big picture initiatives, this conversation promises to be inspiring, provocative, and realistic.

Register for free, inform the conversation, and participate here.


Justin Hiltner and Jonny Therrien contributed to this article.

LISTEN: Caleb Christopher Edwards, “To Christopher”

Artist: Caleb Christopher Edwards
Hometown: Nashville, Tennessee
Song: “To Christopher”
Album: Metamorphosis
Release Date: April 3, 2020

In Their Words: “Faith has been a prominent backdrop in my life and this song captures a moment of confirmation of faith. If you hold faith in something or someone, hopefully it is challenged periodically to the point of digging for answers and discovering a new realm of faith. ‘To Christopher’ is a letter from an older version to a younger version of me, applauding the return to faith. Sometimes that return is haggard, hungry, bloody, and sore, but it’s so sweet when you find even a centimeter more of understanding.” — Caleb Christopher Edwards


Photo credit: Shelby M’Lynn Mick

LISTEN: Tommy Buller, “I Still Call It Home”

Artist: Tommy Buller
Hometown: Omaha, Nebraska
Single: “I Still Call it Home”
Release Date: May 22, 2020
Label: RBR Entertainment

In Their Words: “‘I Still Call it Home’ is a song written by Billy Droze and Chris Myers. The first time Billy played it for me, I listened to the words and I fell in love with the song because it’s kind of the way I feel. I love being in Nashville, but I always miss being at home with Mom and Dad. I think the direction that country music has taken is really sad. Hearing the ‘bro country’ stuff that is going on in Nashville right now sometimes makes me question what the heck I’m doing there, but I know that real country and bluegrass music isn’t dead. Ya just got to look a little harder to find it these days.” — Tommy Buller


Photo credit: Barbara Potter

LISTEN: Daryl Mosley, “A Few Years Ago”

Artist: Daryl Mosley
Hometown: Waverly, Tennessee
Song: “A Few Years Ago”
Album: The Secret of Life
Release Date: May 22, 2020
Label: Pinecastle Records

In Their Words: “I think as you age, you become more introspective. These days I seem to have much more clarity about my past, both professionally and personally. I have some wonderful memories of experiences I’ve had and as I look back on them, I would not change a thing. But I also have some real regrets in some of the decisions I made and how those things turned out. But you realize that on the road of life, there is no place to turn around. You can’t change any of it. All you can do is appreciate the positive experiences and hopefully learn from the negative experiences and grow as a person. That’s what ‘A Few Years Ago’ is about — accepting the past and your responsibility in it, and moving forward as a wiser, better individual.” — Daryl Mosley


Photo credit: Patty Lindley

LISTEN: Todd Snider, “I Wish We Had Our Time Again” (A Tribute to John Hartford)

Artist: Todd Snider
Song: “I Wish We Had Our Time Again” (John Hartford cover)
Album: On The Road: A Tribute To John Hartford (to benefit MusiCares)
Release Date: June 26, 2020
Label: LoHi Records

In Their Words: “John Hartford was a leader on three sides of our town — the bluegrass side, the hippie side, and the troubadour side. I can’t think of anyone else like that. He wrote poetry, played banjo, and exuded freedom at as high of a level as you can. I appreciated getting to be the one who sang this song, because it’s exactly where I am in my life. Me and my friends starting singing in the ’90s and made all the music we could, still do, but now we’re kinda grey and rooting for the younger ones, and wishing we had our time again.” — Todd Snider


Photo credit: Rich Chapman

Watkins Family Hour Find a Silver Lining in Work From Home Livestream

By the time Sean and Sara Watkins were about to launch a new Watkins Family Hour album and national tour, the live music industry (and life in general) got turned upside down by the sudden need for social distancing and sheltering at home. It could have been a major blow for the band, considering that they have built the WFH brand through live, multi-artist performances at the Los Angeles club Largo.

Nevertheless, the siblings are used to making decisions on the fly, so they put their heads together and figured out how to keep the spirit of their famous Watkins Family Hour shows intact. The result? Work From Home, a livestream series on Zoom every Thursday in May that begins at 4 pm PT. (However, your ticket purchases allows you to watch whenever it’s convenient for you.)

A portion of all ticket sales benefit MusiCares’ COVID-19 Relief Fund. Artists such as John C. Reilly, Mandy Moore & Taylor Goldsmith, Ruston Kelly, The War & Treaty, Mandolin Orange, Mike Viola and Tré Burt have all confirmed appearances for the series.

During an afternoon phone call, Sean and Sara shared the silver lining of virtually introducing their new album, titled brother sister, to the world, and the satisfaction that comes with launching a successful livestream.

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BGS: What kind of vibe did you want to capture in this Work From Home series?

Sara: We wanted to try and give people the sense of some kind of normalcy. Maybe if people are sitting at home in front of their TVs or their computers watching it, maybe they can for a second forget that they’re not able to go to shows and enjoy some of the genuine back-and-forth that would happen at a normal Family Hour show. It’s been really nice so far having these moments on screen to catch up with our friends and just connect, in a way, because a big part for everyone’s isolation is that feeling of disconnect.

It’s been surprising to both Sean and me how good it feels to do these shows. We’re putting a lot of thought into the shows and learning how to do them on the tech side. They’re live, so there’s a little bit of a countdown. It’s been a nice, familiar rhythm of, “OK, we’ve got to get ready! We’ve got 15 minutes!” Getting everything ready and making sure we have all the things we need — the set list, any notes we have to ask the guests, and then it starts! And we’re live!

That’s a huge part of our life when we’re working, and then afterwards, it’s a release. And it feels good to play these songs. So, on a selfish level, it’s so nice to have that familiar rhythm. The greater hope is that we’re able to share the genuine camaraderie that we have with other musicians and with each other, and to commune in these very strange times, and to hopefully give company to everyone else who’s in their own isolation.

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The banter makes the viewer feel like they’re part of the conversation, too.

Sara: Yeah! That’s what we hoped for. In the first week, we were able to ask for requests and do one of them, and that’s nice. But instead of chatting with people on this particular series, we’ve just been trying to play a show.

Sean: One thing that we always aim to do at Family Hour is to bring an element of what goes on backstage onto the stage. And a big part of what goes on backstage is conversations about music and life. There’s a tendency to have this onstage personality, or way of talking about things, and an offstage version. I think we’re trying to blend those two. There’s good stuff that gets talked about backstage. A lot of it can be boring for most people but a lot of it can be really interesting.

Sara: The thing about Family Hour is that every show is different, and typically there are a lot of guests coming on and off stage, so there’s not really room for a script, or even a rhythm. So, that has taught us that we need to be prepared and nimble, and to be professional, but in a way that feels natural and honest with the relationships we have with the musicians on stage. This is something that we really care about — these conversations — and we don’t want to fake moments on stage with our guests. We want to have genuine interaction. And a lot of audience members want to see what we genuinely care about, and talk with our friends about.

What has been the reward for you in seeing this Work From Home livestream come together?

Sean: Just being able to do a show for people and see that they’re listening, and hear back from them. A lot of the comments are from people saying where they’re listening from. Typically when we do our shows, it’s just LA people that are coming to Largo, so that’s really a cool aspect of doing these online. We did a fair amount of work and preparation for these shows, and when they go off, especially with technology in play, it feels really good to get to the end of it and to have done it! We’ve done two of them and it felt really good. It felt like walking off stage, kinda. [Laughs]

Sara: We’re learning new things about mediums every week and ways that we can make it look better and sound better. Sean is always trying to up the sonic level, but it sounds really good and it’s nice to be able to have a reason to practice different things, learn different things. The cyclical rhythm is really pleasing and I love that people are building us into their week. It seems like people either have all the time in the world, or no time at all, during this, and it takes an effort to carve out an hour in your day, so I really love that and appreciate that.


Photo credit: Jacob Boll